- This release has the alternate Black and White inner sleeve with text: "Pardon Our Appearance, Cover under Construction"
Buckle up, music lovers, because we're about to take you on a sonic joyride. This album's got more twists and turns than Keith Richards after a night out. We've poured our heart and soul into these tracks, and maybe a few spilled beers along the way. So crank it up, let your hair down, and get ready to rock 'n' roll like it's 1969. Just don't blame us if your neighbors start complaining – we warned you.
It was 1978. Disco was king, punk was sneering in the corner, and the Rolling Stones, those self-proclaimed World's Greatest Rock and Roll Band, were in a bit of a pickle. After a string of bloated, overproduced albums that even their die-hard fans had trouble defending, they needed to shake things up. They needed to get back to basics, back to the raw, dirty rock and roll that made them legends in the first place. And they needed to do it without sounding like they were desperately trying to recapture their youth.
Enter Some Girls, the album that saw the Stones ditching the excess baggage and embracing a leaner, meaner sound. Recorded at Pathé Marconi Studios in Paris, with the legendary Glyn Johns at the helm, the album was a deliberate attempt to strip away the layers of studio gloss and get back to the band's roots. And it worked. From the opening blast of "Miss You," with its infectious disco beat and Jagger's swaggering vocals, it was clear that the Stones were back in fighting form.
But Some Girls wasn't just a return to form; it was also a bold step forward. The album saw the band incorporating elements of punk, funk, and even reggae into their sound, creating a hybrid that was both familiar and fresh. Keith Richards' guitar riffs were as sharp and incisive as ever, while Charlie Watts' drumming was a masterclass in understated power. And Jagger, well, he was Jagger, strutting and preening like only he could.
Of course, it wouldn't be a Stones album without a bit of controversy. The title track, with its provocative lyrics about race and sexuality, raised a few eyebrows, while "Beast of Burden" was a surprisingly tender ballad that showed a softer side to the band. But even the album's more controversial moments were delivered with a wink and a nudge, a reminder that the Stones were never afraid to push boundaries.
The album's production was also a departure from their previous work. Johns, known for his work with The Who and Led Zeppelin, brought a raw, live feel to the recordings. The band's performances were captured with minimal overdubs, giving the album an immediacy and energy that had been missing from their recent output.
Some Girls was a critical and commercial success, topping the charts and reestablishing the Stones as a vital force in rock and roll. It was an album that managed to be both nostalgic and forward-thinking, a reminder that even the most iconic bands can still surprise and delight. And for those lucky enough to own the Made in Holland 12" vinyl LP, with its alternate black and white inner sleeve and the cheeky "Pardon Our Appearance, Cover under Construction" message, it's a physical embodiment of a time when the Stones were still hungry, still pushing themselves to create something new and exciting.
Some Girls wasn't just an album; it was a statement. It was a declaration that the Rolling Stones were still relevant, still capable of making music that mattered. It was an album that proved that even after all these years, they still had the power to shock, surprise, and move us. And that's why, even today, Some Girls remains a monument to the enduring power of rock and roll.
In the vast landscape of rock and roll, few songs have stirred as much controversy and fascination as "Some Girls," the title track from the Rolling Stones' 1978 album. A raw, unapologetic exploration of race, sexuality, and social dynamics, the song remains a lightning rod for debate even today.
At its core, "Some Girls" is a series of observations about women, delivered with Jagger's trademark swagger and a healthy dose of irony. The lyrics paint a picture of a world where women are both objects of desire and agents of their own destiny, where beauty and power are intertwined in complex ways.
But beneath the surface, "Some Girls" is more than just a collection of provocative one-liners. It's a reflection of the social and cultural landscape of the late 1970s, a time when traditional gender roles were being challenged and new ideas about race and sexuality were emerging.
The song's most controversial lyrics deal with race, with Jagger making generalizations about black and Asian women.
