This is the audiophile re-issue of Metallica's Kill 'em All album. "Kill 'Em All" is the very first official studio album by Metallica, released on 25 July 1983. Kill 'Em All is regarded as a groundbreaking album for thrash metal because of its precise musicianship, which fuses new wave of British heavy metal riffs with hardcore punk tempos.
The imperfections on this photos are caused by the camera's flash reflecting on the shrink wrap.
Forget all the polished stadium anthems and mainstream acceptance. Let's rewind to 1983, a time when Metallica were hungry, raw, and ready to unleash sonic hell. "Kill 'Em All," their debut album, wasn't just a collection of songs; it was a primal scream, a declaration of war against the bloated rock scene of the era.
Emerging from the underground of San Francisco's Bay Area, Metallica tapped into a potent mix of influences. The New Wave of British Heavy Metal, with its lightning-fast riffs and aggressive energy, laid the foundation. But it was the infusion of hardcore punk's breakneck tempos and rebellious spirit that truly set Metallica apart. This wasn't your parents' rock 'n' roll; it was faster, angrier, and unafraid to push boundaries.
The album's title, "Kill 'Em All," was a statement of intent. Metallica weren't interested in subtlety; they wanted to bludgeon you with their music. From the opening salvo of "Hit the Lights" to the closing frenzy of "Metal Militia," the album is a relentless assault on the senses. James Hetfield's snarling vocals and jagged rhythm guitar, Kirk Hammett's blistering lead guitar solos, Cliff Burton's intricate bass lines, and Lars Ulrich's thunderous drumming created a sonic maelstrom that was both exhilarating and terrifying.
Songs like "Seek & Destroy" and "Whiplash" became instant thrash metal classics, their furious energy and infectious hooks capturing the essence of a generation's frustration and angst. Metallica's lyrics, while not always profound, were direct and relatable, tackling themes of alienation, rebellion, and the darker side of human nature.
"Kill 'Em All" wasn't without its controversies. The album's raw production, handled by Paul Curcio at Music America Studios in Rochester, New York, was criticized by some for its lack of polish. But this rawness was part of the album's charm; it captured the band's unbridled energy and youthful exuberance. The album cover, featuring a blood-splattered hammer and a shattered hand, further cemented Metallica's image as a band that refused to compromise.
In retrospect, "Kill 'Em All" was a pivotal moment in heavy metal history. It marked the birth of thrash metal as a distinct genre, paving the way for countless bands to follow in Metallica's footsteps. The album's influence can still be felt today, its raw power and uncompromising spirit resonating with new generations of metalheads.
"Kill 'Em All" wasn't just an album; it was a cultural earthquake. It shook the foundations of the music industry, challenging the status quo and inspiring a generation of musicians to push their own boundaries. It was a raw, unhinged, and unapologetic expression of youthful rebellion, and it remains a testament to the enduring power of heavy metal.
Thrash Metal
Blackened Recordings – 00602547885289
Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram
2016 Europe
Paul Curcio - Producer
Jon Zazula - Producer
Jon Zazula: How did a record store shape metal forever? The Jon Zazula story – a must-read for music fans.
Chris Bubacz - Sound Engineer
Chris "Dr Metal" Bubacz, born on 12 April 1955, is a renowned sound engineer who made a significant impact on the Heavy Metal scene of the 1980s. With his exceptional talent and dedication to achieving the perfect sound, he became a driving force behind the success of several influential bands, including Metallica, Anthrax, and Znöwhite.
Born and raised in a small town in the United States, Bubacz developed a deep passion for music at an early age. Fascinated by the technical aspects of sound and recording, he spent countless hours experimenting with audio equipment, building his own amplifiers, and dissecting albums to understand their production techniques.
Bubacz's journey into the world of Heavy Metal began in the late 1970s when he moved to a bigger city to pursue a career in sound engineering. He started working at a local recording studio, learning the ropes of the profession and honing his skills. His dedication and keen ear for detail quickly earned him a reputation as a rising talent.
In the early 1980s, Bubacz's path crossed with Metallica, an emerging force in the world of Heavy Metal. Impressed by his technical expertise and passion for the genre, the band invited him to work on their second studio album, "Ride the Lightning." Bubacz's contribution to the album's sound proved to be transformative, capturing the raw energy and aggression that became synonymous with Metallica's early years.
Following the success of "Ride the Lightning," Bubacz's reputation soared, and his services were in high demand within the Heavy Metal community. Bands like Anthrax and Znöwhite sought out his expertise to achieve the perfect sonic landscape for their albums.
With his meticulous attention to detail and innovative recording techniques, Bubacz played a crucial role in shaping the sound of each band he worked with. He had a remarkable ability to capture the intensity of live performances while maintaining clarity and balance within the recordings.
During his tenure as a sound engineer, Bubacz worked on numerous groundbreaking albums, including Metallica's "Master of Puppets," Anthrax's "Among the Living," and Znöwhite's "Act of God." These albums not only became influential within the Heavy Metal genre but also helped solidify Bubacz's status as one of the most sought-after sound engineers of the era.
