BLACK SABBATH - Dehumanizer - 12" Vinyl LP Album - EEC Release

 Dehumanizer is the first album in over a decade to re-unite Ronnie James Dio and Vinny Appice. This web page has photos of album covers, inner sleeves, record labels together with production details, musicians and track-listing.

High Resolution Photo black sabbath dehumanizer
BLACK SABBATH RE-IGNITES THE FIRES OF HELL WITH 'DEHUMANIZER'
Album Description:

A Sonic Assault for the New Decade

Emerging from the smoke and shadows, Black Sabbath has returned to unleash their latest sonic assault, "Dehumanizer." This marks a monumental reunion for the legendary heavy metal band, as vocalist Ronnie James Dio and drummer Vinny Appice rejoin forces with the iconic guitar riffs of Tony Iommi and the thunderous bass lines of Geezer Butler.

A Decade of Darkness and Rebirth

It's been over ten years since Dio and Appice last stood alongside Iommi and Butler, a period filled with musical detours and personal struggles. However, the call of the Sabbath has proven irresistible, drawing these titans of heavy metal back together for a new chapter in their storied career.

"Dehumanizer" arrives at a time of technological upheaval and societal unease, themes that are reflected in the album's lyrical content and musical exploration. The band delves into the darker side of human nature, examining the dehumanizing effects of technology and the potential for destruction that lies within us all.

A Sonic Journey Through the Abyss

Musically, "Dehumanizer" is a relentless onslaught of heavy riffs, pounding drums, and soaring vocals. The album opens with the crushing "Computer God," a warning about the dangers of unchecked technological advancement. Other standout tracks include the anthemic "I," the doom-laden "After All (The Dead)," and the epic "Time Machine," a song that transcends time and space.

The album's production is raw and powerful, capturing the intensity of the band's live performances. Recorded at Rockfield Studios in Wales, with producer Reinhold Mack at the helm, "Dehumanizer" is a testament to the enduring power of heavy metal.

Controversy and Conflict

However, the reunion has not been without its challenges. There have been reports of creative differences and personal conflicts within the band, fueling rumors of an impending implosion. Only time will tell if these tensions will ultimately tear the Sabbath apart once again.

Essential Album Information For: Dehumanizer

Music Genre:

Heavy Metal, NWOBHM

Label & Catalognr:

I.R.S 7 13155

Media Format:

Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram  

Year & Country:

1992 Made in EEC

Dehumanizer Production & Recording Information

Album Packaging

This 12" LP vinyl music record comes comes in a standard album cover.

Producers:

Produced by Mack for Musicland GMBH

  • Reinhold Mack – Producer, Sound Engineer

    The behind-the-glass German wizard who helped turn arena rock into radio-sized dynamite (without sanding off the teeth).

    Reinhold Mack (aka "Mack") is the kind of producer/engineer whose fingerprints are all over the sound without ever hogging the spotlight. He starts showing up in big rock rooms in the mid-1970s, assisting on Deep Purple sessions like "Stormbringer" (1974) and "Come Taste the Band" (1975), then helps Rainbow lift off with "Rising" (1976). With Electric Light Orchestra, he becomes a key studio ally from "Face the Music" (1975) through "Time" (1981), shaping that glossy, layered ELO punch. Then comes his Queen run: from the late-1979/1980 pivot into "The Game" (1980) and onward through "Hot Space" (1982), "The Works" (1984), and "A Kind of Magic" (1986) — and yes, they literally name-drop him in the lyrics.

    Reinhold Mack Wiki

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    Sound & Recording Engineers:

    Darren Galer - Sound Engineer

    Darren Galer a Sound Engineer who was worked on the couple of albums for Black Sabbath, DIO.

    Leif Mases - Sound Engineer

    Leif Mases a producer, sound engineer who has worked on recordings for bands like: Black Sabbath, Europe, Frida, Ian Gillan, Europe, Jeff Beck and many others.

    Stephen Wissnet - Sound Engineer

    Stefan Wissnet ( his name can also be spelled as Stephen Wissnet ) a German Producer, Sound Engineer and Bass guitar player. As a sound engineer he has often been working with Reinhold Mack and has engineered on albums for and others.

     

    Album Cover Design & Artwork:

    Will Rees - Cover Art

    Will Rees is an illustrator and has worked on the album cover artwork for Black Sabbath and DIO.

