JOHNNY WINTER - Nothin' but the Blues 12" Vinyl LP Album

- The 1977 electric blues comeback that redefined raw authenticity

Album Front Cover Photo of JOHNNY WINTER - Nothin' but the Blues Visit: https://vinyl-records.nl/

“Nothin’ but the Blues” isn’t just an album — it’s a smoke-filled bar bottled in vinyl. Johnny Winter strips the gloss off rock and dives deep into the raw marrow of the blues, flanked by legends like Muddy Waters and James Cotton. Recorded in 1977, it hums with sweat, slide, and soul — a back-porch sermon delivered through overdriven amps. Every riff wails, every note bleeds; this is the sound of a man and his guitar locked in a midnight confession with the devil’s favorite genre.

Table of Contents

Album Description:

In the world of blues music, certain artists leave an indelible mark on the genre, shaping its very essence for generations to come. One such luminary is the legendary Johnny Winter, whose album "Nothin' but the Blues" stands as a testament to his unparalleled talent and singular devotion. Released in 1977 on Blue Sky Records, this 12" vinyl LP captures the essence of pure Chicago blues. Hailing from the heart of the United States, this timeless masterpiece represents Winter's defiant return to the genre after nearly a decade spent exploring blues-rock. For this crucial recording, Winter was accompanied by the esteemed working band of another blues icon, Muddy Waters.

Johnny Winter: A Blues Maestro

Johnny Winter, born in Beaumont, Texas, in 1944, was a virtuoso guitarist and a powerful vocalist. From a young age, Winter was drawn to the blues, idolizing the likes of Robert Johnson, Muddy Waters, and B.B. King. With his unique albinism and distinctive sound, he quickly made a name for himself in the music industry. Winter's fast-paced and fiery guitar playing, coupled with his soulful vocals, set him apart from his peers and earned him widespread acclaim.

By the time "Nothin' but the Blues" was released, Johnny Winter had already achieved significant success, but this album marked a deliberate and triumphant shift. After years of major-label blues-rock records that dominated the airwaves, Winter consciously stripped away the rock elements to focus entirely on the bedrock of the genre. This LP is a pure, unadulterated dedication to the blues tradition that fueled his earliest work.

The Essence of "Nothin' but the Blues"

"Nothin' but the Blues" is a captivating exploration that showcases Winter's ability to breathe new life into classic forms—mostly through original material. Contrary to popular belief, the vast majority of this record consists of tracks written by Winter, marking it as a powerful, personal statement of his blues vision. The album features ten tracks, only one of which—Muddy Waters' "Walkin' Thru the Park"—is a cover.

One of the highlights of the album is the opening track, "Tired of Tryin'", a soulful blues number that immediately sets the tone for the entire record. Winter's searing guitar solos and emotive vocals immediately draw listeners into his world of heartfelt blues.

Another standout track is "TV Mama", a boogie-woogie infused song that showcases Winter's dazzling guitar skills. His fretwork on this track is a masterclass in blues guitar playing, demonstrating his technical prowess and innate understanding of the genre.

However, the most remarkable aspect of "Nothin' but the Blues" is the collaboration between Johnny Winter and Muddy Waters' band (which included James Cotton, Pinetop Perkins, and Willie "Big Eyes" Smith). The chemistry between Winter and these seasoned blues musicians is palpable, creating a synergy that elevates the entire album to a higher level. The band's tight rhythm section, complemented by Winter's fiery guitar licks, creates a sonic landscape that is both electrifying and deeply rooted in the blues tradition.

The Legacy and Impact

"Nothin' but the Blues" not only solidified Johnny Winter's status as a blues maestro but also served as a reminder of the timeless allure of the blues genre itself. The album's authenticity and raw emotional power struck a chord with fans and critics alike, earning it a place among the greatest blues records of all time.

Furthermore, the collaboration with Muddy Waters' band, coming right after Winter produced Muddy's comeback album, Hard Again, brought an added dimension to the album. It symbolically bridged the gap between the old and new generations of blues musicians. Winter's ability to seamlessly blend traditional blues with contemporary elements helped introduce the genre to a broader audience, ensuring its continued relevance in a rapidly changing musical landscape.

