JOHNNY WINTER - S/T Self-Titled aka Black Album - 12" Vinyl LP Album

On the self-titled debut album Johnny Winter played the blues pure and simple,. Whether it was the stinging raucous Delta music as played acoustically on "Dallas", or his savage electric attack, on "Mean Mistreater", "Be Careful With a Fool", or on Good Mornin' Little Schoolgirl' complete with horns and piano by brother Edgar-Winter's blues were easily separated from the masses. His uncompromising completely mythical and romantic fascination with the music was propulsive and profound. This web page has photos of album covers, inner sleeves, record labels together with production details, musicians and track-listing.

Album Front Cover Photo of JOHNNY WINTER - S/T Self-Titled aka Black Album
Album Front Cover Photo with a large portrait photo of Johnny Winter

Essential Album Information For: JOHNNY WINTER - S/T Self-Titled aka Black Album

Album Description:

Johnny Winter's self-titled debut album, commonly referred to as the "Black Album", is an iconic work that solidified his place in blues history. Released on 1969, this 12" vinyl LP marked the beginning of a remarkable musical journey for the young Texas-born guitar virtuoso. From the first note to the last, the album showcases Winter's raw talent, electrifying energy, and his undeniable passion for the blues.

Throughout the album, Johnny Winter mesmerizes listeners with his soulful and unapologetic blues style. Each track showcases a different aspect of his musical prowess, from the gentle and melodic acoustic rendition of "Dallas" to the ferocious electric performance of "Mean Mistreater". The album effectively captures the essence of traditional blues while infusing it with Winter's distinct flair and modern sensibility.

One of the standout tracks on the album is "Be Careful with a Fool". In this song, Winter's gravelly voice cuts through, delivering poignant lyrics about love and heartbreak. His mastery of the guitar is evident as he effortlessly blends powerful solos with intricate fingerpicking, leaving listeners in awe of his technical abilities.

Another highlight of the album is "Good Morning, Little Schoolgirl". This track demonstrates Winter's versatility as he incorporates horns and piano, courtesy of his brother Edgar Winter, into the blues framework. The result is an irresistible fusion of blues and rock that showcases Winter's ability to push the boundaries of the genre.

The beauty of Johnny Winter's debut album lies in its authenticity. Unlike many of his contemporaries, Winter stays true to the blues, and his dedication to the genre shines through in every note. His respect for blues legends like Muddy Waters and Robert Johnson is evident as he pays homage to their influence while forging his own path in the blues world.

The production on the album is crisp and unpretentious, allowing Winter's raw talent to take center stage. Each instrument finds its place in the mix, creating a harmonious balance that complements Winter's vocals and guitar work perfectly. The straightforward production enhances the overall listening experience, drawing listeners deeper into the soul-stirring world of the blues.

Upon its release, Johnny Winter's self-titled album was met with critical acclaim, and it quickly garnered a dedicated fan base. Its impact on the blues genre cannot be overstated, as it inspired countless musicians and fans alike. The album's enduring popularity is a testament to Winter's lasting influence on the blues and rock music landscapes.

For vinyl enthusiasts, owning the "Black Album" in its original 12" LP format is a true collector's item. The tangible nature of vinyl adds an extra layer of nostalgia and warmth to the listening experience, allowing music lovers to immerse themselves in the authentic sound of Johnny Winter's blues as it was meant to be heard.

Music Genre:


Label & Catalognr:

CBS Stereo 63619 (1969)

Released in the UK in MONO M 63619

Media Format:

Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram  

Year & Country:

1969 Made in USA

JOHNNY WINTER - S/T Self-Titled aka Black Album Production & Recording Information

Album Producers:

Johnny Winter - Producer

Eddie Kramer – production consultant

Eddie Kramer: Iconic producer & engineer behind Hendrix, Zeppelin, & many more. Explore his life & work that shaped rock music history.

Marvin Devonish – production assistant

Steve Paul – spiritual producer

Steve Paul (Born Stephen Neal Paul 28 April 1941 – 21 October 2012)) is an influential figure in the music industry, best known for his role as the manager of the renowned rock and blues musicians Johnny Winter and Edgar Winter. Throughout his career, Paul played a vital role in shaping the success and careers of these talented brothers, helping them reach new heights in the music world. With his keen business acumen and deep passion for music, Steve Paul left an indelible mark on the industry and the lives of the artists he represented.


