JOHNNY WINTER AND - S/T Self-Titled - 12" Vinyl LP Album

Rick Derringer: comments on this first album with Johnny Winter: "On Johnny Winter And", I just helped Johnny to get what he wanted; he doesn't have the technical knowledge. Like "Nothing left" he didn't like it and didn't want it on the album, but I said, let me do things to it. So I did a whole bunch of things, and he really liked it in the end.

Johnny Winter recently teamed up with three ex-members of the McCoys for a tour which included the Santa Monica Civic and an album, released on the Columbia label as "Johnny WinterAhd."

It is difficult to put Winter down for his new LP, which for all its faults still proves that Winter is the most explosively brilliant electric guitarist on records-( Eric. who?). The addition of the McCoys, especially some questionable material by Rick Derringer, moves Winter away from blues and into rock. With a better band and better material, he could do very well there. As it is, he makes silk purses out 'of several sow's ears, gets-into some psychedelic guitar work .reminiscent of his brother Edgar's stunning debut album "En class="img-fluid" alt="Large Hires Photo" />trance," and tosses in enough of his own material to rescue the album.

Johnny Winter is anything but Black. What better antithetical symbol could be found to Blacks than an albino from Texas, which is what Winter is. But the music that has formed Johnny Winters talents is Black music, specifically Black Blues music. Winter talks about himself as being the super,, white freak who became an outcast because of his color and naturally found affinity with Black music. Possible.

WINTER IS the technically brilliant guitarists around, and he's vocally capable of imitations that range from Nina Simone to B.B. King. But in the back of my mind there's always been the awareness or feeling that here was somebody tryingg to be Black via vicariously Black music but never really swings too much beyond technicality simply because he's not black. Black music rises out of traditions and attitudes that are very definitely ethnic. Johnny Winter can play their music, but he could never write a SEIZE THE TIME, out of his experiences as an albino. Johnny Winter And is a rather pleasant, rather forgettable conglomeration put together by Winter and his new band McCoys. In fact, Winter has less to do with me alBum than his band does, more of the material being written by Rick Derringer than Winter. Winter seems to be tending toward a more Rock sound than the prototypical Blues which distinguished

Originally published Sunday 29 November 1970 in the Oakland Tribune.

Johnny Winter is a fine guitarist, completely astounding at times. His newest recording, "Johnny Winter And," unfortunately doesn't show it.

The slim Texan with the shoulder-length white hair is one of the most vital finds of the recent blues revival. In concert he is devastating — with flashing aggressive b l u e s , quick-fingered and bold. Recently he debuted his new band, Johnny Winter And, consisting of himself and three former members of the McCoy's: Rick Zehringer, guitar; Randy Hobbs, bass; and Randy Zehringer, drums. Winter's guitar duels with Rick Zehringer have proved, in concert, to be a breathtaking display of hard rock and blues fireworks. On record, this majesty simply doesn't show itself.

This is perhaps because in concert they play mainly old, familiar songs, ones with proven value. On the new record (Columbia C 30221), they play new songs. Only one of them, "Guess I'll Go Away," is truly outstanding. One song, "Funky Music," has a taste of guitar duos that the group performs so well in concert, but only a taste. The balance of the songs on Ihe album are mediocre, sporting an interesting melody here, a nice guitar riff there, but generally nothing of great significance. The album seems to be mixed differently -from the others. Mixing, you know, is the blending of the various instruments and voices according to prominence and accent. Previously, the guitar was mixed way up front, and the vocals more strident and bluesish. On this LP, the guiars are mixed back, in an echo effect. The album made me want to keep playing with my stereo equipment to make the guitar stop sounding as if it were coming out of another room. And the vocals are more mellow, sung as opposed to moaned as they were in his previous blues style. I prefer the Winter of Rock Blues, as in his versions of "Highway 61" and "Johnny B. Goode," or his renditions of B. B. King songs. This is what he is doing in concert now, and he has never been better. This new record, however, just doesn't match up.

"Johnny Winter And" contained one absolute masterpiece. "Rock and Roll Hoochie Koo, a song tailor made for Winter. It will always epitomise Johnny Winter; and it is one of the finest expositions of why we are all here: "Rock and Roll Hoochie koo, lawdy mama light my fuse, rock and roll hoochie koo, cone on out and spread the news..

