Johnny Winter's "Hey, Where's Your Brother?" is a blues masterpiece that showcases the depth of his musical prowess and his ability to captivate audiences with his distinctive sound. This web page has photos of album covers, inner sleeves, record labels together with production details, musicians and track-listing.
In the vast landscape of blues music, few names stand as tall as Johnny Winter. A true master of the genre, Winter's remarkable career spanned decades, leaving an indelible mark on the world of music. One of his notable releases, the 1992 album "Hey, Where's Your Brother?" showcases Winter's exceptional talent, dedication to his craft, and his ability to bridge generations through the power of the blues.
A Journey Through "Hey, Where's Your Brother?"
Released in 1992, "Hey, Where's Your Brother?" is a testament to Johnny Winter's enduring passion for the blues. The album features a collection of 12 tracks that traverse various blues styles, revealing Winter's versatility as a musician and a performer. From scorching electric guitar solos to heartfelt acoustic ballads, the album showcases Winter's ability to connect with his audience on multiple levels.
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Legacy and Impact
"Hey, Where's Your Brother?" not only serves as a testament to Johnny Winter's artistic genius but also reflects his ability to seamlessly blend traditional blues with contemporary influences. His dedication to preserving the roots of the blues while pushing its boundaries allowed him to connect with both long-time fans and younger audiences, bridging generational gaps in music appreciation.
Winter's masterful guitar work and distinctive voice continue to influence aspiring musicians, and his commitment to the blues genre has left an enduring mark on the musical landscape. "Hey, Where's Your Brother?" stands as a testament to his unwavering dedication to his craft and his unrelenting passion for sharing the blues with the world.
Blues Rock
POINTBLANK #86512
1992 USA
Johnny Winter - Producer
Dick Shurman - Producer
Dick Shurman was an American music producer who worked with some of the biggest names in the industry, including The Doors, The Grateful Dead, and Jefferson Airplane. He was known for his innovative production techniques and his ability to capture the unique sound of each band.
Shurman was born in New York City in 1943. He began his career as a record store clerk, where he met many of the musicians who would later become his clients. In 1966, he co-founded the record label Elektra/Asylum Records, where he produced some of the label's most successful albums, including The Doors' "Waiting for the Sun" and Jefferson Airplane's "Surrealistic Pillow".
Shurman's production style was characterized by his use of innovative studio techniques, such as multi-tracking and overdubbing. He also had a keen ear for detail, and he was always looking for ways to create a unique sound for each band.
In addition to his work with The Doors and Jefferson Airplane, Shurman also produced albums for a wide range of other artists, including The Grateful Dead, The Band, and Crosby, Stills, Nash & Young. He was also a co-founder of the Woodstock Music and Art Festival in 1969.
Shurman's work had a profound impact on the sound of rock music in the 1960s and 1970s. He was one of the first producers to use studio techniques to create a truly psychedelic sound, and his work with The Doors helped to define the sound of the San Francisco psychedelic scene. Shurman's production techniques were also influential on the development of country rock and folk rock.
Shurman died in 2010 at the age of 66. He was a true pioneer of rock music production, and his work continues to inspire musicians today.
Shurman's work has been praised by many musicians and critics. In a 2010 article for Rolling Stone, David Fricke wrote that Shurman was "one of the most innovative and influential producers in rock history". He also noted that Shurman's "production techniques helped to define the sound of some of the most important albums of the 1960s and 1970s".
Shurman's legacy continues to inspire musicians today. In a 2019 interview, The Black Keys' Dan Auerbach said that Shurman was "one of his biggest influences". He also noted that Shurman's "production techniques helped to shape the sound of modern rock music".
Dick Shurman was a true pioneer of rock music production. His work helped to define the sound of some of the most important albums of the 1960s and 1970s, and his legacy continues to inspire musicians today.
