ROCK Music On Vinyl

STEVE MILLER BAND - Greatest Hits 1974-78

"Steve Miller Band Greatest Hits 1974-78" was a massive success when it was released, selling millions of copies and reaching number one on the US Billboard 200 chart.

KISS - Ace Frehley

When Ace Frehley finally stepped out alone, he didn’t roar—he shimmered. His guitar screamed like a comet tail, his voice cracked with Bronx honesty, and “New York Groove” turned swagger into rocket fuel. This album isn’t just a spin-off; it’s the sound of one man proving that even in outer space, electricity still hums through six steel strings.

STEVE MILLER BAND - The Joker

With “The Joker,” Steve Miller reshaped his sound—shifting from blues experimentation to smooth, melodic rock. The record’s confident guitar tone, easy grooves, and witty songwriting marked a turning point in his career, setting the stage for later classics like “Fly Like an Eagle” and “Rock’n Me.”

MARTY FRIEDMAN – Dragon's Kiss

The 1988 debut solo album by guitar virtuoso Marty Friedman, released on Roadrunner Records. A landmark in instrumental rock and neoclassical metal, produced by Friedman with Mike Varney and engineered by Dino Alden. Featuring Jason Becker’s guest solos and standout tracks “Dragon Mistress” and “Thunder March,” it defined late-80s shred guitar excellence.

STATUS QUO - In the Army Now

With its mix of defiance and melody, "In The Army Now" captured Status Quo’s evolution in full stride. The powerful title track stood as a rock anthem of endurance, showing how Rossi and Parfitt transformed decades of touring energy into one of the band’s most memorable 1980s recordings.

RUSH - Signals 12" Vinyl LP

Released in 1982, Signals is Rush’s ninth studio album and marks a bold shift toward synthesizers and modern rock textures. Recorded at Le Studio in Quebec, it features standout tracks like Subdivisions and New World Man, blending technical musicianship with introspective lyrics that captured the spirit of the early 80s.

THE WHO - Tommy Track Records

The Who’s Tommy (1969) is a groundbreaking rock opera that redefined the boundaries of rock music. Released as a double LP in the UK by Track Record, it tells the story of a deaf, dumb, and blind boy who becomes a pinball champion and spiritual figure. Produced by Kit Lambert with surreal artwork by Mike McInnerney, its mix of rock, opera, and narrative set a new standard in concept albums.

LA MUERTE - Death race 2000 ( 1989 belgium )

"DEATH RACE 2000," the 12" LP VINYL Album, stands as the second opus of the Belgian band La Muerte. This album takes listeners on a sonic journey, encapsulating the band's unique blend of post-punk, rock, and psychedelic elements. La Muerte, known for their experimental and genre-defying approach, unleashes a sonic landscape that is both intense and immersive. "Death Race 2000" serves as a testament to the band's artistic evolution, solidifying their status as trailblazers in the Belgian music scene.

The album cover for Uriah Heep's 1978 album "Fallen Angel" was designed by artist Chris Achilleos. Chris Achilleos is a Cypriot-British painter and illustrator who has created cover art for many books, albums, and magazines. He is well known for his fantasy and science fiction artwork and his attention to detail, and has created many memorable and iconic images throughout his career.

THE DEMONS - Self-Titled

"The Demons," New York City's rock revelation, unleashed their self-titled 1977 debut on Mercury. A 12" vinyl LP blending power-pop, blues, and rock energy, produced by Craig Leon with art by Jim Schubert. Gritty riffs, soulful vocals, and tracks like "She’s So Tuf" and "I Fought the Law" embody the restless spirit of late '70s NYC.

SANTANA - Self-Titled Lion Head (International Versions)

The "Lion Head" cover art is more than just an image; it's a symbol of the band's sound. The powerful lion conveys the raw energy of their music, while the vibrant colors hint at the psychedelic and Latin undercurrents.