Production & Recording Information:

Music Genre:

Blues

A pure electric blues record anchored in traditional Chicago style, “Nothin’ but the Blues” bridges Delta grit with studio finesse. Johnny Winter’s slide-driven sound collides with Muddy Waters’ earth-deep vocals, reviving the essence of American blues in its rawest, most collaborative form.

Label & Catalognr:

Blue Sky – Sky 82141

Media Format:

Record Format: 12" Vinyl Stereo
Total Weight (Cover + Record): 230 gram

Year & Country:

1977 – USA

Producers:
  • Johnny Winter – Producer
    Johnny Winter, the Texas bluesman with lightning-fast licks and a voice raw as a Delta wind, tore through the ‘60s and ‘70s with searing guitar work and fiery passion. A slide master and rock innovator, he left a legacy of blues brilliance. Jump into his discography for his legendary albums or visit his website to explore his full biography.
  • Steve Paul – Organic Advisor
    Steve Paul was a charismatic impresario who owned the legendary New York nightclub “The Scene,” a late-1960s haven for rock’s wildest innovators. Beyond curating electric nights for Hendrix and Clapton, he managed the explosive careers of Johnny and Edgar Winter with relentless vision and style. Learn about Steve Paul
    His management acumen helped launch several major blues and rock albums to international success, making him a behind-the-scenes architect of 1970s rock culture.
Sound & Recording Engineers:
  • Dave Still – Sound Engineer
    Dave Still worked across multiple blues and rock sessions throughout the 1970s, known for capturing the raw warmth of analog recording with an unpolished edge that suited Winter’s style perfectly.
  • Grant Barlow – Assistant Sound Engineer
    A reliable studio engineer of the New York scene, Barlow contributed to the crisp live-room ambiance that gave “Nothin’ but the Blues” its spontaneous, jam-like quality.
  • Greg Calbi – Mastering Engineer at Sterling Sound, N.Y.C.
    One of America’s most respected mastering engineers, Greg Calbi’s precision at Sterling Sound helped shape the final sheen on countless classic albums by artists ranging from Bruce Springsteen to Patti Smith.
Recording Location:

Recorded and mixed at The Schoolhouse

The Schoolhouse studio provided an intimate, live-sounding acoustic environment ideal for blues recording. Its warm wooden space and minimal separation allowed musicians to perform with authentic chemistry and immediacy.

Band Members / Musicians:

Band Line-up (Part 1):
  • Johnny Winter – Vocals, Electric Guitar, Metal-body Acoustic Guitar, Slide Guitar, Bass Guitar, Drums
    A Texas-born guitar virtuoso, Johnny Winter rose to fame in the late 1960s with his fiery slide technique and gravelly vocals. His blend of blues authenticity and rock aggression earned him international acclaim and Grammy nominations, establishing him as one of the era’s true blues revivalists.
  • Muddy Waters – Vocals
    Widely regarded as the father of modern Chicago blues, Muddy Waters transformed Delta traditions into electric power. His collaborations with Winter in the late 1970s revitalized his career and reintroduced authentic blues to a new generation.
  • Bob Margolin – Electric Guitar
    Bob “Steady Rollin’” Margolin was a longtime guitarist in Muddy Waters’ band, known for his smooth phrasing and mastery of the slide guitar. His tone and timing gave Winter’s sessions their unmistakable Chicago groove.
  • Charles Calmese – Bass Guitar
    A steady presence in both blues and soul circuits, Calmese brought rhythmic balance and a warm, driving tone. His playing anchored many of Johnny Winter’s late-’70s recordings with deep, unshakable groove.
Band Line-up (Part 2):
  • Pinetop Perkins – Piano
    A legendary blues pianist whose career spanned over seven decades, Pinetop Perkins played with everyone from Sonny Boy Williamson to Muddy Waters. His rolling boogie-woogie style added warmth and swing to every Winter collaboration.
  • James Cotton – Harmonica
    A harmonica titan and former member of Muddy Waters’ band, James Cotton earned fame for his explosive live performances and raw emotional tone. His presence lent “Nothin’ but the Blues” its authentic Delta fire.
  • Willie “Big Eyes” Smith – Drums
    An essential Chicago blues drummer, Smith was the rhythmic backbone of Muddy Waters’ touring and recording bands for years. His subtle shuffle and deep sense of timing defined the traditional electric blues beat.

