"Let Me In" is the first album of Johnny Winter after he switches from MCA to Pointblank records. The music on this album lets Johnny return to rootsier blues. This web page has photos of album covers, inner sleeves, record labels together with production details, musicians and track-listing.
Johnny Winter, a true icon of blues-rock, made a triumphant return with his album "Let Me In" in 1991, signifying a new chapter in his illustrious career. This album marked his departure from MCA Records and his collaboration with Pointblank Records, reinvigorating his sound and introducing a fresh perspective to his music. "Let Me In" features Winter's signature fiery guitar playing, soulful vocals, and an array of talented guest musicians that add depth and flavor to the record.
A Legendary Musician
Johnny Winter, born on 23 February 1944, in Beaumont, Texas, was a virtuoso guitarist, singer, and songwriter. He became a prominent figure in the blues and rock scenes during the late 1960s and 1970s, earning immense respect for his exceptional guitar skills. Winter's albinism, a congenital condition affecting skin pigmentation and visual acuity, made him a striking and unforgettable presence on stage. His unique appearance only added to his enigmatic persona, setting him apart from other musicians of his time.
The Transition to Pointblank Records
After spending a considerable portion of his career with MCA Records, Johnny Winter decided to explore new opportunities with Pointblank Records. This change allowed him to work with different collaborators and refresh his artistic approach. "Let Me In" was the first album to emerge from this new partnership, showcasing the musical freedom and creativity that comes with exploring uncharted territory.
The Band and Guest Musicians
"Let Me In" featured a tight-knit group of musicians who complemented Winter's guitar prowess and vocal delivery. The core band members included:
- Johnny Winter: Lead Guitar and Vocals
- Jeff Ganz: Bass Guitar
- Tom Compton: Drums
In addition to the talented core members, the album was enriched by the contributions of notable guest musicians, each adding their distinct touch to the tracks:
- Billy Branch: Harmonica on "Hey You", "If You Got a Good Woman", and "Shame Shame Shame". Branch's harmonica skills added a layer of soulful blues to these tracks, enhancing the overall sound and feel of the album.
- Dr. John: Piano on "Barefootin'", "Life Is Hard", "Sugaree", and "You Lie Too Much". Dr. John's legendary piano playing brought a sense of groove and funk to the album, making these songs stand out with their infectious rhythms.
- Ken Saydak: Piano on "If You Got a Good Woman". Saydak's piano work further emphasized the musical diversity on the album, infusing it with a rich and varied sound.
The Tracks
"Let Me In" is a collection of eleven powerful tracks, each displaying Johnny Winter's incredible range as a musician and vocalist. From the blistering blues-rock of "Hey You" to the soulful rendition of "Barefootin'" and the emotional depth of "Life Is Hard", the album captures the essence of Winter's talent and musical vision.
The title track, "Let Me In", stands as a shining example of Winter's guitar virtuosity and emotive vocal delivery. It is a heart-rending blues ballad that leaves a lasting impression on the listener.
Reception and Legacy
Upon its release, "Let Me In" received critical acclaim, with many hailing it as a triumphant return for Johnny Winter. The album's mix of blues, rock, and soul elements resonated with both long-time fans and new listeners alike. Johnny Winter's ability to connect with his audience on a deep emotional level through his music solidified his status as one of the greatest blues-rock guitarists of all time.
"Let Me In" remains a classic in Winter's discography, showcasing his immense talent and the mark he left on the blues and rock genres. It serves as a testament to the power of artistic reinvention and collaboration with other talented musicians.
Blues Rock
1991 USA
Johnny Winter - Producer
Dick Shurman - Producer
Dick Shurman was an American music producer who worked with some of the biggest names in the industry, including The Doors, The Grateful Dead, and Jefferson Airplane. He was known for his innovative production techniques and his ability to capture the unique sound of each band.
Shurman was born in New York City in 1943. He began his career as a record store clerk, where he met many of the musicians who would later become his clients. In 1966, he co-founded the record label Elektra/Asylum Records, where he produced some of the label's most successful albums, including The Doors' "Waiting for the Sun" and Jefferson Airplane's "Surrealistic Pillow".