David Axelbaum — sound engineer, mixing
David Brickson — mixing assistant
Greg Calbi — mastering
Mike Siebold — mixing assistant
Recorded in Chicago
William Claxton — photography
I REALLY LIKE THIS RECORD.
It's got a lot of different kinds of blues on it, more variety. First, there's Casey, Johnny, and Ken. To me, these guys are the cream of the crop as far as blues today. They can play everything. They're always challenging too; they're right in the pocket and make me want to play better.
Then, there's Dr. John. Mac is someone I've known since the early '60s, and I've wanted to record with him for quite a while. He's got that New Orleans flavor that nobody else can do. He knows a lot of great old songs that I don't know, which is excellent because he comes up with songs that I have a good time playing! Our musical roots are so similar that we mesh real well. I hope we can work together more in the future.
A lot of my fans and friends have been asking me when I was gonna do some more acoustic stuff. I think we got a couple of really rare ones on this album. Actually, I was never interested in playing acoustic guitar until I discovered those metal Nationals back in '68. I fell in love with that nasty sound... it reminds me of a garbage can with wire on it. It's got all that metal ring to it—a real bluesy sound.
On this album, I used two different Nationals: an old one for all the slide stuff and a newer one for the fretting. I had to practice for about a month before we made the record because they're much harder to play than an electric guitar, and I don't play acoustic on the road. It's a challenge to play, but it's worth it because before there was electricity, guitars like this were all blues musicians had. And if you can't do it—if you have to have an electric guitar to play the blues—it's not a good feeling. I had to be able to master that guitar.
I had dreamed about playing with Tommy and Red again ever since we broke up back in 1970, because I don't think any of us really ever wanted that band to break up. I don't feel like I could have made it without them in the first place. They were the first musicians ever to come to me and say, "We love what you do. We don't care if we make any money. We're willing to do straight blues, whether we make it or not."
It was the first time I ever had a straight blues band—up to that point, I had to play soul music, Top 40, Beatles music, a little bit of everything. I said they were crazy—we'd starve to death for sure playing nothing but blues. In about six months, we did starve. Red's mother had a beauty shop, and we practiced at the beauty shop after hours late at night. Red stayed in the extra room, and Tommy slept on the couch. If those guys hadn't done that, nobody would ever have heard of me or known that I was a blues guitar player.
It was such a good feeling when we finally did make it playing straight blues. There was a feeling we had when we played together, because we cared so much about each other and the music. It felt great to work with those guys, and it still does. To get together in the studio again after 15 or 16 years... and I feel like we played better on this record than we did back in Texas! It was really a dream come true to be able to work together again and show everybody we still got it.
It just makes a lot of difference when you love the guys you're playing with—it's just bound to come out in the music.
Johnny Winter - Guitar, Vocals
Jeff Ganz - bass
Jeff Ganz is an accomplished American bass guitarist known for his exceptional musical talent and contributions to the world of blues and rock music. He gained significant recognition as a key member of Johnny Winter's band, where his skillful bass playing complemented Winter's iconic blues guitar style. Read about this work with Johnny Winter
Tom Compton - drums
Tom Compton is a British drummer best known for his work with Johnny Winter’s band from 1987 to 2001, contributing to Winter’s powerful live performances during this pivotal period in the blues legend’s career. Learn more about him
Edgar Winter - sax
Billy Branch - harmonica
Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
With a groovy rhythm section 48 years old Winter shows who is allowed to call himself the true master of the six (and sometimes twelve) strings amongst the white blues musicians. With his play, aggressive as usual, and his sharp vocals Winter brings pastime and a whole lot of surprise elements.
In answer to the title/question of Winter's album, his brother (singer/organist/saxophonist Edgar) does appear on three of the album cuts, most notably the vocal duet "Please Come Home for Christmas." Guitar aficionados unfamiliar with Winter's work will hear how he influenced fellow Texan Stevie Ray Vaughan, with his raw tone and interplay with his rhythm section. "Johnny Guitar" is the first track, and the rest of the album lives up to that moniker.