Moving toward hard rock with the superb 'Johnny Winter And', Winter formed a versatile (and underrated) band with ex-McCoys guitarist Rick Derringer. The album comfortably ranges from the Southern-fried boogie of "Rock & Roll Hoochie Koo" to the haunting pop-psychedelia of "No Time to Love".

Johnny Winter and: While the production isn't as up with the first two albums, the performance with Johnny and Rick trading their patented licks back and forth, is something to really give a listen to. It's very interesting to hear the real and raw version of "Rock and Roll Hoochie Koo". I personally like Johnny's vocals over Rick's later version of this gem, he does on his own. There's something very unique about Johnny's vocals, that most can't come even close to. It's like he's singing like it's his last recording/perfomance, when he lays it down. "No Time To Live" really stands out, although Johnny isn't doing the vocals on that track, again every song on this album stands out well, and is a classic not to pass up.

Guitar Player Magazine - May 2000 "In addition to being a contender for one of the all-time great rock songs, "Rock and Roll Hootchie Koo" stands as a monument to the 70's most action - guitar due: Johnny Winter and Rick Derringer. In 1970, Derringer and the McCoys became Winter's first rock band-- Johnny Winter And. The band played to sold-out arenas and Winter was propelled to superstardom." The only Johnny Winter album with no blues tunes, it was cut on a single day. The rapport between Derringer and Winter is incredible! I love the funk of "Ain't That A Kindness", and the soulful vocal on "No Time To Live". But my two favorite tracks are probably "Nothing Left" and "Prodigal Son", two Winter originals that show he could write heavy tunes with the best of them. Some real Hendrix influences on several tracks. A fantastic record, but the CD is not as clear as it should be.

"Johnny Winter And" (Columbia C30221) IS the album presenting Johnny W i n t e r- and his new group, and it is by far the most interesting album he has yet released. His new group consists of Rick Derringer on vocals and guitar, Randy Hobbs on vocals and bass and Randy Z on drums (Randy Z has since been replaced). These men used to be known as The McCoys and were responsible for "Hangon Sloopy," but don't hold that against them. They're greet. Before, Johnny's groups consisted of back-up rhythm sections for his extraordinary guitar playing. Now, however, he has a real group with everyone sharing vocals. Derringer, especially, ls a very strong singer, fills a far greater range than Johnny's. Derringer also shares lead guitar with Johnny and it is often difficult to tell which is which That's how good he is The material is less interesting than the performances. This is especially evident because of the presence of the Winwood-Capaldi composition.

"Johnny Winter And" Is the latest aöbum by Johnny Winter on the Columbia CBS label. What comes after "And" is three guys named Rick Derringer. Randy Hobbs and Randy Z. Johnny Winter is still ripping away on his guitar and is doing really nice stuff on this LP. Most of the material for the album was written by guitarist Rick Derringer. but there are exceptions when they do one by Johnny Winter himself, and another by Stevie Winwood called "No Time To Live." Songs are "Rock and Roll. Hoochie Koo," "Prodigal Son," "Guess I'll Go Away," "Funky Music" and "Ain't That A Kind"

Regrettably, the absence of blues tracks within the confines of this particular album has precluded its inclusion within my personal collection, thereby resulting in the absence of any corresponding album cover photographs. Nevertheless, I have diligently curated a compendium of reviews pertaining to said album, which have been promptly disseminated across this digital platform. These reviews, in their entirety, serve as a faithful testament to the reception and appraisal bestowed upon the esteemed artist, Johnny Winter And, throughout the illustrious decade of the 1970s.

"The Progressive Blues Experiment" by Johnny Winter is a legendary 12" vinyl LP album that showcases the extraordinary talent and unique style of the American blues guitarist and singer. Recorded live at the Vulcan Gas Company, an iconic music venue in Austin, Texas,

On the self-titled debut album Johnny Winter played the blues pure and simple,. Whether it was the stinging raucous Delta music as played acoustically on "Dallas", or his savage electric attack, on "Mean Mistreater", "Be Careful With a Fool", or on Good Mornin' Little Schoolgirl'

"Johnny Winter's 'Second Winter' is a classic 12" vinyl album released in 1969 on the CBS Record label. The influential blues-rock musician's second studio album showcases his virtuosic guitar skills and soulful vocals. Featuring a mix of original compositions and covers, the record captivates listeners with its raw energy and timeless blues-rock sound, solidifying Johnny Winter's status as a music icon."