Shurman's production style was characterized by his use of innovative studio techniques, such as multi-tracking and overdubbing. He also had a keen ear for detail, and he was always looking for ways to create a unique sound for each band.
In addition to his work with The Doors and Jefferson Airplane, Shurman also produced albums for a wide range of other artists, including The Grateful Dead, The Band, and Crosby, Stills, Nash & Young. He was also a co-founder of the Woodstock Music and Art Festival in 1969.
Shurman's work had a profound impact on the sound of rock music in the 1960s and 1970s. He was one of the first producers to use studio techniques to create a truly psychedelic sound, and his work with The Doors helped to define the sound of the San Francisco psychedelic scene. Shurman's production techniques were also influential on the development of country rock and folk rock.
Shurman died in 2010 at the age of 66. He was a true pioneer of rock music production, and his work continues to inspire musicians today.
Shurman's work has been praised by many musicians and critics. In a 2010 article for Rolling Stone, David Fricke wrote that Shurman was "one of the most innovative and influential producers in rock history". He also noted that Shurman's "production techniques helped to define the sound of some of the most important albums of the 1960s and 1970s".
Shurman's legacy continues to inspire musicians today. In a 2019 interview, The Black Keys' Dan Auerbach said that Shurman was "one of his biggest influences". He also noted that Shurman's "production techniques helped to shape the sound of modern rock music".
Dick Shurman was a true pioneer of rock music production. His work helped to define the sound of some of the most important albums of the 1960s and 1970s, and his legacy continues to inspire musicians today.
David Axelbaum - sound Engineer
Dave Brickson – assistant sound engineer
Greg Calbi – mastering
Recorded and mixed at Streeterville Recording Studios, Chicago
Bill Smith – album cover design
Mark Weiss – photography
Mark Weiss (Nickname: Weissguy) is an acclaimed American rock and roll photographer who has captured the essence and energy of some of the most iconic moments in music history. With his keen eye for detail and ability to connect with his subjects, Weiss has become synonymous with the visual documentation of the rock and roll scene.
Born and raised in New Jersey, Mark Weiss discovered his passion for photography at a young age. Inspired by the music culture of the 1970s, he set out to combine his love for music with his growing interest in photography. Armed with his camera, Weiss began attending concerts and local gigs, capturing the electrifying performances of emerging and established rock acts.
In the late 1970s and early 1980s, Weiss's career gained momentum as he became the go-to photographer for many rock bands. He developed a reputation for his ability to capture the raw energy and charisma of the musicians, as well as the electric atmosphere of live performances. His photographs not only showcased the artists in their element but also transported viewers into the heart of the rock and roll experience.
One of Weiss's most iconic collaborations was with the legendary rock band Bon Jovi. From the early days of their career, Weiss developed a close relationship with the band members and their management, which allowed him unprecedented access to document their rise to superstardom. His photographs became an integral part of Bon Jovi's image, capturing the band's infectious energy and forging a visual legacy that would endure for decades.
Mark Weiss's work extended beyond Bon Jovi, as he photographed and developed relationships with numerous other rock icons. He captured the larger-than-life personas of artists such as Van Halen, Guns N' Roses, Aerosmith, and Motley Crue, among many others. Weiss's photographs adorned album covers, magazines, and concert posters, encapsulating the essence of the rock and roll lifestyle and contributing to the visual iconography of the era.
Throughout his career, Weiss has exhibited a remarkable ability to connect with his subjects and gain their trust, allowing him to capture intimate and candid moments both on and off the stage. His photographs convey not only the spectacle of rock performances but also the humanity and vulnerability of the artists behind the scenes, creating a comprehensive visual narrative of their lives and careers.
In addition to his work as a live music photographer, Mark Weiss has also ventured into other areas of the industry. He has directed music videos, designed album covers, and collaborated with various media outlets and galleries to showcase his extensive collection of rock and roll photography. His contributions have left an indelible mark on the music industry and continue to inspire new generations of photographers and music lovers.
