JOHNNY WiNTER Still Alive and Well Blues Rock 12" LP Vinyl Album Cover Gallery & Discography Information

JOHNNY WiNTER - Still Alive and Well - 12" Vinyl LP Album

After a rest period of two years, Johnny Winter returns with the album "Still Alive and Well", this album reaches #22 in the US Billboard Charts This web page has photos of album covers, inner sleeves, record labels together with production details, musicians and track-listing.

Album Front Cover Photo of JOHNNY WiNTER - Still Alive and Well."

Band-members, Musicians:

Johnny Winter – guitar, slide guitar, mandolin, vocals

Randy Jo Hobbs – bass

Randy Jo Hobbs (Full-name: Randy Joël Hobbs) was an accomplished bass player known for his exceptional talent, innovative style, and dynamic stage presence. Born on 22 March 1948, in Winchester, Indiana, Hobbs developed a deep passion for music at an early age. His innate musical abilities and dedication to his craft would ultimately lead him to become one of the most respected bass players of his time.

Hobbs' breakthrough came in 1969 when he joined the band The McCoys, known for their hit single "Hang On Sloopy". This opportunity allowed him to showcase his bass-playing prowess on a larger stage and gain recognition within the industry. Shortly thereafter, he caught the attention of rock legend Johnny and Edgar Winter.

Read full biography

Richard Hughes, the powerhouse drummer behind Johnny Winter's iconic 70s sound. Discover rare vinyl, live recordings, and the story of a rock legend.

Rick Derringer – slide guitar on "Silver Train", pedal steel guitar and click guitar on "Ain't Nothing to Me", electric guitar on "Cheap Tequila"

Rick Derringer an American guitarist, singer, songwriter, and producer. He first gained fame as a member of The McCoys, a rock group that had a hit with the song "Hang On Sloopy" in 1965. After The McCoys disbanded, Derringer joined the band "Johnny Winter And" with blues guitarist Johnny Winter. Read Derringer's biography and colloberation with Johnny Winter

Jeremy Steig – flute on "Too Much Seconal"

Jeremy Steig was a renowned American jazz flutist and composer, born on 23 September 1942, in New York City, USA. He was born into a family deeply rooted in music; his father, William Steig, was a celebrated cartoonist and illustrator, while his mother, Elizabeth Steig, was a talented pianist. Growing up in such a creative environment, Jeremy's passion for music was nurtured from an early age.

more...

Steig started playing the piano at a young age but later switched to the flute, which became his primary instrument. He attended the High School of Music & Art in New York City, where he honed his skills and developed a deep love for jazz. After high school, he continued his musical journey, studying at the Manhattan School of Music and the Juilliard School of Music.

In the mid-1960s, Jeremy Steig began his professional career, playing with various jazz groups and exploring avant-garde and free jazz styles. He quickly gained recognition for his innovative approach to the flute and his ability to blend various influences, including classical, jazz, and world music, into his playing.

In 1969, Steig released his debut album, "Flute Fever", which showcased his distinctive style and established him as one of the most prominent jazz flutists of his time. The album received critical acclaim and helped him build a loyal fan base.

During the 1970s, Jeremy Steig collaborated with a wide range of musicians, including Eddie Gomez, Don Alias, and Jan Hammer, among others. His versatility and willingness to experiment with different genres made him a sought-after artist in the jazz community.

One of the significant collaborations in Jeremy Steig's career was with the blues-rock legend Johnny Winter. Steig played flute on Johnny Winter's albums "Still Alive and Well" (1973) and "Saints & Sinners" (1974). His flute added a unique and unexpected element to Winter's bluesy rock sound, creating an exciting and memorable fusion.

Throughout his career, Jeremy Steig released numerous solo albums and contributed to various projects as a guest musician. Some of his notable works include "Fusion" (1972), "Wayfaring Stranger" (1980), and "Monium" (1996).

Jeremy Steig's dedication to music and his willingness to push boundaries continued to inspire fellow musicians and flute players around the world. He left a lasting impact on the jazz community and beyond with his innovative and soulful approach to the flute. Tragically, Jeremy Steig passed away on w April 2016, but his musical legacy remains alive through his recordings and the influence he had on generations of musicians

Todd Rundgren – Mellotron on "Cheap Tequila"

Todd Rundgren: Musician, producer, innovator. Explore his genre-bending legacy.

