BLACK SABBATH - Self-Titled 12" Vinyl LP Album

- French Release from 1970

This the French release of "Black Sabbath"'s' debut album by the British Heavy Metal band with the same name.

High Resolution Photo black sabbath self-titled 1970 france

On this page you will find a detailed description of the album BLACK SABBATH - Self-Titled ( 1970, France ) with large photos of the album cover ( front and back ) , record labels (s) and vinyl records.

BLACK SABBATH – Self-Titled (1970 French Release)
Album Description:

In the grimy, industrial heart of 1970, Black Sabbath unleashed their eponymous debut, a record that would shake the foundations of rock music and birth a new genre: heavy metal. This wasn't your parents' rock and roll; it was darker, heavier, and steeped in occult imagery that both intrigued and terrified.

The album emerged from a bleak, post-industrial Birmingham, England, its sound echoing the city's factories and smokestacks. Sabbath's musical exploration was a reaction to the prevailing psychedelic rock scene, a deliberate descent into a sonic abyss. They cranked up the distortion, tuned down their guitars, and channeled a primal energy that resonated with disaffected youth.

Their music was heavy, sludgy, and ominous, with Ozzy Osbourne's haunting vocals weaving tales of paranoia, war, and the occult. Tony Iommi's innovative down-tuned guitar riffs, Geezer Butler's rumbling bass lines, and Bill Ward's thunderous drumming created a sonic assault that was both mesmerizing and unsettling.

The album wasn't without controversy. Religious groups condemned its themes, parents feared its influence on their children, and some critics dismissed it as noise. But the controversy only fueled the band's notoriety, drawing in curious listeners and cementing their status as outsiders.

Produced by Rodger Bain, the album was recorded at Regent Sound Studios and Tanhouse Studios in London. Bain, known for his work with other hard rock bands, captured the raw intensity of Sabbath's sound, giving it a visceral edge that set it apart from their contemporaries.

Black Sabbath's self-titled debut wasn't just an album; it was a cultural earthquake. It challenged the norms of rock music, paved the way for heavy metal, and gave voice to a generation's anxieties and frustrations. Its influence reverberates to this day, making it a landmark record that continues to captivate and inspire.

Music Genre: Hard Rock / Heavy Metal Music 

Produced by Rodger Bain for Tuesday Productions for Tony Hall Enterprises.

Rodger Bain is a British music producer who has been working with Rodger Bain is a British music producer and engineer who is best known for his work on early Black Sabbath albums. He worked as a producer and engineer on the first three Black Sabbath albums: "Black Sabbath" (1970), "Paranoid" (1970), and "Master of Reality" (1971). Bain is credited with helping to shape the sound of heavy metal and hard rock, and his work with Black Sabbath is considered influential in the development of the genre.

;Bain's production style was characterized by his use of raw, powerful sound, and his ability to bring out the best in the artists he worked with. He is regarded as one of the pioneers of heavy metal production and is highly respected in the music industry for his contributions.

After his work with Black Sabbath, Bain went on to work with other influential rock bands of the 1970s, including Judas Priest and UFO. He continued to work as a producer and engineer throughout his career, and his work has been recognized and celebrated by music fans and industry professionals alike.

Sound engineers: Tom Allom, Barry Sheffield.

Tom "Colonel" Allom In the illustrious realm of music production, one name that resonates with brilliance is that of Tom Allom. Born on 14th March 1946 in London, this British music producer and sound engineer have left an indelible mark on the landscape of rock and metal music.

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Allom's journey into the realm of sound engineering began in the late 1960s when he found himself at the epicenter of the burgeoning British music scene. With a keen ear for detail and an innate understanding of the nuances of sound, he quickly gained recognition among the music elite.

His breakthrough came when he collaborated with the legendary rock band Judas Priest in the late 1970s. The partnership proved to be nothing short of magical, as Allom's production work on albums like "British Steel" and "Screaming for Vengeance" catapulted Judas Priest into international stardom. The distinctive sound he crafted for the band, characterized by powerful guitar riffs and dynamic vocals, became synonymous with the golden era of heavy metal.

