Johnny Winter's"Guitar Slinger" on 12" vinyl LP is not just an album; it is a masterpiece that encapsulates the brilliance of one of the greatest guitarists in the history of blues rock. This web page has photos of album covers, inner sleeves, record labels together with production details, musicians and track-listing.
Johnny Winter, the renowned American blues rock guitarist and singer, has left an indelible mark on the world of music with his exceptional talent and electrifying performances. One of his seminal albums, "Guitar Slinger," originally released on vinyl LP, has been a fan favorite since its debut.
The Album: Guitar Slinger
"Guitar Slinger" is a studio album by Johnny Winter, showcasing his virtuoso guitar skills and soulful vocals. Released on vinyl LP, the album features a captivating blend of blues, rock, and even touches of country music, making it a versatile and engaging listen from start to finish.
Produced by Johnny Winter himself, along with Bruce Iglauer and Dick Shurman, "Guitar Slinger" has become a treasured piece of musical history. The production team's expertise, coupled with Johnny Winter's raw talent, resulted in an album that resonated deeply with fans and critics alike.
The Production Team
The creative forces behind "Guitar Slinger" were instrumental in shaping the album's sound and ensuring its success. Johnny Winter, a highly accomplished musician, brought his years of experience and passion for blues and rock to the forefront of the production process.
Assisting him were Bruce Iglauer and Dick Shurman, both well-known figures in the music industry, with an ear for talent and a keen sense of production. Their collaboration with Winter resulted in a well-rounded and polished record that showcases the best of his abilities.
Behind the soundboard, the recording engineers played a crucial role in capturing the magic of Johnny Winter's performances. Fred Breitberg, the main recording engineer, skillfully managed the technical aspects of the recording process at Red Label Recording Studio, Winnetka, Illinois.
Working alongside Breitberg was Glenn Odagawa, the assistant recording engineer, who played an essential role in ensuring the album's quality and smooth recording sessions at Streeterville Recording Studios, Chicago, Illinois.
The Japanese Release
As Johnny Winter's popularity extended far beyond American shores, the album "Guitar Slinger" found its way to enthusiastic audiences in Japan. The Japanese release of the album on the coveted 12" vinyl LP format, with the label ATLAS Records and catalog number LA25-5012, brought the music of this legendary artist to the homes of avid collectors and music aficionados in Japan.
Japanese music enthusiasts have always appreciated the rich textures and warm sound of vinyl records. The LP format allowed them to experience Johnny Winter's music in all its analog glory, relishing each note and chord in a way that digital formats often struggle to replicate.
The album's availability in Japan not only celebrated Johnny Winter's music but also acted as a bridge between cultures, fostering a deeper appreciation for blues and rock music among Japanese audiences.
Legacy and Impact
Over the years, "Guitar Slinger" has continued to influence countless musicians and guitarists worldwide. Its timeless appeal and Johnny Winter's extraordinary talent have secured its place as a classic blues rock album cherished by generations of music lovers.
While the music industry has undergone significant transformations with the advent of digital technology, the vinyl revival has witnessed a resurgence in recent years. Audiophiles and collectors alike have sought out vintage vinyl records like "Guitar Slinger," contributing to the enduring legacy of this iconic album.
The Japanese release of "Guitar Slinger" remains a testament to the global appeal and universality of music. It exemplifies how a talented artist's work can transcend geographical boundaries and connect with people from diverse backgrounds and cultures.
Blues
ATLAS Records LA25-5012
Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram
1984 Made in Japan
This album comes with a custom insert with tracklisting and liner notes in Japanese , as well as the complete lyrics (in English) of all the songs on "Guitar Slinger"
Johnny Winter - Producer
Bruce Iglauer - Producer
Dick Shurman – Producer
Dick Shurman was an American music producer who worked with some of the biggest names in the industry, including The Doors, The Grateful Dead, and Jefferson Airplane. He was known for his innovative production techniques and his ability to capture the unique sound of each band.
Shurman was born in New York City in 1943. He began his career as a record store clerk, where he met many of the musicians who would later become his clients. In 1966, he co-founded the record label Elektra/Asylum Records, where he produced some of the label's most successful albums, including The Doors' "Waiting for the Sun" and Jefferson Airplane's "Surrealistic Pillow".
