| Album Production information:
The album: "BLACK SABBATH - Eternal Idol" was produced by: Patrick Meehan, Jeff Glixman
Patrick Meehan, born on 8 February 1935, was an influential figure in the world of music management, best known for his role as the manager of the legendary heavy metal band Black Sabbath during their early years. Meehan's tenure with the band played a significant role in shaping their success and establishing them as one of the most iconic rock acts of all time.
Born and raised in Birmingham, England, Meehan grew up with a deep love and passion for music. He had an innate understanding of the industry and recognized the potential of emerging talent. Meehan's journey into the music business began when he started working for various record companies and artist management firms, gaining valuable experience and knowledge along the way.
In the late 1960s, Meehan's path crossed with four young musicians from Birmingham who had formed a band called Black Sabbath. Recognizing their raw talent and unique sound, Meehan saw an opportunity to take their music to the masses and signed on as their manager in 1969. It was a decision that would forever change the trajectory of both Meehan's and Black Sabbath's careers.
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Under Meehan's guidance, Black Sabbath released their eponymous debut album in 1970, which introduced the world to their dark and heavy sound. The album was a critical and commercial success, establishing Black Sabbath as pioneers of the emerging heavy metal genre. Meehan's strategic approach to marketing and promotion helped propel the band to international fame.
Meehan's managerial style was characterized by his astute business acumen, strong negotiation skills, and dedication to his artists. He played a crucial role in securing record deals, managing tours, and expanding the band's global reach. During his tenure, Black Sabbath released several iconic albums, including "Paranoid" (1970), "Master of Reality" (1971), and "Sabbath Bloody Sabbath" (1973). These albums solidified their status as one of the most influential and successful rock bands of the era.
However, as Black Sabbath's popularity soared, tensions began to rise between Meehan and the band members. Disagreements over financial matters and creative control eventually led to a falling out, and Meehan's association with Black Sabbath came to an end in 1975. The split marked the end of an era for both parties and marked a significant transition for the band.
After parting ways with Black Sabbath, Meehan continued to work in the music industry, managing various artists and pursuing other business ventures. Although his time with Black Sabbath was marred by disputes, Meehan's contributions to their early success cannot be overlooked. His managerial skills and ability to recognize talent played a pivotal role in shaping the band's legacy.
Patrick Meehan passed away on 28 July 2002, leaving behind a lasting impact on the music industry. His role as the manager of Black Sabbath during their formative years remains an essential chapter in the band's history, helping establish them as one of the most influential rock acts of all time.
Jeff Glixman is a highly respected and accomplished music producer, sound engineer, and mastering engineer. With a career spanning several decades, Glixman has made significant contributions to the music industry, working with renowned artists and leaving an indelible mark on numerous recordings.
Born on 10 June 1951, in New York City, Jeff Glixman developed a passion for music at an early age. He began playing guitar and exploring various genres, immersing himself in the vibrant music scene of the city. Glixman's love for music soon expanded beyond performing, and he became fascinated with the technical aspects of sound production.
Glixman's journey in the music industry took off when he started working at the legendary Record Plant Studios in New York. There, he honed his skills as a recording engineer, working with a diverse range of artists and learning from experienced professionals. Glixman's talent and dedication quickly caught the attention of industry insiders, earning him a reputation as a skilled engineer with a keen ear for sound.
In the 1970s, Glixman made a significant breakthrough when he began collaborating with progressive rock band Kansas. He worked on their critically acclaimed albums, including "Leftoverture" (1976) and "Point of Know Return" (1977), which featured the chart-topping hit "Dust in the Wind". Glixman's meticulous attention to detail and innovative production techniques helped shape Kansas' distinctive sound and contributed to their commercial success.
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Following his success with Kansas, Glixman went on to work with other notable rock acts, including Gary Moore, Black Sabbath, and Y&T. He became known for his ability to capture the essence of a band's sound and bring out the best in their performances. Glixman's collaborations with these artists resulted in iconic albums, such as Gary Moore's "Run for Cover" (1985) and Y&T's "In Rock We Trust" (1984).
In addition to his work as a producer and engineer, Glixman also excelled as a mastering engineer. His expertise in the final stages of the recording process allowed him to fine-tune and enhance the overall sound quality of albums. Glixman's mastering credits include albums by artists like Eric Clapton, Cinderella, and Krokus, further showcasing his versatility and skill set.
