Destruction's "Live Without Sense" 12" Vinyl LP, released in the late '80s, is a thrash metal gem. The gatefold cover, with captivating artwork and photography of the 1987-1988 tour dates, visually enhances the album. Meticulously crafted, it reflects the band's energy and historical journey. This iconic release intertwines music and visuals, creating a collector's delight for fans of Destruction and thrash metal vinyl enthusiasts.
The release of Destruction's "Live Without Sense" on 12" Vinyl LP stands as a testament to the band's prowess in the thrash metal genre during the late 1980s. This iconic album not only encapsulates the raw energy of Destruction's live performances but also reflects the creative and artistic decisions made during its creation.
The gatefold cover design, featuring an FOC (Fold-Out Cover) format, plays a crucial role in setting the visual tone for the album. The use of this format allows for a larger canvas to showcase intricate artwork and captivating photography, providing fans with a visually immersive experience. In the case of "Live Without Sense," the cover design becomes a piece of art in itself, contributing to the overall aesthetic appeal of the vinyl release.
The artwork featured on the cover is a crucial element in conveying the essence of Destruction's music and live performances. The imagery chosen often reflects the intensity and aggression synonymous with thrash metal. The selection of an impactful visual representation is integral to capturing the attention of potential listeners and conveying the sonic intensity that awaits within the grooves of the vinyl.
Additionally, the inclusion of photography on the inside cover pages, featuring Destruction's 1987-1988 tour dates, adds a historical dimension to the album. It serves as a visual documentation of the band's journey during that specific period, offering fans a glimpse into the live experiences and venues that shaped Destruction's musical identity. This kind of detail not only enhances the collector's value of the vinyl but also provides a nostalgic journey for longtime fans who may have attended those shows.
Music Genre: |
German Thrash Metal |
Album Production Information: The album: "Live Without Sense" was produced by: Harry, Mike, Olly, Schmier and Rainer Rainer Hänsel (1954-2017) - Producer Herwig Ursin - Sound Engineer Martin Knauerhase - Sound Engineer Joachim Luetke - Album artwork Joachim Luetke a painter, sculptor from German origin and now living in Vienna, Austria. In the 1980s known for his album covers for Destruction, "Mekong Delta" and Rage. In later periods he did album covers for bands like "Dimmu Borgir" , "Kreator", etc. |
Record Label: Steamhammer SPV 08-7578 |
Packaging: This album also includes the original custom inner sleeve with album details |
Media Format: 12" Vinyl Full-Length Stereo LP Gramophone RecordAlbum weight: 270 gram |
Year and Country: 1989 Made in West Germany |
Band Members and Musicians on: Destruction Live Without Sense |
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Track Listing of: "Live Without Sense" |
The Song/tracks on "Live Without Sense" are
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Album cover photos of : Destruction Live Without Sense |
Photo of "Live Without Sense" Album's Front Cover |
Photo of "Live Without Sense" Album's Back Cover |
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Photo of "Live Without Sense" Album's Inner Sleeve |
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Close-up Photo of "Live Without Sense" Record Label
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Photo of the original custom inner sleeve
Enlarged photo of the record's label
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Destruction a German thrash metal band that was formed in 1982 in Weil am Rhein, Germany. The band is known for its fast and aggressive style of music that incorporates elements of heavy metal, punk rock, and hardcore. Over the years, Destruction has become one of the most influential and respected thrash metal bands in the world, with a loyal fan base and a reputation for delivering intense and energetic live performances.
The band was formed by three teenagers: Marcel "Schmier" Schirmer on bass and vocals, Mike Sifringer on guitar, and Tommy Sandmann on drums. They quickly gained a following in the local metal scene and released their debut album "Sentence of Death" in 1984. The album was a success, and it helped establish Destruction as one of the leading thrash metal bands in Europe.
Over the next few years, Destruction released a series of critically acclaimed albums, including "Infernal Overkill" (1985), "Eternal Devastation" (1986), and "Release from Agony" (1988). These albums showcased the band's technical skills and songwriting abilities, and they helped solidify Destruction's reputation as one of the most important bands in the thrash metal genre.
However, despite their success, the band went through a period of turmoil in the late 1980s and early 1990s. Schmier left the band in 1989, and Destruction struggled to find a replacement vocalist. They eventually hired André Grieder, but the lineup changes and personal conflicts took a toll on the band's momentum and popularity.
In 1994, Destruction disbanded, but they reformed in 1999 with their classic lineup of Schmier, Sifringer, and Sandmann. Since then, they have released a series of well-received albums, including "The Antichrist" (2001), "Metal Discharge" (2003), and "Day of Reckoning" (2011).
Throughout their career, Destruction has been a major influence on the thrash metal genre. Their fast, aggressive style of music has inspired countless bands, and their commitment to the genre has earned them a loyal fan base. In addition, their lyrics often deal with political and social issues, making them one of the few thrash metal bands that are known for their political activism and social consciousness.