Shurman's production style was characterized by his use of innovative studio techniques, such as multi-tracking and overdubbing. He also had a keen ear for detail, and he was always looking for ways to create a unique sound for each band.
In addition to his work with The Doors and Jefferson Airplane, Shurman also produced albums for a wide range of other artists, including The Grateful Dead, The Band, and Crosby, Stills, Nash & Young. He was also a co-founder of the Woodstock Music and Art Festival in 1969.
Shurman's work had a profound impact on the sound of rock music in the 1960s and 1970s. He was one of the first producers to use studio techniques to create a truly psychedelic sound, and his work with The Doors helped to define the sound of the San Francisco psychedelic scene. Shurman's production techniques were also influential on the development of country rock and folk rock.
Shurman died in 2010 at the age of 66. He was a true pioneer of rock music production, and his work continues to inspire musicians today.
Shurman's work has been praised by many musicians and critics. In a 2010 article for Rolling Stone, David Fricke wrote that Shurman was "one of the most innovative and influential producers in rock history". He also noted that Shurman's "production techniques helped to define the sound of some of the most important albums of the 1960s and 1970s".
Shurman's legacy continues to inspire musicians today. In a 2019 interview, The Black Keys' Dan Auerbach said that Shurman was "one of his biggest influences". He also noted that Shurman's "production techniques helped to shape the sound of modern rock music".
Dick Shurman was a true pioneer of rock music production. His work helped to define the sound of some of the most important albums of the 1960s and 1970s, and his legacy continues to inspire musicians today.
Fred Breitberg – recording engineer
Glenn Odagawa – assistant recording engineer
Guitar Slinger was recorded at:
Red Label Recording Studio, Winnetka, Illinois;
Streeterville Recording Studios, Chicago, Illinois
The weather was even worse than usual, but the Chicago Winter of 1984 was hot enough to heat up the ears of any lover of powerhouse blues. Johnny Winter came to town to realize at last his dream of making a straight-ahead no holds barred blues album, with help from some of the great musicians who continue to carve out Chicago's legacy as the world's blues capitol.
Johnny Winter carved out his own exciting blues legacy as a musician and producer long before these Chicago recording sessions took place. In the last fifteen years, he's established himself as a legend in blues and rock circles. His production of Muddy Waters ' last four albums, starting with the landmark "Hard Again" earned even greater stature in blues history for both Muddy and Johnny Johnny's own twelve albums for Columbia and Blue Sky contain many striking blues performances everything from lowdown solo acoustic guitar to stunning Bob Dylan interpretations. He's recorded in the company of blues masters like Big Walter Horton, James Cotton and Willie Dixon. His well-known personal changes have included more than his share of blues dues. Those changes have deepened his commitment to the music, making him an even stronger and more powerful artist with genuine love and intense feeling for the blues.
Back in the '50s, over a decade before his big breakthrough to super stardom as a rock festival headliner with a fat recording contract, Johnny was learning his blues in Beaumont, Texas from recording artist and dj Clarence Garlow. That taste of the honesty and excitement of the blues spurred Johnny to adventure into the local club scene. Moving to Chicago as a teenager, he pined for the grittier, more enduring part of the city's music, while playing "twist music" on trendy Rush Street. Through the rest of the '60s, he scuffled in back alley Houston studios (with overdubbed results that occasionally returned to haunt him in budget record racks), and in Deep South clubs, making a name as Texas Guitar Slim.
This album is a gathering of blue bloods all the way. For the last five years, bassist Johnny B. Gayden and drummer Casey Jones have been the jumpin' and thumpin' backbone of the Icebreakers, playing with Johnny's fellow Texas tornado guitarist, Albert Collins. Keyboard man Ken Saydak spent most of the last ten years with blue chip guitarists Mighty Joe Young and Lonnie Brooks before forming his current band, The Blueprints. Billy Branch has been one of Chicago's leading harp players since the mid-1970s, and has made excellent recordings as the leader of the Sons of Blues. Tenor sax player and horn arranger Gene "Daddy G" Barge has added spice to everything on wax from vintage Chuck Willis through countless Chess Records sessions to the current Alligator album by Big Twist and the Mellow Fellows, "Playing For Keeps." As Johnny says, "this is the first time I got to record with a band that both plays the slow blues and rocks out so hard." Of course with his own supercharged guitar, his soulful and seasoned vocals, his skills as a producer, Johnny gave the rest of the band as much inspiration as he obviously got.