Allom's contribution extended beyond Judas Priest, as he lent his expertise to numerous iconic acts. His work with Black Sabbath, Def Leppard, and Krokus further solidified his reputation as a maestro in the studio. His ability to capture the raw energy of live performances while maintaining clarity and precision set him apart in an industry that demanded perfection.

In addition to his prowess in the studio, Tom Allom's collaboration with these renowned bands saw him participate in the creation of some of rock and metal's most enduring anthems. From the anthemic "Living After Midnight" to the thunderous "Breaking the Law," Allom's fingerprints are etched into the sonic fabric of classic rock.

As the music industry evolved, so did Allom's career. He adapted seamlessly to changing technologies, ensuring that his production techniques remained at the forefront of innovation. His work continued to influence younger generations of producers, and he remained a sought-after name in the industry.

Beyond his technical proficiency, Tom Allom's affable personality and collaborative spirit endeared him to the musicians he worked with. His ability to understand and enhance the vision of artists contributed significantly to the success of the projects he undertook.

Photography and cover design Marcus Keef

Label:  Vertigo 847.903 847903

Record Format:  12" Vinyl LP Record 

Country of Origin  1970 Made in France

Band Members and Musicians on: Black Sabbath - Black Sabbath Self-titled
Track Listing of: Black Sabbath - Black Sabbath Self-titled
    Side One:
  1. Black Sabbath
  2. The Wizard
  3. Behind the Wall of Sleep
  4. N.I.B
    Side Two:
  1. Evil Woman, Don't play your games with me
  2. Sleeping Village
  3. Warning
Front Cover Photo Of Black Sabbath Self-Titled Debut Album

High Resolution Photo black sabbath self-titled 1970 france

Close-up photo of record label

High Resolution Photo black sabbath self-titled 1970 france  

Index of BLACK SABBATH - 1960-1990 Album Cover Gallery 12" Vinyl LP Discography Information

BLACK SABBATH Vinyl Records Discography 1960-1989
BLACK SABBATH - Attention! Volume Two 12" LP
 BLACK SABBATH - Attention! Volume Two ( 1975, UK )  12" LP

 WWA 101 , 1975 , United Kingdom

In the realm of heavy metal music, few bands have achieved the iconic status and enduring influence of Black Sabbath. With their groundbreaking sound and dark lyrical themes, they pioneered a genre that continues to captivate listeners to this day. Among their many releases, the 1975 UK compilation album

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BLACK SABBATH - Self-Titled 12" LP
 BLACK SABBATH - Self-Titled  12" LP

Vertigo 847.903 847903 , 1970 , France

In the grimy, industrial heart of 1970, Black Sabbath unleashed their eponymous debut, a record that would shake the foundations of rock music and birth a new genre: heavy metal. This wasn't your parents' rock and roll; it was darker, heavier, and steeped in occult imagery that both intrigued and terrified.

Learn more
BLACK SABBATH - Born Again ( Offensive Album Cover )
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Vertigo 814 271 , 1983 , West-Germany

"Born Again" marked a significant moment for Black Sabbath as it was the only studio album to feature Ian Gillan, the legendary frontman of Deep Purple, on vocals. The band's lineup for this release included Tony Iommi on guitar, Geezer Butler on bass, and Bill Ward on drums. The album was produced by Robin Black

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BLACK SABBATH - Collection Vol 1 3LP Box-set
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Discos Victoria VLP-101 / 30.465, 30.466, 30.467 / 9094/3, Iberofon SA , 1984 , Spain

Released during a time of great musical exploration in the early 1970s, Black Sabbath's "Collection Vol 1" 3LP box-set is a testament to the band's pioneering role in the development of heavy metal. Emerging from the industrial landscape of Birmingham, England, Black Sabbath channeled their surroundings into a sound

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BLACK SABBATH - Dehumanizer
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  I.R.S 7 13155 , 1992 , EEC

Black Sabbath's "Dehumanizer" is a sonic sledgehammer, reuniting Dio and Appice with the metal titans. This 1992 release delves into dark themes of technological dystopia and human frailty, driven by relentless riffs and Dio's soaring vocals. A raw and powerful album that cements their legacy.