Complete Track-listing:

Tracklisting:
  1. Tired of Tryin'
    Written by Johnny Winter, this track sets the tone for the album’s raw, unfiltered energy and heartfelt blues.
  2. TV Mama
    Contrary to long-standing belief, “TV Mama” was written by Johnny Winter himself, as confirmed by the BMI database. The track’s heavy, swaggering groove and searing slide guitar performance highlight Winter’s mastery of the electric blues idiom — a signature blend of grit, precision, and pure Texas attitude.
  3. Sweet Love and Evil Women
    A slow-burning original that blends despair and desire through haunting slide guitar work.
  4. Everybody's Blues
    A full-band shuffle driven by Pinetop Perkins’ piano and James Cotton’s harmonica — pure Chicago blues chemistry.
  5. Drinkin' Blues
    A whiskey-soaked lament written by Winter, channeling late-night loneliness with mesmerizing authenticity.
  6. Mad Blues
    Winter delivers aggressive guitar lines and fierce vocals in this emotionally charged track — one of his most underrated performances.
  7. It Was Rainin'
    A slow, minor-key showcase for Winter’s expressive guitar phrasing and the ensemble’s dynamic restraint.
  8. Bladie Mae
    A deep cut full of swampy grooves and slide-driven storytelling — showcasing Winter’s Texas roots meeting Chicago grit.
  9. Walkin' thru the Park Cover Guest
    Originally written by Muddy Waters, this cover features Muddy himself on vocals — a joyful, swinging finale that celebrates the blues lineage uniting both legends.

Note: All songs written by Johnny Winter except “Walkin’ thru the Park” (Muddy Waters). This edition reflects the original 1977 U.S. vinyl release on Blue Sky Records.

Album Front Cover Photo
Front cover of Johnny Winter's 1977 album 'Nothin’ but the Blues' on Blue Sky Records, showing Winter seated at a mixing console with a National Standard Steel guitar on his lap. He wears dark sunglasses and a black cap, exhaling cigar smoke that rises into the studio lights. The metallic resonator gleams with engraved patterns under the dim light, surrounded by studio gear, knobs, tape reels, and cigarette packs. A moody portrait of sound and smoke — the essence of 1970s electric blues captured in one iconic shot.

This front cover photograph of Johnny Winter – Nothin’ but the Blues freezes a moment of raw artistry in the recording studio. Johnny Winter sits behind the mixing console, wearing his trademark dark glasses and black bandana, a faint plume of smoke curling above his head. In his right hand, he clutches a lit cigarillo — its ember glowing against the dim light — while his left arm rests casually across the body of a gleaming National Standard Steel guitar.

The studio console in front of him bristles with dials, sliders, and glowing signal lights, giving the sense of both control and chaos that defines electric blues recording. Cigarette packs and stray cables lie scattered across the console — artifacts of a long night spent chasing tone. The guitar’s metal surface reflects the ambient light, emphasizing its engraved lattice design and Winter’s skeletal fingers poised as though ready to play another lick.

The background fades into shadow, but a second figure, partially obscured, leans over the board — likely an engineer, adjusting levels as Winter listens intently. The image fuses sound and vision: a bluesman caught between performance and contemplation, where every inhale and every note feels deliberate. The composition radiates grit, warmth, and unfiltered humanity — a visual echo of the music’s metallic twang and emotional pulse.

The photograph was taken for the 1977 U.S. release on Blue Sky Records. Slight color differences may appear in various pressings or reproductions due to age or print variations. This image remains one of the most enduring portraits of Johnny Winter — a moment where smoke, sound, and soul become one.

Album Back Cover Photo
Back cover of Johnny Winter’s 1977 album 'Nothin’ but the Blues' on Blue Sky Records, featuring Johnny Winter inside The Schoolhouse recording studio with arms stretched wide, smiling under the soft amber studio lights. He wears sunglasses, a black vest, and a black cap, with his gleaming National Standard Steel guitar resting across his lap. Mixing consoles, tape reels, and cigarette packs surround him, capturing the warmth, smoke, and energy of a late-night blues session where analog sound and human emotion fuse perfectly.

