Released in 1964, The Beatles' "A Hard Day's Night" 12" Vinyl LP Album encapsulates the essence of the British Beat/Pop era. Side one features tracks from the movie's soundtrack, showcasing the band's musical prowess and capturing the spirit of the time. On side two, additional songs, though not part of the film, further showcase The Beatles' creativity, making this album a timeless contribution to the cultural tapestry of the era. This web-page has hi-res photos of the album covers, record label and a detailed description.
Music Genre: Beat Pop Rock and Roll Music |
Collector's info: A computer generated transcript of the original liner notes by Tony Barrow. Alan Owen began work on the original screenplay late last autumn. Producer Walter Shenson and director Richard Lester watched their newest screen stars at work over Christmas and New Year on the stage of the Finsbury Park "Astoria" London. John and Paul began to compile a collection of new compositions for the soundtrack while The Beatles were appearing at the Paris ' Olympia last January. One morning early in March a specially chartered train moved out of Paddington station and the first day's shooting of The Beatles' first feature film got under way. Reel upon reel of precious film had filled the camera crew's metal cans before a title had been selected for the United Artists picture. Then Ringo casually came up with the name at the end of a particularly strenuous session on the film set. 'It's been a hard day's night that was,' he declared, squatting for a moment on the arm of his canvas chair behind the line of cameras and technicians. The film, which also stars Wilfred Brambell in the role of Paul's (mythical) Irish grandfather, was promptly named A HARD DAY'S NIGHT'. The story depicts something like 48 consecutive hours of activity in the bustling lives of four beat group boys. Named John, Paul, George and Ringo. A Hard Day's Night is heard at the very beginning of the film as the boys sing and play over the opening titles. The number features John's double-tracked voice, producing a duet effect. Its brisk, compelling theme crops up in orchestral form elsewhere during the film as part, of recording manager George Martin, instrumental soundtrack score. John's / Should Have Known Better makes an early appearance in the film during a railway sequence when the four boys are seen playing cards in the guard's van of the train. John and Paul share the vocal action on /J/ Fell, the first of four songs featured in extensive theatre/ studio sequences which show the group rehearsing and finally performing in a television spectacular. I'm Happy Just To Dance With You gives George a chance to handle the lead vocal, And I Love Her hands the solo spotlight to Paul who is Joined by John for Tell Me Why. The last of the soundtrack's magnificent seven, Can't By Me Love, has already been a worldwide disc hit for The Beatles. In "A HARD DAY'S NIGHT' it forms the musical backdrop to several different scenes-when the boys are seen chasing across a field after a quick-fire getaway from the television studio and when the incredible race between Beatles, fans and police takes place with the boys tearing along streets and down alleyways in double-quick time! T Creating and perfecting completely new composi-tions for the soundtrack of "A HARD DAY'S NIGHT" presented John and Paul with one of the greatest challenges of their pop-penning career. In the past their song-writing had been done at a more leisurely pace. Now they had a shooting schedule deadline to meet and the entire collection of fresh numbers had to be compiled during a season of concerts in Paris and a now legendary visit to America. To assist their work the two boys had a grand-piano moved into their hotel suite at the George Vin Paris. By the beginning of March the task was complete and The Beatles had a total of almost a dozen new songs ready for final rehearsal. At every stage of its con-ception and production care was taken to see that •A HARD DAY'S NIGHT. would not turn into a con-tinuous parade of Beatle performances. After all The Beatles themselves had agreed that the film should portray as many different facets of the four boys' individual personalities as possible. Indeed the comedy content was, and is, of paramount im-portance, and John, Paul, George and Ringo are afforded maximum opportunity to display their on-the-spot sense of humour. It became apparent that no more than six new songs should be introduced via the soundtrack of the film. To increase this number would have left insufficient screen-time for the action of the plot. On the ether hand it seemed most unfair to hold back the re-mainder of the boys' new songs when each one was of such excellent quality. Eventually the decision was made to record all the material which John and Paul had written and include the extra titles on the second side of this album. Although the voice of George Harrison is much in evidence throughout this album the solo vocal acti-vity on the second side is shared between the songs' composers, John and