Early Life and Career Beginnings:

Paul was born in The Bronx, New York City, to a high school principal and a homemaker. He attended Dobbs Ferry High School in Dobbs Ferry, New York, where he graduated at the age of 16. He began his career at the age of 17 doing public relations for a New York City restaurant and Peppermint Lounge.

Born in the mid-20th century, Steve Paul grew up with a profound love for music. His fascination with the blues, in particular, led him to explore the music scenes in his hometown of New York City.

In the early 1964, Paul opened a blues club called The Scene in Greenwich Village, which soon became a mecca for both established and up-and-coming musicians. The club quickly gained a reputation for showcasing remarkable talent, attracting legends such as Jimi Hendrix, Johnny Winter, Eric Clapton, and The Rolling Stones.

Managerial Role:

Paul was the one-time manager of Johnny Winter, among other related performers, as well as being the owner of The Scene, a popular New York City club from 1964 to 1970, and the founder of Blue Sky Records. In 1969, Paul founded Blue Sky Records, an independent record label. The label released albums by Winter, Hendrix, and other artists. Blue Sky Records was eventually acquired by Atlantic Records in 1972.

Steve Paul's journey as a manager began when he discovered the immense talent of Johnny Winter, a blues guitarist and singer known for his electrifying performances. Recognizing Johnny's potential, Paul took him under his wing and became his manager. He worked tirelessly to secure record deals, book tours, and promote Johnny's music to a wider audience.

Paul's keen eye for talent didn't stop with Johnny Winter. He also recognized the exceptional musical abilities of Johnny's younger brother, Edgar Winter, who played multiple instruments and possessed a distinctive musical style. Inspired by his brother's success, Edgar embarked on his own solo career. Steve Paul recognized the potential in Edgar as well and became his manager, guiding him through the music industry and helping him establish his unique musical identity.

Contributions and Achievements:

Under Steve Paul's guidance, both Johnny and Edgar Winter achieved remarkable success. Johnny Winter, known for his virtuosic guitar skills and soulful voice, became one of the most respected blues-rock musicians of his time. He released numerous critically acclaimed albums, including "Johnny Winter" and "Second Winter". Paul's managerial expertise ensured that Johnny secured record deals with major labels, toured extensively, and gained recognition worldwide.

Meanwhile, Edgar Winter flourished as a multi-instrumentalist, singer, and songwriter. His versatility and genre-bending style, incorporating elements of rock, jazz, and blues, captivated audiences and set him apart as a true musical innovator. With Steve Paul's guidance, Edgar released his groundbreaking album "They Only Come Out at Night", which included the chart-topping instrumental "Frankenstein" and the timeless hit "Free Ride".


Steve Paul's contributions to the careers of Johnny and Edgar Winter cannot be overstated. As their manager, he played an instrumental role in shaping their artistic paths, helping them navigate the complexities of the music industry, and introducing their music to a global audience. Paul's dedication to his artists, combined with his astute business acumen, set the stage for the Winter brothers' enduring success and their lasting impact on the rock and blues genres.

In 1990, he published a book about his life and career, called "The Scene: Steve Paul's Adventures in Rock and Roll."

Paul died in Queens, New York City, in 2012, at the age of 71. He was survived by his wife, two children, and two grandchildren.

Sound & Recording Engineers:

Charlie Bragg, Ed Hudson, Neil Wilburn - engineer

Transcript of the liner notes by Steve Paul:

The purpose of this is emotional. Because it is based on my feelings. I am writing it. Johnny's feelings. Because I am writing about him. About blues. Which Johnny feels is emotional. Rather than technical. Even emotional rather than musical.

Most people never get what they deserve. In their entire life. Johnny's been into blues since he was eleven. For himself. All the time. And for whoever would listen to it. In the beginning. Not too many people. In the beginning. For Johnny. And for all blues music. Johnny was in Chicago six years ago. Hanging out with Michael Bloomfield at his Fickle Pickle coffeehouse. And it was several years ago that he played with B. B. King in a black club down South. Somehow, even then, these people gravitated together. The present fame was not the common bind. The feeling was. Today they all run into each other again. And it is still the feeling that brings them together.

