- The Legendary 1972 Performances Captured on Vinyl
Deep Purple’s "Made in Japan" is a monumental double live album recorded during their first tour of Japan in August 1972. What began as a project met with reluctance from the band turned into one of the most acclaimed live albums in rock history — a sonic document of a group at the height of its power. With “Highway Star,” “Smoke on the Water,” and “Space Truckin’,” this album immortalized the band’s unmatched energy and musicianship.
Deep Purple’s double-live album “Made in Japan” captures the band at its creative and technical peak. Recorded during their 1972 tour of Japan, it distilled the energy, improvisation, and virtuosity that defined the era of monumental live rock. In Nederland and far beyond, fans felt they were experiencing more than a concert — they were hearing history pressed onto vinyl.
The year 1972 was turbulent and electric. The Vietnam War dragged on, the Cold War kept the world uneasy, and yet youth culture exploded with self-expression. In music, rock was splitting into fascinating branches: progressive rock with Yes and Genesis, heavy blues from Led Zeppelin, and darker riffs from Black Sabbath. Deep Purple thrived right at that crossroads — loud, fearless, and ambitious.
The Netherlands was a lively musical hub: record shops in Amsterdam, Utrecht, and Rotterdam stocked imports within days of release. Dutch audiences, already enthusiastic for bands like Golden Earring and Focus, instantly embraced Deep Purple’s brand of high-octane hard rock.
Deep Purple’s sound on this album sits between hard rock and what soon became heavy metal. Alongside Led Zeppelin and Black Sabbath, they defined the power-trio ethos expanded into a five-piece storm. The combination of Ritchie Blackmore’s aggressive guitar tone and Jon Lord’s roaring Hammond organ created a sonic wall that few bands could rival.
At the time, other groups like Uriah Heep, Blue Öyster Cult, and Thin Lizzy were exploring similar ground, but “Made in Japan” stood out because it was entirely live — no studio polish, just raw musicianship.
The album opens with “Highway Star,” charging forward like a jet engine. Ian Gillan’s voice slices through the mix, while Blackmore and Lord duel through guitar and organ solos. “Smoke on the Water,” recorded only months after its studio debut on “Machine Head,” becomes an anthem for crowd participation.
“Child in Time” stretches beyond ten minutes, building from a soft organ introduction to a thunderous climax. Roger Glover’s bass locks with Ian Paice’s precise drumming, grounding the chaos in rhythm. Every moment feels spontaneous — proof that the band’s live interplay was as important as their compositions.
The Mk II lineup — Ian Gillan (vocals), Ritchie Blackmore (guitar), Roger Glover (bass), Jon Lord (keyboards), and Ian Paice (drums) — produced the album themselves. Their chemistry was born from years of relentless touring and the studio triumphs of “In Rock” (1970) and “Machine Head” (1972). Lord’s classically trained precision met Blackmore’s unpredictability; Gillan’s soaring range carried lyrics with both drama and irony.
The recordings were made at Osaka’s Festival Hall and Tokyo’s Budokan in August 1972. Engineers used mobile equipment to capture the concerts directly to 8-track tape — a demanding task in the days before digital editing. The result was a vivid snapshot of a band fully in command of its power.
Deep Purple had formed in 1968, evolving from a mix of psychedelic pop into one of Britain’s heaviest acts. By 1972, internal tensions had started to simmer. The success of “Made in Japan” ironically arrived just before turmoil: Gillan and Glover would depart the following year, making this recording their final statement with the classic Mk II formation.
Later versions of the band, including the Mk III lineup with David Coverdale and Glenn Hughes, took a funkier direction, but the sound captured here remains the blueprint for hard rock performance.
At the time of release, critics questioned whether any live album could truly represent Deep Purple’s intensity. Rumors circulated that overdubs had been added in the studio, though the band maintained it was almost entirely live. This debate gave the record an extra layer of mystique.
Some reviewers also dismissed the project as a label-driven attempt to cash in on the group’s Japanese success. Yet audiences disagreed: in Nederland, fans queued in record stores, drawn by the raw power of the cover photo — five musicians caught mid-blast under molten stage lights.
