HALLOW'S EVE - MONUMENT 12" Vinyl LP Album

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Hallow's Eve's "Monument" (1988) marked a turning point in the band's sound, transitioning from raw thrash metal to a more melodic and technical approach. While maintaining their aggressive edge, the album incorporated complex song structures, intricate guitar work, and harmonies. Produced by Donal Jones and the band themselves, it showcased their musical growth and experimentation, sparking debate with the inclusion of an Elvis Presley cover. "Monument" stands as a testament to Hallow's Eve's evolution within the thrash metal genre.

large album front cover photo of: HALLOW'S EVE MONUMENT

HALLOW'S EVE: MONUMENT - A Thrash Metal Milestone Album Description:

Unveiled in 1988, Hallow's Eve's "Monument" emerged as a significant chapter in the band's evolution and within the broader thrash metal landscape. Building on their established intensity and aggression, the album marked a distinct shift in the band's sound and approach.

Historical Context

By 1988, thrash metal had firmly entrenched itself in the global metal scene. Bands were experimenting with new sounds, incorporating elements of progressive metal and speed metal into their compositions. Hallow's Eve, having released two prior albums, aimed to showcase their own progression and versatility with "Monument."

Musical Exploration

"Monument" marked a notable departure from the raw, unfiltered aggression of Hallow's Eve's earlier work. While still firmly rooted in thrash metal, the album delved into more melodic territories, incorporating complex song structures, intricate guitar work, and a greater emphasis on vocal harmonies. Tracks like "Speed Freak" and "The Righteous Ones" exemplified this evolution, showcasing the band's technical prowess and newfound musical maturity.

The album also sparked some controversy due to the inclusion of a hidden track, a cover of Elvis Presley's "Can't Help Falling in Love." This unexpected addition drew mixed reactions from fans, some praising the band's willingness to experiment, while others criticized it as a deviation from their thrash metal roots.

Production and Personnel

"Monument" was produced by Donal Jones and Hallow's Eve themselves. The album was recorded at Studio One in Atlanta, Georgia, and marked a departure from their previous collaboration with Tom Morris.

The lineup on "Monument" saw some changes. Guitarist David Stuart replaced Skellator, and the rhythm section of Tommy Stewart on bass and Rob Clayton on drums remained intact. Frontman Stacy Andersen continued to deliver his signature high-pitched vocals, but with a greater emphasis on melodic phrasing and harmonies.

Album production details:

Produced by: Donal Jones and Hallows Eve
Sound engineer: Donal Jones

Donal Jones a sound engineer who has worked on two albums by "Hallow's Eve" namely "Death & Insanity" and "Monument".

Assistent sound engineers: Tag George, David Stewart, Jeff Dawson
Recorded at Studio One, Atlanta

Album desgn - Ioannis

Ioannis Vassilopoulos a graphics artist from Athens, Greece who has during the 1980s illustrated a dozen of album covers for heavy metal bands like: Hallows Eve, Fates Warning and others.

Album artwork - Lew Bryant

Lew Bryant ( Graphic Designer, Illustrator ) of the "Blend Design Group" worked on a couple of album covers of Heavy Metal bands, in particular "Dead End", "Hallows Eve", "Fates Warning" and "Nasty Savage"

Photography - Mick Rock

Mick Rock, born on 24 November 1948, is a renowned British photographer widely known for his iconic images of rock and roll legends. Dubbed "The Man Who Shot the Seventies", Rock's distinctive style and uncanny ability to capture the essence of the music and artists he photographed have solidified his position as one of the most influential rock photographers of all time.

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Early Life:

Michael David Rock was born in London, England. From an early age, he displayed a deep interest in the arts and music. He attended Cambridge Arts College, where he further honed his artistic skills and developed a passion for photography. During this time, he experimented with various techniques and styles that would eventually define his unique visual language.

Rise to Fame:

In 1969, Mick Rock's career took a serendipitous turn when he met a young and relatively unknown musician named David Bowie (then known as David Jones). The meeting marked the beginning of a transformative partnership and close friendship between the two artists. Rock's camera lens would go on to capture some of the most iconic moments of Bowie's Ziggy Stardust era, helping to cement Bowie's status as a legendary rock star.

Rock's ability to capture the raw and flamboyant energy of the emerging glam rock movement brought him to the forefront of the music scene. Throughout the 1970s, he became the go-to photographer for rock and roll royalty, working with iconic acts such as Lou Reed, Iggy Pop, Queen, The Ramones, and many others.

Photographic Style:

Mick Rock's style was characterized by a unique mix of intimate, candid shots, and staged, imaginative portraits. He had a keen eye for detail, and his use of lighting and composition brought a surreal and theatrical quality to his photographs. His pictures often managed to capture the vulnerability and charisma of his subjects, revealing the human side behind the rock star façade.

