BLACK SABBATH - Paranoid 12" Vinyl LP Album

- Full VERTIGO Swirl Label Germany

Black Sabbath's "Paranoid" (1970) is a groundbreaking album that solidified the band's status as pioneers of heavy metal. Emerging from the industrial landscape of Birmingham, England, the album captured a raw energy and social unrest of the era, with iconic tracks like the title song becoming anthems for a disillusioned generation. Recorded in a whirlwind two weeks, "Paranoid" features Tony Iommi's signature down-tuned guitar riffs, Geezer Butler's thunderous basslines, Bill Ward's powerful drumming, and Ozzy Osbourne's distinctive vocals. The album's dark themes and occult imagery sparked controversy, further fueling the band's rebellious image and cementing their legacy as heavy metal legends.

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On this page you will find a detailed description of the album BLACK SABBATH - Paranoid Full Swirl Label Germany with large photos of the album cover ( front and back ) , inside sleeve , record labels

Black Sabbath's "Paranoid": A Sonic Revolution in the Heart of Heavy Metal
Album Description:

In the tumultuous year of 1970, amidst social unrest and a shifting cultural landscape, Black Sabbath unleashed their sophomore album, "Paranoid," upon the world. This iconic record not only solidified the band's position as pioneers of heavy metal but also served as a sonic reflection of the anxieties and uncertainties of the era.

Historical Context and Musical Exploration:

Emerging from the industrial heartland of Birmingham, England, Black Sabbath channeled their working-class frustrations and a fascination with the occult into a sound that was both heavy and haunting. "Paranoid" was recorded in a mere two weeks, capturing a raw energy and unfiltered aggression that resonated with a generation disillusioned by war and societal upheaval. The album's title track, written hastily as filler, became an anthem for the disaffected youth, its iconic riff and Ozzy Osbourne's distinctive vocals etching themselves into the annals of rock history.

Music Genre and Controversies:

"Paranoid" is widely regarded as a cornerstone of heavy metal, characterized by its down-tuned guitars, thunderous drumming, and lyrics that delved into themes of paranoia, war, and social decay. The album's dark and brooding atmosphere, coupled with its often cryptic lyrics, sparked controversy and even led to accusations of Satanism. However, this only fueled the band's notoriety and cemented their status as rebels in the music industry.

Production Team and Recording Studio:

The album was produced by Rodger Bain, who had also helmed the band's eponymous debut. Bain's approach was to capture the band's raw power and live energy, resulting in a sound that was both visceral and immediate. "Paranoid" was recorded at Regent Sound Studios and Island Studios in London, both known for their state-of-the-art equipment and experienced engineers. The combination of the band's raw talent, Bain's production expertise, and the studios' technical capabilities resulted in an album that was sonically groundbreaking and continues to influence generations of musicians.

Collector Notes:

Side A: Of the Record's label has only the full Swirl and no text, see photos below.

Note the wording "A Philips Record" product near the bottom of the label. This text appears only on the German pressing of this record.
 

Gatefold/FOC (Fold Open Cover) Album Cover Design.

Music Genre:

Hard Rock Music

Album Production: 

Produced by Rodger Bain for Tony Hall Enterprises,

  • Rodger Bain – Record Producer

    The man who bottled early heavy metal before anyone dared call it that.

    Rodger Bain was the sharp-eared architect behind the birth of British heavy metal, and I still tip my hat to the way he captured raw volume without sanding off its teeth. Between 1969 and 1971 he produced Black Sabbath’s first three albums, forging that ominous, down-tuned thunder at Regent Sound and Island Studios. In 1970 he also helmed Budgie’s debut, giving Welsh hard rock real muscle. He worked with Judas Priest on “Rocka Rolla” in 1974, steering their early sound before the twin-guitar assault fully ignited. Bain didn’t polish bands—he framed their menace and let the amps breathe fire.

  • Recorded at Regent Sound and Island Studios,

    Engineers Tony Allom and Brian Humphries,

  • Tom Allom – Producer, Sound Engineer

    He made amps behave and drums punch without turning the mix into oatmeal.

    Tom Allom, the kind of producer-engineer who could make a Marshall stack behave, is one of those names you only notice after the speakers stop smoking. I clock him first as a toningenieur on Black Sabbath's early run (1970-1973), then as a producer for Strawbs (1973-1975) before he helped shape the NWOBHM steelwork with Judas Priest (1979-1988: "British Steel", "Screaming for Vengeance", "Defenders of the Faith" through "Ram It Down"). He also put his stamp on Def Leppard's "On Through the Night" (1980) and Krokus' "Headhunter" (1983), and he even returned to Priest later (2009, 2018). When he nails it, the kick drum punches, guitars slice, and the chorus arrives like a door being kicked in.