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BLACK SABBATH - Eternal Idol
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Vertigo 832 708 , 1987, Netherlands

"Black Sabbath's 'The Eternal Idol' (1987) ushered in a new era with vocalist Tony Martin. Produced by Patrick Meehan, Jeff Glixman, Chris Tsangarides, and Vic Coppersmith-Heaven, it showcased the band's evolution. Recorded at top studios, the album's sonic exploration and production finesse,

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BLACK SABBATH - Greatest Hits ( White Label )
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NEMS NEL 6009 , 1977 , West-Germany

This is the "Greatest Hits" compilation album released in 1977 on the NEMS Record Label. The illustration on the album front cover is "El Triunfo de la Muerte" by Pieter Bruegel, El Viejo and the record's label is white with black typography

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BLACK SABBATH - Greatest Hits ( "Fried Egg" Label )
Thumbnail Of  BLACK SABBATH - Greatest Hits album front cover

1977

This is the "Greatest Hits" compilation album released in 1977 on the NEMS Record Label. The illustration on the album front cover is "El Triunfo de la Muerte" by Pieter Bruegel, El Viejo and the record's label shows a "Fried Egg".

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BLACK SABBATH - Headless Cross
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 I.R.S. 064-24 1005 , 1989 , EEC

"Headless Cross" was the 14th studio album by Black Sabbath and was released on 24 April 1989. The album was recorded at Battery Studios in London. The album featured 10 tracks, including the titular "Headless Cross," "Devil & Daughter," and "When Death Calls."

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BLACK SABBATH - Heaven and Hell
Thumbnail Of  BLACK SABBATH - Heaven and Hell  album front cover

Vertigo 6302 017 (6302 017) , 1980 , Germany

"Heaven and Hell" was the first album after singer Ozzy Osbourne left the band and was the first album featuring Ronnie James Dio , formerly of Ritchie Blackmore's Rainbow, who brought his own unique style of song writing and vocalisation to the "Black Sabbath" band.

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BLACK SABBATH - Live Evil 2Lp Germany
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Vertigo 6302 202 , 1983 , West-Germany

"Live Evil", released in 1982 and in January 1983 in the UK, is the first "official" live album by British heavy metal band Black Sabbath, the previously released Live at Last (1980) not having been sanctioned by the band. It was recorded with Ronnie James Dio singing and is a of the Mob Rules World Tour

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BLACK SABBATH - Live Evil 2LP Netherlands
Thumbnail Of  BLACK SABBATH - Live Evil 2LP Netherlands album front cover

Vertigo 6650 009, 1983 , Netherlands

Black Sabbath's "Live Evil" 2LP Album, released on December 16, 1982, immortalizes the band's live prowess during their 1982 world tour. Recorded at iconic venues, the album seamlessly blends classics from the Ozzy era with Dio's powerful vocals, showcasing Black Sabbath's evolution.

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BLACK SABBATH - Live Evil 2LP Netherlands
Thumbnail Of  BLACK SABBATH - Live Evil 2LP Netherlands album front cover

Vertigo PRID 11 / 826-882 , 1983 , UK / England

Black Sabbath's "Live Evil," a double live album released in 1982, captures the band's tumultuous yet creatively fertile period with Ronnie James Dio at the helm. Recorded during their 1982 world tour, "Live Evil" documents the band's dynamic live performances, showcasing a mix of Dio-era material

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BLACK SABBATH - Master of Reality ( USA )
Thumbnail Of  BLACK SABBATH - Master of Reality album front cover