On the classic 1972 live album Roadwork, Edgar Winter immortalized the words (at least for my group of friends that wore the grooves off the record) when introducing his brother Johnny:
"Everybody asks me...where's your brother?"
It's a question that fans have besieged both Winters with for over two decades. Now Johnny gets a chance to return the tribute with his latest, "Hey, where's your brother?" Edgar does, in fact, guest on the sessions, blowing sax and tinkling keys on a few tracks, and dueting with big bro on a superb, seasonal rendition of Please Come Home For Christmas.
Like last year's Let Me In, Winter's latest deftly combines the bluesy rock he made famous in the '70s with his '80s forays into more traditional styles. The power trio he forms with bassist Jeff Ganz and drummer Tom Compton is equally at home on scorchers like You Must Have A Twin and lowdown numbers like I Got My Brand On You.
The highlight, however, is White Line Blues, where Winter unleashes one of his best ever "the notes you don't play are as important as those you do play" solos.
Hey Where's your Brother? is the title of the new Johnny Winter album, coming from the Pointblank label. It is the follow-up album to Johnny's Grammy-nominated and critically-acclaimed Pointblank debut, Let Me In.
On this collection of 14 killer tracks, Johnny is supported by regular band members Jeff Ganz (bass) and Tom Compton (drums and percussion), with guest appearances by harmonica player Billy Branch, and younger brother Edgar Winter on vocals, sax and organ on three songs: "You Keep Leavin'," "Sick And Tired," and a special holiday number, "Please Come Home For Christmas." (Indeed, the album title refers to a question frequently yelled at the stage during Johnny's live performances from fans hoping for a surprise visit from Edgar!) As with Let Me In, the album was produced by Dick Shurman and Johnny Winter and recorded in Chicago.
The album's lead-off track, "Johnny Guitar," with its rootsy feel, blistering guitar and emotionally-charged vocals, not only sets the tone for all the music to follow - it will be the first track released to album radio. Other key tracks include "You Must Have A Twin," "Blues This Bad," and "Treat Me Like You Wanna." A major US and Canadian tour is currently in progress.
Born in Beaumont, Texas on February 23, 1944, John Dawson Winter III grew up surrounded by the blues, country and cajun music. His brother Edgar was born three years later and the two showed an inclination toward music at an early age. As Johnny told Down Beat magazine, "We sang regularly, because Daddy loved to sing harmony. He sang in a barbershop quartet and in a church choir, so Edgar and I started singing as soon as we were born, almost." Johnny began playing clarinet at age five and switched to ukulele a few years later. Johnny and Edgar began performing as a duet in an Everly Brothers vein, winning talent contests and appearing on local television shows. When Johnny was 11, the Winter Brothers traveled to New York to audition for Ted Mack's Original Amateur Hour." Soon after their first exposure to rock 'n roll came through the music of Little Richard, Fats Domino, Carl Perkins and early Elvis Presley. They also began soaking up the sound of rhythm and blues from DJ Clarence Garlow's "Bon Ton Show" on KJET radio in Beaumont. At age 14, Johnny organized his first band, Johnny & The Jammers, with brother Edgar on piano. A year later, they cut two songs at Bill Hall's Gulf Coast Recording Studios in Beaumont. The single "School Day Blues" b/w "You Know I Love You" came out a month later on Houston-based Dart Records , gaining The Winter Brothers some local notoriety.
Around this time, Johnny began sitting in with DJ Clarence Garlow, who also performed around town and had a regional hit with "Bon Ton Roule." Johnny also frequented the Beaumont's all-black Raven Club, where the aspiring blues guitarist got to see such heroes as Muddy Waters , B.B. King and Bobby Bland for the first time.
