- England LIMITED EDITION AUDIOPHILE 45rpm
Howdy, metalheads! Y'all ready to kick up some dust with Metallica's debut album, "Kill 'Em All"? This ain't no hoedown, folks. It's a full-on sonic stampede, straight outta the Bay Area. We're talkin' breakneck riffs, thunderous drums, and vocals that'll scare the coyotes. So grab your boots, crank up the volume, and get ready to thrash like there's no tomorrow. This here's the birth of a legend, and it's gonna hit you harder than a bull ridin' a tornado. Yeehaw!
Forget the slick stadium shows, the polished production, the mainstream acceptance. Crank this 45rpm reissue of “Kill 'Em All” and be transported back to 1983, a time when Metallica were young, hungry, and ready to tear the world a new one.
This wasn't just another heavy metal album; it was a seismic shift, a sonic earthquake that ripped through the bloated rock scene of the era. Emerging from the Bay Area thrash scene, Metallica took the raw energy of punk, the speed and aggression of the New Wave of British Heavy Metal, and forged something entirely new.
This double LP reissue, spinning at a blistering 45rpm, captures every nuance of the band's raw power. James Hetfield's snarling vocals and jagged rhythm guitar, Kirk Hammett's lightning-fast lead solos, Cliff Burton's intricate bass lines, and Lars Ulrich's thunderous drumming are all amplified, hitting you with visceral force.
From the opening salvo of “Hit the Lights” to the closing frenzy of “Metal Militia,” it's a relentless assault on the senses. Songs like “Seek & Destroy” and “Whiplash” are thrash metal anthems, their furious energy and infectious hooks capturing the essence of a generation's frustration and angst.
The album's original production, handled by Paul Curcio at Music America Studios in Rochester, New York, was raw and unpolished. Some critics balked, but that rawness was part of the album's charm. It captured the band's unbridled energy and youthful exuberance. This 45rpm reissue, with its enhanced clarity and dynamics, brings that raw energy to the forefront.
"Kill 'Em All" was a statement of intent. The album's title, the blood-splattered hammer on the cover, it all screamed defiance. Metallica weren't interested in subtlety; they wanted to bludgeon you with their music, and this reissue delivers that bludgeoning in spades.
This album wasn’t without its controversies. Some dismissed it as noise, too fast, too aggressive. But Metallica didn’t care. They were tapping into something primal, something that resonated with a generation hungry for something real, something that spoke to their anger and frustration.
"Kill 'Em All" was a pivotal moment in heavy metal history. It marked the birth of thrash metal as a distinct genre, paving the way for countless bands to follow in Metallica’s footsteps. This 45rpm reissue is a testament to the album's enduring power, a reminder of the raw, unhinged energy that launched a musical revolution.
Crank it up, let it wash over you. Feel the anger, the frustration, the unbridled power. This is Metallica at their rawest, their most visceral. This is “Kill 'Em All,” amplified.
Music Genre: Speed Thrash Metal |
Album Production Information: The album: "METALLICA KILL 'EM ALL (NL)" was produced by: Paul Curcio and Jon Zazula, Jon Zazula: How did a record store shape metal forever? The Jon Zazula story – a must-read for music fans. Sound/Recording Engineer(s): Chris Bubacz, Andy Wroblewski, Jack Skinner This album was recorded at: Music America Studios, Rochester Jack Skinner, a revered mastering engineer, has made significant contributions to the music industry through his work at Sterling Sound Studio in New York City. Sterling Sound, established in 1968, is one of the most prestigious mastering facilities globally, known for its state-of-the-art equipment and top-tier engineers. Skinner's career at Sterling Sound spans several decades, during which he has mastered albums for a wide range of artists. His portfolio includes work with iconic names such as Metallica, who benefited from his mastering expertise on their groundbreaking debut album "Kill 'Em All" (1983) . This album, often credited with helping to define the thrash metal genre, features seminal tracks like "Seek & Destroy" and "Whiplash." Skinner's mastering played a crucial role in its raw and powerful sound, contributing to its lasting impact on the metal scene. Another notable project in Skinner's illustrious career is Raven's "Live at the Inferno" (1984). This live album captures the raw energy and intensity of the band's performance, and Skinner's mastering work ensured that the live recording translated effectively to the final product. His expertise helped to achieve a powerful and dynamic sound that captured the essence of Raven's live shows, further cementing their place in heavy metal history. In addition to his work with metal legends, Skinner has also mastered albums for diverse artists across various genres, demonstrating his versatility and broad appeal. His ability to enhance the sonic quality of recordings, ensuring they sound their best on all playback systems, is highly regarded in the industry. Skinner's approach to mastering involves a blend of technical skill and artistic sensitivity. He uses a combination of analog and digital equipment to achieve the desired sound, often employing tools such as equalizers, compressors, and limiters to shape the audio. His keen ear for detail allows him to make precise adjustments that bring out the best in each track. Beyond his individual projects, Jack Skinner has also contributed to the legacy of Sterling Sound by mentoring up-and-coming engineers. His guidance has helped to nurture the next generation of mastering talent, ensuring the continued excellence of the studio. Chris "Dr