NEMS - NEL 6004 , 1976 , USA

Black Sabbath's "Master of Reality" is a 1971 heavy metal landmark. Its down-tuned riffs, dark lyrics about drugs and war, and experimental elements like a cough and cello solidified the band's sound and cemented their place in music history. Recorded at Island Studios with producer Rodger Bain,

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BLACK SABBATH - Master of Reality ( Canada )
Thumbnail Of  BLACK SABBATH - Master of Reality ( Canada  album front cover

Warner Bros (WB) Records BS 2562 , Canada

In the heart of 1971, Black Sabbath's "Master of Reality" landed in Canada, a sonic earthquake shaking the foundations of rock. Its raw, distorted riffs, Ozzy's haunting vocals, and lyrics delving into darkness resonated with a generation seeking rebellion. This Canadian release cemented the band's place

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BLACK SABBATH - Master of Reality ( WWA Records )
Thumbnail Of  BLACK SABBATH - Master of Reality ( WWA Records )  album front cover

WWA Records WWA 008 , 1971 , England

Black Sabbath's "Master of Reality" (1971) is a landmark heavy metal album. Its down-tuned guitars, sludgy riffs, and Ozzy Osbourne's eerie vocals explore themes of drug use, war, and societal disillusionment. The album's raw sound and iconic tracks like "Sweet Leaf" and "Children of the Grave"

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BLACK SABBATH - Never Say Die
Thumbnail Of  BLACK SABBATH - Never Say Die  album front cover

Vertigo 9124 101 , Vertigo 9124 101 1978 , Germany

"Never Say Die!" captures Black Sabbath at a turning point, with Ozzy Osbourne's imminent departure casting a shadow over the album. While experimenting with jazz and pop elements alongside their signature heavy metal sound, the band's internal struggles are evident.

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BLACK SABBATH - Paranoid ( Gt. Britain )
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Vertigo 6360 011 (6360011)    , 1970 , England

Black Sabbath's "Paranoid" UK 1st pressing on Vertigo with the full swirl label is a sought-after heavy metal record. Released in 1970, this album features genre-defining tracks like "War Pigs" and "Iron Man," This particular pressing is a collector's dream, prized for its rarity and historical significance.

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BLACK SABBATH - Paranoid ( Germany )
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Vertigo AA 6360 011 (6360011)    , 1970 , Germany

Black Sabbath's "Paranoid" (1970) is a landmark heavy metal album, featuring iconic tracks like the title song and "Iron Man." It captured the raw energy and social unrest of the era, with Tony Iommi's down-tuned guitar riffs, Geezer Butler's thunderous bass, Bill Ward's powerful drumming, and Ozzy Osbourne'

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BLACK SABBATH - Sabotage
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Warner Bros BS 2822 , 1975 , USA

Black Sabbath's "Sabotage" (1975) is a raw and intense album that showcases a heavier, more experimental side of the band. Born out of internal turmoil and legal battles, the album features aggressive riffs, complex song structures, and darker lyrics reflecting their frustration.

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BLACK SABBATH - Vol 4 ( Full Swirl , 1972 )
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Vertigo 6360 071 , 1972 , United Kingdom

Black Sabbath's "Vol. 4" is a landmark heavy metal album released in 1972. It features iconic tracks like "Snowblind" and "Supernaut," showcasing the band's signature dark sound and Ozzy Osbourne's powerful vocals. This Vertigo swirl label vinyl LP is a sought-after collector's item for fans

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BLACK SABBATH - Vol 4 ( France )
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Vertigo 6360 071 , 1972 , France

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BLACK SABBATH - We Sold Our Soul for Rock and Roll
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Victoria Records VLP 106 / 40.470 , 1984 , Spain

Black Sabbath's "We Sold Our Soul for Rock and Roll" gets the royal treatment in this Spanish 2LP vinyl release. Not only do you get the band's iconic sound in pure analog, but also a collectible poster to complete the experience. A must-have for any serious Sabbath fan or vinyl enthusiast.

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