Mark Klingman – piano on "Silver Train"

Mark Klingman, an accomplished piano and keyboards player, was born on 7 September 1950, in Great Neck, New York. From an early age, he displayed a profound passion for music, particularly drawn to the captivating sounds of the piano. At just six years old, he started taking formal piano lessons, quickly showcasing an innate talent for the instrument.

Education and Career Development:
As he honed his musical abilities, Mark pursued formal education in music, attending the prestigious Juilliard School in New York City. Under the tutelage of esteemed instructors, he deepened his understanding of music theory, composition, and performance, all of which contributed to shaping his unique playing style.

During the late 1960s and early 1970s, Mark Klingman emerged onto the music scene in New York City. He became actively involved in the burgeoning rock and pop music movement, collaborating with various bands and artists. His proficiency on the piano and keyboards quickly made him a sought-after musician in the local music circuit.

Songwriting and Collaborations:
While Mark's skill as a pianist was undeniable, it was his gift for songwriting that truly set him apart. His ability to craft engaging melodies and poignant lyrics garnered attention from fellow musicians and industry insiders. One of his early notable collaborations was with the band The Wind in the Willows, where he co-wrote several songs, including the hit "Moments Spent".

In the early 1970s, Klingman's career took a significant leap when he teamed up with the legendary musician and performer Bette Midler. He co-wrote several songs for her, including the popular track "You're Moving Out Today". This collaboration with Midler not only solidified his reputation as a talented songwriter but also opened doors to more opportunities in the music industry.

Utopia and Todd Rundgren:
Mark Klingman's path crossed with the influential musician Todd Rundgren, and they formed the band Utopia in 1974. Klingman's contributions as a keyboardist and songwriter were pivotal to the band's success. Utopia's sound was a fusion of rock, progressive, and experimental music, and they released a string of critically acclaimed albums, earning a dedicated fan base.

Klingman's association with Todd Rundgren extended beyond Utopia, as he collaborated on various solo projects by Rundgren as well. Their musical synergy was evident in the albums they created together.

Later Career and Legacy:
As the years passed, Mark Klingman continued to explore various musical genres and collaborated with numerous artists, earning respect as a versatile and accomplished pianist and songwriter. He embraced opportunities to work on film and television soundtracks, further showcasing his musical versatility.

Klingman's legacy endures not only through his contributions to Utopia and his collaborations with renowned artists but also through his impact on the broader music landscape. His talent and creativity continue to inspire aspiring musicians and fans alike.

Personal Life and Passing:
Mark Klingman's life was tragically cut short when he lost his battle with cancer on 15 May 2011. His passing was mourned by the music community, and tributes poured in from fellow musicians who recognized the immense contributions he made to the world of music.

Johnny Winter - He's still alive... and how!

Official CBS Germany Press Release

After his tour of Germany in the spring of 1971, things had gone a bit quiet for the albino guitarist. For two years, he had withdrawn from the show business for personal reasons. This kind of inner emigration turned out to be extremely fruitful: now his new album is available, and its title confirms what Johnny is: still alive and well.

Winter, about whom critics wrote that he was “the only legitimate successor to Jimi Hendrix,” first caught attention on the Chicago music scene in 1967. The bluesman from Texas, with the unmistakable sparse appearance of an albino with the silver gaze and the drive to live “differently,” had already been recognized in Houston. He played countless small gigs with his band, which he had renamed “Black Plague.” Shortly thereafter, in December 1968, he saw his chance with Mike Bloomfield to become known beyond the Chicago Arena stage, and his meteoric musical rise had already taken its best form.

One of the best blues guitarists and singers in the United States, Winter — who played the Gibson Firebird with a vehemence that made his admired predecessors pale in comparison — continued until 1970, when his obsession with the blues led him into heroin addiction. In 1971, he decided to free himself from it.

Exploding on stage in the world-famous Royal Albert Hall, with the fire of his solos, Johnny Winter declared: “You have to play as if you would die if you don’t unleash all your energy!” Since then, this energy has been surprisingly regenerated, and his album — especially the two Winter originals "Rock Me Baby" and "Silver Train" — prove his old vigor.