ROLLING STONES - Steel Wheels

Released in 1989, "Steel Wheels" marks a triumphant return for the Rolling Stones. This album showcases a rejuvenated band delivering a blend of classic rock energy and polished production. With catchy hooks and powerful performances, "Steel Wheels" is a testament to the Stones' enduring appeal.

BON JOVI - Lay Your Hands On Me

Bon Jovi's "Lay Your Hands On Me" 12" Vinyl EP Album, released in 1989, holds a special allure with its limited edition large poster. Produced by the acclaimed Bruce Fairbairn and engineered by Bob Rock, the album showcases the band's prowess during a pivotal time in their career. This collector's item seamlessly combines musical excellence with a unique visual element, encapsulating the spirit of Bon Jovi's artistic journey in 1989.

THE MOTHERS OF INVENTION - Weasels Ripped my Flesh

"Weasels Ripped My Flesh" is an album by American experimental rock band The Mothers of Invention, released in 1970. The band was formed by Frank Zappa, who was the primary composer and leader of the group. The album features a mix of musical styles, including rock, jazz, and avant-garde

STATUS QUO - Just Supposin'

Released in 1980, Status Quo’s "Just Supposin’" roars with the band’s signature boogie rock energy, blending hard-driving riffs with melodic hooks. This French Vertigo pressing stands out with its striking black label adorned with the iconic twin “mushroom” logos, a collector’s hallmark that perfectly frames this enduring rock classic.

JETHRO TULL - Stand Up Pop-Up (Four European Releases)

Released in 1969 amidst a vibrant rock scene, Jethro Tull's "Stand Up" marked a bold departure from their blues-infused debut. This 12" vinyl LP, with its iconic pop-up gatefold cover, became a symbol of the band's musical exploration and their frontman Ian Anderson's burgeoning songwriting prowess.

HEART - Brigade (USA & European Releases)  

Heart's "Brigade" is a legendary album that captivated rock enthusiasts with its powerful sound and compelling lyrics. It became a sensation, climbing its way to the impressive position of number three on the American Billboard 200.

PINK FLOYD - Atom Heart Mother

This page shows the release of Pink Floyd's Atom Heart Mother in its third Canadian Edition. A distinctive feature is the catalog number SMAS 382 imprinted on the record label, setting it apart from the catalog number on the album's front cover. This edition adds a nuanced touch to the timeless album, embodying the evolution and uniqueness within the chronicles of music history during its specific time period.

MEAT LOAF - Bad Attitude

Released in 1984, "Bad Attitude" marked a bold evolution for Meat Loaf, blending theatrical rock with harder-edged sounds. Featuring a duet with Roger Daltrey and two Jim Steinman-penned tracks, the album was recorded in the UK at Marcus Music and Abbey Road Studios. It showcases dynamic vocals, dramatic themes, and a diverse lineup of session musicians.

STARSHIP - No Protection

Released in 1987, "No Protection" is a polished pop-rock album that marked Starship’s full transition from their Jefferson Airplane origins. Featuring Grace Slick’s final studio performance, the album embraces the slick production of the '80s and includes the chart-topping hit "Nothing’s Gonna Stop Us Now."

DR. HOOK - A Little Bit More

Released in 1976, A Little Bit More marked a shift for Dr. Hook from their satirical roots to a smoother soft rock sound. Featuring the hit title track, the album blends heartfelt ballads, witty lyrics, and country-pop charm. With polished production and emotional depth, it remains a standout in the band’s discography.

GOLDEN EARRING - Contraband

Golden Earring's 1976 album, "Contraband," epitomizes the 1970s rock scene. The LP, a blend of live energy and studio innovation, mirrors the era's musical evolution. Characterized by analog warmth, the production reflects meticulous attention. The album cover, a visual ode to 1970s European aesthetics, complements the LP's sonic journey. "Contraband" remains a cherished artifact, encapsulating the spirit of a musical epoch.