- 1986 European Vinyl Release Featuring Unique Artwork, Original Shrink-wrap, and Ian Stewart's Final Appearance
The Rolling Stones' 1986 album "Dirty Work" is a rock masterpiece, produced by Steve Lillywhite and The Glimmer Twins. Recorded at Pathé-Marconi Studios in Paris, the album features a stellar team of sound engineers. The farewell to Ian Stewart, the "Sixth Stone," adds emotional depth. With captivating artwork by Janet Perr, Mark Marek, and Annie Leibovitz, "Dirty Work" remains a timeless testament to The Rolling Stones' enduring musical legacy.
The year was 1986, and The Rolling Stones, a British rock band with an already illustrious career, released their 18th full-length official album, "Dirty Work." This album marked a significant chapter in the band's history, both in terms of its time period's context and the remarkable production that went into crafting this musical masterpiece.
Production Credits:
"Dirty Work" bore the imprint of renowned producer Steve Lillywhite and The Glimmer Twins – a collaborative production duo consisting of Mick Jagger and Keith Richards, both integral figures in The Rolling Stones. This album stands as a testament to the enduring creativity of the band, with a production team that knew how to capture their essence.
Behind the Sound:
The sound and recording engineering of "Dirty Work" were in the capable hands of Steve Parker, Mike Krowiak, Tim Crich, and Dave Jerden. Notably, Tim Crich's involvement extended beyond The Rolling Stones, as he had also contributed to the debut album of "Kingdome Come." The expertise of these engineers played a crucial role in shaping the album's sonic landscape.
Recording Locations:
The sessions that birthed "Dirty Work" took place at Pathé-Marconi Studios in Paris, infusing the album with a touch of continental flair. The choice of this iconic studio added a unique dimension to the recording process, as the band immersed themselves in the vibrant cultural backdrop of the French capital.
Mixing and Mastering Mastery:
The album's mixing occurred at RPM Studios and Right Track Recording, showcasing the meticulous attention to detail applied to each track. The final touch came from the skilled hands of mastering engineer Bob Ludwig at Masterdisk, ensuring that the sonic quality of "Dirty Work" met the highest standards of the industry.
Album Artwork:
Beyond its musical prowess, "Dirty Work" also made a visual statement with its album cover. Designed by Janet Perr and Mark Marek, the cover art perfectly complemented the album's tone and themes. The striking photography by Annie Leibovitz added an additional layer of artistic depth, capturing the essence of The Rolling Stones in a single frame.
A Farewell to Ian Stewart:
Notably, "Dirty Work" marked the last album on which Ian Stewart participated. Stewart, often referred to as the "Sixth Stone," had been a foundational member of the band since its early days. His absence on subsequent albums lent a bittersweet note to "Dirty Work," making it a poignant farewell to a key figure in The Rolling Stones' history.
Collector's notes for ROLLING STONES Dirty Work ( detailed background information on the persons working on this album)
This ROLLING STONES Dirty Work can be identified / distinguished by the following attributes :
Album Front Cover Details:
This album comes in the original dark red cellophane shrink-wrap and has the large illustrated promotional sticker on the front.
The album title is printed on the top right corner of the front cover
The name of "The Rolling Stones" does not appear on the cover.
Album Back Cover Details:
The is NO barcode on the album back-cover.
The catalognr "86321" is printed on the top right corner of the album0s back cover.
This album comes with the original light cardboard custom inner sleeve (OIS)
Album Record Label Details:
Record label information:
The labels have colourful artwork with photos of the Rolling Stones.
The Label Code is "LC 0419" and is printed near 7 o'clock
The right societies are "BIEM STEMRA" and is printed near 9 o'clock
The rim-text on the label is in the English language
Album Fact Sheet: ROLLING STONES Dirty Work
Music Genre:
Classic Rock, Blues-Rock
Album Production Information:
Produced by: Steve Lillywhite, The Glimmer Twins
The Glimmer Twins is the pseudonym adopted by Mick Jagger and Keith Richards when producing albums for The Rolling Stones starting in the 1970s. Known for their deep creative partnership, the duo took greater control over the band's sound, beginning with the 1974 album It's Only Rock 'n Roll. Under this moniker, they produced some of the Stones’ most iconic records, blending rock, blues, disco, and punk influences into a distinctive sonic legacy.
