METALLICA - KILL 'EM ALL 12" Vinyl LP Album

- England UK w/LYRICS NO BARCODE

  This is an very early release of "Kill 'Em All" by Metallica, these is NO barcode on the back cover. It includes a custom inner sleeve with photos of Metallica band-members and lyrics of all the songs.

 

High Resolution Photo METALLICA KILL EM ALL England UK1 Vinyl Record

Metallica - Kill 'Em All (UK, No Barcode): A Primal Scream from the Underground
Album Description:

Forget the stadium anthems, the polished production, the mainstream acceptance. This early UK pressing of "Kill 'Em All," with its missing barcode and hand-scrawled lyrics, is a time machine back to 1983. It's a raw, unfiltered blast from a time when Metallica were hungry, young, and ready to tear the world a new one.

This wasn't just another heavy metal album; it was a sonic revolution. Emerging from the underground thrash scene of San Francisco's Bay Area, Metallica took the raw energy of punk, the speed and aggression of the New Wave of British Heavy Metal, and forged something entirely new.

This vinyl pressing, with its no-frills packaging, captures the essence of that revolution. The music hits you like a punch to the gut. James Hetfield's snarling vocals and jagged rhythm guitar, Kirk Hammett's lightning-fast lead solos, Cliff Burton's intricate bass lines, and Lars Ulrich's thunderous drumming create a sonic maelstrom that's both exhilarating and terrifying.

From the opening salvo of "Hit the Lights" to the closing frenzy of "Metal Militia," it's a relentless assault on the senses. Songs like "Seek & Destroy" and "Whiplash" are thrash metal anthems, their furious energy and infectious hooks capturing the essence of a generation's frustration and angst.

The album's production, handled by Paul Curcio at Music America Studios in Rochester, New York, was raw and unpolished. Some critics balked, but that rawness was part of the album's charm. It captured the band's unbridled energy and youthful exuberance.

"Kill 'Em All" was a statement of intent. The album's title, the blood-splattered hammer on the cover, it all screamed defiance. Metallica weren't interested in subtlety; they wanted to bludgeon you with their music.

This early UK pressing, with its hand-written lyrics and DIY aesthetic, is a testament to the band's underground roots. It's a reminder of a time when Metallica were scrappy outsiders, fighting for their place in the world.

The album wasn't without its controversies. Some dismissed it as noise, too fast, too aggressive. But Metallica didn't care. They were tapping into something primal, something that resonated with a generation hungry for something real, something that spoke to their anger and frustration.

"Kill 'Em All" was a pivotal moment in heavy metal history. It marked the birth of thrash metal as a distinct genre, paving the way for countless bands to follow in Metallica's footsteps. This early UK pressing is a relic from that moment, a snapshot of a band on the cusp of greatness.

Drop the needle on this vinyl, and you're not just listening to an album; you're experiencing a piece of history. You're feeling the raw, unhinged energy that launched a musical revolution. This is Metallica at their most primal, their most visceral. This is where the legend began.

Collector's info: 

This English release of "Kill 'Em All" does NOT have a barcode printed on top right corner of the albums back cover

Music Genre:

Speed/Thrash Metal

Album Production Information:

The album: "METALLICA KILL 'EM ALL (NL)" was produced by: Paul Curcio and Jon Zazula,

  • Jon Zazula – Megaforce Records founder & metal scene catalyst

    The “Jonny Z” era starts in the East Brunswick trenches (early ’80s), then detonates with Metallica in 1982–1983 and keeps rolling through Megaforce years with bands like Anthrax (notably 1985–1991), Overkill, Testament, and Manowar.

    Jon Zazula, in my head, is proof that heavy metal didn’t just “happen” in the ’80s—it got built by obsessive weirdos with good ears and zero chill. He ran the Rock ’n’ Roll Heaven record store in East Brunswick, New Jersey, and used that shop as a kind of underground command center, blasting demos through the tape-trading network until the right bands found the right people. The pivotal moment (and yeah, it’s basically metal folklore at this point) lands in the winter of 1982, when he heard Metallica’s “No Life ’Til Leather” demo, pulled them to New York, and helped push them onto their first real East Coast stages—then Megaforce Records followed, and “Kill ’Em All” hit in 1983 like a crowbar to the radio. After that, his “periods” with bands were less about being onstage and more about being the guy who opened doors: the Megaforce run expanded from Metallica and Manowar in the early ’80s to a wider roster that included Anthrax (a key 1985–1991 stretch), plus acts like Overkill and Testament—basically a roll call of bands that helped define what American metal would sound like when it stopped asking permission.

  • Sound/Recording Engineer(s): Chris Bubacz, Andy Wroblewski, Jack Skinner

    This album was recorded at: Music America Studios, Rochester

  • Jack Skinner – Mastering engineer

    The “Supercutter” whose New York deadwax can make a record feel louder without cheap tricks.