It only took a few minutes of rehearsal to hear that-we had a combination that shot sparks and took the drive and honesty of the blues to a rare pinnacle. Comments from Johnny like, "I should pay to do this!" and "I want to keep doing this forever!" became a regular pant of the sessions. The band's reaction was more like just "Johnny...," trailing off into an awed shake of the head.
Johnny holds nothing back. Together he and the band jam the blues Johnny's had ever since he got his first taste of the music and life, from the good timing wildness of "Mad Dog" to the serious blues business of "I Smell Trouble," Johnny shows off some of the many dimensions of his much-imitated slide guitar style on "It's My Life, Baby," "My Soul" and "Iodine In My Coffee." The storming "Boot Hill" pulls out all the stops as only a blue-hot, screaming Texas guitar shuffle can. "Lights Out" and "Don't Take Advantage Of Me" rock and roll to a frenzy. The stone funky beleaguered tale of domestic discord, "Trick Bag" and the beautiful, sensitive treatment of the tearjerker "Kiss Tomorrow Goodbye" add a taste of Southern soul. If there's an album with a higher level and wider variety of blues flash and feeling, it's probably too dangerous to touch!
It's impossible not to have a ball digging how many shades of blue Johnny has absorbed, and how much fire he breathes into them all. It's as clear as the monster tattooed on his chest why a legion of blues rockers idolizes him. When Johnny calls this album "the best of Johnny Winter" it's easy to hear why Johnny and the blues sound better than ever together. Here's a Winter to blow everyone's blues away!
Dick Shurman
Johnny Winter – guitar, vocals
Ken Saydak – keyboards
Johnny B. Gayden – bass
Casey Jones – drums
Terry Ogolini - tenor saxophone
Steve Eisen - baritone saxophone
Don Tenuto - trumpet
Jim Exum - trombone
Gene Barge – tenor saxophone on "Lights Out"
Billy Branch – harmonica on "Iodine in My Coffee"
Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
Notes: Guitar Slinger was released in 1984, at the time music CD's became popular, therefor some of the reviews relate to the CD release. Johnny had many German fans, they donated these reviews and clips shorty after this album was originally released in 1984.
I've had this disc for a couple of years now and can't stop playing it. It's some of the most energized, wildest, hell-raising blues I've ever heard! Forget about those ramshackle mid-70s efforts: Johnny's in the very best company here.
Largely self-produced, Johnny's cranked-up, turbo-charged playing is given free rein, with generous doses of his trademark slide, and those machine-gun speed solos that only he can deliver (who else can keep up?). The rhythm section is watertight, and while the rollicking keyboards take a back seat, they don't leave us asking that perennial question: "Where's your brother???"
Tasteful horn arrangements are featured on a few tracks, but for me, the real surprise of this recording is Johnny's improved vocals (compared to earlier efforts). They're more assured and even soulful at times (even when he's barking!), but typically gravel-toned and raucous.
If there's anything missing here, well, it's an acoustic number, but hey, when was the last time a restaurant gave you a sample of everything on the menu?
I've long been mystified why blues "desert island" lists never seem to include a Johnny Winter album. Surely there must be at least a few strong candidates! Well, this is my one. This is strong medicine—not the herbal variety—which I recommend unreservedly.
I bought this album on cassette when it first came out after seeing Winter play the Austin Opry House back in the mid-80s. Now I've acquired it on CD and like it as much as ever!
Winter's guitar and voice come out screaming at their macho best. I like the whole album, but particularly the defiant "It's My Life, Baby," the wailing blues of "Iodine in My Coffee," the howling "Mad Dog," and the anthem "My Soul." Johnny shows a sly sense of humor on "Trick Bag" and on "Kiss Tomorrow Goodbye."
I can't imagine any lover of electric blues not liking this album, which I consider to be among his all-round best. Throw it in the CD player when you are in the mood to roar, and you won't be disappointed.