Bubacz's work extended beyond the recording studio. He often accompanied bands on tour, ensuring their live performances matched the sonic excellence of their studio albums. His commitment to quality and his ability to adapt to different venues and equipment made him an invaluable asset on the road.
Despite his tremendous success, Bubacz remained humble and focused on his craft. He continued to explore new recording techniques, pushing the boundaries of what was possible within the Heavy Metal genre. His innovative approach to sound engineering left an indelible mark on the music industry, inspiring countless aspiring sound engineers and musicians.
After the 1980s, Bubacz continued to work on various projects, collaborating with a wide range of artists across different genres. While his contributions to the Heavy Metal scene remain legendary, he proved his versatility by adapting his skills to diverse musical styles.
Chris "Dr Metal" Bubacz's pioneering work as a sound engineer in the 1980s cemented his place in Heavy Metal history. His dedication, passion, and unwavering commitment to capturing the essence of the genre through sound made him a highly respected figure in the industry. Today, his legacy lives on, influencing generations of musicians and sound engineers who strive to replicate his unparalleled contributions to the world of Heavy Metal.
Andy Wroblewski - Sound Engineer
Jack Skinner - Sound Engineer
Jack Skinner, a revered mastering engineer, has made significant contributions to the music industry through his work at Sterling Sound Studio in New York City. Sterling Sound, established in 1968, is one of the most prestigious mastering facilities globally, known for its state-of-the-art equipment and top-tier engineers.
Skinner's career at Sterling Sound spans several decades, during which he has mastered albums for a wide range of artists. His portfolio includes work with iconic names such as Metallica, who benefited from his mastering expertise on their groundbreaking debut album "Kill 'Em All" (1983) . This album, often credited with helping to define the thrash metal genre, features seminal tracks like "Seek & Destroy" and "Whiplash." Skinner's mastering played a crucial role in its raw and powerful sound, contributing to its lasting impact on the metal scene.
Another notable project in Skinner's illustrious career is Raven's "Live at the Inferno" (1984). This live album captures the raw energy and intensity of the band's performance, and Skinner's mastering work ensured that the live recording translated effectively to the final product. His expertise helped to achieve a powerful and dynamic sound that captured the essence of Raven's live shows, further cementing their place in heavy metal history.
In addition to his work with metal legends, Skinner has also mastered albums for diverse artists across various genres, demonstrating his versatility and broad appeal. His ability to enhance the sonic quality of recordings, ensuring they sound their best on all playback systems, is highly regarded in the industry.
Skinner's approach to mastering involves a blend of technical skill and artistic sensitivity. He uses a combination of analog and digital equipment to achieve the desired sound, often employing tools such as equalizers, compressors, and limiters to shape the audio. His keen ear for detail allows him to make precise adjustments that bring out the best in each track.
Beyond his individual projects, Jack Skinner has also contributed to the legacy of Sterling Sound by mentoring up-and-coming engineers. His guidance has helped to nurture the next generation of mastering talent, ensuring the continued excellence of the studio.
"Kill 'em All" was recorded at Music America Studios, Rochester
Dave Mustaine ( full-name: David Scott Mustaine ) born 1961 in La Mesa, California. He is the co-founder, lead vocalist, and lead guitarist of the heavy metal band Megadeth, which was formed in 1983. Mustaine is widely regarded as one of the most influential musicians in the thrash metal genre and is considered a pioneer of the American thrash metal scene.
Mustaine was originally a member of the band Metallica , but he was eventually fired from the band due to personal and musical differences. He went on to form Megadeth , which became one of the "big four" of the thrash metal genre along with Metallica , Slayer , and Anthrax .
Throughout his career, Mustaine has been recognized for his musical abilities and innovative style, and he has been awarded numerous accolades and awards, including several Grammy nominations. He is known for his fast and complex guitar playing, as well as his powerful vocals and distinctive songwriting.
In addition to his work with Megadeth, Mustaine has been involved in various other musical projects and has collaborated with a number of other musicians. He is also a published author and has been involved in various business ventures and charitable causes throughout his career.
Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone )
This section shows the complete Metallica discography ordered by album-title. Several titles are International and have been listed with the country of release
This release on "Blackened Records" label, is the 2018 audiophile re-issue of ""...And Justice for All" the first album released by Metallica after the death of Cliff Burton. It is also the first album with Jason Newsted on Bass guitar.
- ..And Justice For All (Blackened Records) - ..And Justice for All (1988, Netherlands)Creeping Death by the American Thrash Metal band "Metallica" is a 12" EP Vinyl record from 1984. Un-official versions from France (with different labels) have been released in the colors: Blue, Green, Red, White and Yellow Vinyl.
- Creeping Death Blue Vinyl (1984, France) - Creeping Death Green Vinyl (1984, France) - Creeping Death Red Vinyl (1984, France) - Creeping Death White Vinyl (1984, France) - Creeping Death Yellow Vinyl (1984, France)This is the audiophile re-release of "Death Magnetic" the 2009 album released by the American Thrash Metal band "Metallica". This re-release comes in a gatefold album cover and two audiophile quality 180grams records.
