- A 1985 German Heavy Metal Classic Produced by Gravestone & GAMA Musikverlags GmbH
Gravestone’s Back to Attack (1985) is a striking relic of the German heavy metal underground — forged in the fires of the mid-’80s metal scene and produced in collaboration with GAMA Musikverlags GmbH. Recorded at Spygel Studios and mixed by Dirk Steffens, the album delivers a raw, melodic intensity through twin guitars, dynamic vocals, and defiant energy. Featuring fan-favorites “I Love the Night” and “Back to Attack,” it remains a cult essential for collectors and metal purists alike.
Vinyl collectors and heavy metal enthusiasts, gather around, because we're diving deep into the heart of classic German heavy metal with Gravestone's album, "Back to Attack". Released in the golden era of metal, this 12" vinyl LP is a treasure trove for fans of bands like Stormwitch, Tyrant, and Accept — anyone who craves the authentic sound of mid-1980s German steel.
Background
Gravestone, a German heavy metal band formed in 1977, found their stride with "Back to Attack" in 1985. The album marked a strong moment in the band's evolution, showcasing their tight musicianship and melodic power. With razor-edged riffs, solid rhythms, and soaring vocals, Gravestone carved a respected place in the pantheon of traditional German metal.
The Making of "Back to Attack"
The album’s production was a collaborative effort between Gravestone and GAMA Musikverlags GmbH, allowing the band to shape every aspect of the record according to their own vision.
Sound engineer Batze Kramer captured the band’s raw energy during recording sessions held in March and April 1985 at Spygel Studios in Kirchheim/Teck, Germany. This period was an intense creative stretch, as the band poured their passion into each track. The result was a powerful and polished heavy metal statement that still resonates today.
Mixing was handled by Dirk Steffens at Soundhouse Studios in Hamburg. Known for his meticulous ear and work with other German rock acts, Steffens brought clarity and punch to "Back to Attack", ensuring each instrument and vocal line locked perfectly into the mix.
The Sound of "Back to Attack"
"Back to Attack" delivers a high-energy set of heavy metal anthems. From the first needle drop, the listener is met with tight guitar harmonies, driving basslines, and forceful drumming. Tracks like "Master of the Earth" and "I Love the Night" highlight Gravestone’s balance of melody and aggression, combining power with precision.
The album’s twin-guitar assault by Mathias Dieth and Klaus "Doc" Reinelt provides searing solos and intricate leads. Berti Majdan anchors the sound on bass, while Rainer "Mampi" Garattoni drives the songs with his dynamic drumming. Vocalist Alfried Schütz adds a commanding presence, his voice cutting through the mix with both grit and melody.
Legacy and Influence
"Back to Attack" stands as a cult classic within the German heavy metal underground. Though it never reached mainstream fame, it remains admired by collectors and genre purists for its craftsmanship and the sheer conviction of its performance — a genuine snapshot of the country’s vibrant mid-’80s metal scene.
Hard Rock / Heavy Metal
Traditional German Heavy Metal, characterized by melodic twin-guitar harmonies, tight rhythm sections, and strong, high-register vocals. A style closely aligned with the 1980s German metal wave that included Stormwitch and Tyrant .
GAMA Musikverlags GmbH / New Records – Cat#: NW 2305
Standard 12" LP sleeve with printed back cover credits and artwork by Uli Allgaier.
Record Format: 12" Vinyl Stereo LP
Total Weight: 230g
1985 – Made in France
Spygel Studios – Kirchheim/Teck, Germany
Recorded March/April 1985
Soundhouse Studios – Hamburg, Germany
Disclaimer: Track order and spellings are verified from the original 1985 GAMA / New Records LP release. Minor typographical differences may exist between regional editions.
Contact: Gravestone, Albert-Einstein-Straße 20, 7913 Senden
© + ℗ 1985 GAMA Musikverlags GmbH, Dettinger Straße 95, 7312 Kirchheim/Teck.