For three years, he hadn’t recorded a new album. Instead, Johnny Winter showed in around 150 concerts a year that he still ranks among the best guitarists in the American blues-rock scene. Now, the legend is back on both fronts: his 14th LP has just been released.
And in June, Winter himself will embark on a tour through Germany. Johnny Winter is one of the most striking figures in the American blues-rock scene: “… a 130-pound, cross-eyed albino with long, flowing hair, who plays one of the most fluid guitars you’ve ever heard,” as the American music bible Rolling Stone described him in 1968.
In the sixteen years since he rose from the Texan bar musician scene to the cover of Rolling Stone, he has defined a truly unique sound concept. Through his irresistible blend of earthy blues-rock feeling and electrified, high-voltage craftsmanship à la Hendrix, Winter has significantly influenced rock musicians of all generations.
So far, 13 LPs have demonstrated Winter's ability to “empathize with black blues as a white man with sensitive feeling and great empathy.” Now, after a solid three-year break from recording, the blues hero is back with his 14th production, Guitar Slinger. It's also his first LP for Chicago’s renowned blues label Alligator Records, home to illustrious colleagues like Albert Collins, Lonnie Brooks, and Clifton Chenier.
For the album’s recording, Winter brought some of the label’s best musicians into the studio. For instance, drummer Casey Jones and bassist Johnny B. Gayden, who are the rhythm section for Albert Collins, are part of the team. Blues producer and journalist Dick Shurman was the first to review the album: “It’s a typical Johnny Winter album from the first to the last note, recorded in a raw, unpolished jam-session style. Nevertheless, that immense sensitivity for the blues shines through, something I couldn’t detect in 99 out of 100 modern productions.”
From June 15 to June 21, his German fans can see for themselves—on a major Germany tour.
Alligator LP 4735 (USA)
Finally! Johnny Winter is active again. As a producer and studio musician for Sonny Terry, with concerts and festival appearances, and this incredible recording for the Black Alligator label. It's a great feeling to know that we can count on him once more. After the controversial Rockpalast appearance and some open-air concerts where he didn't seem to be in the best of health, and after his 1980 LP Raisin' Cain—a wild mix of rock 'n' roll and rhythm & blues—things had gone quiet around him. It wasn't until he parted ways with his old label, CBS, which he had been with since 1969, and the rumors that Bruce Iglauer wanted to sign him to Alligator, that people started to take notice again.
As expected, he parted ways with his rock-oriented bandmates Jon Paris and Bobby Torollo and assembled a new group of renowned musicians: Johnny B. Gayden on bass and Casey Jones on drums, both from the Icebreakers, well-schooled in Texas blues through their work with Albert Collins; and Ken Saydak on keyboards, whose four-year collaboration with Lonnie Brooks is equally impressive. However, their role in the group is purely to provide precise and soulful backing. Johnny's guitar, on the other hand, plays and plays as if making up for lost time.
The slide passages in It's My Life are among the best that have been recorded recently. Lonnie Brooks' Don't Take Advantage, which he wrote for his strong Hot Shot LP, holds its own against the original. It's worth a comparison. Iodine in My Coffee, composed by Muddy Waters, draws its tension from the sharp, interwoven solos of Winter and one of the most promising harmonica talents besides Sugar Blue, Billy Branch. Trick Bag, bolstered by horns, is beautifully funky in its bluesy, raw sense and is sung by Johnny Winter in a way I could fall in love with. Almost rock 'n' roll: Mad Dog. Apparently, blues musicians are revisiting dogs. Following Magic Slim's lead, Winter also enjoys barking and howling now. When was the last time blues rocked so skillfully on Alligator as it does in this track? The fast guitar runs in Boot Hill would make even Alvin Lee proud, and Winter's vocal chords vibrate with such intensity that it's a pleasure to hear.
The only slow blues track, I Smell Trouble, like It's My Life, is attributed to Texas record producer and manager Don Robey and is interpreted in a style that is both authentic and captivating. Lights Out comes across as a swinging boogie and is further enriched by a tenor sax solo from veteran musician Gene Barge. A ballad in the style of Honest I Do is a must for Johnny Winter, and here it's represented by the bittersweet Kiss Tomorrow Goodbye. The album closes with My Soul, which exudes plenty of soul itself.