When we finished this album in Nashville, the one thing Johnny felt about it was that it was exactly what he had hoped for. His feelings expressed through music. Somehow feeling creates its own time and energy. Earthly success may come late but the feeling has been there for quite a while.

Tommy Shannon and "Uncle" John Turner are the other members of Johnny's group. Winter. They like blues. So much so that when I first met them in Texas. Nine months after their group had been formed. Their apartment consisted of the living-room floor of a friend's house. They had given up good-paying gigs in order to play the music they felt was best. And they help Johnny play the music he wants to play. They are part of the good feelings I have about Johnny Winter. And they are his group.

If it weren't for ROLLING STONE, I would have never taken that trip to Texas. In search of a name and a dream. The name was Johnny Winter. And the dream was that he would be true. It was a daydream and those are meant to come true. So far so good. The dream of the music comes true inside this album.' Any further comment can only be made by your listening to it.

Johnny is albino. In an age when everyone is trying to look more and more like themselves. And less and less like everyone else. Johnny Winter is very lucky. He definitely looks like himself. It was not always that easy. He was born into a world. Where everybody wanted to look like everybody else. That is not why he sings the blues. But there must have been some feelings involved.

Johnny plays basic blues. Color them black. Real black and nothing else. Color them black black. Johnny looks white. Color him white. Real white and nothing else. Color him white white. By themselves black and white, like the laws of opposites and energy, seem to be attracting nowadays. In Johnny's case it's been a longtime attraction. Resulting in a long-awaited explosion. That of a great blues player. And a human being. With feeling. Getting what he deserves. A chance to let other people feel through his music. As he has felt from other blues people. Whatever they choose. But definitely felt. His message is merely his feelings. All he wants you to get from his message is your feelings. And some pretty good playing too.

There is no summary. There is no conclusion. To what we are speaking of. Because it is all too real. To end here. Let it start here.?

Steve Paul

Musicians on: JOHNNY WINTER - S/T Self-Titled aka Black Album

Band-members, Musicians:

Johnny Winter - Guitar, Vocals

Tommy Shannon - Bass

Tommy Shannon, born Thomas Lafitte Smedley on 18 April 1946, is an American bass guitarist renowned for his influential work with the legendary blues guitarist Stevie Ray Vaughan. His powerful and innovative bass lines have left an indelible mark on the blues and rock music scene, making him one of the most respected and influential bass players of his generation.

Early Life and Musical Journey:


Tommy Shannon was born in Tucson, Arizona, and grew up in a musically inclined family. He discovered his passion for music at a young age and initially played guitar before switching to bass. Shannon's musical journey began to take shape in the 1960s when he moved to Dallas, Texas, a hotspot for emerging blues and rock scenes.

Collaboration with Johnny Winter:

In the late 1960s, Tommy Shannon's career took a significant turn when he joined forces with the renowned blues guitarist Johnny Winter. Shannon's powerful bass lines perfectly complemented Winter's electrifying guitar playing and distinctive voice. The partnership between Johnny Winter and Tommy Shannon proved to be a match made in blues heaven.

During his time with Johnny Winter, Shannon contributed to several albums, including the critically acclaimed "Johnny Winter Self-titled", and "The Progressive Blues Experiment" which was released in 1970. The album's success catapulted both Winter and Shannon into the limelight, earning them a dedicated fan base and recognition among their peers.
After several successful years with Johnny Winter, Tommy Shannon's musical journey took another pivotal turn when he teamed up with the young guitar prodigy, Stevie Ray Vaughan.

Collaboration with Stevie Ray Vaughan:

In the early 1980s, Tommy Shannon's career took a significant turn when he joined forces with the young guitar virtuoso Stevie Ray Vaughan. In 1981, Shannon became a member of Stevie Ray Vaughan and Double Trouble, the band that would redefine modern blues and bring the genre to new heights.