The back cover of Nothin’ but the Blues shows Johnny Winter in an exuberant pose inside The Schoolhouse studio, arms wide open in a moment of pure joy. He’s perched at the mixing console, the same board on which the album was recorded and mixed, his head tilted back in laughter beneath his black bandana and dark glasses. In his lap rests his beloved National Standard Steel guitar — its polished body reflecting the amber glow of the overhead lamp.

Scattered across the console are cigarettes, empty glasses, and tape spools — relics of a long night spent chasing perfection through grit and groove. Behind him, another figure, likely a sound engineer, leans into the shadows, adjusting the knobs as the room hums with analog warmth. The walls of the small studio tilt inward, amplifying the sense of intimacy and focus that defined the sessions.

To the right of the photo, Winter’s handwritten dedication appears: a note of gratitude to fans and to Muddy Waters, the mentor who helped him return to the heart of the blues. The composition captures both exhaustion and triumph — a bluesman exhaling relief at a job done right. The image radiates human connection, a rare look behind the curtain at the spirit of 1970s American blues recording.

Photographed by Jim Houghton for the 1977 Blue Sky Records release. The image was printed with a matte finish, accentuating the warm tones and subtle grain of the analog era. Visible text and credits confirm the album’s personnel and recording details, including The Schoolhouse studio and mastering at Sterling Sound, New York.

Album Reviews by Magazines and Johnny Winter Fans

JOHNNY WINTER, Nothing but the Blues;
Blue Sky/CBS SKY 82 141

An album that stands as a declaration of faith for the timelessness of the blues: in form, it is as traditional as one could imagine, but in content and feeling, it is as raw, spontaneous, and electrifying as only a unique albino guitarist rooted in this tradition can play.

Since the Progressive Blues Experiment and his CBS debut, Johnny Winter hasn't played twelve-bar blues so uninhibitedly. And when compared with the late classics of the genre recorded in the 1950s and early 1960s, Nothing but the Blues holds its own. Alongside Muddy Waters' Hard Again, which was also produced by Winter and created in parallel, this LP is one of the purest blues masterpieces of the decade.

(And one can't help but ask: do you have to be an albino to play the blues so effortlessly?)

The accompanying musicians are legends: Muddy Waters (who only sings here), James Cotton on harmonica, and "Pine Top" Perkins on piano. What Keith Richards so admired in the old Chess recordings is realized again here: it's not just individual skill and virtuosic soloing that matters, but the sound and the ensemble. The feeling, the collective understanding.

This record could just as well carry the title of the famous Stones bootleg: Liver Than You'll Ever Be! That's exactly how it was recorded. A true relief in the face of all the effects-driven bestsellers where packaging—and only the packaging—is meant to sell content that's bad enough on its own...

F.Sch.

Original German Article:

Stereo Magazin Germany Kritik Disco Kritik Nov 1977 Part #1

Stereo Magazin Germany Kritik Disco Kritik Nov 1977 #2

Johnny Winter, "Nothin' But the Blues"
Blue Sky/CBS SKY 82 141

An album that is essentially a declaration of faith in the timelessness of the blues. In form, it’s as traditional as one could imagine, yet in content and feeling, it’s so impulsive, spontaneous, and eroticized that only a singular phenomenon like this albino guitarist can play it. Since the "Progressive Blues Experiment" and his CBS debut, Johnny Winter has not created such a seamless twelve-bar blues masterpiece, as if it had been recorded in the 1950s or early 1960s.

When compared to classics of the genre, "Nothin' But the Blues" doesn’t fare badly. Together with the similarly Winter-produced album "Hard Again" by Muddy Waters, which was released around the same time, this LP is one of the milestone works of this decade in terms of the blues. (And the inevitable question arises: does one have to be an albino to play the blues with such a fiery passion?)

The accompanying musicians are legends: Muddy Waters (he only sings here), James Cotton on harmonica, and "Pine Top Perkins" on piano. Wasn’t Keith Richards, who admired Chess recordings so much, the one who realized that it’s not just the individual skill and technical virtuosity that count, but also the overall sound and feeling that make the blues truly understandable?

The LP title should actually read: LIVER THAN YOU’LL EVER BE! That’s exactly how it sounds. The tracks were recorded live, though in the studio, but with the kind of packaging that makes you feel as if you’re listening in a concert hall.

---

Interpretation: masterfully played traditional blues—raw and unadulterated.

Technical quality: somewhat restrained live sound, but excellently captured in every sense.