Mark Weiss's body of work represents more than just photographs. It is a testament to the power of visual storytelling and the profound impact that music can have on people's lives. Through his lens, he has immortalized the legends of rock and roll, providing fans with a glimpse into the exhilarating world of music and preserving the spirit of an era that will forever hold a special place in the hearts of fans around the world.
Johnny Winter - Guitar, Vocals
Jeff Ganz - Bass guitar
Jeff Ganz is an accomplished American bass guitarist known for his exceptional musical talent and contributions to the world of blues and rock music. He gained significant recognition as a key member of Johnny Winter's band, where his skillful bass playing complemented Winter's iconic blues guitar style. Read about this work with Johnny Winter
Tom Compton - drums
Tom Compton is a British drummer best known for his work with Johnny Winter’s band from 1987 to 2001, contributing to Winter’s powerful live performances during this pivotal period in the blues legend’s career. Learn more about him
Billy Branch – harmonica on "Hey You", "If You Got a Good Woman", "Shame Shame Shame"
Dr. John – piano on "Barefootin'", "Life Is Hard", "Sugaree", "You Lie Too Much"
Ken Saydak – piano on "If You Got a Good Woman"
Comments: I recently came across a review of Mary-Ann Brandon's new CD in Living Blues magazine, and it contained quite a surprise. The first thing that grabbed my attention was the fact that she co-wrote the song "Illustrated Man" for Johnny Winter alongside Fred James. This revelation alone was noteworthy, but even more astonishing was learning that Johnny Winter plays on her new CD!
Curious, I visited her website, where you can listen to segments of all the tracks from the album. Based on what I heard, I believe Johnny Winter might be playing slide guitar on the track "Headed for Hard Times." However, I'm not entirely certain and would love to hear from anyone else who has listened to the album or owns a copy to confirm if it's indeed Johnny playing slide on that track.
Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
Johnny Winter: Let Me In
Pointblank/Charisma 91744-2
1991
4 / 5 Stars
For more than 20 years, Johnny Winter has fueled his Texas-bent brand of blues/rock with rapid-fire guitar solos and coarse vocals. The high-octane combination has kept the motor to his hybrid music machine running through good times and bad. Thus, it comes as no surprise that Winter's first album in more than three years (and his debut album for Charisma's Pointblank blues label) roars with the same guitar/vocal energy of the best of Winter's previous studio efforts.
What makes Let Me In fare better than its predecessor, the disappointing Winter of '88 , is the material and the clever production strategy devised by Winter and Dick Shurman. Smartly selected songs such as "Illustrated Man" (a dandy of a rocker that deals with Winter's tattoo fetish), the rather hectic "Hey You" (with its surprise ending), and "Sugaree" (an old Marty Robbins number that's been reworked from top to bottom with a hard-driving rock'n'roll rhythm) not only bring out the best of Winter's guitar playing but also exhibit a noticeably relaxed confidence and sense of flow.
Shurman and Winter also have fun on the title track, an acoustic Delta blues ditty written by Winter, and "Medecine Man," a tune that would have sounded at home on the classic Second Winter album of two decades ago. The song's slow yet biting groove and tightly controlled guitar solo are in marked contrast to the more rollicking tracks on the disc.
All of this is to say that there's plenty to enjoy on Let Me In. With a sound that's bold and bright to complement the strong material, Let Me In ought to keep Johnny Winter at the forefront of the blues/rock scene.
– Robert Santelli
Johnny Winter
Let Me In
Point Blank
By Bill Milkowski
After three rootsy blues albums with Alligator— Guitar Slinger in 1984, followed by Serious Business and 1986’s excellent 3rd Degree —Johnny Winter parted company with the Chicago label for what he hoped would be greener pastures. The result was The Winter of ‘88 , an overblown arena-rock project which disappointed Winter’s hardcore fans. Clearly, the big-time label (MCA) and big-time contempo-rock producer (Terry Manning) had no idea of what Johnny Winter was all about.