Sound/Recording Engineer(s): Steve Parker, Mike Krowiak, Tim Crich, Dave Jerden (Note: Tim Crich also worked on "Kingdom Come"'s debut album)
This album was recorded at: Pathé-Marconi Studios, Paris
Mixed at: RPM Studios, Right Track Recording
Mastered by: Bob Ludwig at Masterdisk
Bob Ludwig is a legendary mastering engineer known for his work with Led Zeppelin, The Rolling Stones, and Pink Floyd. With a career spanning over five decades, he has won multiple Grammy Awards and founded Gateway Mastering Studios. Ludwig is a pioneer in high-fidelity sound, ensuring top-tier audio quality. Learn more on
Bob Ludwig's biography
.
Album cover design: Janet Perr, Mark Marek
Album cover photography: Annie Leibovitz
Record Label & Catalognr:
Rolling Stones Records – CBS 86321
Record Format:
12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 280 gram
Year & Country:
1986 Europe
Personnel/Band Members and Musicians on: ROLLING STONES Dirty Work
Mick Jagger – Lead and Backing Vocals, Harmonica
Keith Richards – Electric and Acoustic Guitars, Piano, Backing Vocals; Lead Vocals on "Too Rude" and "Sleep Tonight"
Ronnie Wood – Electric, Acoustic and Pedal Steel Guitar, Tenor Saxophone, Backing Vocals; Drums on "Sleep Tonight"
Bill Wyman – Bass Guitar, Synthesizer
Charlie Watts – Drums
Guest Musicians:
Chuck Leavell – Keyboards
Ivan Neville – Backing Vocals, Bass Guitar, Organ, Synthesizer
Jimmy Page – Electric Guitar on "One Hit (To The Body)"
Jimmy Page, born January 9, 1944, is a legendary guitarist and the mastermind behind Led Zeppelin’s groundbreaking sound. Throughout the 1970s, his innovative riffs, masterful production, and electrifying live performances helped shape rock history. After Zeppelin disbanded in 1980, Page explored new projects, including The Firm and collaborations with artists like Paul Rodgers. His work in the ’80s kept his influence alive, cementing his status as a rock icon.
Explore his innovative techniques, iconic riffs, and musical genius.
Bobby Womack – Backing Vocals, Electric Guitar on "Back To Zero"
Philippe Saisse – Keyboards
Anton Fig
(ex-Ace Frehley, ex-Kiss) – Shakers
John Regan
(ex-Ace Frehley, ex-Billy Idol) – Bass Guitar on "Winning Ugly"
Dan Collette – Trumpet
Ian Stewart – Piano
Ian Stewart- Piano (full-name: Ian Andrew Robert Stewart, co-founder of the
Rolling Stones
and active band-member until 1963. Later he became their road-manager and guest musician on piano, organ, marimba and percussion and has been performed with many other bands including George Thorogood,
Led Zeppelin
and others)
Marku Ribas – Percussion
Jimmy Cliff,
Don Covay, Beverly D'Angelo, Kirsty MacColl, Dolette McDonald, Janice Pendarvis, Patti Scialfa and
Tom Waits – Backing Vocals
Complete Track-listing of the album "ROLLING STONES Dirty Work"
The detailed tracklist of this record "ROLLING STONES Dirty Work" is:
High Resolution and Quality Photos of Complete Album Covers "ROLLING STONES Dirty Work"
Click on the images below and use the zoom-buttons to enlarge the images and reveal more details of the cover photos.
The album cover for "Dirty Work" by The Rolling Stones is a bold, surreal pop-art styled image drenched in saturated colors—primarily intense reds, pinks, and purples. The band members are positioned around and atop a couch in various relaxed and aloof poses, wearing flamboyant 1980s fashion including brightly colored jackets and slacks. Mick Jagger leans against the couch with one leg kicked up over the armrest. Charlie Watts is slouched at the bottom left, almost blending into the deep purples of the carpet and shadows. The lighting gives the scene an almost day-glo or infrared feel, evoking tension and artificiality.
Prominently stuck in the upper left of the cover is a garish, comic-style sticker that reads: "ROLLING STONES contains the mean, lean hits: HARLEM SHUFFLE, ONE HIT (TO THE BODY), and WINNING UGLY". It features a hand-drawn cartoon of a snarling dog-headed character and a dialogue bubble that says "ya gonna follow the beat or do I gotta whip ya?!"—adding a chaotic and rebellious tone.