After a three-year break, which left his popularity undiminished, Johnny Winter has now returned to his rightful place in music stardom. He has made a strong and hard-hitting album, which is as spectacular as his life and his artistic recovery. The platinum-blonde guitar king, as his audience believes, has awakened from a very deep, dark phase and is continuing his triumphant march. His show is as powerful as ever.

Current LP: CBS 65 484 "Still Alive And Well" 7303

Source Article

5 April 1973 New York Times reviews "Still Alive and Well":

Winter's Lean Rock
Johnny Winter has survived much in the world of rock 'n' roll, not the least his arrival from Texas some years ago as the new Rock Messiah, genius guitarist and blues singer. Much money was paid to him for his recording contract, much publicity was made out of the fact that he was a long haired albino, also cross-eyed. His recording debut was delayed but the interest was sustained. Naturally the expectations "hype" (hyperbole) is the industy word — far exceeded what ordinary mortals could provide and Mr. Winter spent the next few years trying to present a more reasonable picture of himself to the public. His new album, "Still Alive and Well (Columbia KC 32188, $5.98), may be it.

Mr. Winter, who plays stripped-down rock, with a strong facing of the blues, is accompanied mainly by a guitar and drums. The album is characterized by a nervous drive as in, for example, the veteran blues song "Rock Me Mama," which is overladen with so much energy, or perhaps tension, that any relaxation is lost. Mr. Winter may also be the first on the block with a traditional sounding blues about seconal, downers "Too Much Seconal." The high whining, sliding guitar style (Mr. Winter still has his roots fixed in the Texas environment) urgent vocals and simplicity of operation take the listener back to one of rock's better periods, the late nineteen-sixties. He has moved neither back-ward nor forward. He may have resolved things for himself with his music and provided us with an instant Nostalgia album.
IAN DOVE

Cash Box 31 Mar 1973:

Johnny's first LP in two years is basically a trio effort as he's assisted by Randy Jo Hobbs on bass and the drums of Richard Hughes. Rick Derringer, who also produced, guests on three tracks (slide, pedal steel and electric); cameos also from Todd Rundgren's mellotron and Jeremy Steig's flute. The affinity that the Texas-born guitar/vocalist has for Jagger and Richard material start and ends side two with "Silver Train" and a strong rendering of "Let it bleed" respectively. The countrified "Ain't nothing to me" is also impressive. He's still in the forefront of bluesrock - and for good reason.

Still Alive and Well Johnny Winter BY TONY GLOVER:

Yes, he-is. In this long-awaited return album, Johnny Winter takes up where he left off. His fingers are fleet and sure as ever, his vocals have bite and growl, and the flash and power of yore are hanging right in there.

Winter wrote two of the ten tracks, most are more rock than heavily blues oriented, and all feature , bassman Randy Jo Hobbs and drummer Richard Hughes. Producer and former guitar partner Rick Derringer is heard on a few tracks, as are various keyboards here and there - but the basic sound is power trio. Technical advice on the LP is credited to Bill Szymczyk, who also produced B.B. King's Alive And Well album, as well as the J. Geils Band and the James Gang.

The bluesiest cuts are the. standard "Rock Me Baby," done here with a sinuous riff and plenty of punch, and the acoustic "Too Much Seconal," a Winter original. Johnny plays National Steel and mandolin on this track, which also features the frenetic flute of Jeremy Steig-it's a burnt-out woman blues in the old tradition, but modernized a bit by choice of pharmaceuticals.

"Can't You Feel It" was written by Dan Hartman, from Brother Edgar's group - predictably it's a straight ahead rocker; "Outside your window baby, trying to get in,/ My love for you goes deeper than sin." It matches up nicely with Johnny's other original, "Rock & Roll" ("You can't keep me, gotta use me while you can"), which features some electrifying slide work.

The two sidestep numbers on the album are "Cheap Tequila," a modish ballad by Derringer. Production includes Todd Rundgren on mellotren, but overall feel is nice-it's good to hear a less raspy vocal tone. "Ain't Nothing to Me" is a fine, double-tough C&W bar song. Johnny shows off another side of his Texas roots with a good vocal, and Derringer adds nice work on pedal steel.

We get a double taste of the Stones with two numbers. One is the new "Silver Train," reportedly written for Johnny. With swirling guitars, rippling piano and buried vocals, it has a definite Exile sound, and Johnny sounds more like Jagger in phrasing and pronunciation than himself. A good, rocking track, with "Paint It Black"-styled Eastern over-tones. Some find it touched with smack references; to me it sounds like a hit single.