On Let Me In, his debut for Point Blank, the Texas guitar slinger returns to gritty form and serves up some of his most honest work since 3rd Degree. Not coincidentally, behind the boards for the album was the respected Chicago bluesologist Dick Shurman, who co-produced all three of Winter’s Alligator sessions. Unlike Manning, Shurman understands that Winter is more at home with raw Chicago shuffles, gritty boogie workouts, slow blues and twist music than he is with homogeneous, pumped-up arena-rock. Shurman’s production isn’t nearly as dense as that of The Winter of ‘88. Instead, the drums are kept at an acoustic level, creating a loose, blues club ambience.
Guitar-wise, Johnny holds nothing back on this album. He comes out of the gate screaming with a particularly fierce attack on “Illustrated Man”—an autobiographical song in which he enumerates all the various tattoos on his body. And his slow blues playing with Dr. John on the minor key lament, “Life Is Hard (And Then You Die),” is full of great playing and deep feeling, Winter’s best ballad in about 20 years.
Nothing on The Winter of ‘88 felt as good as carefree rockers like “Sugaree,” “Barefootin’” or “Hey You,” a rowdy studio jam boasting an authentic South Side Chicago sound, courtesy of Billy Branch’s raunchy harmonica and Johnny’s lively licks. He is equally at home on deep blues on “You Lie Too Much” and the fiery Texas-Louisiana boogie “You’re Humbuggin’ Me,” a tune he cut his teeth on as a teenager. “Shame Shame Shame,” which features more gutsy harp work from Branch, is another highlight. (Highly recommended is Harp Attack, Alligator’s Chicago blues harp summit featuring Branch, James Cotton, Carey Bell and Junior Wells.)
“Blue Mood” is an easy-going T-Bone Walker shuffle played on a National Steel, while the soulful “Trouble in Mind” is a duet with a rich Johnny and bassists Jeff Ganz sticks to upright and grooves his way through familiar Willie Dixon-type lines, while drummer Tom Compton propels the ride right home. He taps out swinging brush work. The title track has Winter all alone on National Steel as he sways his slide guitar like a juke joint, and lets his tapping foot supply the rhythmic pulse for a loose, front-porch jam ambiance.
For most of this session, Winter rips it up on his Gibson Firebird for his signature solo sounds on “Medicine Man,” a swamp rocker, and “If You Got a Good Woman,” a down-home Elmore James-flavored slow blues.
Johnny makes no apologies for the sheer speed of his single-note lines or the cutting intensity of his slide work. He just rears back and wails. Let Me In is a welcome return to form for this Texas guitar slinger.
His drug-related career slump is long in the past, and tireless touring with the excellent rhythm section of Compton/Paris on bass and drums has proven to be a real fountain of youth for blues veteran Johnny Winter. His latest album, Let Me In, overflows with untamed energy and brilliant technique. However, it shines less in terms of new ideas. The only variety comes from the occasional, sparsely used harmonica and piano tones.
Guitar king Johnny Winter himself picks up the dobro (“Let Me In”) and acoustic guitar here and there, but these moderate intermezzi feel rather uninspired and somewhat restrained. The frenetic Johnny is still at home in the electric speed department, where he energetically fires off turbo songs like “Shame, Shame, Shame” or “Illustrated Man,” adding a few new pictures to the wall.
Without unnecessary frills, the album is sparsely produced, sung with his familiar raven-black voice and traditional throughout. Let Me In probably won’t shake up the blues world too much, but Robert Cray’s milkshake is sure to sour after this.
Bluesrock
Pointblank 261 851 (Virgin)
Duration: 49'55"
Recorded: 1991, AAD
How does he do it? Johnny Winter has been playing the blues for over 30 years now, and he still sounds as fresh as if he just stepped out of the supermarket freezer. Therefore, I didn’t have to think long about whether to accept his invitation ("Let Me In"): Of course, I let this Winter in because no one can touch him when it comes to playing the six strings of his guitar. He’s still in a league of his own, delivering a completely different style of blues that is always fun to listen to.