Source & Full German Article

Johnny Winter Storms Back - Circus Magazine
Transcript of the article

Johnny Winter Storms Back
‘Nothing But the Blues’ Supported by Blistering Electric Tour
By Jim Farber

The word comeback is tossed around too often in the music business. But in the case of Johnny Winter’s latest album and tour, the term fits. Even in his earliest performances, Winter was heralded as the great white hope of the blues. And during the late ‘60s and early ‘70s, he lived up to that expectation. But somewhere around the mid ‘70s, things started to fall apart. By the time of his first Columbia album, Winter was becoming known more for his indulgences than for his music. A period of serious drug addiction followed. It wasn’t until the late ‘70s that Winter was able to pull himself together and get back on track.

With the release of his album Nothing But the Blues , Winter has come full circle, once again focusing on the music that made him great. Nothing But the Blues is a tribute to some of the greatest blues artists and is supported by a blistering tour of electric blues that highlights Winter’s searing guitar work.

On stage, Winter is nothing short of amazing. His playing is as fiery as ever, with a renewed sense of passion and energy that was often missing during the darker days of his career. His current band consists of a rhythm section that backs Winter’s every move with precision and power. Together, they create a sound that is both tight and raw, capturing the essence of the blues while adding a modern edge.

Winter’s set list is a mix of classic blues standards and his own material. Songs like “Mississippi Blues” and “Walking Through the Park” showcase Winter’s deep understanding of the genre, while his own compositions like “Blinded by Love” reveal a more personal side to his music. Each song is delivered with an intensity that proves Winter is back and better than ever.

What sets Winter apart from so many of his peers is his ability to not only play the blues but to live them. His music is a reflection of his life, full of the highs and lows that come with being a musician on the edge. In that sense, Nothing But the Blues is more than just an album – it’s a statement of survival.

With his new album and tour, Johnny Winter is once again proving why he is one of the greatest blues guitarists of all time. His ability to overcome personal demons and still create music of such depth and power is a testament to his talent and determination. For fans of the blues, Winter’s comeback is not only welcome – it’s necessary.

Source & Full Article

Collector’s Note: The Great Water Damage of ’77

Somewhere between Johnny Winter’s guitar feedback and the leaky roof of my 1977 “apartment” (read: glorified broom closet), the original Nothin’ but the Blues LP met its watery fate. The labels? Gone — dissolved into some avant-garde paper pulp experiment that no collector ever asked for.

Back then, “cloud storage” meant balancing records on a shelf dangerously close to the ceiling, and “backup copies” were whatever your friend hadn’t borrowed indefinitely. So yes, the Nothin' but the blues by Johnny Winter from 1977 now lives only in memory — and in the faint smell of mildew that probably still haunts that old record sleeve.

Digital reissues may promise pristine sound, but they’ll never reproduce that authentic analog hiss of panic when you realized your prized pressing was floating across the carpet.

JOHNNY WINTER - Complete Vinyl and CD Discography and Album Cover Gallery

JOHNNY WINTER's Official Vinyl Albums (by release date)

Thumbnail of JOHNNY WINTER - Progressive Blues - France album front cover
JOHNNY WINTER - The Progressive Blues Experiment

"The Progressive Blues Experiment" by Johnny Winter is a legendary 12" vinyl LP album that showcases the extraordinary talent and unique style of the American blues guitarist and singer. Recorded live at the Vulcan Gas Company, an iconic music venue in Austin, Texas,

The Progressive Blues Experiment 12" Vinyl LP
JOHNNY WINTER - S/T Self-Titled Black Album front cover
JOHNNY WINTER - S/T Self-Titled Black Album

On the self-titled debut album Johnny Winter played the blues pure and simple,. Whether it was the stinging raucous Delta music as played acoustically on "Dallas", or his savage electric attack, on "Mean Mistreater", "Be Careful With a Fool", or on Good Mornin' Little Schoolgirl'

JOHNNY WINTER aka Black Album 12" Vinyl LP
Johnny Winter - Second Winter album front cover
JOHNNY WINTEr - Second Winter

"Johnny Winter's 'Second Winter' is a classic 12" vinyl album released in 1969 on the CBS Record label. The influential blues-rock musician's second studio album showcases his virtuosic guitar skills and soulful vocals. Featuring a mix of original compositions and covers, the record captivates listeners with its raw energy and timeless blues-rock sound, solidifying Johnny Winter's status as a music icon."