The album title "DIRTY WORK" is spelled vertically in multicolored letters down the right-hand edge. A partially torn shrink wrap still covers the sleeve, catching the light and giving parts of the image a crinkled, glossy distortion. The overall effect is both confrontational and playful, emblematic of the Stones’ 1980s aesthetic.
Album Back Cover Photo of "ROLLING STONES Dirty Work"
The back cover of “Dirty Work” by The Rolling Stones is a riot of color and typography. The entire surface is flooded with vivid, saturated brush strokes in aggressive reds, purples, and dark blues, creating an abstract and almost violent painted texture. The background sets a raw, unfiltered tone that complements the gritty aesthetic of the album.
Superimposed over this chaotic backdrop are the track titles, printed in all caps using a narrow, elongated typeface. The text varies in brightness and saturation, transitioning from dark purple to vibrant orange and neon red. The lettering overlaps and interlocks with itself, making readability intentionally difficult and forcing the viewer to engage with the image.
Among the readable titles are "Harlem Shuffle," "Had It With You," "Back to Zero," "Hold Back," "Too Rude," "Dirty Work," "One Hit (To the Body)," "Sleep Tonight," and "Winning Ugly." Toward the bottom, partially obscured by shrink wrap glare and intentional paint strokes, is the production credit: "Produced by Steve Lillywhite and The Glimmer Twins."
The entire composition is bold, confrontational, and unapologetically hard to digest at first glance—perfectly mirroring the attitude and sonic grit of the Stones during this mid-80s era.
Inner Sleeve of "ROLLING STONES Dirty Work" Album
The inner sleeve of "Dirty Work" by The Rolling Stones is a visual feast of chaotic creativity. Set against a vivid orange background, the sleeve features black handwritten lyrics for all album tracks, split between Side A and Side B. Each song's title is underlined or boxed, followed by its lyrics, which appear in loose, hand-scrawled script.
Quirky, cartoon-like doodles are scattered throughout—such as crude line drawings of animals, odd characters, and abstract shapes. There's a dancing pig in the top center, and other bizarre creatures next to tracks like "Fight" and "Too Rude". These doodles add a playful, rebellious edge that echoes the Stones' rough 'n ready rock persona.
A boxed section in the bottom right provides production credits, with the names Steve Lillywhite and The Glimmer Twins (Mick Jagger and Keith Richards) prominently listed. Additional credits are handwritten in similar messy fashion, even including a splatter of faux ink for a punk DIY vibe.
The entire design feels raw and unfiltered, reflecting the emotional tension and experimental energy of the record. It's less a polished sleeve and more a sketchbook of mayhem straight from the studio floor.
Photo of "ROLLING STONES Dirty Work" Album's Inner Sleeve
This alternate inner sleeve of "Dirty Work" by The Rolling Stones explodes with satirical energy, styled as a chaotic, comic-strip workout scene. The background is an eye-popping neon green, overlaid with hot pink ink that forms cartoon panels filled with grotesque, exaggerated gym-goers. Every frame is packed with absurd characters in various states of exercise, domination, or dismay.
At the top, the title reads "DIRTY WORK-OUT" in stylized lettering, followed by the motto: "If it's not sore, it's wrong!" Each cartoon panel contains speech bubbles and commentary dripping with sarcasm and faux authoritarianism, as the character Olga (a commanding fitness coach) barks out orders to a group of confused, mostly naked trainees. Phrases like "Ya, ve haf vays of making you valk!" and "You call this a show?! I'll show you a work-out!" mock the militaristic tone of some fitness culture.
A mix of slapstick, satire, and deliberate absurdity, the comic pokes fun at gym vanity, societal pressure, and control through extreme caricatures and heavy-handed dialogue. At one point, a character scolds the group with: "You're not worth the sweat and air anymore!" before proclaiming "Real people! NOT FREAKS!" in all caps.
The artwork screams 1980s underground zine culture with its loud contrast and unfiltered commentary. It complements the album's rebellious tone while visually channeling punk irreverence and absurd humor.
This is a zoomed-in view of the Side One vinyl label of the Rolling Stones’ 1986 album "Dirty Work". The label is strikingly visual, featuring a cropped version of the album’s front cover photo. The band members are sprawled and lounging in flamboyant '80s fashion—bright yellow, red, and turquoise clothing—against a purple-blue backdrop.
