Noise International – N 0086 , 1987 , Germany
KREATOR - Terrible Certainty
“Terrible Certainty” captures KREATOR at the point where raw Teutonic thrash hardened into precision weaponry. Recorded at Hannover’s Horus Studio and produced by Roy “Macaroni” Rowland, this 1987 album delivers disciplined speed, razor-sharp riffing, and Mille Petrozza’s commanding vocals, cementing the band’s status beyond the underground.
Metal Blade Records 3984-14033-1, 1984 , USA
SLAYER - Live Undead & Haunting the Chapel
A feral snapshot of Slayer at the moment they stopped warming up and started burning cities. This limited blue vinyl pairs the raw, chaotic violence of the “Live Undead” EP with the studio brutality of “Haunting the Chapel,” capturing the band just before thrash metal fully detonated. Fast, ugly, and gloriously unpolished, this release documents Slayer’s transition from underground menace to genre-defining force.
Parallel Lines Records – PMLP 3330 , 1988 , German Pressing
CALDERONE - S/T Self-Titled
This EP catches Calderone right at the moment when Berlin’s late-80s scene was shifting from garage grit to full power-metal urgency. The band pushes sharp riffs, hungry pacing, and a surprisingly confident frontman vibe for a debut. A short, punchy release that collectors chase because it delivers that raw “pre-big label” energy you rarely see documented this clearly.
HOLY MOSES - Finished with the Dogs (1987 Germany)
Finished With The Dogs hits like a controlled street riot, with Sabina Classen shredding the air and turning every groove into a war cry. This 1987 burst of German speed/thrash comes off brutally alive, packed with that no-nonsense tempo switch Holy Moses owned. The vinyl spins fast, loud, and unfiltered — still smelling like sweat, fog machines, and underground nights that never cooled down.
DARK ANGEL - Darkness Descends
Darkness Descends (1986) marked the exact point where thrash crossed the threshold from fast to feral. Gene Hoglan’s precision defied human limits while Don Doty’s voice cut through the noise like a siren from the depths. It’s dark, frantic, and utterly relentless — the kind of record that turned basements into battlegrounds and left turntables smoking.
GRAVESTONE - Back to Attack
Gravestone’s “Back to Attack” slices through 1985 with German steel and vinyl soul — equal parts precision and raw emotion. The guitars duel like sworn brothers, the drums thunder with military discipline, and the singer’s voice could probably shatter a pint glass. It’s loud, proud, and gloriously defiant — exactly the kind of record that turns ordinary evenings into headbanging history.
EXODUS - Fabulous Disaster ( New Musidisc and MFN Releases)
In the smoldering ashes of the 80s, as hair metal's mascara ran and glam's glitter faded, a beast emerged from the Bay Area, snarling and spitting fire. Exodus, already veterans in the burgeoning thrash scene, unleashed "Fabulous Disaster" upon a world teetering on the edge of cultural upheaval.
- Fabulous Disaster (1988, New Musidisc, France) 12" Vinyl LP - Fabulous Disaster (1988, MFN France) 12" Vinyl LP
ANTHRAX - State of Euphoria (German & USA Releases) 12" Vinyl LP
“State of Euphoria” (1988) captures Anthrax at their most unhinged — fast, funny, and ferociously self-aware. Bursting with East Coast attitude and satirical bite, it’s thrash metal with a grin. From the spiraling madness of its cover art to the anthemic roar of “Antisocial,” the album turns chaos into celebration — a glorious mess only Anthrax could make.
- State of Euphoria ( 1988, Germany ) - State of Euphoria ( 1988, USA )
WARHEAD - The Day After
A true gem for collectors, “The Day After” captures Warhead at their fiery peak—Belgium’s answer to the global Heavy Metal explosion. The riffs roar, the energy burns, and the vinyl itself feels alive in your hands. It’s the kind of LP that reminds you why analog power still beats digital perfection any day.
OVERKILL - Taking Over (International Releases)
Released in 1987, "Taking Over" was Overkill's second studio album and their major label debut on Atlantic Records. The album arrived during the peak of thrash metal's popularity, with bands like Metallica and Slayer dominating the scene.
- Taking Over (1987, Canada) - Taking Over (1987, Germany) - Taking Over (1987, USA)
VENOM - Calm Before The Storm
Venom's "Calm Before The Storm" represents a significant departure from the band's earlier work, offering a more polished, melodic sound while still retaining their trademark aggression and intensity. The album may not be as well-known as some of their earlier releases, but it still holds an important place in the history of the metal genre.
MEGADETH - Mary Jane
This isn’t just a thrash metal maxi-single, it’s a coffin lid slammed shut at 45 r.p.m. Mary Jane crawls from the grooves with banshee wails and bone-splintering riffs, a teenage séance pressed in black vinyl. Flip it, and the B-side detonates with Megadeth’s trademark venom, each track a Molotov cocktail hurled at silence itself.