Metal" Bubacz, born on 12 April 1955, is a renowned sound engineer who made a significant impact on the Heavy Metal scene of the 1980s. With his exceptional talent and dedication to achieving the perfect sound, he became a driving force behind the success of several influential bands, including Metallica, Anthrax, and Znöwhite. Born and raised in a small town in the United States, Bubacz developed a deep passion for music at an early age. Fascinated by the technical aspects of sound and recording, he spent countless hours experimenting with audio equipment, building his own amplifiers, and dissecting albums to understand their production techniques. Bubacz's journey into the world of Heavy Metal began in the late 1970s when he moved to a bigger city to pursue a career in sound engineering. He started working at a local recording studio, learning the ropes of the profession and honing his skills. His dedication and keen ear for detail quickly earned him a reputation as a rising talent. In the early 1980s, Bubacz's path crossed with Metallica, an emerging force in the world of Heavy Metal. Impressed by his technical expertise and passion for the genre, the band invited him to work on their second studio album, "Ride the Lightning." Bubacz's contribution to the album's sound proved to be transformative, capturing the raw energy and aggression that became synonymous with Metallica's early years. Following the success of "Ride the Lightning," Bubacz's reputation soared, and his services were in high demand within the Heavy Metal community. Bands like Anthrax and Znöwhite sought out his expertise to achieve the perfect sonic landscape for their albums. With his meticulous attention to detail and innovative recording techniques, Bubacz played a crucial role in shaping the sound of each band he worked with. He had a remarkable ability to capture the intensity of live performances while maintaining clarity and balance within the recordings. During his tenure as a sound engineer, Bubacz worked on numerous groundbreaking albums, including Metallica's "Master of Puppets," Anthrax's "Among the Living," and Znöwhite's "Act of God." These albums not only became influential within the Heavy Metal genre but also helped solidify Bubacz's status as one of the most sought-after sound engineers of the era. Bubacz's work extended beyond the recording studio. He often accompanied bands on tour, ensuring their live performances matched the sonic excellence of their studio albums. His commitment to quality and his ability to adapt to different venues and equipment made him an invaluable asset on the road. Despite his tremendous success, Bubacz remained humble and focused on his craft. He continued to explore new recording techniques, pushing the boundaries of what was possible within the Heavy Metal genre. His innovative approach to sound engineering left an indelible mark on the music industry, inspiring countless aspiring sound engineers and musicians. After the 1980s, Bubacz continued to work on various projects, collaborating with a wide range of artists across different genres. While his contributions to the Heavy Metal scene remain legendary, he proved his versatility by adapting his skills to diverse musical styles. Chris "Dr Metal" Bubacz's pioneering work as a sound engineer in the 1980s cemented his place in Heavy Metal history. His dedication, passion, and unwavering commitment to capturing the essence of the genre through sound made him a highly respected figure in the industry. Today, his legacy lives on, influencing generations of musicians and sound engineers who strive to replicate his unparalleled contributions to the world of Heavy Metal.
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Record Label & Catalognr: Music For Nations 7DM |
Media Format: 12" Double Vinyl LP Gramophone Record150 grams vinyl Album weight: 420 gram |
Year & Country: 1983 Made in England |
Band Members and Musicians on: Metallica Kill 'em All Limited Edition Audiophile Direct Metal Mastering Double LP |
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Complete Track Listing of: Metallica Kill 'em All Limited Edition Audiophile Direct Metal Mastering Double LP |
The Song/tracks on "Metallica Kill 'Em All" are
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Album Cover Photo Gallery of: Metallica Kill 'em All Limited Edition Audiophile Direct Metal Mastering Double LP |
Photo of Metallica Album's Back Cover |
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Photo of Metallica Album's Inner Cover |
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Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ). |
This section shows the complete Metallica discography ordered by album-title. Several titles are International and have been listed with the country of release
This release on "Blackened Records" label, is the 2018 audiophile re-issue of ""...And Justice for All" the first album released by Metallica after the death of Cliff Burton. It is also the first album with Jason Newsted on Bass guitar.
- ..And Justice For All (Blackened Records) - ..And Justice for All (1988, Netherlands)Creeping Death by the American Thrash Metal band "Metallica" is a 12" EP Vinyl record from 1984. Un-official versions from France (with different labels) have been released in the colors: Blue, Green, Red, White and Yellow Vinyl.
- Creeping Death Blue Vinyl (1984, France) - Creeping Death Green Vinyl (1984, France) - Creeping Death Red Vinyl (1984, France) - Creeping Death White Vinyl (1984, France) - Creeping Death Yellow Vinyl (1984, France)This is the audiophile re-release of "Death Magnetic" the 2009 album released by the American Thrash Metal band "Metallica". This re-release comes in a gatefold album cover and two audiophile quality 180grams records.