    Jack Skinner is the New York mastering and lacquer-cutting guy who can make a tape punch without turning it into sandpaper. His cuts feel like a clean blade: tight lows, crisp transients, no hype. Sometimes credited as Jack "Supercutter" Skinner, he worked through Sterling Sound, K Disc Mastering, and Europadisk. Early 1980s: helping hard rock and metal hit clean, including Metallica (1983). Mid-’80s: dialing in Talking Heads (1985–1988). Late ’80s into early ’90s: still in demand on records tied to Savatage (1987), The Afghan Whigs (1992), and Peter Murphy (1992).

  • Chris "Dr. Metal" Bubacz – Sound engineer, producer

    The upstate New York tape-wrangler who helped early metal stop sounding polite and start sounding dangerous.

    Chris "Dr. Metal" Bubacz is the Rochester, New York engineer/producer who helped early-’80s metal sound like a street fight with good mic placement. From 1982–1984 he was in the trenches with The Rods (including "Let Them Eat Metal") and other upstate sessions, then in May 1983 he engineered Metallica’s "Kill ’Em All" at Music America Studios. In 1984 his name also turns up around Exciter’s "Violence & Force" era. By 1988 he’d moved into producer/engineer duty with Virgin Steele on "Age of Consent"—proof the guy could handle both speed and drama.

  •  

    Record Label & Catalog-nr:

    MFN 7

    Media Format:

    12" Vinyl LP  Gramophone Record
    Album weight: 230 gram 

    Year & Country:

    1983 Made in England
    Band Members and Musicians on: METALLICA - Kill 'Em All
      Band-members, Musicians and Performers
    • James Hetfield - Vocals, Guitars
    • Lars Ulrich - Drums
    • Cliff Burton - bass
    • Cliff Burton – Bass guitarist

      The reason Metallica’s early low-end doesn’t just “support” the riffs — it argues with them.

      Cliff Burton is the kind of bassist who made Metallica sound educated and feral at the same time. Before the big leagues, he logged miles in Bay Area outfits like EZ-Street, Agents of Misfortune, and Trauma (1970s–1982). From 1982–1986 he reshaped Metallica’s DNA across "Kill ’Em All" (1983), "Ride the Lightning" (1984), and "Master of Puppets" (1986): lead-bass swagger on "(Anesthesia)–Pulling Teeth," plus a knack for harmony and theory that pushed the band past pure speed. That short run still echoes, even today, like a low-end sermon. Cliff Burton Wiki.

    • Kirk Hammett - Guitars
    • Dave Mustaine (Megadeth) lead guitar - composition
    • Dave Mustaine – Vocals, Guitars

      Thrash metal’s original grudge match: one guy, one guitar, and enough spite to power Los Angeles for decades.

      Dave Mustaine is the razor-edged singer-guitarist who turned getting fired into a lifelong fuel source. To my ears, the story starts in Panic (late 1970s–1981), where those early riffs already sounded like trouble with a pick. From 1981–1983 he was Metallica’s original lead guitarist and co-writer, shaping key early songs before his April 11, 1983 dismissal. Back in Los Angeles he formed Megadeth in 1983 and has fronted it ever since, steering speed, spite, and precision through decades. Side quests like MD.45 (1996) just prove the volume never really drops.

    Complete Track Listing of: METALLICA - Kill 'Em All

    The Song/tracks on "Metallica Kill 'Em All" are

    • Hit the Lights (James Hetfield, Lars Ulrich) 4:17
    • The Four Horsemen (Hetfield, Ulrich, Dave Mustaine) 7:13
    • Motorbreath (Hetfield) 3:08
    • Jump in the Fire (Hetfield, Ulrich, Mustaine) 4:42
    • (Anesthesia) Pulling Teeth (Cliff Burton) 4:15
    • Whiplash (Hetfield, Ulrich) 4:10
    • Phantom Lord (Hetfield, Ulrich, Mustaine) 5:02
    • No Remorse (Hetfield, Ulrich) 6:26
    • Seek & Destroy (Hetfield, Ulrich) 6:55
    • Metal Militia (Hetfield, Ulrich, Mustaine) 5:09
    High Resolution Photo METALLICA KILL EM ALL England UK1 Vinyl Record  
    Photo of Metallica Album's Back Cover  
    High Resolution Photo METALLICA KILL EM ALL England UK1 Vinyl Record  
    Photo of Metallica Album's Inner Sleeve  
    High Resolution Photo METALLICA KILL EM ALL England UK1 Vinyl Record  

     Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).

    Metallica Vinyl Discography – Complete Collection of Albums, EPs & Rare Cover Art

    After diving deep into one of Metallica’s albums, this section pulls the camera back for the wide shot — the full vinyl legacy. Here you’ll find every Metallica release lined up in their fierce chronology, from the garage-born chaos of the early ’80s to the heavyweight pressings of later decades. Each record listed below links to its own detailed gallery, letting you trace the evolution of sound, artwork, and attitude that made Metallica unstoppable.

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