Overlaid on the photo is a bold, yellow handwritten-style text listing the five tracks on Side 1:
1. One Hit (To The Body),
2. Fight,
3. Harlem Shuffle,
4. Hold Back, and
5. Too Rude, with corresponding songwriting credits and durations.
The top left of the label contains technical info in a red boxed area: catalog number CBS 86321, the stereo format, 33⅓ RPM speed, and side indication. Below it, “BIEM/STEMRA” denotes publishing rights for the Dutch market, and the bottom left features the label code LC 0149. On the right, the colorful Rolling Stones logo is printed in yellow and blue text, slightly overlapping the band members.
This label combines essential discographic information with vivid, rebellious aesthetics—a visual and musical statement from the Stones in the high-gloss, high-tension mid-80s.
Photo of "ROLLING STONES Dirty Work" 12" LP Record - Side One:
This image shows the complete 12-inch vinyl record of Side One from The Rolling Stones’ 1986 album "Dirty Work." The glossy black surface of the vinyl is pristine and reflective, radiating from the center outwards in fine circular grooves that hint at its analog magic.
At the center is the colorful album label, identical to the detailed one previously shown. It features a photograph of the band lounging in garish '80s attire—yellows, reds, turquoise—surrounded by handwritten-style yellow text listing the track titles:
"One Hit (To the Body), Fight, Harlem Shuffle, Hold Back, Too Rude."
Also visible are production credits and copyright information along the rim.
This view gives a full sense of the record’s physical presence—an iconic LP with vivid visual styling that stands out even before the needle drops. A perfect blend of Stones attitude and mid-80s pop-art excess.
Photo of "ROLLING STONES Dirty Work" 12" LP Record - Side Two:
This photo shows the Side Two of the 12-inch vinyl LP from The Rolling Stones’ 1986 album "Dirty Work." The glossy black vinyl surface is clean and gleaming, showing fine circular grooves that arc out from the vibrant center label.
The center label is identical in artwork to Side One, featuring the band members lounging in a flamboyant tableau of bright '80s fashion. Overlaid in handwritten-style yellow text is the tracklist for Side 2:
"Winning Ugly, Back to Zero, Dirty Work, Had It With You, Sleep Tonight." Additional production credits and catalog details are visible along the rim.
The label text includes Rolling Stones Records branding in a curved arc around the top, with “Produced by Steve Lillywhite and the Glimmer Twins” prominently displayed above the spindle hole. A red tongue logo appears near the bottom left for added Stones flair.
This image highlights the tactile beauty of vinyl—bold, physical, and unapologetically analog. The combination of music, attitude, and vibrant design sums up the Rolling Stones’ mid-'80s defiance in one spinning disc.
ROLLING STONES - Aftermath (Decca Records and London Records)
The Rolling Stones' "Aftermath" (1966) stands as a pivotal moment in rock history, showcasing the band's songwriting prowess and sonic experimentation. The UK and US versions differ slightly, but both feature classics like "Paint It, Black" and "Under My Thumb."
ROLLING STONES - Around and Around Two different releases
"Around and Around" isn't just another Rolling Stones album, it's a raw, bluesy ride showcasing their early energy. Released in 1964, this LP features covers and originals, capturing the essence of their live shows. Tracks like "It's All Over Now" and the title track prove why they became rock legends.
ROLLING STONES - Beggars Banquet Two different releases
Ah, "Beggars Banquet" from 1968, now that's a landmark release! This album marked a return to the Stones' bluesy roots, but with a darker, more mature edge. You'll find classics like "Sympathy for the Devil" and "Street Fighting Man," showcasing their raw power and social commentary
ROLLING STONES - Between the Buttons (Three Album Cover Variations)
"Between the Buttons," released in 1967, is a fascinating album showcasing the Rolling Stones' creative evolution. It's known for having three distinct album cover variations, each a collector's item in its own right! The music itself blends psychedelia, pop, and their classic rock 'n' roll sound
ROLLING STONES - Big Hits (High Tide and Green Grass) (Multiple European Versions)
Now, "Big Hits (High Tide and Green Grass)" is a real treat for anyone new to the Rolling Stones or looking for a perfect overview of their early, energetic sound. Released in 1966, this compilation packs a punch with hits like "(I Can't Get No) Satisfaction," "Get Off of My Cloud," and "The Last Time."