Johnny’s lyrics are also entertaining, like when the albino talks about his many tattoos, which cover almost all parts of his pale body. Or when he bluntly states: "Life is hard—and then you die." But before that, we should all give his album another listen, right?
— Frank Heckert
Imperial LP-12431, 1969, Made in US
"The Progressive Blues Experiment" by Johnny Winter is a legendary 12" vinyl LP album that showcases the extraordinary talent and unique style of the American blues guitarist and singer. Recorded live at the Vulcan Gas Company, an iconic music venue in Austin, Texas,
The Progressive Blues Experiment 12" Vinyl LP
CBS Stereo 63619 (1969) , 1969 , Made in USA
On the self-titled debut album Johnny Winter played the blues pure and simple,. Whether it was the stinging raucous Delta music as played acoustically on "Dallas", or his savage electric attack, on "Mean Mistreater", "Be Careful With a Fool", or on Good Mornin' Little Schoolgirl'
JOHNNY WINTER aka Black Album 12" Vinyl LP
CBS , 1969 , Brazil
"Johnny Winter's 'Second Winter' is a classic 12" vinyl album released in 1969 on the CBS Record label. The influential blues-rock musician's second studio album showcases his virtuosic guitar skills and soulful vocals. Featuring a mix of original compositions and covers, the record captivates listeners with its raw energy and timeless blues-rock sound, solidifying Johnny Winter's status as a music icon."
Second Winter 12" Vinyl LP
CBS – 64117, CBS – S 64117 , 1970 , USA
The Johnny Winter AND album is a masterclass in raw energy and virtuosic guitar playing, with Winter's and Derringer's fiery solos and soulful vocals captivating listeners. It's a timeless testament to the power and passion of blues rock music,
JOHNNY WINTER AND 12" Vinyl LPe
CBS S 64289 , 1971 , Made in Holland
"And Live" by "Johnny Winter And" is a gatefold 12" LP vinyl album that showcases the legendary blues musician's electrifying live performances. Released during his peak in the 1970s, this album captures Winter's virtuosic guitar skills and soulful vocals, delivering a high-energy experience for blues enthusiasts. With a diverse tracklist and excellent sound quality, this vinyl release remains a must-have for collectors and fans of authentic live blues music.
Live 12" Vinyl LP
CBS 65484 , 1973 , Made in USA
Johnny Winter's 1973 comeback album, "Still Alive and Well," showcases the blues-rock legend's electrifying guitar work and soulful vocals. With defiant tracks like the title song and an impassioned rendition of The Rolling Stones' "Let It Bleed," this LP reached #22 on the US Billboard Charts, leaving an enduring legacy in the world of rock music.
Still Alive and Well 12" Vinyl LP
CBS S 65842 , 1974 , Made in USA
"Saints and Sinners" is a blues-rock masterpiece released in 1974 on a 12" vinyl LP. Led by the incomparable Johnny Winter, the album features scorching guitar riffs, emotive vocals, and a soulful fusion of rock and blues. Produced by Rick Derringer, it boasts a talented lineup, including Edgar Winter, Randy Brecker, and more, creating an enduring classic that captivates listeners with its raw energy and timeless appeal.
Saints and Sinners 12" Vinyl LP
PZ33292 , 1974 , Made in USA
"John Dawson Winter III" remains a shining gem in the discography of Johnny Winter. This 12" vinyl LP album from 1974 continues to captivate audiences with its timeless blues-rock sound, and it serves as a reminder of the immense talent of Johnny Winter and his band-members, Randy Jo Hobbs and Richard Hughes. Whether you're a dedicated fan or a newcomer to Johnny Winter's music, this album is a must-listen for anyone seeking to experience the magic of true blues and rock artistry.
John Dawson Winter III 12" Vinyl LP
Blue Sky – SKY 69230 , 1976 , Europe
"Johnny Winter's 'Captured Live' 12" LP delivers an authentic blues experience. Recorded during his peak in 1976, the album showcases his raw talent with scintillating guitar work and soulful vocals. The dynamic tracklist features crowd favorites like 'Boney Moronie' and 'Sweet Papa John'.