The roar of the crowd, the crackle of the amps, and Deep Purple firing on all cylinders — “Made in Japan” wasn’t just recorded, it was unleashed. You’ve felt the story and the sound; now step behind the curtain. Discover how this electrifying live album was captured, pressed, and wrapped in that iconic golden gatefold.
Continue to Detailed Album Production Information →Classic Rock, Hard Rock
Hard Rock combines heavy guitar riffs, blues-inspired melodies, and powerful vocals. Emerging from the late 1960s rock explosion, this genre became the foundation of both heavy metal and arena rock, defining a sound that dominated the 1970s.
Purple Records – Cat#: 5C 188-93915/16
Fold Open Cover (Gatefold) with gold-tinted exterior, featuring a centered live photo of the band performing.
Inside contains concert photography, track details, and recording credits.
Record Format: Double 12" Vinyl Stereo
Total Weight: 460g
1972 – Netherlands
Festival Hall – Osaka, Japan (15 & 16 August 1972)
Budokan – Tokyo, Japan (17 August 1972)
Mixed by Roger Glover and Ian Paice in London.
Disclaimer: Track durations shown are approximate and may vary slightly between different country editions or reissues. Variations can result from alternate masterings, pressing plant differences, or regional production adjustments.
The front cover of Deep Purple’s “Made in Japan” (Dutch release) captures a live performance bathed in amber and crimson light. The five members of the band stand across the stage in commanding formation: Jon Lord on the far left behind his Hammond organ, Ritchie Blackmore with his guitar angled toward the audience, Ian Gillan in the center at the microphone, Roger Glover holding the bass to the right, and Ian Paice seated behind his gleaming drum kit.
The stage glows beneath towering stacks of Marshall amplifiers, creating a fiery halo that turns the concert scene into something almost cinematic. The crowd’s silhouettes at the bottom edge rise in dark contrast, their hands raised toward the stage in awe.
The photograph is framed in a wide matte gold border, elegant in its restraint, reflecting both the luxury of the double album and the grandeur of the performance it preserves. Above the image, the band’s name appears in minimalist black type, and below it, the understated title “Made in Japan”—a layout that mirrors the precision and power of Deep Purple’s sound.
The back cover of Deep Purple’s “Made in Japan” radiates the same energy captured on stage. The central photograph shows Ritchie Blackmore and Ian Gillan in motion, bathed in a brilliant red spotlight that spills across the crowd. Blackmore stands poised in front of his amplifier stack, guitar angled as if in mid-strike, while Gillan moves toward the drums, his long hair illuminated by the stage glare.
The audience, packed tightly against the stage, stretches their arms toward the band—hands open, forming silhouettes against the crimson glow. It’s an image of pure live intensity, the kind of visual that defines rock at its most primal. Behind them, Ian Paice’s drum kit glints in the background, anchoring the chaos.
Above the photo, the track list is printed in a simple, elegant serif font, listing each song along with the performance location and date—Osaka or Tokyo, August 1972. The upper-right corner includes the catalog number 5C 188-93915/16 and the phrase “2 record set stereo,” a hallmark of the Purple Records Dutch edition. The entire layout is framed by a soft gold matte border, mirroring the front cover’s subdued sophistication.
The inside left panel of the “Made in Japan” gatefold bursts with vivid energy, rendered entirely in fiery shades of red and orange. A bold sunburst motif radiates from the center, its angular rays slicing across the page like beams of light cutting through concert haze. Inside the circular core are the track titles and credits, printed in clean serif typography that glows against the warm background.
Within the triangular rays are three live photographs, tinted red to blend seamlessly with the design. Ritchie Blackmore appears mid-solo, guitar slung low as he commands the stage. Ian Gillan is captured in an intense moment of performance, his face lit by the glare of the stage lights. Jon Lord sits behind his organ, head tilted, his concentration palpable even through the abstract color palette.