Rolling Stones Records 1A 062-63187 / CUN 59105A , 1976 , Holland
"Black and Blue" (1976) is a fascinating snapshot of the Stones in transition. Released after Mick Taylor's departure, it features guest guitarists like Wayne Perkins and Harvey Mandel vying for the coveted spot. The album's a funky, bluesy ride with standouts like "Hot Stuff" and "Fool to Cry."
The ROLLING STONES - COLLECTOR'S ONLY 12" Vinyl LP Album is a rare find for any music enthusiast. One of the highlights is Mick Jagger showcasing his linguistic skills by singing a song entirely in Italian, adding a unique touch to this already exceptional collector's item.
ROLLING STONES - December's Children (and everybody's)
London PS 451 , , USA
"December's Children (And Everybody's)" is a pivotal Rolling Stones album, showcasing their evolution from blues covers to original songwriting. Released in 1965, it features hits like "Get Off of My Cloud" alongside R&B-infused tracks and Dylan-esque ballads, capturing the band's raw energy
Rolling Stones Records – CBS 86321 , 1986 , Europe
"Dirty Work", a 1986 Rolling Stones release, reflects a tense period in the band's history with Jagger/Richards at odds. It's a raw, guitar-heavy album, less polished than their earlier work, but still packs a punch with hits like "Harlem Shuffle" and the defiant "One Hit (To the Body)"
ROLLING STONES - Emotional Rescue (Dutch and German Releases)
The Dutch and German pressings of the Rolling Stones' "Emotional Rescue" offer a unique listening experience for vinyl enthusiasts. These 1980 releases boast exceptional audio quality, capturing the album's blend of disco, rock, and ballads with clarity and warmth.
Rolling Stones Records – COC 69 100 , 1972 , Netherlands
"Exile on Main Street" is the Rolling Stones' gritty, sprawling masterpiece from 1972. This double LP captures the band at their rawest, blending blues, rock, and country influences into a loose, jam-heavy sound. It's a sonic journey through the highs and lows of rock 'n' roll excess, with classics
The German pressings of the Rolling Stones' "Flowers" offer a unique glimpse into the band's mid-60s output. These 1967 releases compile tracks not included on US albums, featuring hits like "Ruby Tuesday" and "Let's Spend the Night Together."
"Get Yer Ya-Ya's Out!" is a legendary live Rolling Stones album, capturing their raw energy and bluesy roots in 1969. Featuring electrifying performances of classics like "Jumpin' Jack Flash" and "Sympathy for the Devil," it's considered one of the greatest live rock albums ever.
"Goats Head Soup" is a classic Rolling Stones album from 1973, featuring the iconic ballad "Angie." It showcases the band's signature bluesy rock sound with a touch of experimentation, making it a must-have for any vinyl collector.
Rolling Stones Records COC 59 103 , 1974 , Germany
The Rolling Stones' 1974 album, "It's Only Rock 'n Roll," is a raw and energetic journey through a band in transition. The title track encapsulates their rebellious spirit, a statement of purpose in a changing music landscape. While some tracks stay true to their bluesy roots
"Let It Bleed," released in 1969, is a blues-infused rock masterpiece by the Rolling Stones. This iconic album features raw energy and dark undertones, capturing the turbulent spirit of the late '60s. Tracks like "Gimme Shelter" and "You Can't Always Get What You Want" showcase the band's musical maturity
"Made In The Shade," released in 1975, is a compilation album showcasing the Rolling Stones' iconic hits from the early 1970s. It features essential tracks like "Brown Sugar," "Tumbling Dice," and "Angie," providing a snapshot of the band's peak during that era.
Released in 1965, "The Rolling Stones No. 2" captures the band's early raw energy and passion for blues and R&B. Filled with electrifying covers and Jagger/Richards originals, it showcases their musical exploration and establishes them as a driving force in the British Invasion.
ROLLING STONES - Out Of Our Heads (Netherlands and USA Releases)
Decca – 6835 107 , 1965 , Netherlands
"Out Of Our Heads," released in 1965, showcases the Rolling Stones' evolution. The album's blend of blues covers and Jagger/Richards originals, including their iconic "(I Can't Get No) Satisfaction," perfectly captures their raw energy and rebellious spirit. It's a pivotal record that cemented their place
"Rolled Gold," released in 1975, is a classic Rolling Stones compilation featuring their biggest hits from the 1960s and early '70s. It's a perfect introduction for new fans or a nostalgic trip for longtime listeners, showcasing the band's evolution from bluesy rockers to stadium-filling icons.