    Photography:

    Mark "Weissguy" Weiss - Photography

  • Mark Weiss – Rock music photographer

    The “Weissguy” behind a huge chunk of the 1980s rock image—backstage, on tour, and way too close to the hair spray.

    Mark Weiss, Mark “Weissguy” Weiss is the rock photographer whose images basically taught the 1980s how to pose. His origin story is wonderfully punk: in 1977 he got arrested for selling his KISS photos outside Madison Square Garden, and by June 1978 he’d landed a national splash with a Steven Tyler (Aerosmith) centerfold for Circus—then ended up on staff. In the 1980s, he wasn’t just “covering” bands; he was riding alongside them as a tour photographer for artists like Ozzy Osbourne, Bon Jovi, Mötley Crüe, Poison, Metallica, and Twisted Sister, helping lock in that whole glam-and-guts look while it was still hot and loud. Later on, his lens also tracked bigger pop-culture gravity wells—acts like The Rolling Stones, Madonna, and Wu-Tang Clan—but the heart of the Weiss legend is still that late-’70s-to-’80s run where rock didn’t just sound larger-than-life; it looked like it too.

    Mark Weiss Wiki

    • Musicians on: Dehumanizer

    Band-members, Musicians:

    Ronnie James Dio vocals

  • Ronnie James DIO – Vocals

    DIO is straight-up one of my all-time favorite hard rock and heavy metal singers. I clock him as a once-in-a-generation voice: pure power, ridiculous control, and that storyteller energy that makes metal feel like a myth you can actually hold in your hands

    I always track his timeline like chapters I keep re-reading: Elf (1967–1975) where he sharpened the blues-rock grit, Rainbow (1975–1979) where the fantasy thunder really took off, Black Sabbath (1979–1982, 1991–1992) where he helped reboot the doom machine, Dio (1982–2010) where he built his own kingdom, and Heaven & Hell (2006–2010) where the classics came roaring back live.

    Ronnie James Dio, I don’t just hear a singer here — I hear a frontman who could make a chorus feel like a battle standard and a quiet line feel like a warning whispered in a cathedral. When he lit the fuse in Rainbow on “Ritchie Blackmore’s Rainbow” and especially “Rising” (yeah, that one), it was all high drama and sharpened melody. When he walked into Black Sabbath and dropped “ Heaven and Hell ” and “Mob Rules,” he didn’t “replace” anyone — he gave the band a whole second spine. And when he planted the flag with Dio on “Holy Diver” and “The Last in Line” (and later “Sacred Heart” for the big-chorus arena punch), the signature stayed the same: massive hooks, bigger conviction, and that unmistakable “this matters” intensity that makes you sit up like the record just called your name. Ronnie James Dio Wiki

    • Tony Iommi guitars

  • Tony Iommi – Guitar

    The riff inventor who turned missing fingertips into a whole new genre. Casual flex.

    Tony Iommi is Black Sabbath’s riff architect, the guy who turned a factory accident into the sound of heavy metal. From 1968-2017 he was the constant in Sabbath’s many shapes, anchoring the classic Ozzy run (1968-1979) and then dragging the name through every storm that followed. When the Dio-era core rebranded as Heaven & Hell (2006-2010), he proved the same hands could still summon fresh thunder. Iommi’s down-tuned, fingertip-adapted chords don’t "shred"; they loom, like machinery waking up in the dark, and that’s why every doom riff owes him rent. As a collector, I’ll take one Iommi chord over a hundred flashy solos. He stepped out solo with "Iommi" (2000) and "Fused" (2005), but the Sabbath pulse never left his fingers.

    Tony Iommi Wiki

    • Geezer Butler bass

  • Terry "Geezer" Butler – Bass

    The low-end philosopher who wrote the nightmares so the rest of us could hum them in public.

    Terry "Geezer" Butler, Terence "Geezer" Butler is Black Sabbath's low-end brains trust, the bassist who made the riffs feel like factory machinery and wrote the words that haunted your bedroom wall. From 1968-1979 he anchored the classic lineup, then returned for the big reunion runs (1997-2006, 2011-2017). His lyrics leaned into war, paranoia, and sci-fi dread - think "War Pigs" and "Iron Man" - but he always sounded more human than theatrical. He also powered the Dio-era revival as Heaven & Hell (2006-2010) and even jumped into Ozzy's solo camp for the 1988 tour, because why not keep it in the family. Mid-90s he went off-grid with G//Z/R, proving he could sound modern without asking permission. I collect these records, but Geezer collected the nightmares first.