The Johnny Winter AND album is a masterclass in raw energy and virtuosic guitar playing, with Winter's and Derringer's fiery solos and soulful vocals captivating listeners. It's a timeless testament to the power and passion of blues rock music,

"And Live" by "Johnny Winter And" is a gatefold 12" LP vinyl album that showcases the legendary blues musician's electrifying live performances. Released during his peak in the 1970s, this album captures Winter's virtuosic guitar skills and soulful vocals, delivering a high-energy experience for blues enthusiasts. With a diverse tracklist and excellent sound quality, this vinyl release remains a must-have for collectors and fans of authentic live blues music.

Johnny Winter's 1973 comeback album, "Still Alive and Well," showcases the blues-rock legend's electrifying guitar work and soulful vocals. With defiant tracks like the title song and an impassioned rendition of The Rolling Stones' "Let It Bleed," this LP reached #22 on the US Billboard Charts, leaving an enduring legacy in the world of rock music.

"Saints and Sinners" is a blues-rock masterpiece released in 1974 on a 12" vinyl LP. Led by the incomparable Johnny Winter, the album features scorching guitar riffs, emotive vocals, and a soulful fusion of rock and blues. Produced by Rick Derringer, it boasts a talented lineup, including Edgar Winter, Randy Brecker, and more, creating an enduring classic that captivates listeners with its raw energy and timeless appeal.

"John Dawson Winter III" remains a shining gem in the discography of Johnny Winter. This 12" vinyl LP album from 1974 continues to captivate audiences with its timeless blues-rock sound, and it serves as a reminder of the immense talent of Johnny Winter and his band-members, Randy Jo Hobbs and Richard Hughes. Whether you're a dedicated fan or a newcomer to Johnny Winter's music, this album is a must-listen for anyone seeking to experience the magic of true blues and rock artistry.

"Johnny Winter's 'Captured Live' 12" LP delivers an authentic blues experience. Recorded during his peak in 1976, the album showcases his raw talent with scintillating guitar work and soulful vocals. The dynamic tracklist features crowd favorites like 'Boney Moronie' and 'Sweet Papa John'.

The promotional copy of Johnny Winter's "Captured Live" 12" vinyl LP album featuring Floyd Radford on rhythm guitar is a rare and coveted treasure for vinyl collectors and blues enthusiasts. This unique edition offers a glimpse into the blues legend's live performances during his prime in the 1970s.

Experience the electrifying energy of legendary musicians Johnny Winter and Edgar Winter with this thrilling 12" vinyl LP album, "Together". Explore this web-page featuring several captivating photos of the Winter brothers in their element, delivering unforgettable performances on stage.

Johnny Winter's "Nothin' but the Blues" is an album that encapsulates the very essence of the blues. With his unparalleled guitar skills and soulful vocals, Winter breathes new life into classic blues compositions while paying homage to the genre's legends.

"Johnny Winter's 'White Hot And Blue' 12" vinyl LP is a blues-rock gem featuring his soulful vocals and mesmerizing guitar skills. With a powerhouse lineup, including Edgar Winter's multi-instrumental brilliance, Pat Ramsey's haunting harmonica, and Tom Brock's captivating mandolin

"Raisin' Cain" is the title of a 1980 album by American blues musician Johnny Winter. The album features a mix of original songs and covers of classic blues songs, such as "Sweet Little Angel" and "It's My Own Fault". The album received positive reviews from critics and was well received by Winter's fans. It features a mix of rock, blues and country music.

Johnny Winter's "Guitar Slinger" on 12" vinyl LP is not just an album; it is a masterpiece that encapsulates the brilliance of one of the greatest guitarists in the history of blues rock. The Japanese release of this iconic album further solidified its status as a musical treasure, appreciated by fans across the world.