"Still Alive and Well" is a shock-of-recognition move. The song was first heard on White Trash's Roadwork album, and speculation was rife that Derringer had done it with Johnny strongly in mind. Here Johnny makes it a vital and personal statement with as much power and self-assertive cool as Muddy Waters had in " Hoochie-Coochie Man. "

The album closes with an appropriately leering rendition of the Stones' "Let It Bleed," once again featuring the crystal-glass-chandelier-like lightning slide guitar work and a strutting vocal. At the end of the take Johnny asks, "Goddamnit, did that get it, or what? "

It did. Welcome back man, nice to see a survivor.

Circus Jun 1973: Johnny Winter - Still Alive and Well - Columbia Records:

Johnny Winter has the kind of voice and guitar sound you either hate or love . . . I happen to hate it. The gravelly vocal tones bear such a resemblance to genuine suffering that I often worry if he is actually in pain. The guitar-work, though both fast and competent, seems without inspiration. But again, this is all a matter of opinion; and after all the fans Winters' built up over the years. I'm sure it's my ears that are pasted on backwards.

Side one opens with another version of "Rock Me Baby," but the first, last and only version I ever liked was the Jeff Beck Group version ... only because it cooked instead of trundled along with bulldozer heaviness.

The album is produced by ex-Mc-Coy, ex-White Trasher Rick Derringer. Derringer's "Cheap Tequila" is probably the most interesting track on the record. Quieter and more melodious than usual, Winter's voice isn't nearly as grating.

Most annoying to me is the lack of imagination. It's all been done before, the same old rock and roll riffs, from the Allman's to Ten Years After, John Mayall and Savoy Brown. Doesn't it ever change? Music is supposed to be growing up a little . . . but this album just seems stagnant.

The second most annoying thing is the lack of original material. Winter has the reputation for being the great American rock and roll innovator. Why, then, is he rehashing material that's been done a hundred times before?

With all the truly original stuff around, this sounds like one great step backwards for American rock and roll. Sorry, Johnny Winter fans ... if you love him, you'll go out and buy it anyway . . . right?

JOHNNY WINTER – STILL ALIVE AND WELL CBS 65484

-

Since Johnny Winter's last studio production, And, so much time has passed that the LP could almost be considered historic. A lot has happened since then: Johnny underwent extensive medical treatment as drugs threatened to ruin both his mind and body. Meanwhile, his brother Edgar continued to build his career diligently, ensuring that the Winter name did not fade from view. But now Johnny is back, well-rested. He hasn’t learned anything new during his long break, but fortunately, he hasn’t forgotten anything either. His robust blues-rock still sounds as fresh as ever.

Johnny kicks things off powerfully with Big Bill Broonzy’s "Rock Me Baby," and maintains a consistent level of energy throughout the entire LP. It’s a fiery performance when he lets his guitar do the talking, but nothing burns out or becomes waste. Instead, the music feels all the more satisfying. This applies not only to the pure rock tracks but also to those that deviate from the standard, such as Rick Derringer’s "Cheap Tequila."

There’s particular enjoyment in the two Jagger/Richards compositions, "Silver Train" and "Let It Bleed," the latter of which was already released by the Stones. Winter's interpretations once again prove that he can take material from other composers and make it his music. In fact, this time, he has used many outside compositions, having only written two tracks himself—perhaps a final hint of the difficult period he has overcome.

As for Johnny Winter's accompanying musicians, there's not much to say this time around. Bassist Randy Hobbs has been with him since And and seems to play more fluidly than before. Drummer Richard Hughes is reliable, though not particularly noticeable. Rick Derringer, who also produced the album, helps out here and there, along with Todd Rundgren, Mark Klingman, and Jeremy Steig. Nothing remarkable from them, except for a lovely flute solo by Steig on "Too Much Seconal."

The most important takeaway from this LP: Johnny Winter is still alive and well.

Johnny Winter - Still Alive and Well

Sounds Magazine (Germany) Review

Since Johnny Winter's last studio production AND was released, so much time has passed that this LP can almost be considered historic. A lot has happened since then; Johnny underwent extensive medical treatment because drugs were threatening to ruin his mind and body. Meanwhile, his brother Edgar made a successful career for himself, ensuring that the name "Winter" did not fade from view.