Second Winter 12" Vinyl LP
Thumbnail of JOHNNY WINTER AND - S/T Self-Titled album front cover
JOHNNY WINTER AND - S/T Self-Titled

The Johnny Winter AND album is a masterclass in raw energy and virtuosic guitar playing, with Winter's and Derringer's fiery solos and soulful vocals captivating listeners. It's a timeless testament to the power and passion of blues rock music,

JOHNNY WINTER AND 12" Vinyl LP
Thumbnail of JOHNNY WINTER - And Live album front cover
JOHNNY WINTER AND - Live

"And Live" by "Johnny Winter And" is a gatefold 12" LP vinyl album that showcases the legendary blues musician's electrifying live performances. Released during his peak in the 1970s, this album captures Winter's virtuosic guitar skills and soulful vocals, delivering a high-energy experience for blues enthusiasts. With a diverse tracklist and excellent sound quality, this vinyl release remains a must-have for collectors and fans of authentic live blues music.

Live 12" Vinyl LP
JOHNNY Winter - Still Alive and Well album front cover
JOHNNY WINTER - Still Alive and Well

Johnny Winter's 1973 comeback album, "Still Alive and Well," showcases the blues-rock legend's electrifying guitar work and soulful vocals. With defiant tracks like the title song and an impassioned rendition of The Rolling Stones' "Let It Bleed," this LP reached #22 on the US Billboard Charts, leaving an enduring legacy in the world of rock music.

Still Alive and Well 12" Vinyl LP
JOHNNY WINTER - Saints and Sinners album front cover
JOHNNY WINTER - Saints and Sinners

"Saints and Sinners" is a blues-rock masterpiece released in 1974 on a 12" vinyl LP. Led by the incomparable Johnny Winter, the album features scorching guitar riffs, emotive vocals, and a soulful fusion of rock and blues. Produced by Rick Derringer, it boasts a talented lineup, including Edgar Winter, Randy Brecker, and more, creating an enduring classic that captivates listeners with its raw energy and timeless appeal.

Saints and Sinners 12" Vinyl LP
JOHNNY WINTER - John Dawson Winter III album front cover
JOHNNY WINTER - John Dawson Winter III

"John Dawson Winter III" remains a shining gem in the discography of Johnny Winter. This 12" vinyl LP album from 1974 continues to captivate audiences with its timeless blues-rock sound, and it serves as a reminder of the immense talent of Johnny Winter and his band-members, Randy Jo Hobbs and Richard Hughes. Whether you're a dedicated fan or a newcomer to Johnny Winter's music, this album is a must-listen for anyone seeking to experience the magic of true blues and rock artistry.

John Dawson Winter III 12" Vinyl LP
Thumbnail of JOHNNY WINTER - Captured Live album front cover
JOHNNY WINTER - Captured Live

"Johnny Winter's 'Captured Live' 12" LP delivers an authentic blues experience. Recorded during his peak in 1976, the album showcases his raw talent with scintillating guitar work and soulful vocals. The dynamic tracklist features crowd favorites like 'Boney Moronie' and 'Sweet Papa John'.

Captured Live 12" Vinyl LP
Thumbnail of JOHNNY WINTER - Captured Live Promo Copy album front cover
JOHNNY WINTER - Captured Live Promo Copy

The promotional copy of Johnny Winter's "Captured Live" 12" vinyl LP album featuring Floyd Radford on rhythm guitar is a rare and coveted treasure for vinyl collectors and blues enthusiasts. This unique edition offers a glimpse into the blues legend's live performances during his prime in the 1970s.

Captured Live Promo Copy 12" Vinyl LP
JOHNNY WINTER - Together (with Edgar Winter) album front cover
JOHNNY WINTER - Together (with Edgar Winter)

Experience the electrifying energy of legendary musicians Johnny Winter and Edgar Winter with this thrilling 12" vinyl LP album, "Together". Explore this web-page featuring several captivating photos of the Winter brothers in their element, delivering unforgettable performances on stage.