The composition cleverly merges concert photography with symbolic design. The rising sun evokes Japan—the birthplace of these legendary recordings—while the glowing palette suggests the heat and power of Deep Purple’s live sound. A small Purple Records logo rests discreetly at the bottom right, completing the artwork’s fusion of modern design and rock iconography.
The right-hand panel of Deep Purple’s “Made in Japan” gatefold continues the blazing sunburst motif that defines the interior design. The bright red and orange tones radiate across the surface, echoing both the warmth of the Japanese sun and the molten energy of the performances within.
Within the angular rays are red-tinted live images of Ian Gillan captured mid-performance. In the upper ray, his face emerges from the glow, eyes closed as if consumed by the music. Below, another photograph shows him gripping the microphone, mouth open mid-scream, the raw power of his vocals almost visible through the design. At the bottom, Ian Paice and his drum kit appear in silhouette, surrounded by the faint shimmer of stage lights.
The track listing, technical credits, and acknowledgments—naming Roger Glover for mixing and Fin Costello for photography—sit neatly inside the central orange circle. A small Purple Records logo anchors the bottom corner, grounding the composition in authenticity. Together, both gatefold panels form a complete visual statement: a tribute to the fire, precision, and spectacle that defined Deep Purple’s 1972 tour of Japan.
This Dutch pressing of Deep Purple’s “Made in Japan” features the signature Purple Records label — a clean, elegant design in lavender with a stark white vertical bar along the left. Inside that bar, the word “PURPLE” runs vertically in tall, modern sans-serif letters, creating a minimalist contrast that’s instantly recognizable to collectors of early-70s British hard rock.
The catalog number 5C 188-93915 is printed twice: once in bold at the top right, and again in parentheses on the left near the inner rim. Both indicate Side One of the double LP. The rights organization STEMRA appears below the song list, marking it as a Netherlands release under the EMI Bovema distribution network. The text “Produced by Deep Purple” sits proudly below the track titles “Highway Star” and “Child in Time,” reaffirming the band’s control over the album’s live sound.
Around the label’s edge runs the fine legal rim text: “All rights of the manufacturer and of the owner of the recorded work reserved. Unauthorised public performance, broadcasting and copying of this record prohibited.” The entire design exudes mid-70s restraint — clear, symmetrical, and efficient. It’s a visual balance between corporate precision and rock rebellion, captured in lavender vinyl ink.
The Dutch Purple Records label represents the band’s independent branding under EMI Bovema. This particular lavender-and-white design was used by Purple Records between 1971 and 1974, marking the peak of Deep Purple’s global success and the expansion of their European pressings.
Purple 1C 038-1576031 , 1975 , Germany
Released on Deep Purple's own record label, '24 Carat' marked Deep Purple's debut compilation album, representing a pivotal period in their hard rock journey. This 12" LP encapsulates the band's evolution, featuring iconic tracks that defined their sound.
24 Carat Purple 12" Vinyl LP
EMI 152 Y 79 6130 , 1991 , EEC
Deep Purple's 'Anthology' is a musical treasure trove spanning 150 minutes, carefully curated across three LPs. This vinyl masterpiece not only delivers the band's iconic sound but also includes the original 4-page 12" booklet, offering fans a nostalgic journey through the band's history.
Anthology 12" Vinyl 3LP
Purple Records 3C 064-94837 , 1974 , Italy
Deep Purple's 'Burn' marked a pivotal transition with new members David Coverdale and Glenn Hughes, forming the 'Mark III' lineup. This Italian release of the album is distinguishable by the S.I.A.E 'Rights Society' imprint at 9 o'clock on the record label.
Burn (Italian Release) 12" Vinyl LP
Deep Purple's "Come Taste the Band" is a pivotal album in their discography, marking a shift with Tommy Bolin on guitar. The 1975 European LP releases captured this new era, featuring iconic tracks like "Gettin' Tighter" and "Comin' Home".