But now Johnny is back, well-rested. During the long break, he hasn't learned anything new, but fortunately, he hasn't forgotten anything either. His raw blues-rock sounds just as fresh as before. Johnny kicks off the album with Big Bill Broonzy's Rock Me Baby, rocking powerfully right from the start, and maintains the same energy throughout the entire LP. It’s electrifying when he lets his guitar "speak," but instead of burning out into waste, the music becomes even more intense.

This applies not only to the pure rock songs but also to those that deviate from the harder sound, such as Cheap Tequila by Rick Derringer. The two Jagger/Richards compositions, Silver Train and Let It Bleed, which the Stones had already released, are particularly enjoyable. Winter’s renditions once again prove that he can turn other composers' material into his own music. In fact, this time, he used a lot of other people’s compositions and only wrote two songs himself, perhaps as a final sign of his recovery from his difficult period.

As for his band members, there isn’t much new to say. Bassist Randy Hobbs has been with him since AND. He seems to be playing more diligently than before. Drummer Richard Hughes is reliable but not particularly striking. Rick Derringer, who also produced the album, helps out here and there, as do Todd Rundgren, Mark Klingman, and Jeremy Steig. However, they don’t offer anything particularly remarkable, except Steig, who contributes a nice flute solo in Too Much Seconal.

The most important insight from this LP: Johnny Winter is still alive and well.

Hans Jürgen Günther

Source & German Article

9 June 1973 The Hartford Courant , by J. Greg Robertson

Still Alive and Well (Columbia KC 32188) by Johnny Winter is quite a jump from the saccarine McCartney theme, but it has its own problem. It's a problem — like that or the J. Geils Band and John Kay reviewed late — that is hard to put a finger on. They are each acceptable albums, but the extra spark we have hear learned to expect from these performers is missing this time. "Still Alive and Well" refers to Johnny Winter's late absence, reportedly due to a medical problem, When he burst on the national rock scene in the late 60s, Johnny was playing blazing blues guitar and singing let-it-all-hang-out vocals. He still is, but

There are three or four definite winners on this album, out of 10 cuts. "Rock me Baby" has the tight, punchy feel and nearly inimitable Winter flair: heavy, fast, repeated blues guitar flourishes, with some wailing, moaning solos. Except now it's more rock than blues. "Let It Bleed," which seems to be getting the most airplay, is a good example of the nastiness Johnny likes to imply. But "Silver Train," another Mick Jagger-Keith Richard composition, is nowhere near as successful. The title tune, "Still Alive and Well," is suitably frantic but lacks some cohesion, also, it's kind of disappointing that such an important testament wasn't even written by Winter.

"Too Much Seconal" was written by Johnny, and features him on mandolin and Jeremy Steig on flute, but it too is a little too loose. "All Tore Down" will be best remembered for a good guitar solo. "Cheap Tequila" and "Can't You Feel It" are adequate.

We know he's alive and well, but his fans can still hope Johnny Winter gets better.

JOHNNY WINTER's Official Vinyl Albums (by release date)

JOHNNY WINTER - The Progressive Blues Experiment

Thumbnail of JOHNNY WINTER - Progressive Blues - France album front cover

Imperial LP-12431, 1969, Made in US

"The Progressive Blues Experiment" by Johnny Winter is a legendary 12" vinyl LP album that showcases the extraordinary talent and unique style of the American blues guitarist and singer. Recorded live at the Vulcan Gas Company, an iconic music venue in Austin, Texas,

The Progressive Blues Experiment 12" Vinyl LP

JOHNNY WINTER - S/T Self-Titled Black Album

CBS Stereo 63619 (1969) , 1969 , Made in USA

On the self-titled debut album Johnny Winter played the blues pure and simple,. Whether it was the stinging raucous Delta music as played acoustically on "Dallas", or his savage electric attack, on "Mean Mistreater", "Be Careful With a Fool", or on Good Mornin' Little Schoolgirl'

JOHNNY WINTER aka Black Album 12" Vinyl LP

Johnny Winter - Second Winter

CBS , 1969 , Brazil

"Johnny Winter's 'Second Winter' is a classic 12" vinyl album released in 1969 on the CBS Record label. The influential blues-rock musician's second studio album showcases his virtuosic guitar skills and soulful vocals. Featuring a mix of original compositions and covers, the record captivates listeners with its raw energy and timeless blues-rock sound, solidifying Johnny Winter's status as a music icon."