Shannon's rhythmic and steady bass playing provided a solid foundation for Stevie Ray Vaughan's blistering guitar solos, contributing to the band's unique sound. Their chemistry was undeniable, and together they achieved massive success with albums like "Texas Flood" (1983), "Couldn't Stand the Weather" (1984), and "Soul to Soul" (1985).

Career Highlights:

As part of Stevie Ray Vaughan and Double Trouble, Tommy Shannon performed in iconic venues around the world and became known for his electrifying live performances. His bass lines on songs like "Pride and Joy", "Cold Shot", and "Crossfire" showcased his exceptional talent and helped solidify Stevie Ray Vaughan's status as a blues legend.

Tragedy and Aftermath:

Unfortunately, tragedy struck on August 27, 1990, when a helicopter carrying Stevie Ray Vaughan and members of Eric Clapton's entourage crashed after a concert in Wisconsin. The accident claimed the lives of all on board, including Stevie Ray Vaughan. The world mourned the loss of a guitar legend, and Tommy Shannon was deeply affected by the passing of his close friend and musical partner.

After Stevie Ray Vaughan's death, Tommy Shannon continued to honor his legacy through his music. He played with various bands and musicians, paying tribute to Stevie Ray Vaughan's work while also exploring new musical endeavors.


Tommy Shannon's contributions to the world of blues and rock, particularly through his collaboration with Stevie Ray Vaughan, are immeasurable. His innovative bass playing and dedication to the craft have influenced countless bassists and musicians, leaving an enduring impact on the genre.

"Uncle" John Turner - Drums

"Uncle" John Turner was a legendary drummer who left an indelible mark on the world of music. Born with an innate passion for rhythm, he transformed the way drums were played, becoming a driving force behind some of the most iconic and influential music of his time. His extraordinary talent, boundless creativity, and warm personality earned him the endearing moniker of "Uncle", as he was seen as a mentor and father figure to many in the music community. This biography delves into the life of the extraordinary drummer whose beats still resonate in the hearts of music lovers worldwide.

Early Years and Musical Roots


John Turner was born on 12 March 1940, in New Orleans, Louisiana. Growing up in a city renowned for its rich musical heritage, he was exposed to a diverse array of musical styles from an early age. Drawn to the rhythmic pulse of jazz, blues, and gospel, John fell in love with the sound of drums and began emulating the beats on any surface he could find. His parents, recognizing his natural affinity for percussion, gifted him a basic drum kit when he was just nine years old.

Journey to Mastery

Under the tutelage of various local drummers and through countless hours of practice, John Turner honed his skills and developed a unique style that combined the raw energy of New Orleans rhythms with his own innovative techniques. His dedication to mastering his craft led him to play in local jazz clubs, gaining valuable experience and recognition among fellow musicians.

A Rhythm Revolution

In the early 1960s, John moved to Chicago, where he became a part of the vibrant blues and rock music scene. He soon caught the attention of prominent musicians and found himself playing alongside legends like Muddy Waters, Buddy Guy, and Howlin' Wolf. John's infectious grooves and ability to infuse a deep emotional connection into his drumming quickly made him a sought-after session drummer.

The "Uncle" Persona

As John's reputation grew, so did his circle of friends and collaborators. Known for his kindness, wisdom, and nurturing nature, he earned the affectionate nickname "Uncle" from fellow musicians who saw him as a guiding figure in both their musical and personal lives. His mentorship inspired countless aspiring drummers, and many saw him not only as a talented musician but also as a role model for pursuing their artistic passions.

Joining Iconic Bands

In the late 1960s, John's exceptional skills and reputation led to an invitation to join a well-established rock band, "The Echoes of Time". His powerful drumming brought a new dimension to the band's sound and contributed significantly to their success. "The Echoes of Time" became a major influence in the burgeoning psychedelic rock movement of the era.

In the late 1960s, "Uncle" John Turner's musical journey took a momentous turn when he crossed paths with the renowned blues guitarist, Johnny Winter. The meeting marked the beginning of a legendary collaboration that would shape the course of their careers and leave an indelible mark on the blues-rock genre.