For completeness, it's also worth mentioning the three producers—Bruce Iglauer, Dick Shurman, and Johnny Winter—who did an excellent job, and the fact that Winter hasn't delivered a single original composition in the past six years (which almost cost him half a star). Alligator now has to decide whether, in addition to their big names like Lonnie Brooks, Albert Collins, Koko Taylor, and Son Seals, they want to bet on Johnny Winter. He certainly deserves it. Guitar Slinger is one of this year's standout album releases and is a strong contender for the title of "Best Album of 1984."
Timo Hoyer
Source: Blues Forum 84 Germany:
Imperial LP-12431, 1969, Made in US
"The Progressive Blues Experiment" by Johnny Winter is a legendary 12" vinyl LP album that showcases the extraordinary talent and unique style of the American blues guitarist and singer. Recorded live at the Vulcan Gas Company, an iconic music venue in Austin, Texas,
The Progressive Blues Experiment 12" Vinyl LP
CBS Stereo 63619 (1969) , 1969 , Made in USA
On the self-titled debut album Johnny Winter played the blues pure and simple,. Whether it was the stinging raucous Delta music as played acoustically on "Dallas", or his savage electric attack, on "Mean Mistreater", "Be Careful With a Fool", or on Good Mornin' Little Schoolgirl'
JOHNNY WINTER aka Black Album 12" Vinyl LP
CBS , 1969 , Brazil
"Johnny Winter's 'Second Winter' is a classic 12" vinyl album released in 1969 on the CBS Record label. The influential blues-rock musician's second studio album showcases his virtuosic guitar skills and soulful vocals. Featuring a mix of original compositions and covers, the record captivates listeners with its raw energy and timeless blues-rock sound, solidifying Johnny Winter's status as a music icon."
Second Winter 12" Vinyl LP
CBS – 64117, CBS – S 64117 , 1970 , USA
The Johnny Winter AND album is a masterclass in raw energy and virtuosic guitar playing, with Winter's and Derringer's fiery solos and soulful vocals captivating listeners. It's a timeless testament to the power and passion of blues rock music,
JOHNNY WINTER AND 12" Vinyl LPe
CBS S 64289 , 1971 , Made in Holland
"And Live" by "Johnny Winter And" is a gatefold 12" LP vinyl album that showcases the legendary blues musician's electrifying live performances. Released during his peak in the 1970s, this album captures Winter's virtuosic guitar skills and soulful vocals, delivering a high-energy experience for blues enthusiasts. With a diverse tracklist and excellent sound quality, this vinyl release remains a must-have for collectors and fans of authentic live blues music.
Live 12" Vinyl LP
CBS 65484 , 1973 , Made in USA
Johnny Winter's 1973 comeback album, "Still Alive and Well," showcases the blues-rock legend's electrifying guitar work and soulful vocals. With defiant tracks like the title song and an impassioned rendition of The Rolling Stones' "Let It Bleed," this LP reached #22 on the US Billboard Charts, leaving an enduring legacy in the world of rock music.
Still Alive and Well 12" Vinyl LP
CBS S 65842 , 1974 , Made in USA
"Saints and Sinners" is a blues-rock masterpiece released in 1974 on a 12" vinyl LP. Led by the incomparable Johnny Winter, the album features scorching guitar riffs, emotive vocals, and a soulful fusion of rock and blues. Produced by Rick Derringer, it boasts a talented lineup, including Edgar Winter, Randy Brecker, and more, creating an enduring classic that captivates listeners with its raw energy and timeless appeal.
Saints and Sinners 12" Vinyl LP
PZ33292 , 1974 , Made in USA
"John Dawson Winter III" remains a shining gem in the discography of Johnny Winter. This 12" vinyl LP album from 1974 continues to captivate audiences with its timeless blues-rock sound, and it serves as a reminder of the immense talent of Johnny Winter and his band-members, Randy Jo Hobbs and Richard Hughes. Whether you're a dedicated fan or a newcomer to Johnny Winter's music, this album is a must-listen for anyone seeking to experience the magic of true blues and rock artistry.