Second Winter 12" Vinyl LP

JOHNNY WINTER AND - S/T Self-Titled

CBS – 64117, CBS – S 64117 , 1970 , USA

The Johnny Winter AND album is a masterclass in raw energy and virtuosic guitar playing, with Winter's and Derringer's fiery solos and soulful vocals captivating listeners. It's a timeless testament to the power and passion of blues rock music,

JOHNNY WINTER AND 12" Vinyl LPe

JOHNNY WINTER AND - Live

CBS S 64289 , 1971 , Made in Holland

"And Live" by "Johnny Winter And" is a gatefold 12" LP vinyl album that showcases the legendary blues musician's electrifying live performances. Released during his peak in the 1970s, this album captures Winter's virtuosic guitar skills and soulful vocals, delivering a high-energy experience for blues enthusiasts. With a diverse tracklist and excellent sound quality, this vinyl release remains a must-have for collectors and fans of authentic live blues music.

Live 12" Vinyl LP

JOHNNY Winter - Still Alive and Well

CBS 65484 , 1973 , Made in USA

Johnny Winter's 1973 comeback album, "Still Alive and Well," showcases the blues-rock legend's electrifying guitar work and soulful vocals. With defiant tracks like the title song and an impassioned rendition of The Rolling Stones' "Let It Bleed," this LP reached #22 on the US Billboard Charts, leaving an enduring legacy in the world of rock music.

Still Alive and Well 12" Vinyl LP

JOHNNY WINTER - Saints and Sinners

CBS S 65842 , 1974 , Made in USA

"Saints and Sinners" is a blues-rock masterpiece released in 1974 on a 12" vinyl LP. Led by the incomparable Johnny Winter, the album features scorching guitar riffs, emotive vocals, and a soulful fusion of rock and blues. Produced by Rick Derringer, it boasts a talented lineup, including Edgar Winter, Randy Brecker, and more, creating an enduring classic that captivates listeners with its raw energy and timeless appeal.

Saints and Sinners 12" Vinyl LP

JOHNNY WINTER - John Dawson Winter III

PZ33292 , 1974 , Made in USA

"John Dawson Winter III" remains a shining gem in the discography of Johnny Winter. This 12" vinyl LP album from 1974 continues to captivate audiences with its timeless blues-rock sound, and it serves as a reminder of the immense talent of Johnny Winter and his band-members, Randy Jo Hobbs and Richard Hughes. Whether you're a dedicated fan or a newcomer to Johnny Winter's music, this album is a must-listen for anyone seeking to experience the magic of true blues and rock artistry.

John Dawson Winter III 12" Vinyl LP

JOHNNY WINTER - Captured Live

Blue Sky – SKY 69230 , 1976 , Europe

"Johnny Winter's 'Captured Live' 12" LP delivers an authentic blues experience. Recorded during his peak in 1976, the album showcases his raw talent with scintillating guitar work and soulful vocals. The dynamic tracklist features crowd favorites like 'Boney Moronie' and 'Sweet Papa John'.

Captured Live 12" Vinyl LP

JOHNNY WINTER - Captured Live Promo Copy

Blue Sky PZ 33944 / AL 33944 , 1976 , Made in USA

The promotional copy of Johnny Winter's "Captured Live" 12" vinyl LP album featuring Floyd Radford on rhythm guitar is a rare and coveted treasure for vinyl collectors and blues enthusiasts. This unique edition offers a glimpse into the blues legend's live performances during his prime in the 1970s.

Captured Live Promo Copy 12" Vinyl LP

JOHNNY WINTER - Together (with Edgar Winter)

Blue Sky LP 81338 , 1976 , Made in USA

Experience the electrifying energy of legendary musicians Johnny Winter and Edgar Winter with this thrilling 12" vinyl LP album, "Together". Explore this web-page featuring several captivating photos of the Winter brothers in their element, delivering unforgettable performances on stage.