Johnny Winter, already a celebrated musician, was drawn to "Uncle" John's infectious rhythms and soulful drumming style. Impressed by Turner's versatility and the emotional depth he brought to every performance, Winter invited him to become an essential part of his band.

The collaboration began with the recording of Winter's critically acclaimed album, "Progressive Blues Experiment" (1969). "Uncle" John Turner's driving beats and intuitive sense of timing provided a solid foundation for Winter's searing guitar solos and soulful vocals. The album's success solidified their musical partnership and opened up new opportunities for both musicians.

As Winter's band toured extensively, "Uncle" John Turner's drumming prowess mesmerized audiences around the world. The chemistry between Turner and Winter onstage was palpable, and their live performances became the stuff of legends, drawing crowds of devoted fans.

Their partnership reached new heights with the release of the album "Johnny Winter" (1970). The album showcased a synergy between Winter's blues virtuosity and Turner's rhythmic finesse, resulting in a sound that was both powerful and emotionally charged.

Beyond the music, "Uncle" John Turner and Johnny Winter formed a deep bond of friendship and mutual respect. Their shared passion for music, combined with their warm personalities, made them a formidable team on and offstage. Turner's calming presence was a perfect foil for Winter's intense energy, creating a harmonious balance that endeared them to audiences and fellow musicians alike.

Unfortunately, their collaboration was cut short in 1976 when "Uncle" John Turner decided to take a step back from the music scene to focus on his health and personal life. His departure from the band left a void that was difficult to fill, and Johnny Winter would later express his gratitude for the profound impact Turner had on his music and life.

Legacy and Influence

As the 1970s dawned, "Uncle" John Turner's reputation as a drummer extraordinaire spread far and wide. His collaborations and contributions to various bands and recording sessions left an indelible imprint on the music industry. His distinct playing style, characterized by a blend of New Orleans rhythms, jazz finesse, and rock energy, inspired countless musicians and set new standards for drummers worldwide.

Edgar Winter - piano

Edgar Winter is a renowned American musician, songwriter, and multi-instrumentalist who has made significant contributions to the worlds of rock, jazz, blues, and pop music. Born on 28 December 1946, in Beaumont, Texas, Edgar Holland Winter was destined for a life immersed in music, given his family's musical background. His father, Johnnie Winter Sr., was a skilled saxophonist and guitarist, and his mother, Edwina, was a talented pianist.

Edgar Winter's musical journey began at a young age when he started learning classical piano and clarinet. However, it was his introduction to the alto saxophone during his teen years that sparked a lifelong passion for music. Alongside his younger brother, Johnny Winter, a renowned blues guitarist, Edgar honed his skills and became a proficient saxophonist.


In the late 1960s, Edgar formed his first band called "The Crystaliers", which mainly played covers of popular songs at local venues. However, his big breakthrough came in 1970 when he founded "The Edgar Winter Group". The band's lineup included Ronnie Montrose on guitar, Dan Hartman on bass, and Chuck Ruff on drums. They quickly gained popularity, thanks to their unique fusion of rock, jazz, and blues influences.

The Edgar Winter Group's debut album, "Entrance", was released in 1970 and received critical acclaim. However, it was their 1972 release, "They Only Come Out at Night", that catapulted them to stardom. The album featured the iconic instrumental track "Frankenstein", which showcased Edgar Winter's exceptional skills on the synthesizer. "Frankenstein" became a massive hit and earned him a Grammy Award for Best Rock Instrumental Performance.

Following the success of "They Only Come Out at Night", the band released several more albums, but none matched the commercial success of their breakthrough record. Nevertheless, Edgar Winter's reputation as a talented and innovative musician continued to grow. Here you will find a selection of the vinyl records released by Edgar Winter.

Throughout his career, Edgar Winter collaborated with various artists and musicians, showcasing his versatility and proficiency on multiple instruments, including saxophone, keyboards, synthesizer, and vocals. He also ventured into producing and writing music for other artists.

In addition to his work with The Edgar Winter Group, Edgar pursued a solo career, releasing albums that explored different genres and musical styles. His solo discography includes albums such as "Jasmine Nightdreams", "Shock Treatment", and "Mission Earth".