Johnny Winter's "Serious Business" remains a timeless blues masterpiece that encapsulates the raw essence of the genre. With searing guitar work, powerful vocals, and an unwavering dedication to the blues, Winter and his talented band created an album that continues to resonate with blues enthusiasts and music lovers alike.

"Johnny Winter's 'Third Degree' (1986) captivates with blues-rock brilliance. The iconic guitarist's studio album exudes raw energy and soulful vocals, showcasing his virtuosity. Featuring electrifying tracks like 'Mojo Boogie' and 'Tin Pan Alley,' it remains a timeless testament to Winter's legendary talent and continues to resonate with music enthusiasts worldwide.

"Winter of '88" is a blues-rock gem by Johnny Winter, released in 1988. With electrifying guitar work and soulful vocals, Winter returns to his musical roots, delivering an authentic and powerful experience. This album showcases Winter's enduring talent and influence

"Let Me In," Johnny Winter's 1991 album, marks a dynamic shift from MCA to Pointblank Records. With scorching guitar riffs and soulful vocals, Winter delivers an electrifying blues-rock masterpiece. Supported by skilled musicians like Billy Branch's harmonica and Dr. John's piano, the album blends emotional depth and musical diversity, cementing Winter's status as a blues legend.

"Johnny Winter's 1992 album 'Hey Where's Your Brother?' delivers electrifying blues rock, showcasing his signature guitar prowess and soulful vocals. With a mix of original tracks and inspired covers, the album captures Winter's dynamic energy and musical finesse, a testament to his influential legacy in the blues genre.

Johnny Winter's 'Live in NYC 1997' album pulses with electrifying blues and rock fusion. With searing guitar solos and soulful vocals, Winter's raw energy ignites the stage, capturing a mesmerizing night at the Bottom Line. From haunting renditions of classics to the immersive chemistry

"I'm a Bluesman" is not just an album; it's a celebration of the blues, a tribute to tradition, and a testament to the enduring power of music. Johnny Winter and Mike Welch's collaboration on this record showcases their profound understanding of the blues genre and their ability to keep its flame burning brightly. With its rich blend of original compositions and classic covers, the album is a timeless masterpiece that stands as a true reflection of the bluesman spirit.

Johnny Winter's 2011 album 'ROOTS' takes listeners on a captivating musical journey, showcasing his mastery of blues, rock, and roots genres. With soulful vocals and electrifying guitar solos, Winter pays homage to his musical influences while adding his own unique flair. This CD release is a timeless collection of tracks that capture the essence of his legendary career and demonstrate his unwavering passion for authentic, heartfelt music".

"Step Back" is the final album by blues guitarist and singer Johnny Winter. It features performances by a number of guest musicians, including Eric Clapton, Dr. John, Billy Gibbons from ZZ Top, Joe Perry from Aerosmith, Leslie West from Mountain, and Brian Setzer from the Stray Cats. It was released by Megaforce Records on 2 September 2014.

"About Blues" is a compilation album of tracks recorded with Johnny Winter on Guitar. These recordings were made before JW became famous and when he worked as a free-lance guitarist and studio guitarist. The music on this album is representative for the popular music during the early 1960s.

"Johnny Winter And" and "Johnny Winter And Live" is a 2LP vinyl album set that contains the first two albums "The Johnny Winter And" band released. The first album is a studio recording while the second album is a live recording. Both records were originally released as two separate albums.

The "Best of Johnny Winter (Japan)" is a 12" vinyl LP that compiles the finest works of the renowned blues musician. This release showcases Winter's exceptional guitar skills and powerful vocals, highlighting his contributions to the genre. With carefully selected tracks, this album offers a comprehensive overview of Winter's career,

The First Album (Blue Sky Records) is a re-issue of the first album Johnny Winter released on the CBS Record label and was also known as the Black Album. The year of release of this re-issue on Blue Sky is unknown and must after 1973 (The year Blue Sky records was formed).

Johnny Winter's "Progressive Blues Experiment" is a 12" LP vinyl album released on Sunset Liberty Records with the catalog numbers Sunset Records SLS 50264, Liberty LBS 83 240 1, and LP 12 431. This album showcases Winter's innovative approach to blues music, blending traditional elements with progressive influences.