- Come Taste the Band (English Release) - Come Taste the Band (French Release) - Come Taste the Band (German Release) - Come Taste the Band (Netherlands Release)
"Deepest Purple: The Very Best of Deep Purple" is the compilation album by the British hard rock band Deep Purple, released in 1980. It features the original hits of Deep Purple before their 1984 reunion.
- Deepest Purple (Gt Britain Release) - Deepest Purple (French Release)
Deep Purple's 'Deep Purple III' (1976, Netherlands) marks a pivotal moment in the band's history. Originally released in 1969 on Harvest Records in the UK, it stands as the third studio album and the final one with the original lineup.
- DEEP PURPLE III (Netherlands Release) - DEEP PURPLE III (Dutch Release, with Label Code) - DEEP PURPLE III (German Release)
Harvest 1C 062-92 726 , 1971 , Germany
Deep Purple's 'Fireball' album, in its original European release, boasts a unique addition - 'Demon's Eye' replacing 'Strange Kind of Woman.' This gatefold 12" vinyl LP provides an authentic experience
- Fireball (German Release) - Fireball (German Release, Fame Records) - Fireball (Netherlands Release) - Fireball (USA Release)
Deep Purple's 'The House of Blue Light' in its German 12" vinyl LP release represents a significant chapter in the band's history. This album captures the reunion of the re-formed Mark II lineup and showcases meticulous production and sound engineering, resulting in an auditory masterpiece.
- The House Of Blue Light (Germany) - The House of Blue Light (Hungary)
Harvest 1A 138-64158 , 1980 , Holland
Deep Purple's 'In Concert Unreleased BBC Tapes,' in a gatefold cover 12" vinyl LP album, offers a captivating glimpse into the band's live prowess. Recorded in 1970 and 1972 for the BBC's 'In Concert' series, these unreleased performances are a treasure trove for fans.
In Concert Unreleased BBC-Tapes 12" Vinyl LP
Deep Purple's "In Rock" (1970), a landmark in hard rock, shook the European music scene with its raw energy. Original European LP pressings are sought after by collectors for their powerful sound and iconic gatefold cover. Tracks like "Speed King" and "Child in Time" showcase the Mark II lineup's prowess
- In Rock 1st Pressing (France) - In Rock 1st Pressing (Gt Britain) - In Rock (Holland, Fame Records) - In Rock (Italy) - In Rock (Netherlands)
Purple Records 1C 064-60 900 , 1977 , Germany
This album by DEEP PURPLE released in March 1977. It records the last Japanese concert of the Mark IV-lineup with Tommy Bolin. This album was recorded on December 15, 1975 at the Tokyo Budokan,
Last Concert in Japan 12" Vinyl LP
"Machine Head" is the sixth studio album released by English rock band "Deep Purple". It was recorded through December 1971 in Montreux, Switzerland, and released in March 1972. "Machine Head" is often cited as influential in the development of the heavy metal music genre.
- Machine Head (Italy) - Machine Head (Italy Francis-Day) - Machine Head Black Border/Frame (Gt Britain) - Made in Europe (French Release)
PR 2995,Warner Records 1976, Made in USA
The USA release of "Deep Purple - Made in Europe" on a 12" vinyl LP album is a live recording capturing the band's performances in Austria, Germany, and France during April 1975. Engineered by Mick McKenna, Tapani, and Martin Birch, and mixed by Ian Paice and Martin Birch,
Made in Europe 12" Vinyl LP
"Deep Purple - Made in Japan Live 2LP" is a monumental double live album by the English rock band. Recorded during their inaugural tour of Japan in August 1972, this album captures the raw energy and musical brilliance of Deep Purple's live performances. Originally released in December 1972
- Made in Japan (European Release) - Made in Japan (French Release) - Made in Japan (German Release) - Made in Japan (Gt Britain Release) - Made in Japan (Italian Release) - Made in Japan (Netherlands Release)
Purple Records 1C 188-94 865 , 1973 , Germany
"Deep Purple - Mark I and II" is a 2LP gatefold 12" vinyl album that offers a comprehensive journey through the band's evolution. The gatefold cover features captivating artwork and photos within its pages. Liner notes by Jens Larsen provide insights in both English and German
Mark I and II 12" Vinyl 2LP
Purple Records – 1A 062-61695, Purple Records – 5C 062-61695 , 1979 , Holland
The Mark 2 Purple Singles" record is a compilation album of tracks previously released as 7" singles of the "Mark II" period of the British Rock band "Deep Purple". Their Mark 2 period was from July 1969 until June 1973.