Over the years, Edgar Winter has remained active in the music industry, touring extensively and captivating audiences with his electrifying performances. His music continues to influence aspiring musicians and resonate with fans across generations.

Willie Dixon - acoustic bass

Walter "Shakey" Horton - harp

Karl Garin - trumpets

Stephen Ralph Sefsik - alt sax

A.Wynn Butler - tenor sax

Norman Ray - bariton sax

Track-listing of: JOHNNY WINTER - S/T Self-Titled aka Black Album

Tracklisting Side One:
  1. "I'm Yours & I'm Hers" (Johnny Winter) – 4:27
  2. "Be Careful with a Fool" (Joe Josea, B.B. King) – 5:15
  3. "Dallas" (Johnny Winter) – 2:45
  4. "Mean Mistreater" (James Gordon) – 3:53
Tracklisting Side Two:
  1. "Leland Mississippi Blues" (Johnny Winter) – 3:19
  2. "Good Morning Little School Girl" – (Sonny Boy Williamson) – 2:45
  3. "When You Got a Good Friend" (Robert Johnson) – 3:30
  4. "I'll Drown in My Tears" (Henry Glover) – 4:44
  5. "Back Door Friend" (Lightnin' Hopkins, Stan Lewis) – 2:57
"Good Morning Little School Girl" by Johnny Winter:
"Good Morning Little School Girl" by Grateful Dead:

Front Cover Photo Of JOHNNY WINTER - Self-titled Debut LP


 Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).

Photo Of The Back Cover JOHNNY WINTER - Self-titled Debut LP


JOHNNY WINTER - Self-titled Debut LP back cover
Album back cover with tracklisting, photos of band-members, liner notes by Steve Paul and production details

Personal collector notes

Johnny Winter re-issue from France:
Johnny Winter playing slide guitar
Photo of Johnny Winter playing slide guitar

In 1975 the French release on vinyl of Johnny Winter's Black Album, on the Versailles Label Ver 34160 in 1975, with a nice cover photo of Johnny playing the twelve-string Fender guitar.

Review by: Jan Williams:

I agree with you the Johnny Winter black album is by far the best. "Be Careful with a Fool" is the best song Johnny ever recorded. I love the way you can just hear Johnny's guitar breathe during that long solo. I've only heard him do this song once live and I thought I'd died and gone to heaven.

But words can't express the importance of each song on this album. Each is a masterpiece. I haven't been the same since I first heard it. It is as much a part of me as my skin or soul. It is one album that must be heard and will never leave you.

CBS Presents Johnny Winter A White Flame, Ignited by Black Blues
CBS Presents Johnny Winter A White Flame, Ignited by Black Blues album front cover
A 1970s advertisement to promote Johnny Winter's debut album

Johnny Winter a white flame ignited by black blues, an advertisement by CBS to promote his first album

Advertisement for Johnny Winter's self-titled album, from Billboard Magazine 18 April 1969
Columbia Presents Johnny Winter A White Flame, Ignited by Black Blues album front cover
1970s adversitement: Columbia Presents Johnny Winter A White Flame, Ignited by Black Blues

The hottest item outside of Janis Joplin, though still remains in Texas, continued...

The finest White Bluesman:

Johnny Winter is without doubt the finest white bluesman ever to pick up a guitar. "Be Careful With a Fool" features some of the fastest electric licks in this or any other universe, with no compromise in taste and style. At the other end of the spectrum, "Dallas" showcases Johnny's deft acoustic bottleneck playing, plus an edgy attitude. Be careful when and where you play this CD; somebody might get hurt!

Texas blues-rocker Johnny Winter is backed by Blues Legends:

On this fine 1969 set, Texas blues-rocker Johnny Winter is backed by some very authentic blues stars, legendary composer/arranger/bass player Willie Dixon among them, and harp duties are undertaken by none other than "Big" Walter Horton. Also, some of the bass playing is handled by none other than a very young Tommy Shannon - later of Stevie Ray Vaughan's backing band Double Trouble.What you think of this will probably depend a little bit on how you feel about Johnny Winter's "strangled" vocal style...he is not as bad as Black Oak Arkansas' Jim Dandy Mangrum, but he certainly wasn't a smooth singer at this point in his career (his vocals got a bit more mannered later on).Most of the music, however, is great, including the ballad "I'll Drown In My Own Tears", the groovy blues-rock of "Mean Mistreater", and Winter's take on B.B. King's "Be Careful With A Fool". But the very best (in my opinion) are the acoustic numbers "Dallas" and "When You Got A Good Friend", which feature Winter's masterful slide playing. A good, solid album, and a fine purchase for Johnny Winter-fans.