The visual language he developed became synonymous with the glam rock era and significantly influenced the perception of rock and roll culture during that time. His images exuded an aura of decadence and hedonism, reflecting the spirit of the era's music and lifestyle.

Later Career:

As the music scene evolved, so did Mick Rock's photography. In the 1980s and beyond, he continued to collaborate with musicians from various genres, documenting the rise of new wave, punk, and post-punk acts. His versatility as a photographer allowed him to adapt to changing musical landscapes, capturing the essence of each unique era.

In addition to his photography work, Mick Rock has also directed music videos for prominent artists like David Bowie, including the iconic video for "Life on Mars?" He has published several acclaimed photography books, showcasing his vast collection of images from his decades-long career.

Legacy and Recognition:

Mick Rock's contributions to the world of rock and roll photography have earned him widespread recognition and numerous accolades. His work has been exhibited in galleries and museums worldwide, and he continues to be celebrated as one of the pioneers of his craft. Rock's images have become an integral part of music history, immortalizing the spirit of some of the most legendary and influential musicians of all time.

Mick Rock a selection of album covers for which he has done the photography: Queen , David Bowie , Lou Reed, Iggy Pop and The Stooges, Geordie, The Sex Pistols, The Ramones, Joan Jett, Talking Heads , Roxy Music , Crossfade, Thin Lizzy, Mötley Crüe , and Blondie. Often referred to as "The Man Who Shot the Seventies", most of the memorable images of David Bowie as Ziggy Stardust were shot by Mick Rock, in his capacity as Bowie's official photographer.

Heavy Metal bands he has photographed include: Attila, Def Leppard , Doro , Fates Warning, Hallows Eve, Piece Dogs, Riot V, Thin Lizzy, Voivod , Yngwie J. Malmsteen.

Record Label & Catalognr:

 Metal Blade Records RR 9583 (Roadrunner Records BV). All songs published by Bloody Skull Music. Admistrated by Bug Music.  

Media Format:

 12" LP Vinyl Gramophone Record 

Year & Country:

  1988 Made in Holland  
Band Members and Musicians on: Hallow's Eve Monument
    Hallow's Eve Band-members, Musicians and Performers
  • Stacy Anderson - Vocals

    Stacy Anderson (Vocals) and Tommy Stewart (Bass) performed in a band called "Warrior" (1982), before joining "Hallows Eve" in 1983.

  • Tommy Stewart - Bass

    Tommy Stewart (Bass) and Stacy Anderson (Vocals) and performed in a band called "Warrior" (1982), before joining "Hallows Eve" in 1983.

  • David Stuart - Guitars
  • Rob Clayton - Drums

 

Complete Track Listing of: Hallow's Eve Monument
    Side One:
  1. Speed Break
  2. Sheer Heart Attack
  3. Rot Gut
  4. Monument (To Nothing)
    Side Two:
  1. Pain Killer
  2. The Mighty Decibel
  3. The Righteous Ones
  4. No Sanctuary
Album Cover Photo Gallery of: Hallow's Eve Monument

High Resolution Photo Album Front Cover of Hallow's Eve - Monument https://vinyl-records.nl

High Resolution Photo Album Back Cover of Hallow's Eve - Monument https://vinyl-records.nl

High Resolution Photo  of the  Original Custom Inner Sleeve (OIS) #1 of Hallow's Eve - Monument https://vinyl-records.nl

High Resolution Photo of the enlarged label Hallow's Eve - Monument https://vinyl-records.nl

 

Index of HALLOWS EVE Featured Albums Cover Gallery & 12" Vinyl LP Discography Information
HALLOWS EVE - Death and Insanity 12" Vinyl LP
HALLOWS EVE - Death and Insanity album front cover vinyl record

Released in 1986, "Death & Insanity" arrived at a pivotal time in metal history. Thrash was rapidly evolving, with bands pushing the boundaries of speed, technicality, and lyrical aggression. Hallows Eve, hailing from Atlanta, Georgia, found themselves in a scene dominated by West Coast thrash giants

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HALLOWS EVE - Monument 12" Vinyl LP
HALLOWS EVE - Monument album front cover vinyl record

Unveiled in 1988, Hallow's Eve's "Monument" emerged as a significant chapter in the band's evolution and within the broader thrash metal landscape. Building on their established intensity and aggression, the album marked a distinct shift in the band's sound and approach.

Learn more
HALLOWS EVE - Tales of Terror 12" Vinyl LP
HALLOWS EVE - Tales of Terror album front cover vinyl record

Emerging in 1985, Hallow's Eve's "Tales of Terror" marked a pivotal entry into the burgeoning thrash metal scene. With its raw energy and aggressive sound, the album solidified the band's place as a formidable force in the genre's formative years.

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