John Dawson Winter III 12" Vinyl LP
Blue Sky – SKY 69230 , 1976 , Europe
"Johnny Winter's 'Captured Live' 12" LP delivers an authentic blues experience. Recorded during his peak in 1976, the album showcases his raw talent with scintillating guitar work and soulful vocals. The dynamic tracklist features crowd favorites like 'Boney Moronie' and 'Sweet Papa John'.
Captured Live 12" Vinyl LP
Blue Sky PZ 33944 / AL 33944 , 1976 , Made in USA
The promotional copy of Johnny Winter's "Captured Live" 12" vinyl LP album featuring Floyd Radford on rhythm guitar is a rare and coveted treasure for vinyl collectors and blues enthusiasts. This unique edition offers a glimpse into the blues legend's live performances during his prime in the 1970s.
Captured Live Promo Copy 12" Vinyl LP
Blue Sky LP 81338 , 1976 , Made in USA
Experience the electrifying energy of legendary musicians Johnny Winter and Edgar Winter with this thrilling 12" vinyl LP album, "Together". Explore this web-page featuring several captivating photos of the Winter brothers in their element, delivering unforgettable performances on stage.
Together (with Edgar Winter) 12" Vinyl LP
Blue Sky - Sky 82141 , 1977 , Made in USA
Johnny Winter's "Nothin' but the Blues" is an album that encapsulates the very essence of the blues. With his unparalleled guitar skills and soulful vocals, Winter breathes new life into classic blues compositions while paying homage to the genre's legends.
Nothin' but the Blues 12" Vinyl LP
CBS SKY 82963 , 1978 , Made in USA
"Johnny Winter's 'White Hot And Blue' 12" vinyl LP is a blues-rock gem featuring his soulful vocals and mesmerizing guitar skills. With a powerhouse lineup, including Edgar Winter's multi-instrumental brilliance, Pat Ramsey's haunting harmonica, and Tom Brock's captivating mandolin
White Hot and Blue 12" Vinyl LP
Blue Sky AL 36343 / JZ 36343 , 1980 , Made in USA
"Raisin' Cain" is the title of a 1980 album by American blues musician Johnny Winter. The album features a mix of original songs and covers of classic blues songs, such as "Sweet Little Angel" and "It's My Own Fault". The album received positive reviews from critics and was well received by Winter's fans. It features a mix of rock, blues and country music.
Raisin Cain 12" Vinyl LP
ATLAS Records LA25-5012 , 1984 , Japan
Johnny Winter's "Guitar Slinger" on 12" vinyl LP is not just an album; it is a masterpiece that encapsulates the brilliance of one of the greatest guitarists in the history of blues rock. The Japanese release of this iconic album further solidified its status as a musical treasure, appreciated by fans across the world.
Guitar Slinger 12" Vinyl LP
Alligator Records SNTF 948/Sonet , 1985 , Made in USA
Johnny Winter's "Serious Business" remains a timeless blues masterpiece that encapsulates the raw essence of the genre. With searing guitar work, powerful vocals, and an unwavering dedication to the blues, Winter and his talented band created an album that continues to resonate with blues enthusiasts and music lovers alike.
Serious Business 12" Vinyl LP
Sonet Records SNTF 965 , 1986 , Made in USA
"Johnny Winter's 'Third Degree' (1986) captivates with blues-rock brilliance. The iconic guitarist's studio album exudes raw energy and soulful vocals, showcasing his virtuosity. Featuring electrifying tracks like 'Mojo Boogie' and 'Tin Pan Alley,' it remains a timeless testament to Winter's legendary talent and continues to resonate with music enthusiasts worldwide.
Third Degree CD
- , 1988 , USA
"Winter of '88" is a blues-rock gem by Johnny Winter, released in 1988. With electrifying guitar work and soulful vocals, Winter returns to his musical roots, delivering an authentic and powerful experience. This album showcases Winter's enduring talent and influence
Winter of '88 CD
- , 1991 , USA
"Let Me In," Johnny Winter's 1991 album, marks a dynamic shift from MCA to Pointblank Records. With scorching guitar riffs and soulful vocals, Winter delivers an electrifying blues-rock masterpiece. Supported by skilled musicians like Billy Branch's harmonica and Dr. John's piano, the album blends emotional depth and musical diversity, cementing Winter's status as a blues legend.