Together (with Edgar Winter) 12" Vinyl LP
JOHNNY WINTER - Nothin' but the Blues album front cover
JOHNNY WINTER - Nothin' but the Blues

“Nothin’ but the Blues” drips with the kind of heat only found in the cigarette-smoke haze of The Schoolhouse studio. Released in 1977, Johnny Winter tears through these tracks with slide-guitar fire, whiskey breath, and juke-joint soul. It’s pure after-hours blues—raw, sweaty, and unfiltered. Winter doesn’t just play the blues here—he exhales it in smoke rings that still hang in the rafters.

JOHNNY WINTER - White Hot and Blue album front cover
JOHNNY WINTER - White Hot and Blue
JOHNNY WINTER - White Hot and Blue

"Johnny Winter's 'White Hot And Blue' 12" vinyl LP is a blues-rock gem featuring his soulful vocals and mesmerizing guitar skills. With a powerhouse lineup, including Edgar Winter's multi-instrumental brilliance, Pat Ramsey's haunting harmonica, and Tom Brock's captivating mandolin

White Hot and Blue 12" Vinyl LP
Thumbnail of JOHNNY WINTER - Raisin Cain album front cover
JOHNNY WINTER - Raisin Cain

"Raisin' Cain" is the title of a 1980 album by American blues musician Johnny Winter. The album features a mix of original songs and covers of classic blues songs, such as "Sweet Little Angel" and "It's My Own Fault". The album received positive reviews from critics and was well received by Winter's fans. It features a mix of rock, blues and country music.

Raisin Cain 12" Vinyl LP
JOHNNY WINTER - Guitar Slinger album front cover
JOHNNY WINTER - Guitar Slinger

Johnny Winter's "Guitar Slinger" on 12" vinyl LP is not just an album; it is a masterpiece that encapsulates the brilliance of one of the greatest guitarists in the history of blues rock. The Japanese release of this iconic album further solidified its status as a musical treasure, appreciated by fans across the world.

Guitar Slinger 12" Vinyl LP
JOHNNY WINTER - Serious Business album front cover
JOHNNY WINTER - Serious Business

Johnny Winter's "Serious Business" remains a timeless blues masterpiece that encapsulates the raw essence of the genre. With searing guitar work, powerful vocals, and an unwavering dedication to the blues, Winter and his talented band created an album that continues to resonate with blues enthusiasts and music lovers alike.

Serious Business 12" Vinyl LP
JOHNNY WINTER - Third Degree album front cover
JOHNNY WINTER - Third Degree CD

"Johnny Winter's 'Third Degree' (1986) captivates with blues-rock brilliance. The iconic guitarist's studio album exudes raw energy and soulful vocals, showcasing his virtuosity. Featuring electrifying tracks like 'Mojo Boogie' and 'Tin Pan Alley,' it remains a timeless testament to Winter's legendary talent and continues to resonate with music enthusiasts worldwide.

Third Degree CD
JOHNNY WINTER - Winter of '88 album front cover
JOHNNY WINTER - Winter of '88 CD

"Winter of '88" is a blues-rock gem by Johnny Winter, released in 1988. With electrifying guitar work and soulful vocals, Winter returns to his musical roots, delivering an authentic and powerful experience. This album showcases Winter's enduring talent and influence

Winter of '88 CD
JOHNNY WINTER - Let Me In album front cover
JOHNNY WINTER - Let Me In CD

"Let Me In," Johnny Winter's 1991 album, marks a dynamic shift from MCA to Pointblank Records. With scorching guitar riffs and soulful vocals, Winter delivers an electrifying blues-rock masterpiece. Supported by skilled musicians like Billy Branch's harmonica and Dr. John's piano, the album blends emotional depth and musical diversity, cementing Winter's status as a blues legend.

Let Me In CD
JOHNNY WINTER - Hey Where's Your Brother? album front cover
JOHNNY WINTER - Hey Where's Your Brother? CD

"Johnny Winter's 1992 album 'Hey Where's Your Brother?' delivers electrifying blues rock, showcasing his signature guitar prowess and soulful vocals. With a mix of original tracks and inspired covers, the album captures Winter's dynamic energy and musical finesse, a testament to his influential legacy in the blues genre.

