BLACK SABBATH - Paranoid - UK 1st Pressing Vertigo Full Swirl 12" Vinyl LP Album

Black Sabbath's "Paranoid" is considered one of the most iconic albums in rock history, and this UK 1st pressing Vertigo full swirl 12" vinyl LP is a sought-after collector's item.This page describes all the details of this album Paranoid.

High Resolution Photo black sabbath paranoid gt britain

On this page you will find a detailed description of the album BLACK SABBATH - Paranoid UK 1st Pressing Vertigo Full Swirl with large photos of the album cover ( front and back ) , inner sleeves , record labels and vinyl records.

Album Description:

The UK 1st pressing Vertigo full swirl 12" vinyl LP of "Paranoid" is easily recognizable by a few key features. Firstly, on Side A of the record, you will find the full swirl logo, which is a distinctive and iconic symbol of the Vertigo label. This logo, with its psychedelic green and white swirl design, is highly sought-after among collectors.

Another notable feature of this pressing is the gatefold cover. When you open the album, the cover unfolds to reveal additional artwork and information. This adds to the overall aesthetic appeal and collectibility of the LP.

Inside the gatefold cover, you will find the text "WARNING - copyright subsists in all recordings ..." This statement is a testament to the legal protection of the music contained within and serves as a reminder to respect the rights of the artists.

Included with this pressing is a custom inner sleeve that features the Swirl logo printed on it. This detail further enhances the uniqueness and desirability of the album.

"Paranoid" was produced by Rodger Bain for Tony Hall Enterprise and was recorded at Regent Sound and Island Studios. The engineering was handled by Tony Allom and Brian Humphries, and the album was managed by Jim Simpson of Big Bear, Birmingham. The cover design was created by Keef, who contributed to the album's overall visual appeal.

Released in 1970, this UK 1st pressing Vertigo full swirl 12" vinyl LP holds historical significance within the world of rock music. Black Sabbath's "Paranoid" is widely regarded as a pioneering heavy metal album that laid the foundation for the genre. Its dark and heavy sound, coupled with the band's distinctive style and lyrics, captivated audiences and influenced countless musicians.

The value of this collector's item can be substantial, particularly if the record is in excellent condition. Factors such as the overall quality of the vinyl, the condition of the cover and inner sleeve, and the rarity of the pressing can impact its worth. Collectors and fans alike are willing to pay a premium for such a unique piece of music history.

"Paranoid" The Song Description:

Black Sabbath's "Paranoid" achieved success through a confluence of factors, some planned, some entirely unexpected:

Catchy Simplicity: Though written as a last-minute filler track, "Paranoid" defied expectations. Its short runtime (under 3 minutes), simple power chord structure, and memorable riff made it instantly accessible compared to Sabbath's lengthier, more complex tracks.

Radio Friendliness: While Black Sabbath wasn't aiming for radio play, "Paranoid's" shorter format and catchy melody caught the attention of DJs. This unexpected radio exposure broadened the band's audience beyond their initial heavy metal fanbase.

A Different Kind of Audience: The success of "Paranoid" as a single brought a new wave of fans to Black Sabbath's live shows. These audiences, not necessarily familiar with the band's heavier sound, were drawn to the song's energy and might have been surprised by the band's overall style.

Impactful Album Art: The now-iconic "Paranoid" album cover, featuring a distorted figure wielding a sword against a winged creature, perfectly captured the album's dark and ominous mood. This imagery became synonymous with heavy metal itself and undoubtedly contributed to the album's success.

An Unforeseen Advantage: Interestingly, the fact that "Paranoid" was written quickly and almost as an afterthought became part of its legend. The effortless creation of such a powerful song added to the band's mystique.

In conclusion, "Paranoid" became a success due to a combination of its catchy, radio-friendly structure, unexpected exposure, and the iconic album art. It served as a gateway for new audiences to discover Black Sabbath, solidifying their place as pioneers of heavy metal.

Collector's information: 

The genuine 1st UK pressing of Black Sabbath's Paranoid, can be recognized by:

  • Side A of the record has full Swirl logo
  • Inside of the cover has the text "WARNING - copyright subsists in all recordings ..."
  • Gatefold cover
  • Custom inner sleeve has Swirl logo printed

Black Sabbath's "Paranoid" is widely considered one of the most influential heavy metal albums of all time, and the UK 1st pressing Vertigo full swirl 12" vinyl LP album is a highly sought-after collectible among fans and collectors.