  • Management Jim Simpson, Big BEar, Birmingham,

    Cover design by Keef

    Record Label & Catalognr:

    Vertigo AA 6360 011 (6360011)
      

    Media Format:

    12" Vinyl LP Record 
     Album weight 280 grams

    Year & Country:

    1970 Made in Germany (Carl v.d. Linnepe, Ludenscheid)
    Band Members and Musicians on: Black Sabbath Paranoid (Germany)
      Black Sabbath Band/Musicians
    • Ozzy Osbourne - Lead Vocals
    • Ozzy Osbourne – Vocals

      The voice that made doom feel catchy, like a nightmare you accidentally learn the chorus to.

      Ozzy Osbourne, Ozzy Osbourne is the original Black Sabbath voice, a Brummie siren who turned street-level doom into pop-scale panic. From 1968 to 1979 he fronted Sabbath through the genre’s birth-pangs, then returned for the big reunion runs (1997–2006 and 2011–2017). Fired in 1979, he detonated a solo career in 1980, first with the Blizzard of Ozz band around Randy Rhoads (1980–1982), and kept selling the same dangerous grin for decades. I never bought the "Prince of Darkness" cosplay; the real trick was making fear sound singable—half wail, half hook, all nerve. He stayed a headline force right up to his final years, when the legend outweighed the body but the voice still cut through the smoke.

    • Tony Iommi - Guitars
    • Tony Iommi – Guitar

      The riff inventor who turned missing fingertips into a whole new genre. Casual flex.

      Tony Iommi is Black Sabbath’s riff architect, the guy who turned a factory accident into the sound of heavy metal. From 1968-2017 he was the constant in Sabbath’s many shapes, anchoring the classic Ozzy run (1968-1979) and then dragging the name through every storm that followed. When the Dio-era core rebranded as Heaven & Hell (2006-2010), he proved the same hands could still summon fresh thunder. Iommi’s down-tuned, fingertip-adapted chords don’t "shred"; they loom, like machinery waking up in the dark, and that’s why every doom riff owes him rent. As a collector, I’ll take one Iommi chord over a hundred flashy solos. He stepped out solo with "Iommi" (2000) and "Fused" (2005), but the Sabbath pulse never left his fingers.

    • Terry "Geezer" Butler - Bass
    • Terry "Geezer" Butler – Bass

      The low-end philosopher who wrote the nightmares so the rest of us could hum them in public.

      Terry "Geezer" Butler, Terence "Geezer" Butler is Black Sabbath's low-end brains trust, the bassist who made the riffs feel like factory machinery and wrote the words that haunted your bedroom wall. From 1968-1979 he anchored the classic lineup, then returned for the big reunion runs (1997-2006, 2011-2017). His lyrics leaned into war, paranoia, and sci-fi dread - think "War Pigs" and "Iron Man" - but he always sounded more human than theatrical. He also powered the Dio-era revival as Heaven & Hell (2006-2010) and even jumped into Ozzy's solo camp for the 1988 tour, because why not keep it in the family. Mid-90s he went off-grid with G//Z/R, proving he could sound modern without asking permission. I collect these records, but Geezer collected the nightmares first.

    • Bill Ward - Drums
    • Bill Ward – Drums

      Jazz-blooded thunder behind the doom: the swing in Sabbath’s sledgehammer.

      Bill Ward is the heartbeat of early Black Sabbath, a drummer with jazz instincts who made heavy music breathe. From 1968-1980 he powered the classic run, then returned for key chapters: the 1983 "Born Again" era, and the full-force reunion years 1997-2006, when the original engine room roared again. Before Sabbath, he and Tony Iommi crossed paths in Mythology (1967-1968), and you can hear that chemistry later in the way Ward swings inside riffs that should be too heavy to move. He even stepped out front with "Ward One: Along the Way" (1990) and "When the Bough Breaks" (1997). For me, Ward is the secret weapon: without his loose-limbed punch, Sabbath would be heavy, sure - but not alive.

    Complete Track Listing of: Black Sabbath Paranoid (Germany)
      Side One:
    1. War Pigs
    2. Paranoid
    3. Planet Caravan
    4. Iron Man
      Side Two:
    1. Electric Funeral
    2. Hand of Doom
    3. Rat Salad
    4. Fairies Wear Boots
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    Photo of Album's Back Cover  
    High Resolution Photo black sabbath paranoid germany  
    Photo of Album's Back Cover  
    High Resolution Photo black sabbath paranoid germany  
    Photo of Album's Back Cover  
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    Photo of Record Label 
    High Resolution Photo black sabbath paranoid germany  
    Photo of Record Label 
    High Resolution Photo black sabbath paranoid germany  

     Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).

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