- Canadian Release
"Taking Over" is the second album by thrash metal band Overkill, released by Megaforce Records in 1987. The album, was the last to feature Rat Skates on drums, who would leave the band later that year. Taking Over reached #191 on the Billboard 200. "In Union We Stand" was the song which was chosen to be Overkill's first music video. Another European tour followed the release of Taking Over, this time opening for Helloween.
This web page has photos of album covers, inner sleeves, record labels together with production details, musicians and track-listing.
Released in 1987, "Taking Over" was Overkill's second studio album and their major label debut on Atlantic Records. The album arrived during the peak of thrash metal's popularity, with bands like Metallica and Slayer dominating the scene. However, Overkill, hailing from New Jersey, brought their own unique East Coast flavor to the genre.
Historical Context
The late 1980s was a pivotal time for thrash metal. It was evolving and expanding, with bands pushing the boundaries of speed, aggression, and technicality. "Taking Over" emerged in this vibrant scene, showcasing Overkill's ability to compete with their West Coast counterparts.
Musical Exploration
"Taking Over" is a relentless assault of thrash metal fury. The album's ten tracks are filled with fast tempos, intricate riffing, and pummeling drums. Overkill's signature sound, a blend of punk energy and metal aggression, is on full display.
The album opens with the anthemic "Deny the Cross," setting the tone for the sonic onslaught that follows. Songs like "Wrecking Crew" and "Fear His Name" showcase the band's technical prowess, while "Powersurge" and "Electro-Violence" highlight their knack for crafting infectious hooks.
The album's lyrics delve into dark and often controversial themes, including religion, violence, and societal decay. This lyrical content, combined with the band's aggressive sound, solidified Overkill's reputation as a force to be reckoned with.
Production Team
"Taking Over" was produced by Alex Perialas, who had previously worked with Anthrax. Perialas captured the band's raw energy and aggression, creating a sound that was both powerful and polished. The album's production helped to propel Overkill into the mainstream, exposing them to a wider audience.
Music Genre: Speed/Thrash Metal |
Album Production information: The album: "OVERKILL - Taking Over" was produced by: Alex Perialas, Overkill, Jon Zazula Alex Perialas is an American Producer and sound engineer, and owner of the "Pyramid Sound Recording Studios" in Ithaca, and has been responsible for the production and engineering of dozens of Heavy Metal albums during the 1980s. Perialas is a well-known music producer and engineer who has been active in the industry for over three decades. He has worked with a wide range of musical artists, including heavy metal bands like Anthrax , Slayer , and Overkill , as well as pop artists like Taylor Dayne and New Kids on the Block. Throughout his career, Perialas has become known for his technical expertise, creative vision, and ability to bring out the best in his artists. Perialas was born in Greece and grew up surrounded by music. His father was a classical guitarist and his mother was a singer, so it was only natural that he would develop an early love for music. He began playing the guitar at the age of 12 and quickly became interested in recording and producing music. He moved to the United States in the 1970s to study music engineering and quickly began working in the industry, first as an assistant engineer and then as a producer. One of Perialas' earliest successes came with the release of the album "Among the Living" by Anthrax in 1987. This album marked a departure from the traditional sound of heavy metal and helped to establish Perialas as a major player in the genre. He went on to produce several more albums for the band, including "State of Euphoria" and "Persistence of Time". He also worked with other heavy metal acts like Slayer, Overkill, and Testament, helping to shape the sound of the genre and establish it as one of the dominant forces in popular music. In addition to his work in heavy metal, Perialas has also produced and engineered albums in a wide range of other genres. He has worked with pop artists like Taylor Dayne and New Kids on the Block, helping to create some of their biggest hits. He has also worked with hip-hop artists like MC Lyte and jazz musicians like Grover Washington Jr. This versatility and ability to work with a wide range of artists is one of the reasons why Perialas has been so successful throughout his career. Throughout his career, Perialas has been dedicated to the art of music production and engineering. He has a deep understanding of the technical aspects of recording and a keen ear for what makes a song sound great. He is also a creative visionary who is able to bring out the best in his artists, helping them to create music that is both innovative and commercial. His work has been recognized with numerous awards and accolades, including multiple Grammy nominations and wins. In conclusion, Alex Perialas is a music producer and engineer who has made a significant impact on the industry. His work has helped to shape the sound of heavy metal and establish it as one of the dominant genres in popular music. He has also worked with a wide range of other artists, bringing out the best in them and helping them to create innovative and commercially successful music