The value of this particular pressing can vary depending on factors such as the condition of the record and the rarity of the pressing. However, in general, a copy in excellent condition can fetch several hundred dollars.

What makes this pressing so valuable is its rarity and historical significance. The full swirl label design, which features a trippy, swirling pattern in green and white, was only used for a short period in 1970 and is highly sought-after by collectors. Additionally, the UK pressing is considered by many to be the superior version of the album, with a more raw and powerful sound compared to the US pressing.

Overall, the value of this particular pressing of "Paranoid" speaks to the enduring legacy and influence of Black Sabbath, as well as the enduring appeal of vinyl records as a tangible and collectible form of music.

 

Music Genre:

  Acid Psych Rock Heavy Metal Music

Album Production: Produced by Rodger Bain for Tony Hall Enterprises,

Rodger Bain is a British music producer who has been working with Rodger Bain is a British music producer and engineer who is best known for his work on early Black Sabbath albums. He worked as a producer and engineer on the first three Black Sabbath albums: "Black Sabbath" (1970), "Paranoid" (1970), and "Master of Reality" (1971). Bain is credited with helping to shape the sound of heavy metal and hard rock, and his work with Black Sabbath is considered influential in the development of the genre.

;Bain's production style was characterized by his use of raw, powerful sound, and his ability to bring out the best in the artists he worked with. He is regarded as one of the pioneers of heavy metal production and is highly respected in the music industry for his contributions.

After his work with Black Sabbath, Bain went on to work with other influential rock bands of the 1970s, including Judas Priest and UFO. He continued to work as a producer and engineer throughout his career, and his work has been recognized and celebrated by music fans and industry professionals alike.

Recorded at Regent Sound and Island Studios,

Engineers Tony Allom and Brian Humphries,

Tom "Colonel" Allom In the illustrious realm of music production, one name that resonates with brilliance is that of Tom Allom. Born on 14th March 1946 in London, this British music producer and sound engineer have left an indelible mark on the landscape of rock and metal music.

more...

Allom's journey into the realm of sound engineering began in the late 1960s when he found himself at the epicenter of the burgeoning British music scene. With a keen ear for detail and an innate understanding of the nuances of sound, he quickly gained recognition among the music elite.

His breakthrough came when he collaborated with the legendary rock band Judas Priest in the late 1970s. The partnership proved to be nothing short of magical, as Allom's production work on albums like "British Steel" and "Screaming for Vengeance" catapulted Judas Priest into international stardom. The distinctive sound he crafted for the band, characterized by powerful guitar riffs and dynamic vocals, became synonymous with the golden era of heavy metal.

Allom's contribution extended beyond Judas Priest, as he lent his expertise to numerous iconic acts. His work with Black Sabbath, Def Leppard, and Krokus further solidified his reputation as a maestro in the studio. His ability to capture the raw energy of live performances while maintaining clarity and precision set him apart in an industry that demanded perfection.

In addition to his prowess in the studio, Tom Allom's collaboration with these renowned bands saw him participate in the creation of some of rock and metal's most enduring anthems. From the anthemic "Living After Midnight" to the thunderous "Breaking the Law," Allom's fingerprints are etched into the sonic fabric of classic rock.

As the music industry evolved, so did Allom's career. He adapted seamlessly to changing technologies, ensuring that his production techniques remained at the forefront of innovation. His work continued to influence younger generations of producers, and he remained a sought-after name in the industry.

Beyond his technical proficiency, Tom Allom's affable personality and collaborative spirit endeared him to the musicians he worked with. His ability to understand and enhance the vision of artists contributed significantly to the success of the projects he undertook.