Together (with Edgar Winter) 12" Vinyl LP

JOHNNY WINTER - Nothin' but the Blues

Blue Sky - Sky 82141 , 1977 , Made in USA

Johnny Winter's "Nothin' but the Blues" is an album that encapsulates the very essence of the blues. With his unparalleled guitar skills and soulful vocals, Winter breathes new life into classic blues compositions while paying homage to the genre's legends.

Nothin' but the Blues 12" Vinyl LP

JOHNNY WINTER - White Hot and Blue

CBS SKY 82963 , 1978 , Made in USA

"Johnny Winter's 'White Hot And Blue' 12" vinyl LP is a blues-rock gem featuring his soulful vocals and mesmerizing guitar skills. With a powerhouse lineup, including Edgar Winter's multi-instrumental brilliance, Pat Ramsey's haunting harmonica, and Tom Brock's captivating mandolin

White Hot and Blue 12" Vinyl LP

JOHNNY WINTER - Raisin Cain

Blue Sky AL 36343 / JZ 36343 , 1980 , Made in USA

"Raisin' Cain" is the title of a 1980 album by American blues musician Johnny Winter. The album features a mix of original songs and covers of classic blues songs, such as "Sweet Little Angel" and "It's My Own Fault". The album received positive reviews from critics and was well received by Winter's fans. It features a mix of rock, blues and country music.

Raisin Cain 12" Vinyl LP

JOHNNY WINTER - Guitar Slinger

ATLAS Records LA25-5012 , 1984 , Japan

Johnny Winter's "Guitar Slinger" on 12" vinyl LP is not just an album; it is a masterpiece that encapsulates the brilliance of one of the greatest guitarists in the history of blues rock. The Japanese release of this iconic album further solidified its status as a musical treasure, appreciated by fans across the world.

Guitar Slinger 12" Vinyl LP

JOHNNY WINTER - Serious Business

Alligator Records SNTF 948/Sonet , 1985 , Made in USA

Johnny Winter's "Serious Business" remains a timeless blues masterpiece that encapsulates the raw essence of the genre. With searing guitar work, powerful vocals, and an unwavering dedication to the blues, Winter and his talented band created an album that continues to resonate with blues enthusiasts and music lovers alike.

Serious Business 12" Vinyl LP

JOHNNY WINTER - Third Degree CD

JOHNNY WINTER - Third Degree album front cover

Sonet Records SNTF 965 , 1986 , Made in USA

"Johnny Winter's 'Third Degree' (1986) captivates with blues-rock brilliance. The iconic guitarist's studio album exudes raw energy and soulful vocals, showcasing his virtuosity. Featuring electrifying tracks like 'Mojo Boogie' and 'Tin Pan Alley,' it remains a timeless testament to Winter's legendary talent and continues to resonate with music enthusiasts worldwide.

Third Degree CD

JOHNNY WINTER - Winter of '88 CD

JOHNNY WINTER - Winter of '88 album front cover

- , 1988 , USA

"Winter of '88" is a blues-rock gem by Johnny Winter, released in 1988. With electrifying guitar work and soulful vocals, Winter returns to his musical roots, delivering an authentic and powerful experience. This album showcases Winter's enduring talent and influence

Winter of '88 CD

JOHNNY WINTER - Let Me In CD

JOHNNY WINTER - Let Me In album front cover

- , 1991 , USA

"Let Me In," Johnny Winter's 1991 album, marks a dynamic shift from MCA to Pointblank Records. With scorching guitar riffs and soulful vocals, Winter delivers an electrifying blues-rock masterpiece. Supported by skilled musicians like Billy Branch's harmonica and Dr. John's piano, the album blends emotional depth and musical diversity, cementing Winter's status as a blues legend.

Let Me In CD

JOHNNY WINTER - Hey Where's Your Brother? CD

JOHNNY WINTER - Hey Where's Your Brother? album front cover

POINTBLANK #86512 , 1992 , USA

"Johnny Winter's 1992 album 'Hey Where's Your Brother?' delivers electrifying blues rock, showcasing his signature guitar prowess and soulful vocals. With a mix of original tracks and inspired covers, the album captures Winter's dynamic energy and musical finesse, a testament to his influential legacy in the blues genre.