Captured Live 12" Vinyl LP
Blue Sky PZ 33944 / AL 33944 , 1976 , Made in USA
The promotional copy of Johnny Winter's "Captured Live" 12" vinyl LP album featuring Floyd Radford on rhythm guitar is a rare and coveted treasure for vinyl collectors and blues enthusiasts. This unique edition offers a glimpse into the blues legend's live performances during his prime in the 1970s.
Captured Live Promo Copy 12" Vinyl LP
Blue Sky LP 81338 , 1976 , Made in USA
Experience the electrifying energy of legendary musicians Johnny Winter and Edgar Winter with this thrilling 12" vinyl LP album, "Together". Explore this web-page featuring several captivating photos of the Winter brothers in their element, delivering unforgettable performances on stage.
Together (with Edgar Winter) 12" Vinyl LP
Blue Sky - Sky 82141 , 1977 , Made in USA
Johnny Winter's "Nothin' but the Blues" is an album that encapsulates the very essence of the blues. With his unparalleled guitar skills and soulful vocals, Winter breathes new life into classic blues compositions while paying homage to the genre's legends.
Nothin' but the Blues 12" Vinyl LP
CBS SKY 82963 , 1978 , Made in USA
"Johnny Winter's 'White Hot And Blue' 12" vinyl LP is a blues-rock gem featuring his soulful vocals and mesmerizing guitar skills. With a powerhouse lineup, including Edgar Winter's multi-instrumental brilliance, Pat Ramsey's haunting harmonica, and Tom Brock's captivating mandolin
White Hot and Blue 12" Vinyl LP
Blue Sky AL 36343 / JZ 36343 , 1980 , Made in USA
"Raisin' Cain" is the title of a 1980 album by American blues musician Johnny Winter. The album features a mix of original songs and covers of classic blues songs, such as "Sweet Little Angel" and "It's My Own Fault". The album received positive reviews from critics and was well received by Winter's fans. It features a mix of rock, blues and country music.
Raisin Cain 12" Vinyl LP
ATLAS Records LA25-5012 , 1984 , Japan
Johnny Winter's "Guitar Slinger" on 12" vinyl LP is not just an album; it is a masterpiece that encapsulates the brilliance of one of the greatest guitarists in the history of blues rock. The Japanese release of this iconic album further solidified its status as a musical treasure, appreciated by fans across the world.
Guitar Slinger 12" Vinyl LP
Alligator Records SNTF 948/Sonet , 1985 , Made in USA
Johnny Winter's "Serious Business" remains a timeless blues masterpiece that encapsulates the raw essence of the genre. With searing guitar work, powerful vocals, and an unwavering dedication to the blues, Winter and his talented band created an album that continues to resonate with blues enthusiasts and music lovers alike.
Serious Business 12" Vinyl LP
Sonet Records SNTF 965 , 1986 , Made in USA
"Johnny Winter's 'Third Degree' (1986) captivates with blues-rock brilliance. The iconic guitarist's studio album exudes raw energy and soulful vocals, showcasing his virtuosity. Featuring electrifying tracks like 'Mojo Boogie' and 'Tin Pan Alley,' it remains a timeless testament to Winter's legendary talent and continues to resonate with music enthusiasts worldwide.
Third Degree CD
- , 1988 , USA
"Winter of '88" is a blues-rock gem by Johnny Winter, released in 1988. With electrifying guitar work and soulful vocals, Winter returns to his musical roots, delivering an authentic and powerful experience. This album showcases Winter's enduring talent and influence
Winter of '88 CD
- , 1991 , USA
"Let Me In," Johnny Winter's 1991 album, marks a dynamic shift from MCA to Pointblank Records. With scorching guitar riffs and soulful vocals, Winter delivers an electrifying blues-rock masterpiece. Supported by skilled musicians like Billy Branch's harmonica and Dr. John's piano, the album blends emotional depth and musical diversity, cementing Winter's status as a blues legend.