Let Me In CD
POINTBLANK #86512 , 1992 , USA
"Johnny Winter's 1992 album 'Hey Where's Your Brother?' delivers electrifying blues rock, showcasing his signature guitar prowess and soulful vocals. With a mix of original tracks and inspired covers, the album captures Winter's dynamic energy and musical finesse, a testament to his influential legacy in the blues genre.
Hey Where's Your Brother? CD
Cema Virgin 45527 , 1997 , USA
Johnny Winter's 'Live in NYC 1997' album pulses with electrifying blues and rock fusion. With searing guitar solos and soulful vocals, Winter's raw energy ignites the stage, capturing a mesmerizing night at the Bottom Line. From haunting renditions of classics to the immersive chemistry
Live in NYC 1997
Virgin Records , 2004 , Made in USA
"I'm a Bluesman" is not just an album; it's a celebration of the blues, a tribute to tradition, and a testament to the enduring power of music. Johnny Winter and Mike Welch's collaboration on this record showcases their profound understanding of the blues genre and their ability to keep its flame burning brightly. With its rich blend of original compositions and classic covers, the album is a timeless masterpiece that stands as a true reflection of the bluesman spirit.
I'm a Bluesman CD
Megaforce Records , 2011 , Made in USA
Johnny Winter's 2011 album 'ROOTS' takes listeners on a captivating musical journey, showcasing his mastery of blues, rock, and roots genres. With soulful vocals and electrifying guitar solos, Winter pays homage to his musical influences while adding his own unique flair. This CD release is a timeless collection of tracks that capture the essence of his legendary career and demonstrate his unwavering passion for authentic, heartfelt music".
Roots CD
Megaforce Records – 0 20286 21697 1 , 2014 , USA
"Step Back" is the final album by blues guitarist and singer Johnny Winter. It features performances by a number of guest musicians, including Eric Clapton, Dr. John, Billy Gibbons from ZZ Top, Joe Perry from Aerosmith, Leslie West from Mountain, and Brian Setzer from the Stray Cats. It was released by Megaforce Records on 2 September 2014.
Step Back (Red Vinyl) 12" Vinyl LP
Janus Records – JLS 3008 , 1976 , Made in USA
"About Blues" is a compilation album of tracks recorded with Johnny Winter on Guitar. These recordings were made before JW became famous and when he worked as a free-lance guitarist and studio guitarist. The music on this album is representative for the popular music during the early 1960s.
About Blues 12" Vinyl LP
CBS 22020 , 1976 , Made in Holland
"Johnny Winter And" and "Johnny Winter And Live" is a 2LP vinyl album set that contains the first two albums "The Johnny Winter And" band released. The first album is a studio recording while the second album is a live recording. Both records were originally released as two separate albums.
"AND & AND Live" 12" Vinyl LP
CBS/Sony SOPM 91 , 1974 , Made in Japan
The "Best of Johnny Winter (Japan)" is a 12" vinyl LP that compiles the finest works of the renowned blues musician. This release showcases Winter's exceptional guitar skills and powerful vocals, highlighting his contributions to the genre. With carefully selected tracks, this album offers a comprehensive overview of Winter's career,
Best of Johnny Winter ( Japan ) 12" Vinyl LP
Blue Sky SKY 32206 / CBS 63619 / CS 9826 / LC 3231 , unknown , Holland
The First Album (Blue Sky Records) is a re-issue of the first album Johnny Winter released on the CBS Record label and was also known as the Black Album. The year of release of this re-issue on Blue Sky is unknown and must after 1973 (The year Blue Sky records was formed).
The First Album (Blue Sky Records) 12" Vinyl LP
Sunset Records SLS 50264 / Liberty LBS 83 240 1 / LP 12 431 , 1969??? , Made in Germany
Johnny Winter's "Progressive Blues Experiment" is a 12" LP vinyl album released on Sunset Liberty Records with the catalog numbers Sunset Records SLS 50264, Liberty LBS 83 240 1, and LP 12 431. This album showcases Winter's innovative approach to blues music, blending traditional elements with progressive influences.
Progressive Blues Experiment (Sunset Liberty) 12" Vinyl LP