Hey Where's Your Brother? CD
JOHNNY WINTER - Live in NYC 1997 album front cover
JOHNNY WINTER - Live in NYC 1997

Johnny Winter's 'Live in NYC 1997' album pulses with electrifying blues and rock fusion. With searing guitar solos and soulful vocals, Winter's raw energy ignites the stage, capturing a mesmerizing night at the Bottom Line. From haunting renditions of classics to the immersive chemistry

Live in NYC 1997
JOHNNY WINTER - I'm a Bluesman album front cover
JOHNNY WINTER - I'm a Bluesman CD

"I'm a Bluesman" is not just an album; it's a celebration of the blues, a tribute to tradition, and a testament to the enduring power of music. Johnny Winter and Mike Welch's collaboration on this record showcases their profound understanding of the blues genre and their ability to keep its flame burning brightly. With its rich blend of original compositions and classic covers, the album is a timeless masterpiece that stands as a true reflection of the bluesman spirit.

I'm a Bluesman CD
JOHNNY WINTER - Roots album front cover
JOHNNY WINTER - Roots CD

Johnny Winter's 2011 album 'ROOTS' takes listeners on a captivating musical journey, showcasing his mastery of blues, rock, and roots genres. With soulful vocals and electrifying guitar solos, Winter pays homage to his musical influences while adding his own unique flair. This CD release is a timeless collection of tracks that capture the essence of his legendary career and demonstrate his unwavering passion for authentic, heartfelt music".

Roots CD
Thumbnail of JOHNNY WINTER - Step Back (Red Vinyl) album front cover
JOHNNY WINTER - Step Back

"Step Back" is the final album by blues guitarist and singer Johnny Winter. It features performances by a number of guest musicians, including Eric Clapton, Dr. John, Billy Gibbons from ZZ Top, Joe Perry from Aerosmith, Leslie West from Mountain, and Brian Setzer from the Stray Cats. It was released by Megaforce Records on 2 September 2014.

Step Back (Red Vinyl) 12" Vinyl LP

JOHNNY WINTER Un-Official Vinyl Albums (by album-name)

Thumbnail of JOHNNY WINTER - About Blues album front cover
JOHNNY WINTER - About Blues

"About Blues" is a compilation album of tracks recorded with Johnny Winter on Guitar. These recordings were made before JW became famous and when he worked as a free-lance guitarist and studio guitarist. The music on this album is representative for the popular music during the early 1960s.

About Blues 12" Vinyl LP
Thumbnail of JOHNNY WINTER AND & AND Live album front cover
JOHNNY WINTER AND - "AND & AND Live"

"Johnny Winter And" and "Johnny Winter And Live" is a 2LP vinyl album set that contains the first two albums "The Johnny Winter And" band released. The first album is a studio recording while the second album is a live recording. Both records were originally released as two separate albums.

"AND & AND Live" 12" Vinyl LP
Thumbnail of JOHNNY WINTER - Best of Johnny Winter ( Japan ) album front cover
JOHNNY WINTER - Best of Johnny Winter ( Japan )

The "Best of Johnny Winter (Japan)" is a 12" vinyl LP that compiles the finest works of the renowned blues musician. This release showcases Winter's exceptional guitar skills and powerful vocals, highlighting his contributions to the genre. With carefully selected tracks, this album offers a comprehensive overview of Winter's career,

Best of Johnny Winter ( Japan ) 12" Vinyl LP
Thumbnail of JOHNNY WINTER - The First Album (Blue Sky Records) album front cover
JOHNNY WINTER - The First Album (Blue Sky Records)

Johnny Winter’s The First Album roars with the raw power of late-1960s blues rock. Originally released in 1969 and later reissued on Blue Sky Records, it captures Winter’s blistering guitar work and soulful vocals at full throttle. Tracks like “Be Careful with a Fool” and “Leland Mississippi Blues” showcase a master redefining electric blues for a new generation.

Thumbnail of JOHNNY WINTER - Progressive Blues Experiment Sunset Liberty album front cover
JOHNNY WINTER - Progressive Blues Experiment (Sunset Liberty)

Johnny Winter's "Progressive Blues Experiment" is a 12" LP vinyl album released on Sunset Liberty Records with the catalog numbers Sunset Records SLS 50264, Liberty LBS 83 240 1, and LP 12 431. This album showcases Winter's innovative approach to blues music, blending traditional elements with progressive influences.

Progressive Blues Experiment (Sunset Liberty) 12" Vinyl LP