Death Magnetic ( Blackened Records ) 12" Vinyl LPIssued as a limited edition 12" vinyl LP, "Hamburg Colorline 12 May 2009" has become a coveted collector's item. Its raw, unfiltered energy transports listeners back to the heart of that explosive concert.
Hamburg Colorline 12" Vinyl LP"Hardwired to Self Destruct" is the 2016 double album released by the American Speed / Thrash Metal band "Metallica". It was released 8 years after their previous album "Death Magnetic"
Hardwired to Self Destruct 12" Vinyl LPThe A-side explodes with the relentless energy of "Harvester of Sorrow." This track, a centerpiece of their landmark album "...And Justice For All," exemplifies Metallica's progressive thrash metal sound.
Harvester of Sorrow 12" Vinyl Single"Jump in the Fire" is a single derived from Metallica's debut studio album, "Kill 'em All", released in 1983.
- Jump in the Fire (1983, England) - Jump in the Fire (1983, Holland)The cover art for "Jump In The Fire" is as iconic as the track itself. Created by artist Les Edwards, the image features a demon-like creature surrounded by flames, inviting the listener to literally "jump in the fire."
Jump in the Fire 12" Shaped Picture Disc"Kill 'Em All" showcases the raw talent and relentless musicianship of the band's original lineup: James Hetfield on vocals and rhythm guitar, Lars Ulrich on drums, Dave Mustaine on lead guitar, and Cliff Burton on bass.
- Kill 'Em All ( Blackened Records ) - Kill 'em All 2LP (1983, England) - Kill 'Em All (1983, France) - Kill 'Em All (1983, Holland) - Kill 'Em All (1983, UK)Before the polished production of "Kill 'Em All," Metallica's sound was a volatile beast, unleashed in the cramped confines of a garage. "The Legendary Garage Tapes" serve as a time capsule, showcasing the thrash metal titans
Legendary Garage Tapes 12" Vinyl LPThis 500-copy limited edition is a treasure trove for devotees of Metallica's raw, uncompromising roots. The setlist reads like a greatest hits collection of their early years.
Live at the Playhouse Theatre 12" Vinyl LPMetallica's "Load" is a sonic journey capturing the band's evolution. Released in 1996, the controversial album's vinyl edition enriches the listening experience, offering warmth and authenticity.
METALLICA - Load ( 2LP Blackened Records ) - Load (1996,E/M Ventures Elektra )Metallica's 1986 album "Master of Puppets" stands as a towering achievement in heavy metal history. Its complex compositions, blistering aggression, and socially conscious themes cemented the band's reputation as leaders
- Master of Puppets (1986, England) - Master of Puppets 2LP DMM audiophile (England)The METALLICA "Master of Puppets" 12" Vinyl Picture Disc, a 1986 UK 1st ISSUE with no barcode, is a rare gem for collectors. This limited edition features unique artwork on the vinyl picture disc, adding to its allure.
Master of Puppets 12" Vinyl Picture DiscThis the high-end audiophile release pressed on two 12" vinyl records each on 180 gram vinyl of the self-titled Metallica album and because of the black front and back cover, it is also known as "The Black Album".
METALLICA - Self-Titled The Black Album 12" Vinyl LPRecorded at the Kopi Arena, this album transports listeners back in time to a pivotal moment in Metallica's career. The band was riding high on the success of their album *Death Magnetic*
Oberhausen Kopi Arena 12" Vinyl LPMetallica's "Ride the Lightning" 12" Vinyl LP is a collector's gem. This iconic album marked a turning point in metal history, blending thrash metal and intricate compositions.
- Ride The Lightning (1984, England). - Ride the Lightning (Roadrunner, 1984, Holland) - Ride The Lightning (Vertigo, 1984, Netherlands) - Ride The Lightning (Blackened Records, 2006)This is METALLICA's ninth album, recorded live with the San Francisco Symphony on April 21-22 of 1999. The set list contains songs from Ride the Lightning through ReLoad, as well as two new songs: "- Human" and "No Leaf Clover".
S&M 12" Vinyl LPSt. Anger is the eighth studio album by American heavy metal band Metallica, released on 5 June 2003. The album was originally to be released on June 10, 2003, but because of fears of extended music piracy over filesharing network
St. Anger 12" Vinyl LPFollowing the tragic death of bassist Cliff Burton in 1986, Metallica found themselves with a significant void to fill. With Newsted taking over bass duties, the band opted to record Garage Days
- The 5.98 EP Garage Days Re-Revisited (1987, Holland) - The 5.98 Garage Days Re-Revisited (1987, UK)This limited edition album "Until It Sleeps" is the first single and the fourth song from Metallica's 1996 album Load. This version is pressed on Red Vinyl and comes in a transparent sleeve.
Until It Sleeps Red Vinyl (1996) 12" Vinyl LP