Saturday 17 May 1969 Dallas Morning News

Johnny Winter: Real Blues

JOHNNY WINTER (Columbia). This is the authentic debut album of the much talked-about albino bluesman. And it's doubtful that much production work had to go into it, for Winter's voice speaks for itself, He can sing as black as midnight and his style is straight blues, hard and heavy. His experiences and blues background are mirrored in his voice. In his own compositions (especially "Dallas" and "Leland Mississippi") as well as his true-to-form Interpretations of "Mean Mistreater," "Good Morning Little School Girl," Drawn in My Own Tears." Johnny Winter is a discovery. He's from Texas and he sings blues.

Dutch newspaper announces Johnny Winter's first CBS album as "Wittere Blues Bestaat Niet"
A Dutch newspaper announces Johnny Winter's first CBS album as Wittere Blues Bestaat Niet album front cover
A Dutch newspaper announces Johnny Winter's first CBS album as "Wittere Blues Bestaat Niet" album front cover

Ongetwijfeld één van de beste en meest dynamische bluesmensen van het ogenblik is Johnny Winter. De uit een zeer muzikaal ouderpaar geboren Johnny zag in Beaumont, Texas, op 23 febreari 1944 voor het eerst het aurdse licht. Enkele jaren na de geboorte van Johnny verhuisde de hele familie naar het gebied rond de Mississippi delta waar Johnny Winter op twaalfjarige leeftijd voor het eerst kennis maakte met de blues. Op vijftienjarige leeftijd vormde Johnny, die zichzelf inmiddels gitaar had leren spelen, zijn eerste band.

De formatie bestond uit Johnny zelf en zijn broer Edgar. Korte tijd later bleek dat de combinatie niet zo geslaagd was. Johnny zegt hierover: "Edgar is zeker geen slecht musicus maar hij is te netjes en beredeneert alles veel te veel om zo een logische opbouw van een bepaald nummer te krijgen. Ik-zelf laat mijn emoties de vrije loop waardoor het verrassingselement in een muziekstuk veel groter wordt en volgens mij ook meer inhoud krijgt."

Na het ontbinden van de formatie speelde Johnny zes jaar lang in diverse bars in de zuidelijke staten van Amerika tot op een dag de grote ontdekking van "the great Mr. Winter" volgde. Verantwoordelijke man hiervoor was Steve Paul, een bekend nachtclub eigenaar in New-York, die na een bandje van Johnny gehoord te hebben alles in het werk stelde om die "honderddertig pond wegende, scheelkijkende albino" zo spoedig mogelijk naar New York te halen. Een grote reclame-campagne zorgde ervoor dat Johnny's naam, bij diens aankomst in New-York overai een bekende klank had. Als klap op de vuurpijl bood CBS Johnny Winter een vijfjarig contract wat zeker als een bijzonderheid gezien moet worden. Johnny kan dan ook met een gerust hart de toekomst tegemoet zien.

JOHNNY WINTER - Vinyl and CD Discography and Album Cover Gallery

Johnny Winter , was an American musician, singer, songwriter, multi-instrumentalist and producer. Best known for his high-energy blues-rock albums and live performances in the late 1960s and 1970s, Winter also produced three Grammy Award-winning albums for blues singer and guitarist Muddy Waters. After his time with Waters, Winter recorded several Grammy-nominated blues albums. In 1988, he was inducted into the Blues Foundation Hall of Fame and in 2003, he was ranked 63rd in Rolling Stone magazine's list of the '100 Greatest Guitarists of All Time'. He was also known for his collaborations with other musicians, including Muddy Waters and Edgar Winter. Winter's career spanned several decades and he released numerous albums throughout his lifetime. He died on 16 July 2014.