Specifically, he sings:
"Black girls just want to get fucked all night"
"Asian girls are so sweet"
These lines have been widely criticized for perpetuating harmful racial stereotypes. The first line reduces Black women to a hypersexualized caricature, a stereotype with deep roots in racist depictions throughout history. The second line, while seemingly less aggressive, still objectifies Asian women by playing into the stereotype of them being submissive and overly feminine.
The intent behind these lyrics has been debated. Some argue that Jagger was using satire to critique and expose the absurdity of these stereotypes. Others see it as an example of thoughtless, offensive provocation that lacks the nuance necessary for effective satire.
Regardless of the interpretation, these lines have sparked significant controversy and discussion, making "Some Girls" a song that continues to provoke strong reactions and debate about its place in rock history.
These lines have been criticized as racist and offensive, and they remain a source of discomfort for many listeners. However, some argue that the lyrics are meant to be satirical, highlighting the absurdity of racial stereotypes and prejudices.
Other lines in the song touch on themes of class and power, with Jagger commenting on the aspirations and struggles of women from different backgrounds. There's a sense of both admiration and cynicism in his words, a recognition that women are often forced to navigate a world that is both alluring and unforgiving.
Musically, "Some Girls" is a stripped-down rock and roll anthem, driven by Keith Richards' jagged guitar riffs and Charlie Watts' steady drumming. Jagger's vocals are at once playful and menacing, capturing the song's complex blend of humor and social commentary.
"Some Girls" remains a polarizing song, one that continues to spark debate about its meaning and intent. Whether you see it as a witty satire or a tasteless exercise in provocation, there's no denying its power to shock and provoke. It's a song that forces us to confront uncomfortable truths about race, gender, and power, and it reminds us that even the most beloved rock stars are capable of pushing boundaries and challenging our assumptions.
In the end, "Some Girls" is a landmark in the history of rock and roll, a song that refuses to be ignored. It continues to challenge and provoke us, even decades after its release, a reminder of the enduring power of music to reflect and shape our cultural conversations.
Music Genre: Blues Rock Pop |
Album Production Information: Produced by the Glimmer Twins, Sound/Recording engineers: Chris Kimsey for Wonderknob Ltd Album cover design by Peter Corriston |
Record Label & Catalognr: CBS 450197 / FC 40449 |
Album Packaging: This album includes the original custom inner sleeve with photos of the Rolling Stones band-members |
Media Format: 12" Vinyl LP Gramophone RecordTotal Album (Cover+LP) weight: 230 gram |
Country: Made in Holland for European distribution |
Band Members and Musicians on: ROLLING STONES - Some Girls |
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Complete Track Listing of: ROLLING STONES - Some Girls |
The Song/tracks on "ROLLING STONES - Some Girls" are
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CBS 450197 1 FC 40449 AL 40449 Record Label Details: "Made in Holland" © 1978 Promotone B.V.
Over the decennia the line-up of "The Rolling Stones" has been changed several times read the mini-biographies of the best known stones
The Rolling Stones' "Aftermath" (1966) stands as a pivotal moment in rock history, showcasing the band's songwriting prowess and sonic experimentation. The UK and US versions differ slightly, but both feature classics like "Paint It, Black" and "Under My Thumb."
Aftermath Netherlands Release on Decca Records Aftermath Netherlands Release on London Records )"Around and Around" isn't just another Rolling Stones album, it's a raw, bluesy ride showcasing their early energy. Released in 1964, this LP features covers and originals, capturing the essence of their live shows. Tracks like "It's All Over Now" and the title track prove why they became rock legends.