Throughout his career, Jeff Glixman's contributions to the music industry have earned him numerous accolades and recognition. His work has garnered multiple gold and platinum certifications, reflecting the commercial success of the albums he has been involved in. Glixman's dedication to his craft, commitment to excellence, and ability to create a dynamic and immersive sonic experience have solidified his reputation as one of the industry's most sought-after producers and engineers.
With a career that has spanned over four decades, Jeff Glixman continues to be actively involved in the music industry, collaborating with emerging and established artists alike. His passion for music and his unwavering pursuit of sonic perfection make him a respected figure in the field. Glixman's enduring legacy lies not only in the albums he has produced but also in the inspiration he has provided to aspiring producers and engineers around the world.
Chris Tsangarides - Producer, Sound Mix
Christopher Andrew Tsangarides, known as Chris Tsangarides, was a British record producer, sound engineer, and mixer, who left an indelible mark on the heavy metal and hard rock music scenes. Born on 17 August 1956, in London, England, Tsangarides displayed a passion for music from an early age. His talent and dedication would propel him to become one of the most sought-after producers in the industry.
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In the 1980s and 1990s, Tsangarides rose to prominence due to his exceptional work with numerous heavy metal bands, earning him a reputation for producing albums of exceptional quality. His collaborations included notable acts such as Judas Priest, Anvil, Gary Moore, Thin Lizzy, Helloween, Angra, Anthem, Yngwie Malmsteen, and Tygers of Pan Tang.
One of Tsangarides' breakthrough moments came in 1982 when he produced Anvil's iconic album
"Metal on Metal."
This release showcased his ability to capture the raw energy and power of the heavy metal genre. Following this success, Tsangarides went on to produce Thin Lizzy's acclaimed final studio album,
"Thunder and Lightning,"
released in 1983. The album's dynamic sound and memorable tracks solidified Tsangarides' position as a top-tier producer.
In 1990, Tsangarides achieved a Grammy nomination for his work on Judas Priest's album
"Painkiller,"
which showcased his expertise in capturing the band's ferocious sound. Throughout this period, Tsangarides collaborated with other influential artists, including Black Sabbath, Ozzy Osbourne, Helloween, Y&T, Tygers of Pan Tang, Anthem, Sinner, King Diamond, Ian Gillan, and Bruce Dickinson, whose solo album "Tattooed Millionaire" he produced in the same year.
Tsangarides' distinctive style and meticulous attention to detail contributed to the success of many classic albums. His ability to capture the essence and energy of heavy metal made him a favorite among bands and musicians seeking a powerful and dynamic sound. His production work was marked by an emphasis on capturing the live performance, resulting in albums that resonated with fans and stood the test of time.
Tragically, Chris Tsangarides' career was cut short when he passed away on 7 January 2018, at the age of 61. However, his contributions to the heavy metal and hard rock genres continue to be celebrated and appreciated by fans and fellow musicians alike. Tsangarides left an enduring legacy as a Grammy-nominated producer, sound engineer, and mixer, whose work forever shaped the sound of heavy metal and solidified his status as a true legend in the music industry.
Vic Coppersmith-Heaven - Producer,
This album was recorded at:
Air Studios Montserrat, Air Studios, London, Battery Studios, London
Battery Studios London a recording studio located in London, England. Established in the late 1970s, it has been a popular destination for musicians, producers and engineers seeking a top-notch recording facility. The studio is equipped with state-of-the-art recording gear and technology, and is known for its spacious, acoustically treated rooms, which provide ideal conditions for capturing great-sounding recordings.
Battery Studios has played host to a wide range of musicians and artists over the years, and has been the site of many iconic recordings. From rock and pop to Bhip-hop and electronic music, the studio has seen its share of diverse and talented musicians come through its doors.
The studio is also known for its commitment to quality and its friendly and professional staff, who are dedicated to ensuring that each recording session is a success. Whether you are an up-and-coming artist or an established performer, Battery Studios provides a world-class recording experience, and the chance to capture your music in the best possible light.
Album cover design:
Shoot That Tiger!
Album cover photography: Cindy Palmano
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