    Terry "Geezer" Butler Wiki

    • Vinny Appice drums

  • Vinny Appice – Drums

    Vinny Appice hits like a wrecking ball that somehow keeps perfect time—tight, loud, and annoyingly tasteful. Late-70s grind with Rick Derringer (1976–1977) and Axis (1978) turned into the real deal with Black Sabbath (1980–1982), then that classic jump with Ronnie James Dio into Dio (1982–1989; back again for the 1994 and 1996 records).

    Vinny Appice, Brooklyn-born and raised on the kind of grit that doesn’t need a press release, has always sounded like he’s driving the whole band from the drum throne. First heard him properly when he slid into Black Sabbath on the Heaven and Hell tour in 1980 and then stamped his name on Mob Rules (1981) and the Live Evil chapter (1982). Late 1982 brought the big pivot: leaving the Sabbath orbit with Ronnie James Dio to build Dio, where my turntable still keeps coming back to that early run—Holy Diver (1983), The Last in Line (1984), Sacred Heart (1985), Intermission (1986), Dream Evil (1987)—before he stepped away in December 1989. The story didn’t end there, because heavy metal loves sequels: he flew back into Sabbath for Dehumanizer in 1992, reunited with Dio for Strange Highways (1994) and Angry Machines (1996), and later rode with the same core crew as Heaven & Hell from 2006 to 2010—proof that his groove isn’t a “style,” it’s a structural beam.

    Vinny Appice Wiki

    • Geoff Nicholls keyboards

    Geoff Nicholls (real-name: Geoffrey James Nicholls) is a keyboardist, musician and best known for the period where he performed with the NWOBHM band "Black Sabbath". Other bands he has performed with include Johnny Neal and the Starliners, Quartz, The Boll Weevils, The Seed, Tony Martin, World of Oz.

    Track-listing of: Dehumanizer

    Tracklisting Side One:
    1. Computer God 6:10 A thunderous opener that sets the tone for the album. Dio's vocals are commanding, and the lyrics warn of a dystopian future controlled by technology. Iommi's riffs are heavy and relentless, creating a sense of impending doom.
    2. After All (the Dead) 5:37 A slower, more atmospheric track with a haunting melody. The lyrics explore themes of mortality and the afterlife. Dio's vocals are particularly poignant, conveying a sense of both despair and hope.
    3. TV Crimes 3:58 A faster-paced rocker with a catchy chorus. The lyrics criticize the sensationalism of the media and its negative impact on society. The song's energy is infectious, and it's sure to get heads banging.
    4. Letters from Earth 4:12 A mid-tempo track with a bluesy feel. The lyrics tell the story of a man who is struggling to survive in a post-apocalyptic world. Dio's vocals are filled with emotion, and the song's message is both powerful and relevant.
    5. Master of Insanity 5:54 A heavy and aggressive track with a driving rhythm. The lyrics explore the theme of madness and its destructive power. Iommi's guitar work is particularly impressive, and the song's ending is explosive.
    Tracklisting Side Two:
    1. Time Machine 4:10 A high-octane rocker with a futuristic theme. The lyrics explore the idea of time travel and its potential consequences. Dio's vocals are powerful and energetic, and the song's driving rhythm is sure to get your heart racing.
    2. Sins of the Father 4:43 A mid-tempo track with a dark and brooding atmosphere. The lyrics delve into the themes of family dysfunction and inherited guilt. Dio's vocals are full of anguish and despair, and the song's haunting melody will stay with you long after it's finished.
    3. Too Late 6:54 A lengthy epic with a dramatic structure. The song begins with a slow and atmospheric intro before building to a powerful crescendo. The lyrics deal with the themes of regret and lost opportunities. Dio's vocals are both passionate and heartbreaking, and the song's emotional intensity is undeniable.
    4. I 5:10 A triumphant anthem with a soaring melody. The lyrics celebrate individuality and self-empowerment. Dio's vocals are at their most powerful, and the song's message is both inspiring and uplifting.
    5. Buried Alive 4:47 A dark and heavy closer with a claustrophobic feel. The lyrics describe the feeling of being trapped and buried alive. Dio's vocals are filled with terror and desperation, and the song's ending is chilling.