 

Management Jim Simpson, Big BEar, Birmingham,

Cover design by Keef

Record Label Information:

  Vertigo 6360 011 (6360011)
  

Media Format:

  12" Vinyl LP Record 160 grams vinyl

Year & Country:

  1970 Made in England
Band Members and Musicians on: Black Sabbath Paranoid
Track Listing of: Black Sabbath Paranoid
    Side One:
  1. War Pigs
  2. Paranoid
  3. Planet Caravan
  4. Iron Man
    Side Two:
  1. Electric Funeral
  2. Hand of Doom
  3. Rat Salad
  4. Fairies Wear Boots
Album cover photos of : Black Sabbath Paranoid
Photo of Front Cover 
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Photo of Album's Back Cover  
High Resolution Photo black sabbath paranoid gt britain
Photo of Album's Back Cover  
High Resolution Photo black sabbath paranoid gt britain
Photo of Album's Back Cover  
High Resolution Photo black sabbath paranoid gt britain  
Photo of original company inner sleeve with the swirl
High Resolution Photo black sabbath paranoid gt britain  
Photo of Record Label 
High Resolution Photo black sabbath paranoid gt britain  
Photo of Record Label 
High Resolution Photo black sabbath paranoid gt britain  

 Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).

Index of BLACK SABBATH - 1960-1990 Album Cover Gallery 12" Vinyl LP Discography Information

BLACK SABBATH Vinyl Records Discography 1960-1989
BLACK SABBATH - Attention! Volume Two 12" LP
 BLACK SABBATH - Attention! Volume Two ( 1975, UK )  12" LP

 WWA 101 , 1975 , United Kingdom

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BLACK SABBATH - Self-Titled 12" LP
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Vertigo 847.903 847903 , 1970 , France

In the grimy, industrial heart of 1970, Black Sabbath unleashed their eponymous debut, a record that would shake the foundations of rock music and birth a new genre: heavy metal. This wasn't your parents' rock and roll; it was darker, heavier, and steeped in occult imagery that both intrigued and terrified.

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BLACK SABBATH - Born Again ( Offensive Album Cover )
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Vertigo 814 271 , 1983 , West-Germany

"Born Again" marked a significant moment for Black Sabbath as it was the only studio album to feature Ian Gillan, the legendary frontman of Deep Purple, on vocals. The band's lineup for this release included Tony Iommi on guitar, Geezer Butler on bass, and Bill Ward on drums. The album was produced by Robin Black

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BLACK SABBATH - Collection Vol 1 3LP Box-set
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Discos Victoria VLP-101 / 30.465, 30.466, 30.467 / 9094/3, Iberofon SA , 1984 , Spain

Released during a time of great musical exploration in the early 1970s, Black Sabbath's "Collection Vol 1" 3LP box-set is a testament to the band's pioneering role in the development of heavy metal. Emerging from the industrial landscape of Birmingham, England, Black Sabbath channeled their surroundings into a sound

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BLACK SABBATH - Dehumanizer
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  I.R.S 7 13155 , 1992 , EEC

Black Sabbath's "Dehumanizer" is a sonic sledgehammer, reuniting Dio and Appice with the metal titans. This 1992 release delves into dark themes of technological dystopia and human frailty, driven by relentless riffs and Dio's soaring vocals. A raw and powerful album that cements their legacy.

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BLACK SABBATH - Eternal Idol
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Vertigo 832 708 , 1987, Netherlands

"Black Sabbath's 'The Eternal Idol' (1987) ushered in a new era with vocalist Tony Martin. Produced by Patrick Meehan, Jeff Glixman, Chris Tsangarides, and Vic Coppersmith-Heaven, it showcased the band's evolution. Recorded at top studios, the album's sonic exploration and production finesse,

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BLACK SABBATH - Greatest Hits ( White Label )
Thumbnail Of  BLACK SABBATH - Greatest Hits (1977) album front cover

NEMS NEL 6009 , 1977 , West-Germany

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BLACK SABBATH - Greatest Hits ( "Fried Egg" Label )
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1977

This is the "Greatest Hits" compilation album released in 1977 on the NEMS Record Label. The illustration on the album front cover is "El Triunfo de la Muerte" by Pieter Bruegel, El Viejo and the record's label shows a "Fried Egg".

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BLACK SABBATH - Headless Cross
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 I.R.S. 064-24 1005 , 1989 , EEC

"Headless Cross" was the 14th studio album by Black Sabbath and was released on 24 April 1989. The album was recorded at Battery Studios in London. The album featured 10 tracks, including the titular "Headless Cross," "Devil & Daughter," and "When Death Calls."