Hey Where's Your Brother? CD

JOHNNY WINTER - Live in NYC 1997

Cema Virgin 45527 , 1997 , USA

Johnny Winter's 'Live in NYC 1997' album pulses with electrifying blues and rock fusion. With searing guitar solos and soulful vocals, Winter's raw energy ignites the stage, capturing a mesmerizing night at the Bottom Line. From haunting renditions of classics to the immersive chemistry

Live in NYC 1997

JOHNNY WINTER - I'm a Bluesman CD

JOHNNY WINTER - I'm a Bluesman album front cover

Virgin Records , 2004 , Made in USA

"I'm a Bluesman" is not just an album; it's a celebration of the blues, a tribute to tradition, and a testament to the enduring power of music. Johnny Winter and Mike Welch's collaboration on this record showcases their profound understanding of the blues genre and their ability to keep its flame burning brightly. With its rich blend of original compositions and classic covers, the album is a timeless masterpiece that stands as a true reflection of the bluesman spirit.

I'm a Bluesman CD

JOHNNY WINTER - Roots CD

Megaforce Records , 2011 , Made in USA

Johnny Winter's 2011 album 'ROOTS' takes listeners on a captivating musical journey, showcasing his mastery of blues, rock, and roots genres. With soulful vocals and electrifying guitar solos, Winter pays homage to his musical influences while adding his own unique flair. This CD release is a timeless collection of tracks that capture the essence of his legendary career and demonstrate his unwavering passion for authentic, heartfelt music".

Roots CD

JOHNNY WINTER - Step Back

Megaforce Records – 0 20286 21697 1 , 2014 , USA

"Step Back" is the final album by blues guitarist and singer Johnny Winter. It features performances by a number of guest musicians, including Eric Clapton, Dr. John, Billy Gibbons from ZZ Top, Joe Perry from Aerosmith, Leslie West from Mountain, and Brian Setzer from the Stray Cats. It was released by Megaforce Records on 2 September 2014.

Step Back (Red Vinyl) 12" Vinyl LP

JOHNNY WINTER Un-Official Vinyl Albums (by album-name)

JOHNNY WINTER - About Blues

Janus Records – JLS 3008 , 1976 , Made in USA

"About Blues" is a compilation album of tracks recorded with Johnny Winter on Guitar. These recordings were made before JW became famous and when he worked as a free-lance guitarist and studio guitarist. The music on this album is representative for the popular music during the early 1960s.

About Blues 12" Vinyl LP

JOHNNY WINTER AND - "AND & AND Live"

Thumbnail of JOHNNY WINTER AND & AND Live album front cover

CBS 22020 , 1976 , Made in Holland

"Johnny Winter And" and "Johnny Winter And Live" is a 2LP vinyl album set that contains the first two albums "The Johnny Winter And" band released. The first album is a studio recording while the second album is a live recording. Both records were originally released as two separate albums.

"AND & AND Live" 12" Vinyl LP

JOHNNY WINTER - Best of Johnny Winter ( Japan )

CBS/Sony SOPM 91 , 1974 , Made in Japan

The "Best of Johnny Winter (Japan)" is a 12" vinyl LP that compiles the finest works of the renowned blues musician. This release showcases Winter's exceptional guitar skills and powerful vocals, highlighting his contributions to the genre. With carefully selected tracks, this album offers a comprehensive overview of Winter's career,

Best of Johnny Winter ( Japan ) 12" Vinyl LP

JOHNNY WINTER - The First Album (Blue Sky Records)

Blue Sky SKY 32206 / CBS 63619 / CS 9826 / LC 3231 , unknown , Holland

The First Album (Blue Sky Records) is a re-issue of the first album Johnny Winter released on the CBS Record label and was also known as the Black Album. The year of release of this re-issue on Blue Sky is unknown and must after 1973 (The year Blue Sky records was formed).

The First Album (Blue Sky Records) 12" Vinyl LP

JOHNNY WINTER - Progressive Blues Experiment (Sunset Liberty)

Sunset Records SLS 50264 / Liberty LBS 83 240 1 / LP 12 431 , 1969??? , Made in Germany

Johnny Winter's "Progressive Blues Experiment" is a 12" LP vinyl album released on Sunset Liberty Records with the catalog numbers Sunset Records SLS 50264, Liberty LBS 83 240 1, and LP 12 431. This album showcases Winter's innovative approach to blues music, blending traditional elements with progressive influences.

Progressive Blues Experiment (Sunset Liberty) 12" Vinyl LP