    Dehumanizer High Resolution & Quality Photos

    Front Cover Photo Of Dehumanizer
    High Resolution Photo black sabbath dehumanizer

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    Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone )

    Photo Of The Back Cover Dehumanizer
    High Resolution Photo black sabbath dehumanizer

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    Close up of Side One Dehumanizer record's label
    High Resolution Photo black sabbath dehumanizer

    Record Label Details:

    BLACK SABBATH Vinyl LP Discography & Album Cover Gallery (1960-1990)

    A Complete Guide to Black Sabbath's Iconic Vinyl Releases from 1960 to 1990
    BLACK SABBATH Vinyl Records Discography 1960-1989
    BLACK SABBATH - Attention! Volume Two
    BLACK SABBATH - Attention! Volume Two ( 1975, UK ) 12" Vinyl LP

     WWA 101 , 1975 , United Kingdom

    In the realm of heavy metal music, few bands have achieved the iconic status and enduring influence of Black Sabbath. With their groundbreaking sound and dark lyrical themes, they pioneered a genre that continues to captivate listeners to this day. Among their many releases, the 1975 UK compilation album

    Attention! Volume Two 12" Vinyl LP
    BLACK SABBATH - Self-Titled
    BLACK SABBATH - Self-Titled 12" Vinyl LP

    Vertigo 847.903 847903 , 1970 , France

    In the grimy, industrial heart of 1970, Black Sabbath unleashed their eponymous debut, a record that would shake the foundations of rock music and birth a new genre: heavy metal. This wasn't your parents' rock and roll; it was darker, heavier, and steeped in occult imagery that both intrigued and terrified.

    BLACK SABBATH - Self-Titled 12" Vinyl LP
    BLACK SABBATH - Born Again ( Offensive Album Cover )
    Thumbnail Of BLACK SABBATH - Born Again album front cover

    Vertigo 814 271 , 1983 , West-Germany

    "Born Again" marked a significant moment for Black Sabbath as it was the only studio album to feature Ian Gillan, the legendary frontman of Deep Purple, on vocals. The band's lineup for this release included Tony Iommi on guitar, Geezer Butler on bass, and Bill Ward on drums. The album was produced by Robin Black

    Born Again ( Offensive Album Cover ) 12" Vinyl LP
    BLACK SABBATH - Collection Vol 1 3LP Box-set
    Thumbnail Of BLACK SABBATH - Collection Vol 1 album front cover

    Discos Victoria VLP-101 / 30.465, 30.466, 30.467 / 9094/3, Iberofon SA , 1984 , Spain

    Released during a time of great musical exploration in the early 1970s, Black Sabbath's "Collection Vol 1" 3LP box-set is a testament to the band's pioneering role in the development of heavy metal. Emerging from the industrial landscape of Birmingham, England, Black Sabbath channeled their surroundings into a sound

    Collection Vol 1 3LP Box-set
    BLACK SABBATH - Dehumanizer
    Thumbnail Of BLACK SABBATH - Dehumanizer album front cover

      I.R.S 7 13155 , 1992 , EEC

    Black Sabbath's "Dehumanizer" is a sonic sledgehammer, reuniting Dio and Appice with the metal titans. This 1992 release delves into dark themes of technological dystopia and human frailty, driven by relentless riffs and Dio's soaring vocals. A raw and powerful album that cements their legacy.

    Dehumanizer 12" Vinyl LP
    BLACK SABBATH - Eternal Idol
    Thumbnail Of BLACK SABBATH - Eternal Idol (1987) album front cover

    Vertigo 832 708 , 1987, Netherlands

    Released in 1987, this powerful vinyl album marked a bold transformation in sound and style, blending melodic depth with a harder-edged production. Featuring refined songwriting, dramatic artwork, and top-tier studio craftsmanship, it reflects a pivotal era in heavy metal history.

    Eternal Idol 12" Vinyl LP
    BLACK SABBATH - Greatest Hits ( White Label )
    Thumbnail Of BLACK SABBATH - Greatest Hits (1977) album front cover

    NEMS NEL 6009 , 1977 , West-Germany

    This is the "Greatest Hits" compilation album released in 1977 on the NEMS Record Label. The illustration on the album front cover is "El Triunfo de la Muerte" by Pieter Bruegel, El Viejo and the record's label is white with black typography

    Greatest Hits ( NEMS White Label ) 12" Vinyl LP
    BLACK SABBATH - Greatest Hits ( "Fried Egg" Label )
    Thumbnail Of BLACK SABBATH - Greatest Hits album front cover

    1977

    This is the "Greatest Hits" compilation album released in 1977 on the NEMS Record Label. The illustration on the album front cover is "El Triunfo de la Muerte" by Pieter Bruegel, El Viejo and the record's label shows a "Fried Egg".