Around and Around German 1970 Release - Around and Around Holland 1970 ReleaseAh, "Beggars Banquet" from 1968, now that's a landmark release! This album marked a return to the Stones' bluesy roots, but with a darker, more mature edge. You'll find classics like "Sympathy for the Devil" and "Street Fighting Man," showcasing their raw power and social commentary
British release of Beggars Banquet German Release of Beggars Banquet"Between the Buttons," released in 1967, is a fascinating album showcasing the Rolling Stones' creative evolution. It's known for having three distinct album cover variations, each a collector's item in its own right! The music itself blends psychedelia, pop, and their classic rock 'n' roll sound
Between Buttons German Release Between The Buttons Israel Release Between the Buttons West-German Release )Now, "Big Hits (High Tide and Green Grass)" is a real treat for anyone new to the Rolling Stones or looking for a perfect overview of their early, energetic sound. Released in 1966, this compilation packs a punch with hits like "(I Can't Get No) Satisfaction," "Get Off of My Cloud," and "The Last Time."
Big Hits (High Tide And Green Grass) German Release - Big Hits (High Tide and Green Grass) Israel PAX Record Big Hits (High Tide and Green Grass) Special Edition NetherlandsRolling Stones Records 1A 062-63187 / CUN 59105A , 1976 , Holland
"Black and Blue" (1976) is a fascinating snapshot of the Stones in transition. Released after Mick Taylor's departure, it features guest guitarists like Wayne Perkins and Harvey Mandel vying for the coveted spot. The album's a funky, bluesy ride with standouts like "Hot Stuff" and "Fool to Cry."
Black and Blue (1976, Holland) 12" Vinyl LPDECCA 6.24321 , Year , Made in Germany
The ROLLING STONES - COLLECTOR'S ONLY 12" Vinyl LP Album is a rare find for any music enthusiast. One of the highlights is Mick Jagger showcasing his linguistic skills by singing a song entirely in Italian, adding a unique touch to this already exceptional collector's item.
Collector's Only 12" Vinyl LPLondon PS 451 , , USA
"December's Children (And Everybody's)" is a pivotal Rolling Stones album, showcasing their evolution from blues covers to original songwriting. Released in 1965, it features hits like "Get Off of My Cloud" alongside R&B-infused tracks and Dylan-esque ballads, capturing the band's raw energy
December's Children (and everybody's) 12" Vinyl LPRolling Stones Records – CBS 86321 , 1986 , Europe
"Dirty Work", a 1986 Rolling Stones release, reflects a tense period in the band's history with Jagger/Richards at odds. It's a raw, guitar-heavy album, less polished than their earlier work, but still packs a punch with hits like "Harlem Shuffle" and the defiant "One Hit (To the Body)"
Dirty Work (1986, Europe) 12" Vinyl LPThe Dutch and German pressings of the Rolling Stones' "Emotional Rescue" offer a unique listening experience for vinyl enthusiasts. These 1980 releases boast exceptional audio quality, capturing the album's blend of disco, rock, and ballads with clarity and warmth.
Dutch Release of "Emotional Rescue" incl Poster German Release of "Emotional Rescue"Rolling Stones Records – COC 69 100 , 1972 , Netherlands
"Exile on Main Street" is the Rolling Stones' gritty, sprawling masterpiece from 1972. This double LP captures the band at their rawest, blending blues, rock, and country influences into a loose, jam-heavy sound. It's a sonic journey through the highs and lows of rock 'n' roll excess, with classics
Exile On Main Street (1972, Netherlands) 12" Vinyl LPThe German pressings of the Rolling Stones' "Flowers" offer a unique glimpse into the band's mid-60s output. These 1967 releases compile tracks not included on US albums, featuring hits like "Ruby Tuesday" and "Let's Spend the Night Together."
Flowers - Decca Records Edition Flowers - Royal Sound EditionDecca SKL 5065 (FFSS) , 1970 , France
"Get Yer Ya-Ya's Out!" is a legendary live Rolling Stones album, capturing their raw energy and bluesy roots in 1969. Featuring electrifying performances of classics like "Jumpin' Jack Flash" and "Sympathy for the Devil," it's considered one of the greatest live rock albums ever.
Get Yer Ya-Ya's Out (1970, France) 12" Vinyl LPCOC 59101 , 1973 , Germany
"Goats Head Soup" is a classic Rolling Stones album from 1973, featuring the iconic ballad "Angie." It showcases the band's signature bluesy rock sound with a touch of experimentation, making it a must-have for any vinyl collector.