Death Magnetic ( Blackened Records ) 12" Vinyl LPIssued as a limited edition 12" vinyl LP, "Hamburg Colorline 12 May 2009" has become a coveted collector's item. Its raw, unfiltered energy transports listeners back to the heart of that explosive concert.
Hamburg Colorline 12" Vinyl LP"Hardwired to Self Destruct" is the 2016 double album released by the American Speed / Thrash Metal band "Metallica". It was released 8 years after their previous album "Death Magnetic"
Hardwired to Self Destruct 12" Vinyl LPThe A-side explodes with the relentless energy of "Harvester of Sorrow." This track, a centerpiece of their landmark album "...And Justice For All," exemplifies Metallica's progressive thrash metal sound.
Harvester of Sorrow 12" Vinyl Single"Jump in the Fire" is a single derived from Metallica's debut studio album, "Kill 'em All", released in 1983.
- Jump in the Fire (1983, England) - Jump in the Fire (1983, Holland)The cover art for "Jump In The Fire" is as iconic as the track itself. Created by artist Les Edwards, the image features a demon-like creature surrounded by flames, inviting the listener to literally "jump in the fire."
Jump in the Fire 12" Shaped Picture Disc"Kill 'Em All" showcases the raw talent and relentless musicianship of the band's original lineup: James Hetfield on vocals and rhythm guitar, Lars Ulrich on drums, Dave Mustaine on lead guitar, and Cliff Burton on bass.
- Kill 'Em All ( Blackened Records ) - Kill 'em All 2LP (1983, England) - Kill 'Em All (1983, France) - Kill 'Em All (1983, Holland) - Kill 'Em All (1983, UK)Before the polished production of "Kill 'Em All," Metallica's sound was a volatile beast, unleashed in the cramped confines of a garage. "The Legendary Garage Tapes" serve as a time capsule, showcasing the thrash metal titans
Legendary Garage Tapes 12" Vinyl LPThis 500-copy limited edition is a treasure trove for devotees of Metallica's raw, uncompromising roots. The setlist reads like a greatest hits collection of their early years.
Live at the Playhouse Theatre 12" Vinyl LPMetallica's "Load" is a sonic journey capturing the band's evolution. Released in 1996, the controversial album's vinyl edition enriches the listening experience, offering warmth and authenticity.
METALLICA - Load ( 2LP Blackened Records ) - Load (1996,E/M Ventures Elektra )Metallica's 1986 album "Master of Puppets" stands as a towering achievement in heavy metal history. Its complex compositions, blistering aggression, and socially conscious themes cemented the band's reputation as leaders
- Master of Puppets (1986, England) - Master of Puppets 2LP DMM audiophile (England)The METALLICA "Master of Puppets" 12" Vinyl Picture Disc, a 1986 UK 1st ISSUE with no barcode, is a rare gem for collectors. This limited edition features unique artwork on the vinyl picture disc, adding to its allure.
Master of Puppets 12" Vinyl Picture DiscThis the high-end audiophile release pressed on two 12" vinyl records each on 180 gram vinyl of the self-titled Metallica album and because of the black front and back cover, it is also known as "The Black Album".
METALLICA - Self-Titled The Black Album 12" Vinyl LPRecorded at the Kopi Arena, this album transports listeners back in time to a pivotal moment in Metallica's career. The band was riding high on the success of their album *Death Magnetic*
Oberhausen Kopi Arena 12" Vinyl LPMetallica's "Ride the Lightning" 12" Vinyl LP is a collector's gem. This iconic album marked a turning point in metal history, blending thrash metal and intricate compositions.
- Ride The Lightning (1984, England). - Ride the Lightning (Roadrunner, 1984, Holland) - Ride The Lightning (Vertigo, 1984, Netherlands) - Ride The Lightning (Blackened Records, 2006)This is METALLICA's ninth album, recorded live with the San Francisco Symphony on April 21-22 of 1999. The set list contains songs from Ride the Lightning through ReLoad, as well as two new songs: "- Human" and "No Leaf Clover".
S&M 12" Vinyl LPSt. Anger is the eighth studio album by American heavy metal band Metallica, released on 5 June 2003. The album was originally to be released on June 10, 2003, but because of fears of extended music piracy over filesharing network
St. Anger 12" Vinyl LPFollowing the tragic death of bassist Cliff Burton in 1986, Metallica found themselves with a significant void to fill. With Newsted taking over bass duties, the band opted to record Garage Days
- The 5.98 EP Garage Days Re-Revisited (1987, Holland) - The 5.98 Garage Days Re-Revisited (1987, UK)This limited edition album "Until It Sleeps" is the first single and the fourth song from Metallica's 1996 album Load. This version is pressed on Red Vinyl and comes in a transparent sleeve.
Until It Sleeps Red Vinyl (1996) 12" Vinyl LP