Let Me In CD
POINTBLANK #86512 , 1992 , USA
"Johnny Winter's 1992 album 'Hey Where's Your Brother?' delivers electrifying blues rock, showcasing his signature guitar prowess and soulful vocals. With a mix of original tracks and inspired covers, the album captures Winter's dynamic energy and musical finesse, a testament to his influential legacy in the blues genre.
Hey Where's Your Brother? CD
Cema Virgin 45527 , 1997 , USA
Johnny Winter's 'Live in NYC 1997' album pulses with electrifying blues and rock fusion. With searing guitar solos and soulful vocals, Winter's raw energy ignites the stage, capturing a mesmerizing night at the Bottom Line. From haunting renditions of classics to the immersive chemistry
Live in NYC 1997
Virgin Records , 2004 , Made in USA
"I'm a Bluesman" is not just an album; it's a celebration of the blues, a tribute to tradition, and a testament to the enduring power of music. Johnny Winter and Mike Welch's collaboration on this record showcases their profound understanding of the blues genre and their ability to keep its flame burning brightly. With its rich blend of original compositions and classic covers, the album is a timeless masterpiece that stands as a true reflection of the bluesman spirit.
I'm a Bluesman CD
Megaforce Records , 2011 , Made in USA
Johnny Winter's 2011 album 'ROOTS' takes listeners on a captivating musical journey, showcasing his mastery of blues, rock, and roots genres. With soulful vocals and electrifying guitar solos, Winter pays homage to his musical influences while adding his own unique flair. This CD release is a timeless collection of tracks that capture the essence of his legendary career and demonstrate his unwavering passion for authentic, heartfelt music".
Roots CD
Megaforce Records – 0 20286 21697 1 , 2014 , USA
"Step Back" is the final album by blues guitarist and singer Johnny Winter. It features performances by a number of guest musicians, including Eric Clapton, Dr. John, Billy Gibbons from ZZ Top, Joe Perry from Aerosmith, Leslie West from Mountain, and Brian Setzer from the Stray Cats. It was released by Megaforce Records on 2 September 2014.
Step Back (Red Vinyl) 12" Vinyl LP
Janus Records – JLS 3008 , 1976 , Made in USA
"About Blues" is a compilation album of tracks recorded with Johnny Winter on Guitar. These recordings were made before JW became famous and when he worked as a free-lance guitarist and studio guitarist. The music on this album is representative for the popular music during the early 1960s.
About Blues 12" Vinyl LP
CBS 22020 , 1976 , Made in Holland
"Johnny Winter And" and "Johnny Winter And Live" is a 2LP vinyl album set that contains the first two albums "The Johnny Winter And" band released. The first album is a studio recording while the second album is a live recording. Both records were originally released as two separate albums.
"AND & AND Live" 12" Vinyl LP
CBS/Sony SOPM 91 , 1974 , Made in Japan
The "Best of Johnny Winter (Japan)" is a 12" vinyl LP that compiles the finest works of the renowned blues musician. This release showcases Winter's exceptional guitar skills and powerful vocals, highlighting his contributions to the genre. With carefully selected tracks, this album offers a comprehensive overview of Winter's career,
Best of Johnny Winter ( Japan ) 12" Vinyl LP
Blue Sky SKY 32206 / CBS 63619 / CS 9826 / LC 3231 , unknown , Holland
The First Album (Blue Sky Records) is a re-issue of the first album Johnny Winter released on the CBS Record label and was also known as the Black Album. The year of release of this re-issue on Blue Sky is unknown and must after 1973 (The year Blue Sky records was formed).
The First Album (Blue Sky Records) 12" Vinyl LP
Sunset Records SLS 50264 / Liberty LBS 83 240 1 / LP 12 431 , 1969??? , Made in Germany
Johnny Winter's "Progressive Blues Experiment" is a 12" LP vinyl album released on Sunset Liberty Records with the catalog numbers Sunset Records SLS 50264, Liberty LBS 83 240 1, and LP 12 431. This album showcases Winter's innovative approach to blues music, blending traditional elements with progressive influences.
Progressive Blues Experiment (Sunset Liberty) 12" Vinyl LP