Imperial LP-12431, 1969, Made in US
"The Progressive Blues Experiment" by Johnny Winter is a legendary 12" vinyl LP album that showcases the extraordinary talent and unique style of the American blues guitarist and singer. Recorded live at the Vulcan Gas Company, an iconic music venue in Austin, Texas,
The Progressive Blues Experiment 12" Vinyl LP
CBS Stereo 63619 (1969) , 1969 , Made in USA
On the self-titled debut album Johnny Winter played the blues pure and simple,. Whether it was the stinging raucous Delta music as played acoustically on "Dallas", or his savage electric attack, on "Mean Mistreater", "Be Careful With a Fool", or on Good Mornin' Little Schoolgirl'
JOHNNY WINTER aka Black Album 12" Vinyl LP
CBS , 1969 , Brazil
"Johnny Winter's 'Second Winter' is a classic 12" vinyl album released in 1969 on the CBS Record label. The influential blues-rock musician's second studio album showcases his virtuosic guitar skills and soulful vocals. Featuring a mix of original compositions and covers, the record captivates listeners with its raw energy and timeless blues-rock sound, solidifying Johnny Winter's status as a music icon."
Second Winter 12" Vinyl LP
CBS – 64117, CBS – S 64117 , 1970 , USA
The Johnny Winter AND album is a masterclass in raw energy and virtuosic guitar playing, with Winter's and Derringer's fiery solos and soulful vocals captivating listeners. It's a timeless testament to the power and passion of blues rock music,
JOHNNY WINTER AND 12" Vinyl LPe
CBS S 64289 , 1971 , Made in Holland
"And Live" by "Johnny Winter And" is a gatefold 12" LP vinyl album that showcases the legendary blues musician's electrifying live performances. Released during his peak in the 1970s, this album captures Winter's virtuosic guitar skills and soulful vocals, delivering a high-energy experience for blues enthusiasts. With a diverse tracklist and excellent sound quality, this vinyl release remains a must-have for collectors and fans of authentic live blues music.
Live 12" Vinyl LP
CBS 65484 , 1973 , Made in USA
Johnny Winter's 1973 comeback album, "Still Alive and Well," showcases the blues-rock legend's electrifying guitar work and soulful vocals. With defiant tracks like the title song and an impassioned rendition of The Rolling Stones' "Let It Bleed," this LP reached #22 on the US Billboard Charts, leaving an enduring legacy in the world of rock music.
Still Alive and Well 12" Vinyl LP
CBS S 65842 , 1974 , Made in USA
"Saints and Sinners" is a blues-rock masterpiece released in 1974 on a 12" vinyl LP. Led by the incomparable Johnny Winter, the album features scorching guitar riffs, emotive vocals, and a soulful fusion of rock and blues. Produced by Rick Derringer, it boasts a talented lineup, including Edgar Winter, Randy Brecker, and more, creating an enduring classic that captivates listeners with its raw energy and timeless appeal.
Saints and Sinners 12" Vinyl LP
PZ33292 , 1974 , Made in USA
"John Dawson Winter III" remains a shining gem in the discography of Johnny Winter. This 12" vinyl LP album from 1974 continues to captivate audiences with its timeless blues-rock sound, and it serves as a reminder of the immense talent of Johnny Winter and his band-members, Randy Jo Hobbs and Richard Hughes. Whether you're a dedicated fan or a newcomer to Johnny Winter's music, this album is a must-listen for anyone seeking to experience the magic of true blues and rock artistry.
John Dawson Winter III 12" Vinyl LP
Blue Sky – SKY 69230 , 1976 , Europe
"Johnny Winter's 'Captured Live' 12" LP delivers an authentic blues experience. Recorded during his peak in 1976, the album showcases his raw talent with scintillating guitar work and soulful vocals. The dynamic tracklist features crowd favorites like 'Boney Moronie' and 'Sweet Papa John'.
Captured Live 12" Vinyl LP
Blue Sky PZ 33944 / AL 33944 , 1976 , Made in USA
The promotional copy of Johnny Winter's "Captured Live" 12" vinyl LP album featuring Floyd Radford on rhythm guitar is a rare and coveted treasure for vinyl collectors and blues enthusiasts. This unique edition offers a glimpse into the blues legend's live performances during his prime in the 1970s.