Jon Zazula: How did a record store shape metal forever? The Jon Zazula story – a must-read for music fans. Stephen Innocenzi - Mastering Engineer Tom Coyne - Mastering Engineer Tom Coyne (1954-2017) is widely regarded as one of the most accomplished and respected mastering engineers in the music industry. With his exceptional talent, meticulous attention to detail, and a career spanning several decades, Coyne has played an instrumental role in shaping the sound of countless iconic albums. Born and raised in New Jersey, Tom Coyne developed a passion for music at an early age. He was captivated by the sonic nuances of records and the transformative power of the mastering process. Eager to pursue his dreams, Coyne embarked on a journey to acquire the technical skills and knowledge necessary to become a mastering engineer. Coyne's career began in the late 1970s when he joined the legendary Frankford/Wayne Mastering Labs in New York City. Under the guidance of experienced engineers, he honed his craft and gained a deep understanding of the intricacies of audio mastering. His exceptional ear for detail and innate musicality quickly set him apart, earning him a reputation for delivering exceptional sonic quality. In the 1980s, Coyne's career soared as he collaborated with a wide range of artists across various genres. He worked with renowned acts such as Madonna, The Rolling Stones, U2, and Miles Davis, among many others. His expertise in shaping the overall sound and balance of albums became sought after by both emerging artists and established superstars. As the music industry evolved and entered the digital age, Coyne adapted to the advancements in technology without compromising his commitment to excellence. He embraced digital mastering tools while staying true to his analog roots, ensuring that his work retained its signature warmth and clarity. This adaptability and dedication to quality made him a trusted collaborator for artists and record labels alike. Coyne's work has been recognized with numerous accolades and awards throughout his career. He has received multiple Grammy nominations and has been involved in Grammy-winning projects, solidifying his status as a mastering engineer of exceptional talent and expertise. Additionally, his contributions to the industry have been acknowledged by organizations such as the TEC Awards and the Recording Academy. Beyond his mastering work, Coyne is known for his mentorship and willingness to share his knowledge with aspiring engineers. He has lectured at universities, participated in industry conferences, and mentored emerging talents, helping to shape the next generation of mastering engineers. Christie Mullen - Photographer Ron Akiyama - Photographer
Ron Akiyama (His Name Is Sometimes Misspelled As "Ron Akiama") Is A Photographer And Has Done Photography For The Albums Of "Anthrax", "M.O.D." And "Overkill". Daniel Muro - Album Artwork Daniel Muro Worked For The Producer Todd Gordon On Several Heavy Metal Bands. Bands He Has Photographed Include Overkill, Hades And Many Others. Mike Vayenes - Photographer William Benson - Album Artwork |
Record Label & Catalognr: Megaforce Worldwide 78 17351 |
Album Packaging: This album includes the original custom inner sleeve with album details, complete lyrics of all songs by Overkill and photos. |
Media Format: 12" Vinyl LP Record |
Year & Country: 1987 Made in Canada |
Band Members and Musicians on: Overkill Taking Over |
Notes on the musicians of Overkill band Bobby "Blitz" Ellsworth (realname: Robert Joseph Ellsworth) Lead singer with the American Thrash Metal band Overkill since 1980
Bobby Gustafson (real-name Robert Wayne Gustafson) - Guitar, timeline: D.D. Verni (real-name Carlo Verni) lead singer with Overkill since 1980. Previously (1979-1980) he was in a band called "The Lubricunts" together with "Rat Skates".
Rat Skates - Drums, timeline:
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Complete Track Listing of: Overkill Taking Over |
The Song/tracks on "Overkill Taking Over" are:
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Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
"Taking Over" Black Colour Megaforce Record Label Details: Megaforce Worldwide 78 17351 ℗ 1987 Megaforce Records Inc, Sound Copyright
"Feel the Fire" by Overkill is a monumental album that marked the emergence of one of the most influential bands in the thrash metal genre. Released in 1985 under the Megaforce Records label, this debut LP propelled Overkill onto the global metal scene, showcasing their raw talent and unrelenting energy.
Feel the Fire 12" Vinyl LPThe year is 1987, and the thrash metal scene is burgeoning with explosive energy and raw aggression. Among the bands spearheading this movement is Overkill, a band that has come to embody the very spirit of East Coast thrash. That same year, Overkill releases the !!!FUCK YOU!!! Records 12" Vinyl EP on Megaforce
!!!Fuck You!!! 12" Vinyl LPIn the world of thrash metal, 1991's "Horrorscope" by New Jersey's Overkill stands as a pivotal release. The album marked a turning point for the band, solidifying their sound and cementing their status as East Coast thrash titans.
Horrorscope 12" Vinyl LPReleased in 1993, "I Hear Black" marked a significant shift in Overkill's musical trajectory. The album, arriving during a time of grunge dominance and waning interest in thrash, saw the band embrace a darker, more experimental sound.
I Hear Black 12" Vinyl LPReleased in 1987, "Taking Over" was Overkill's second studio album and their major label debut on Atlantic Records. The album arrived during the peak of thrash metal's popularity, with bands like Metallica and Slayer dominating the scene.
- Taking Over (1987, Canada) - Taking Over (1987, Germany) - Taking Over (1987, USA)"Under the Influence" showcases Overkill's signature thrash metal intensity while also incorporating elements of groove and heavy metal. The album is packed with fast tempos, intricate guitar work, and Bobby "Blitz" Ellsworth's distinctive high-pitched vocals.
Under the Influence 12" Vinyl LP"The Years of Decay" showcases Overkill's evolution as a band. The album features a more mature and refined sound compared to their earlier work, with slower tempos, longer song structures, and more complex arrangements. However, the band's trademark intensity and aggression remained intact.
The Years of Decay 12" Vinyl LP