    Greatest Hits ( "Fried Egg" Label ) 12" Vinyl LP
    BLACK SABBATH - Headless Cross
    Thumbnail Of BLACK SABBATH - Headless Cross (1989) album front cover

     I.R.S. 064-24 1005 , 1989 , EEC

    "Headless Cross" was the 14th studio album by Black Sabbath and was released on 24 April 1989. The album was recorded at Battery Studios in London. The album featured 10 tracks, including the titular "Headless Cross," "Devil & Daughter," and "When Death Calls."

    Headless Cross 12" Vinyl LP
    BLACK SABBATH - Heaven and Hell
    Thumbnail Of BLACK SABBATH - Heaven and Hell album front cover

    Vertigo 6302 017 (6302 017) , 1980 , Germany

    "Heaven and Hell" was the first album after singer Ozzy Osbourne left the band and was the first album featuring Ronnie James Dio , formerly of Ritchie Blackmore's Rainbow, who brought his own unique style of song writing and vocalisation to the "Black Sabbath" band.

    Heaven and Hell 12" Vinyl LP
    BLACK SABBATH - Live Evil 2Lp Germany
    Thumbnail Of BLACK SABBATH - Live Evil 2Lp Germany album front cover

    Vertigo 6302 202 , 1983 , West-Germany

    "Live Evil", released in 1982 and in January 1983 in the UK, is the first "official" live album by British heavy metal band Black Sabbath, the previously released Live at Last (1980) not having been sanctioned by the band. It was recorded with Ronnie James Dio singing and is a of the Mob Rules World Tour

    Live Evil 2Lp Germany
    BLACK SABBATH - Live Evil 2LP Netherlands
    Thumbnail Of BLACK SABBATH - Live Evil 2LP Netherlands album front cover

    Vertigo 6650 009, 1983 , Netherlands

    Black Sabbath's "Live Evil" 2LP Album, released on December 16, 1982, immortalizes the band's live prowess during their 1982 world tour. Recorded at iconic venues, the album seamlessly blends classics from the Ozzy era with Dio's powerful vocals, showcasing Black Sabbath's evolution.

    Live Evil 2LP Netherlands
    BLACK SABBATH - Live Evil 2LP England
    Thumbnail Of BLACK SABBATH - Live Evil 2LP Netherlands album front cover

    Vertigo PRID 11 / 826-882 , 1983 , UK / England

    Black Sabbath's "Live Evil," a double live album released in 1982, captures the band's tumultuous yet creatively fertile period with Ronnie James Dio at the helm. Recorded during their 1982 world tour, "Live Evil" documents the band's dynamic live performances, showcasing a mix of Dio-era material

    Live Evil 2LP England
    BLACK SABBATH - Master of Reality ( USA )
    Thumbnail Of BLACK SABBATH - Master of Reality album front cover

    NEMS - NEL 6004 , 1976 , USA

    Black Sabbath's "Master of Reality" is a 1971 heavy metal landmark. Its down-tuned riffs, dark lyrics about drugs and war, and experimental elements like a cough and cello solidified the band's sound and cemented their place in music history. Recorded at Island Studios with producer Rodger Bain,

    Master of Reality ( USA ) 12" Vinyl LP
    BLACK SABBATH - Master of Reality ( Canada )
    Thumbnail Of BLACK SABBATH - Master of Reality ( Canada album front cover

    Warner Bros (WB) Records BS 2562 , Canada

    In the heart of 1971, Black Sabbath's "Master of Reality" landed in Canada, a sonic earthquake shaking the foundations of rock. Its raw, distorted riffs, Ozzy's haunting vocals, and lyrics delving into darkness resonated with a generation seeking rebellion. This Canadian release cemented the band's place

    Master of Reality ( Canada ) 12" Vinyl LP
    BLACK SABBATH - Master of Reality ( WWA Records )
    Thumbnail Of BLACK SABBATH - Master of Reality ( WWA Records ) album front cover