This 12" vinyl LP serves as a compilation, showcasing the Stones' artistic progression within the given time frame. With a blend of timeless classics, it reflects the band's influential contributions to the music scene, leaving an indelible mark on the cultural landscape of that era.
"The Rolling Stones" is the debut album by The Rolling Stones, originallly released in the UK in April 1964. This is the 1984 re-issue and can be easily recognized by the barcode in the upper right corner of the album back cover and the (c) Copyright printed on the record's label,
Unveiling a musical rarity: The Rolling Stones' 1973 self-titled Swiss vinyl, a German-crafted masterpiece with +ML+ imprint, blending exclusivity and timeless rock allure.
"Slow Rollers," a ballad compilation on 12" Vinyl LP by the Rolling Stones, showcases their emotive side. Notably, "Con Le Mie Lagrime Cosi (As Tears Go By),"
sung in Italian by Mick Jagger, adds a unique touch
ROLLING STONES - Some Girls (International Versions)
The Rolling Stones' 1978 album, "Some Girls," marked a turning point, introducing guitarist Ron Wood and showcasing a shift in their sound. While retaining their rock n' roll roots, they embraced elements of punk, disco, and new wave, resulting in a diverse and commercially successful album.
Released in 1989, "Steel Wheels" marks a triumphant return for the Rolling Stones. This album showcases a rejuvenated band delivering a blend of classic rock energy and polished production. With catchy hooks and powerful performances, "Steel Wheels" is a testament to the Stones' enduring appeal.
ROLLING STONES - Sticky Fingers (International Versions)
"Sticky Fingers," the iconic album by the Rolling Stones, achieved global renown not only for its timeless music but also for the distinctive front cover designed by the legendary artist Andy Warhol. A collector's delight, this album holds a unique allure for vinyl enthusiasts
ROLLING STONES - Still Life American Concert 1981 (Multiple European Releases) 12" Vinyl LP
Rolling Stones' zenith: A 1981 live album, encapsulated in a 12" Vinyl LP, is a sonic time capsule, showcasing the band's prowess and contributing profoundly to music history. A must-have for enthusiasts, reliving the magic of that era.
ROLLING STONES - Stone Age/Got Live if you want it
Decca SD 3024 / ZAL 10 432 , 1971 , Germany
"Stone Age/Got Live If You Want It!" is a unique Rolling Stones release, combining their 1971 studio album "Stone Age" with the live EP "Got Live If You Want It!" from 1966. "Stone Age" features a mix of bluesy rock and psychedelic experimentation, while the live EP captures the band's raw energy
ROLLING STONES - Tattoo You (Multiple International Releases)
In 1981, The Rolling Stones unveiled "Tattoo You," a 12" Vinyl LP Album that proved to be a remarkable compilation of previously unreleased gems from their 1970s recordings. With its release, the band skillfully curated a timeless collection, showcasing their musical prowess
ROLLING STONES - Their Satanic Majestic Request (Multiple Versions)
Released in 1967, "Their Satanic Majesties Request" marks a bold departure for the Rolling Stones. This psychedelic-tinged album features unconventional instrumentation and studio effects, creating a dreamlike and experimental soundscape.
ROLLING STONES - Time Waits For No One (Multiple Versions)
"Time Waits for No One" is a Rolling Stones compilation released in 1979, offering a taste of their music from 1971 to 1977. It features a mix of well-known hits like "Angie" and "It's Only Rock 'n' Roll," along with deeper cuts, providing a glimpse into the band's evolution during that period.
ROLLING STONES - Undercover (Multiple International Versions) 12" Vinyl LP
Released in 1983, "Undercover" showcases the Rolling Stones' edgier side. This album features a mix of hard-hitting rock, reggae influences, and experimental textures. Tracks like "Undercover of the Night" and "Too Much Blood" explore darker themes with a raw, contemporary sound.
This collection features three unofficial Rolling Stones recordings from the 60s and 70s. Each disc is identified by the initials "R.S." on the cover, but in different colors.