Tel: (07021) 52817 – Telex: 7267 319 gama d
The front cover of Back to Attack by Gravestone is a masterwork of mid-1980s German heavy metal iconography. Under a star-filled night sky, the setting unfolds in a desolate cemetery bathed in blue mist, with leaning crosses and cracked tombstones scattered across uneven ground. A large full moon illuminates drifting clouds, giving the scene a ghostly luminescence that amplifies the album’s occult undertones.
Dominating the composition is a red gravestone glowing from below, inscribed with the words In Memory. Coiled around it is a massive serpent—its scales bronze and fiery, its mouth wide open, exposing fangs that glisten in the infernal light. The serpent’s menacing posture embodies the album’s theme of rising from the grave—resurgence and aggression, as suggested by the title Back to Attack engraved on a smaller nearby tombstone.
Above this infernal scene floats the band’s name, Gravestone, rendered in bold metallic Gothic lettering with gold sheen and stylized serifs that catch the eye like sharpened blades. The composition balances mysticism and menace: stars sparkle like distant omens, smoke curls around forgotten graves, and the entire tableau radiates both dread and vitality—perfectly mirroring the revivalist spirit of 1980s German metal.
The back cover of Back to Attack by Gravestone immerses the viewer in the theatrical energy of a live-stage fantasy. The five members are frozen mid-performance amid swirling smoke and colored lights, embodying the ferocity and flamboyance that defined the 1980s German heavy metal scene. Their attire — animal prints, sleeveless shirts, tight leather, and studded accessories — reinforces the era’s untamed aesthetic.
The photo is bordered in striking magenta and set against a star-speckled black background that continues the cosmic motif from the front cover. Song titles appear in vivid red and pink Gothic type across the center, splitting the tracklist into two columns that echo the LP’s Side One and Side Two. The typography and layout emphasize boldness and symmetry, while the contrast of neon hues against deep black adds a sense of visual punch and movement.
Below the imagery lies a dense block of production credits: recorded at Spygel Studios Kirchheim/Teck by Batze Kramer, mixed by Dirk Steffens at Soundhouse Studios Hamburg, and issued under the GAMA and NEW Records labels. Special thanks, management acknowledgments, and distribution information complete the collage of text, wrapping the design in a framework typical of mid-’80s German indie metal releases — meticulous yet feral in tone.
The Side A record label of Back to Attack by Gravestone reflects the restrained precision of mid-1980s European metal pressings. Printed in black ink on a metallic silver surface, it balances functionality and elegance — emphasizing clarity over ornament. The NEW RECORDS logo crowns the design within a rectangular frame, establishing the label’s distinct identity.
Below the logo, the band’s name GRAVESTONE appears in bold uppercase type, followed by the catalog number NW 2305, speed indication 33 tours, and side marking Face A. The track listing is cleanly typeset, showing four songs — “I Love the Night,” “The Tiger,” “Back to Attack,” and “Breakout” — each accompanied by composer credits referencing Dieth, Sabisch, Majdan, Reinelt, and McGoldrick.
A SACEM rights box appears to the right, certifying licensing under French collecting societies, while at the bottom edge, GAMA Musikverlags GmbH © 1985 confirms its production roots in southern Germany. The rim text, printed in French, warns against unauthorized duplication and broadcast. Altogether, this understated but authoritative label design embodies the serious craftsmanship of the GAMA–NEW Records era.
Note: The images shown are photos of the actual album. Slight differences in color may appear due to lighting and flash conditions during photography.
Released in 1985, Gravestone’s “Back to Attack” roars with unpolished firepower and melodic bite. It’s the sound of five maniacs from southern Germany pushing their amps until the fuses begged for mercy. The twin guitars blaze, the vocals hit like steel on granite, and every riff drips with that mid-’80s urgency — the kind you can almost smell in the vinyl grooves.
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