    WWA Records WWA 008 , 1971 , England

    Black Sabbath's "Master of Reality" (1971) is a landmark heavy metal album. Its down-tuned guitars, sludgy riffs, and Ozzy Osbourne's eerie vocals explore themes of drug use, war, and societal disillusionment. The album's raw sound and iconic tracks like "Sweet Leaf" and "Children of the Grave"

    Master of Reality ( WWA Records ) 12" Vinyl LP
    BLACK SABBATH - Never Say Die
    Thumbnail Of BLACK SABBATH - Never Say Die album front cover

    Vertigo 9124 101 , Vertigo 9124 101 1978 , Germany

    "Never Say Die!" captures Black Sabbath at a turning point, with Ozzy Osbourne's imminent departure casting a shadow over the album. While experimenting with jazz and pop elements alongside their signature heavy metal sound, the band's internal struggles are evident.

    Never Say Die 12" Vinyl LP
    BLACK SABBATH - Paranoid ( Gt. Britain )
    Thumbnail Of BLACK SABBATH - Paranoid ( Gt. Britain ) album front cover

    Vertigo 6360 011 (6360011)    , 1970 , England

    Black Sabbath's "Paranoid" UK 1st pressing on Vertigo with the full swirl label is a sought-after heavy metal record. Released in 1970, this album features genre-defining tracks like "War Pigs" and "Iron Man," This particular pressing is a collector's dream, prized for its rarity and historical significance.

    Paranoid ( Gt. Britain ) 12" Vinyl LP
    BLACK SABBATH - Paranoid ( Germany )
    Thumbnail Of BLACK SABBATH - Paranoid ( Germany ) album front cover

    Vertigo AA 6360 011 (6360011)    , 1970 , Germany

    Black Sabbath's "Paranoid" (1970) is a landmark heavy metal album, featuring iconic tracks like the title song and "Iron Man." It captured the raw energy and social unrest of the era, with Tony Iommi's down-tuned guitar riffs, Geezer Butler's thunderous bass, Bill Ward's powerful drumming, and Ozzy Osbourne'

    Paranoid ( Germany ) 12" Vinyl LP
    BLACK SABBATH - Sabotage
    Thumbnail Of BLACK SABBATH - Sabotage album front cover

    Warner Bros BS 2822 , 1975 , USA

    Black Sabbath's "Sabotage" (1975) is a raw and intense album that showcases a heavier, more experimental side of the band. Born out of internal turmoil and legal battles, the album features aggressive riffs, complex song structures, and darker lyrics reflecting their frustration.

    Sabotage 12" Vinyl LP
    BLACK SABBATH - Vol 4 ( Full Swirl , 1972 )
    Thumbnail Of BLACK SABBATH - Vol 4 ( 1972 ) album front cover

    Vertigo 6360 071 , 1972 , United Kingdom

    Black Sabbath's "Vol. 4" is a landmark heavy metal album released in 1972. It features iconic tracks like "Snowblind" and "Supernaut," showcasing the band's signature dark sound and Ozzy Osbourne's powerful vocals. This Vertigo swirl label vinyl LP is a sought-after collector's item for fans

    Vol 4 ( Full Swirl , 1972 ) 12" Vinyl LP
    BLACK SABBATH - Vol 4 ( France )
    Thumbnail Of BLACK SABBATH - Vol 4 ( France ) album front cover

    Vertigo 6360 071 , 1972 , France

    This is the French Edition of Black Sabbath's Vol 4 which was originally to be titled Snowblind, after one of several tracks referring to cocaine use. The album was recorded in California, the first time Sabbath had recorded a studio album outside the United Kingdom.

    Vol 4 ( France ) 12" Vinyl LP
    BLACK SABBATH - We Sold Our Soul for Rock and Roll
    Thumbnail Of BLACK SABBATH - We Sold Our Soul for Rock and Roll album front cover

    Victoria Records VLP 106 / 40.470 , 1984 , Spain

    Black Sabbath's "We Sold Our Soul for Rock and Roll" gets the royal treatment in this Spanish 2LP vinyl release. Not only do you get the band's iconic sound in pure analog, but also a collectible poster to complete the experience. A must-have for any serious Sabbath fan or vinyl enthusiast.

    We Sold Our Soul for Rock and Roll 12" Vinyl LP