The Mark 2 Purple Singles 12" Vinyl LP
Polydor 835 898 , 1988 , West-Germany
"Nobody's Perfect" is a live double LP album by the British rock band Deep Purple, released in 1988. This album captures the band's electrifying live performances and showcases their enduring musical prowess. Featuring classic tracks, it stands as a testament to Deep Purple's status as rock legends
Nobody's Perfect 12" Vinyl LP
Polydor 823 777 (823777) / Digital Master Mix , 1984 , West-Germqany
"Perfect Strangers" is the eleventh studio album by DEEP PURPLE, released in November 1984. It represents the first album recorded by the reformed (and most successful and popular) 'Mark II' line-up.
- Perfect Strangers (Germany) - Perfect Strangers Club Edition (Germany)
Purple Records 1C 064-60 072 , 1977 , Germany
"Powerhouse" (1977, Germany) is a compilation album by Deep Purple, featuring a collection of previously unreleased live and studio tracks from the band's prime era. This album offers a nostalgic journey back to the halcyon days of Deep Purple, capturing their electrifying performances and musical prowess.
Powerhouse 12" Vinyl LP
Harvest 1C 038-157592 1 DMM , 1977 , Germany/Netherlands
The International releases of "Deep Purple - Live at the Royal Albert Hall" offers fans a spectacular musical experience. This album captures the band's live concert at the Royal Albert Hall, featuring the groundbreaking "Concerto for Group and Orchestra" composed by Jon Lord.
- In Live Concert At The Royal Albert Hall (European Release) - In Live Concert At The Royal Albert Hall (France) - In Live Concert At The Royal Albert Hall (Germany) - In Live Concert At The Royal Albert Hall (Gt Britain) - In Live Concert At The Royal Albert Hall (Italy) - In Live Concert At The Royal Albert Hall (USA)
Harvest – 5C 038-04175 , 1977 , Netherlands
"Shades of Deep Purple" (1977, Netherlands) marks the debut full-length album from the British rock band Deep Purple. It encapsulates the prevailing psychedelic and progressive rock sound of late 1960s Britain. This album serves as a historical snapshot, showcasing the band's early musical exploratio
Shades of Deep Purple 12" Vinyl LP
EMI Harvest FA 3212 SHSM 2026A , 1978 , Gt Britain
"Deep Purple - Singles A's & B's" on 12" vinyl LP is a compilation album that offers a treasure trove of rare A-sides and B-sides from Deep Purple's singles. This collection provides a unique opportunity for fans and collectors to explore the band's lesser-known tracks and discover hidden gems.
The Deep Purple Singles A's & B's 12" Vinyl LP
RCA PL90535 , 1990 , Germany
"Slaves and Masters" (1990, Germany) is a significant album in Deep Purple's discography. Released in 1990, it represents a unique chapter as the only album featuring singer Joe Lynn Turner, who replaced Ian Gillan in the previous year. This transitional period in the band's history brought a different vocal style
Slaves and Masters 12" Vinyl LP
"Stormbringer" is the ninth studio album by DEEP PURPLE, released in December 1974. On this album, the soul and funk elements that were only hinted are much more prominent. Many fans consider Stormbringer to be a major turning point in the band, and the mark of an era's end.
Stormbringer (Germany) Stormbringer (Italy)
Who Do We Think We Are! is a hard rock album by DEEP PURPLE. Recorded in Rome July 72 and Frankfurt Oct 72 on Rolling Stones Mobile. It was their seventh studio album, and the last one with the classic Mk II lineup of the group until 1984.
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