Captured Live Promo Copy 12" Vinyl LP
Blue Sky LP 81338 , 1976 , Made in USA
Experience the electrifying energy of legendary musicians Johnny Winter and Edgar Winter with this thrilling 12" vinyl LP album, "Together". Explore this web-page featuring several captivating photos of the Winter brothers in their element, delivering unforgettable performances on stage.
Together (with Edgar Winter) 12" Vinyl LP
Blue Sky - Sky 82141 , 1977 , Made in USA
Johnny Winter's "Nothin' but the Blues" is an album that encapsulates the very essence of the blues. With his unparalleled guitar skills and soulful vocals, Winter breathes new life into classic blues compositions while paying homage to the genre's legends.
Nothin' but the Blues 12" Vinyl LP
CBS SKY 82963 , 1978 , Made in USA
"Johnny Winter's 'White Hot And Blue' 12" vinyl LP is a blues-rock gem featuring his soulful vocals and mesmerizing guitar skills. With a powerhouse lineup, including Edgar Winter's multi-instrumental brilliance, Pat Ramsey's haunting harmonica, and Tom Brock's captivating mandolin
White Hot and Blue 12" Vinyl LP
Blue Sky AL 36343 / JZ 36343 , 1980 , Made in USA
"Raisin' Cain" is the title of a 1980 album by American blues musician Johnny Winter. The album features a mix of original songs and covers of classic blues songs, such as "Sweet Little Angel" and "It's My Own Fault". The album received positive reviews from critics and was well received by Winter's fans. It features a mix of rock, blues and country music.
Raisin Cain 12" Vinyl LP
ATLAS Records LA25-5012 , 1984 , Japan
Johnny Winter's "Guitar Slinger" on 12" vinyl LP is not just an album; it is a masterpiece that encapsulates the brilliance of one of the greatest guitarists in the history of blues rock. The Japanese release of this iconic album further solidified its status as a musical treasure, appreciated by fans across the world.
Guitar Slinger 12" Vinyl LP
Alligator Records SNTF 948/Sonet , 1985 , Made in USA
Johnny Winter's "Serious Business" remains a timeless blues masterpiece that encapsulates the raw essence of the genre. With searing guitar work, powerful vocals, and an unwavering dedication to the blues, Winter and his talented band created an album that continues to resonate with blues enthusiasts and music lovers alike.
Serious Business 12" Vinyl LP
Sonet Records SNTF 965 , 1986 , Made in USA
"Johnny Winter's 'Third Degree' (1986) captivates with blues-rock brilliance. The iconic guitarist's studio album exudes raw energy and soulful vocals, showcasing his virtuosity. Featuring electrifying tracks like 'Mojo Boogie' and 'Tin Pan Alley,' it remains a timeless testament to Winter's legendary talent and continues to resonate with music enthusiasts worldwide.
Third Degree CD
- , 1988 , USA
"Winter of '88" is a blues-rock gem by Johnny Winter, released in 1988. With electrifying guitar work and soulful vocals, Winter returns to his musical roots, delivering an authentic and powerful experience. This album showcases Winter's enduring talent and influence
Winter of '88 CD
- , 1991 , USA
"Let Me In," Johnny Winter's 1991 album, marks a dynamic shift from MCA to Pointblank Records. With scorching guitar riffs and soulful vocals, Winter delivers an electrifying blues-rock masterpiece. Supported by skilled musicians like Billy Branch's harmonica and Dr. John's piano, the album blends emotional depth and musical diversity, cementing Winter's status as a blues legend.
Let Me In CD
POINTBLANK #86512 , 1992 , USA
"Johnny Winter's 1992 album 'Hey Where's Your Brother?' delivers electrifying blues rock, showcasing his signature guitar prowess and soulful vocals. With a mix of original tracks and inspired covers, the album captures Winter's dynamic energy and musical finesse, a testament to his influential legacy in the blues genre.