Goats Head Soup (1973, Germany) 12" Vinyl LPRolling Stones Records COC 59 103 , 1974 , Germany
The Rolling Stones' 1974 album, "It's Only Rock 'n Roll," is a raw and energetic journey through a band in transition. The title track encapsulates their rebellious spirit, a statement of purpose in a changing music landscape. While some tracks stay true to their bluesy roots
It's Only Rock and Roll (1974, Germany) 12" Vinyl LPDecca SKL 5025 FFSS / XZAL 9363 , 1969 , England
"Let It Bleed," released in 1969, is a blues-infused rock masterpiece by the Rolling Stones. This iconic album features raw energy and dark undertones, capturing the turbulent spirit of the late '60s. Tracks like "Gimme Shelter" and "You Can't Always Get What You Want" showcase the band's musical maturity
Let it Bleed (1969, England) 12" Vinyl LPCOC 59 104 , 1975 , Germany
"Made In The Shade," released in 1975, is a compilation album showcasing the Rolling Stones' iconic hits from the early 1970s. It features essential tracks like "Brown Sugar," "Tumbling Dice," and "Angie," providing a snapshot of the band's peak during that era.
Made In The Shade (1975, Germany) 12" Vinyl LPLONDON 820 673 , 1970 , Netherlands
Released in 1965, "The Rolling Stones No. 2" captures the band's early raw energy and passion for blues and R&B. Filled with electrifying covers and Jagger/Richards originals, it showcases their musical exploration and establishes them as a driving force in the British Invasion.
No 2 / Vol 2 (1970, Holland) 12" LPDecca – 6835 107 , 1965 , Netherlands
"Out Of Our Heads," released in 1965, showcases the Rolling Stones' evolution. The album's blend of blues covers and Jagger/Richards originals, including their iconic "(I Can't Get No) Satisfaction," perfectly captures their raw energy and rebellious spirit. It's a pivotal record that cemented their place
- Out Of Our Heads (1965, Netherlands) - Out Of Our Heads (1965, USA)"Rolled Gold," released in 1975, is a classic Rolling Stones compilation featuring their biggest hits from the 1960s and early '70s. It's a perfect introduction for new fans or a nostalgic trip for longtime listeners, showcasing the band's evolution from bluesy rockers to stadium-filling icons.
Rolled Gold on Decca Records, Germany Rolled Gold on Nova Records GermanyRecord Label Information: , 1982 , East-Germany
This 12" vinyl LP serves as a compilation, showcasing the Stones' artistic progression within the given time frame. With a blend of timeless classics, it reflects the band's influential contributions to the music scene, leaving an indelible mark on the cultural landscape of that era.
ROLLING STONES - Self-Titled (1982, DDR/East Germany) 12" LPLondon 820 047 , 1984 , Holland
"The Rolling Stones" is the debut album by The Rolling Stones, originallly released in the UK in April 1964. This is the 1984 re-issue and can be easily recognized by the barcode in the upper right corner of the album back cover and the (c) Copyright printed on the record's label,
ROLLING STONES - Self-Titled (1984, Holland) 12" LPDecca S 17 005 (ML+) , 1973 , Germany
Unveiling a musical rarity: The Rolling Stones' 1973 self-titled Swiss vinyl, a German-crafted masterpiece with +ML+ imprint, blending exclusivity and timeless rock allure.
ROLLING STONES - Self-titled (1973, Switzerland) 12" Vinyl LPDecca TAB 30 / KZAL ARL 17148 , 1981 , Holland
"Slow Rollers," a ballad compilation on 12" Vinyl LP by the Rolling Stones, showcases their emotive side. Notably, "Con Le Mie Lagrime Cosi (As Tears Go By)," sung in Italian by Mick Jagger, adds a unique touch
Slow Rollers (1981, Holland) 12" Vinyl LPThe Rolling Stones' 1978 album, "Some Girls," marked a turning point, introducing guitarist Ron Wood and showcasing a shift in their sound. While retaining their rock n' roll roots, they embraced elements of punk, disco, and new wave, resulting in a diverse and commercially successful album.
