Klaus Meine is the kind of frontman who makes a hard-rock band feel like a headline, not just a lineup. Hearing him in his prime, the sound hits like chrome in daylight: clean, sharp, and confident enough to be a little dangerous. Before Scorpions ever became a global stamp, he was already paying his dues in the local scene, including his time with the cover band Copernicus (before 1969). Then came the real chapter: Scorpions (1969–present), where he became the longtime singer and the band’s primary lyricist, the guy steering the drama with words while the guitars did the heavy lifting. On my turntable and in my notebook, Meine always reads like the same story told well: discipline, melody, and a voice built to carry a hook over a roaring room without begging for permission.