Hey Where's Your Brother? CD
Cema Virgin 45527 , 1997 , USA
Johnny Winter's 'Live in NYC 1997' album pulses with electrifying blues and rock fusion. With searing guitar solos and soulful vocals, Winter's raw energy ignites the stage, capturing a mesmerizing night at the Bottom Line. From haunting renditions of classics to the immersive chemistry
Live in NYC 1997
Virgin Records , 2004 , Made in USA
"I'm a Bluesman" is not just an album; it's a celebration of the blues, a tribute to tradition, and a testament to the enduring power of music. Johnny Winter and Mike Welch's collaboration on this record showcases their profound understanding of the blues genre and their ability to keep its flame burning brightly. With its rich blend of original compositions and classic covers, the album is a timeless masterpiece that stands as a true reflection of the bluesman spirit.
I'm a Bluesman CD
Megaforce Records , 2011 , Made in USA
Johnny Winter's 2011 album 'ROOTS' takes listeners on a captivating musical journey, showcasing his mastery of blues, rock, and roots genres. With soulful vocals and electrifying guitar solos, Winter pays homage to his musical influences while adding his own unique flair. This CD release is a timeless collection of tracks that capture the essence of his legendary career and demonstrate his unwavering passion for authentic, heartfelt music".
Roots CD
Megaforce Records – 0 20286 21697 1 , 2014 , USA
"Step Back" is the final album by blues guitarist and singer Johnny Winter. It features performances by a number of guest musicians, including Eric Clapton, Dr. John, Billy Gibbons from ZZ Top, Joe Perry from Aerosmith, Leslie West from Mountain, and Brian Setzer from the Stray Cats. It was released by Megaforce Records on 2 September 2014.
Step Back (Red Vinyl) 12" Vinyl LP
Janus Records – JLS 3008 , 1976 , Made in USA
"About Blues" is a compilation album of tracks recorded with Johnny Winter on Guitar. These recordings were made before JW became famous and when he worked as a free-lance guitarist and studio guitarist. The music on this album is representative for the popular music during the early 1960s.
About Blues 12" Vinyl LP
CBS 22020 , 1976 , Made in Holland
"Johnny Winter And" and "Johnny Winter And Live" is a 2LP vinyl album set that contains the first two albums "The Johnny Winter And" band released. The first album is a studio recording while the second album is a live recording. Both records were originally released as two separate albums.
"AND & AND Live" 12" Vinyl LP
CBS/Sony SOPM 91 , 1974 , Made in Japan
The "Best of Johnny Winter (Japan)" is a 12" vinyl LP that compiles the finest works of the renowned blues musician. This release showcases Winter's exceptional guitar skills and powerful vocals, highlighting his contributions to the genre. With carefully selected tracks, this album offers a comprehensive overview of Winter's career,
Best of Johnny Winter ( Japan ) 12" Vinyl LP
Blue Sky SKY 32206 / CBS 63619 / CS 9826 / LC 3231 , unknown , Holland
The First Album (Blue Sky Records) is a re-issue of the first album Johnny Winter released on the CBS Record label and was also known as the Black Album. The year of release of this re-issue on Blue Sky is unknown and must after 1973 (The year Blue Sky records was formed).
The First Album (Blue Sky Records) 12" Vinyl LP
Sunset Records SLS 50264 / Liberty LBS 83 240 1 / LP 12 431 , 1969??? , Made in Germany
Johnny Winter's "Progressive Blues Experiment" is a 12" LP vinyl album released on Sunset Liberty Records with the catalog numbers Sunset Records SLS 50264, Liberty LBS 83 240 1, and LP 12 431. This album showcases Winter's innovative approach to blues music, blending traditional elements with progressive influences.
Progressive Blues Experiment (Sunset Liberty) 12" Vinyl LP