MEGADETH - So Far So Good So What (International Releases)
Megadeth's "So Far, So Good, So What" 12" vinyl LP album was released on 19 January 1988, on Combat Records. The Canadian release of the album features a slightly different track listing than the US version
- So Far So Good So What (1988, Canada) - So Far So Good So What (1988, Germany) - So Far So Good So What (1988, USA)
MEGADETH - So Far So Good So What (International Releases)
- So Far So Good So What (1988, Canada)
- So Far So Good So What (1988, Germany)
- So Far So Good So What (1988, USA)
Megadeth's "So Far, So Good, So What" 12" vinyl LP album was released on 19 January 1988, on Combat Records. The Canadian release of the album features a slightly different track listing than the US version
EXODUS - Pleasures of the Flesh (1987)
The mid-1980s witnessed a thrash metal explosion, with bands like Metallica, Slayer, and Megadeth leading the charge. Exodus, hailing from the Bay Area, found themselves at the epicenter of this sonic revolution. "Pleasures of the Flesh" was their second studio album
Pleasures of the Flesh (1987, England) 12" Vinyl LP
FLOTSAM AND JETSAM Doomsday For The Deceiver
This album "Doomsday For The Deceiver" is the debut album by Flotsam and Jetsam. It was released on 4 July 1986. This is the only album by Flotsam and Jetsam with Jason Newsted before his departure for Metallica. Most lyrics were written by Newsted. Discover the Shocking Truth Behind This Album
DESTRUCTION - Sentence of Death (Record Label Versions)
In the world of thrash metal history, one cannot overlook the seminal release that marked the advent of a formidable force in the genre – Destruction's "Sentence Of Death." This 12" Vinyl LP Album, cataloged as Steamhammer SH 0020, holds a paramount position in the archives of thrash metal,
- Sentence of Death ( Blue / Green Label, 1984 Germany ) - Sentence of Death Blue/White Label (1984, Germany)
ZAR - Sorted Out
"Sorted Out" by Zar is a speed/power metal masterpiece pressed onto a 12" vinyl LP. This album showcases the band's exceptional musicianship and powerful vocals, delivering a high-energy sonic assault. With lightning-fast guitar solos, pounding drums, and anthemic choruses, Zar creates an electrifying atmosphere that will satisfy fans of speed and power metal.
Sorted Out 12" Vinyl LP
SLAYER - Show No Mercy
"Show No Mercy" Three different versions of coloured vinyl, originally released in December 1983. Brian Slagel signed the band to Metal Blade after watching the band perform the song "Phantom of the Opera" by Iron Maiden.
SLAYER - Show No Mercy (Black Vinyl, Netherlands) SLAYER - Show No Mercy (Grey Vinyl, UK SLAYER - Show No Mercy (White Vinyl, UK)
HAWAII - The Natives Are Restless
The Natives Are Restless isn’t just an album, it’s a neon-lit eruption from the molten pits of Honolulu, where Marty Friedman’s guitar turns surfboards into chainsaws and Eddie Day howls like a man possessed by both tiki gods and Marshall stacks. It’s raw, reckless, sweaty, and louder than the tropics ever bargained for—a glorious middle finger carved in vinyl.
Visit this 12" Vinyl LP Album
DEATH ANGEL - Act III
Act III, released in 1990 on Geffen Records, marked Death Angel’s leap from Bay Area thrash cult heroes to the major-label spotlight. Produced by Max Norman, the album balances razor-edged riffs with melodic twists, acoustic flourishes, and social commentary, showcasing the band’s ambition and versatility at the close of the thrash era.
Stage Dive Into Act III
SLAYER - South of Heaven
Slayer’s South of Heaven (1988) marks a turning point in their discography, introducing a slower, more atmospheric approach while retaining their trademark aggression. The album showcases tracks like ‘Mandatory Suicide’ and the title track, which became live staples. This release pushed the boundaries of thrash metal, cementing Slayer’s reputation as one of the genre’s most innovative and influential bands.
South of Heaven 12" Vinyl LP
CELTIC FROST - To Mega Therion
Celtic Frost’s "To Mega Therion" is a groundbreaking 1985 release that shattered thrash metal conventions with its fusion of doom, avant-garde, and gothic elements. Featuring haunting vocals and darkly theatrical riffs, the album is immortalized by H.R. Giger’s surreal biomechanical artwork—turning this LP into a true cult classic.
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HADES - If at first you don't succeed
Released in 1988, "If at First You Don't Succeed..." is the second album by U.S. metal band HADES. Blending thrash, power & speed metal, it showcases fierce riffs, sharp lyrics, and complex song structures. Issued by Torrid Records and distributed in Europe by Roadrunner, this LP became a cult favorite for its raw production, intense performances, and literary depth.
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