Paul. Paul handles the lyrics of Things We Said Today and he's heard in duet with John on I'll Cry Instead. For the main part John's is the dominant voice featured on Any Time Al All, When I Get Home, You Can't Do Thal and /VI Be Back although George and Paul back up his efforts strongly on all titles. When you listen to the second side of this record you will agree that it would have been a pity to cast aside such a fabulous set of songs solely because they couldn't be fitted into the structure of ' A HARD DAY'S NIGHT'. Nov, with this album in your library, you have a collection of Beatle recordings which is comprehensive and up to date. At the same time it is interesting to remember that the LP housed within this sleeve is the first-ever album release to be made up entirely of self-composed and self-performed Beatle compositions. |
Album Production Information: Cover/Liner notes by Tony Barrow. Produced by George Martin George Martin, a name that resonates with the very essence of music production, was a man who revolutionized the way we experience and appreciate music. Born on 3rd January 1926 in London, England, Martin's extraordinary talent as a producer, composer, and arranger propelled him to iconic status within the realm of popular music. Often referred to as "the Fifth Beatle", Martin's collaboration with the Beatles defined an era and shaped the course of music history. George Henry Martin was born into a working-class family in the Holloway area of London. From an early age, he showed a natural affinity for music and developed a passion for the piano. After receiving a scholarship to the prestigious Guildhall School of Music and Drama, he honed his skills as a classical pianist and composer. Martin's career in the music industry began in the 1950s when he joined Parlophone Records, a subsidiary of EMI. Initially, he worked as a producer of classical and comedy records, which allowed him to experiment with different recording techniques and musical styles. However, it was his encounter with a young and talented band from Liverpool that would change the course of his life and the world of music forever. In 1962, Martin signed a relatively unknown band called the Beatles to a recording contract. Recognizing their potential, he became their producer and mentor, guiding them through their early years and shaping their sound. Martin's unparalleled creativity and technical expertise helped transform the Beatles' raw talent into timeless and innovative recordings. He played a crucial role in introducing groundbreaking techniques and instruments to their music, such as the use of orchestral arrangements, studio effects, and unconventional recording methods. Martin's collaboration with the Beatles resulted in the creation of iconic albums like "Sgt. Pepper's Lonely Hearts Club Band", "Revolver", and "Abbey Road", which showcased the band's evolution and artistic brilliance. Beyond his work with the Beatles, Martin continued to contribute significantly to the music industry. He produced and arranged countless hits for other artists, including Elton John, Celine Dion, and Jeff Beck, among many others. His extensive discography spans a wide range of genres, showcasing his versatility as a producer and his ability to bring out the best in artists. In addition to his producing work, Martin also explored his own musical endeavors. He composed and arranged music for film and television, earning him critical acclaim and accolades. His compositions can be heard in films such as "Yellow Submarine" and "Live and Let Die", as well as in TV shows like "The Avengers" and "The Living Daylights". Throughout his career, George Martin received numerous awards and honors for his outstanding contributions to music. He was knighted by Queen Elizabeth II in 1996, becoming Sir George Martin, in recognition of his services to the music industry. His impact on popular music cannot be overstated, as he reshaped the boundaries of what could be achieved in the recording studio and inspired countless musicians and producers around the world. George Martin passed away on 8th March 2016 at the age of 90, leaving behind an indelible legacy. His innovative spirit, creative genius, and unwavering dedication to his craft continue to inspire and influence generations of musicians. George Martin will forever be remembered as a true pioneer in music production, a visionary who shaped the sound of an era, and a legend whose contributions continue to resonate with music lovers worldwide.
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Record Label: EMI Odeon 1C 062-04 145 (062-04145) |
Record Format 12" LP Vinyl Gramophone Record |
Country Made in Germany |
Band Members and Musicians on: Beatles Yeah! Yeah! Yeah! A Hard Day's Night |
The Beatles are:
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Complete Track Listing of: Beatles Yeah! Yeah! Yeah! A Hard Day's Night |
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1A 138-5307 ( 5C 184-05307 ) , , Mfd. in Holland
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