European Release of "Some Girls" with alternate cover Italian Release of "Some Girls" with alternate cover Netherlands Release of "Some Girls" with original cover Swedish Release of "Some Girls" with original coverCBS 465752 , 1989 , Holland
Released in 1989, "Steel Wheels" marks a triumphant return for the Rolling Stones. This album showcases a rejuvenated band delivering a blend of classic rock energy and polished production. With catchy hooks and powerful performances, "Steel Wheels" is a testament to the Stones' enduring appeal.
Steel Wheels (1989 Holland) 12" Vinyl LP"Sticky Fingers," the iconic album by the Rolling Stones, achieved global renown not only for its timeless music but also for the distinctive front cover designed by the legendary artist Andy Warhol. A collector's delight, this album holds a unique allure for vinyl enthusiasts
Sticky Fingers with real ZIPP Zipper (1971, Germany) Sticky Fingers Real working zipper (1971, Germany) Sticky Fingers with Rounded PAN Zipper (1971, Netherlands) Sticky Fingers CBS NL (Netherlands) Sticky Fingers (United Kingdom)Rolling Stones' zenith: A 1981 live album, encapsulated in a 12" Vinyl LP, is a sonic time capsule, showcasing the band's prowess and contributing profoundly to music history. A must-have for enthusiasts, reliving the magic of that era.
European Release of "Still Life American Concert 1981" German Release of "Still Life American Concert 1981"Decca SD 3024 / ZAL 10 432 , 1971 , Germany
"Stone Age/Got Live If You Want It!" is a unique Rolling Stones release, combining their 1971 studio album "Stone Age" with the live EP "Got Live If You Want It!" from 1966. "Stone Age" features a mix of bluesy rock and psychedelic experimentation, while the live EP captures the band's raw energy
Stone Age/Got Live if you want it 12" Vinyl 2LPIn 1981, The Rolling Stones unveiled "Tattoo You," a 12" Vinyl LP Album that proved to be a remarkable compilation of previously unreleased gems from their 1970s recordings. With its release, the band skillfully curated a timeless collection, showcasing their musical prowess
The European Release of Tattoo You The French Release of Tattoo You The USA Release of Tattoo YouReleased in 1967, "Their Satanic Majesties Request" marks a bold departure for the Rolling Stones. This psychedelic-tinged album features unconventional instrumentation and studio effects, creating a dreamlike and experimental soundscape.
German Version of "Their Satanic Majestic Request" Holland release of "Their Satanic Majestic Request""Time Waits for No One" is a Rolling Stones compilation released in 1979, offering a taste of their music from 1971 to 1977. It features a mix of well-known hits like "Angie" and "It's Only Rock 'n' Roll," along with deeper cuts, providing a glimpse into the band's evolution during that period.
German Release of "Time Waits For No One" Dutch Release of "Time Waits For No One"Released in 1983, "Undercover" showcases the Rolling Stones' edgier side. This album features a mix of hard-hitting rock, reggae influences, and experimental textures. Tracks like "Undercover of the Night" and "Too Much Blood" explore darker themes with a raw, contemporary sound.
French Release of Undercover USA Release of UndercoverA Collection of 7" Singles and 12" Maxi Records by the Rolling Stones
ROLLING STONES - 7" Singles & 12" Maxi-SinglesThis collection features three unofficial Rolling Stones recordings from the 60s and 70s. Each disc is identified by the initials "R.S." on the cover, but in different colors.
ROLLING STONES - Live on Unofficial Vinyl RecordsA hodgepodge of Rolling Stones vinyl records from different categories
ROLLING STONES - Assorted Picture Discs, LP's