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BLACK SABBATH - Heaven and Hell
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Vertigo 6302 017 (6302 017) , 1980 , Germany

"Heaven and Hell" was the first album after singer Ozzy Osbourne left the band and was the first album featuring Ronnie James Dio , formerly of Ritchie Blackmore's Rainbow, who brought his own unique style of song writing and vocalisation to the "Black Sabbath" band.

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BLACK SABBATH - Live Evil 2Lp Germany
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Vertigo 6302 202 , 1983 , West-Germany

"Live Evil", released in 1982 and in January 1983 in the UK, is the first "official" live album by British heavy metal band Black Sabbath, the previously released Live at Last (1980) not having been sanctioned by the band. It was recorded with Ronnie James Dio singing and is a of the Mob Rules World Tour

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BLACK SABBATH - Live Evil 2LP Netherlands
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Vertigo 6650 009, 1983 , Netherlands

Black Sabbath's "Live Evil" 2LP Album, released on December 16, 1982, immortalizes the band's live prowess during their 1982 world tour. Recorded at iconic venues, the album seamlessly blends classics from the Ozzy era with Dio's powerful vocals, showcasing Black Sabbath's evolution.

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BLACK SABBATH - Live Evil 2LP Netherlands
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Vertigo PRID 11 / 826-882 , 1983 , UK / England

Black Sabbath's "Live Evil," a double live album released in 1982, captures the band's tumultuous yet creatively fertile period with Ronnie James Dio at the helm. Recorded during their 1982 world tour, "Live Evil" documents the band's dynamic live performances, showcasing a mix of Dio-era material

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BLACK SABBATH - Master of Reality ( USA )
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NEMS - NEL 6004 , 1976 , USA

Black Sabbath's "Master of Reality" is a 1971 heavy metal landmark. Its down-tuned riffs, dark lyrics about drugs and war, and experimental elements like a cough and cello solidified the band's sound and cemented their place in music history. Recorded at Island Studios with producer Rodger Bain,

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BLACK SABBATH - Master of Reality ( Canada )
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Warner Bros (WB) Records BS 2562 , Canada

In the heart of 1971, Black Sabbath's "Master of Reality" landed in Canada, a sonic earthquake shaking the foundations of rock. Its raw, distorted riffs, Ozzy's haunting vocals, and lyrics delving into darkness resonated with a generation seeking rebellion. This Canadian release cemented the band's place

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BLACK SABBATH - Master of Reality ( WWA Records )
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WWA Records WWA 008 , 1971 , England

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BLACK SABBATH - Never Say Die
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Vertigo 9124 101 , Vertigo 9124 101 1978 , Germany

"Never Say Die!" captures Black Sabbath at a turning point, with Ozzy Osbourne's imminent departure casting a shadow over the album. While experimenting with jazz and pop elements alongside their signature heavy metal sound, the band's internal struggles are evident.

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BLACK SABBATH - Paranoid ( Gt. Britain )
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Vertigo 6360 011 (6360011)    , 1970 , England

Black Sabbath's "Paranoid" UK 1st pressing on Vertigo with the full swirl label is a sought-after heavy metal record. Released in 1970, this album features genre-defining tracks like "War Pigs" and "Iron Man," This particular pressing is a collector's dream, prized for its rarity and historical significance.

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BLACK SABBATH - Paranoid ( Germany )
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Vertigo AA 6360 011 (6360011)    , 1970 , Germany

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BLACK SABBATH - Sabotage
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Warner Bros BS 2822 , 1975 , USA

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BLACK SABBATH - Vol 4 ( Full Swirl , 1972 )
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BLACK SABBATH - Vol 4 ( France )
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BLACK SABBATH - We Sold Our Soul for Rock and Roll
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Victoria Records VLP 106 / 40.470 , 1984 , Spain

Black Sabbath's "We Sold Our Soul for Rock and Roll" gets the royal treatment in this Spanish 2LP vinyl release. Not only do you get the band's iconic sound in pure analog, but also a collectible poster to complete the experience. A must-have for any serious Sabbath fan or vinyl enthusiast.

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