Greetings, Earthlings. It's Frank, back from beyond to illuminate the sonic freak-out that is my "Guitar" album. Brace yourselves, this ain't your mama's elevator music.
Context is Key, Kids
Released in 1988 when the world was obsessed with spandex and hairspray, "Guitar" was my defiant middle finger to the musical trends of the time. While synthesizers and drum machines reigned supreme, I unleashed a double-LP of pure, unadulterated guitar wizardry. No overdubs, no studio trickery, just raw, live recordings of my six-string assaults on unsuspecting audiences from 1979 to 1984.
Genre? What Genre?
Some call it rock, some call it jazz, others call it aural insanity. I call it music, and music doesn't adhere to labels. "Guitar" is a melting pot of styles, from blistering blues riffs to complex, dissonant soundscapes that challenge your perception of what a guitar can do. It's a musical journey that transcends categorization, just like my entire body of work.
The Usual Suspects: My Trusty Sidekicks
This sonic adventure wouldn't have been possible without the virtuosic musicians who shared the stage with me during those years. Steve Vai, Ray White, Ike Willis, Adrian Belew – these guys were my partners in crime, pushing the boundaries of musical expression and making the impossible sound effortless. The album features extended guitar duels between myself and Vai, showcasing our distinct styles and virtuosity.
Controversies? We Got 'Em
As with most of my creations, "Guitar" wasn't without its share of controversy. The album cover, featuring a nude Barbie doll crucified on a cross, raised some eyebrows and ruffled a few feathers. But hey, art should provoke thought and challenge norms, right? In addition, the album's explicit lyrics and references to sexual acts caused some radio stations to ban the album from airplay, further solidifying my reputation as a musical rebel.
The Sound Factory: Where the Magic Happened
"Guitar" was recorded in various venues across the globe, from intimate clubs to massive arenas. Each location contributed its unique sonic flavor to the mix, capturing the raw energy and spontaneity of live performance. It's a testament to the fact that great music can be made anywhere, as long as the musicians are skilled and the vibes are right. Notable tracks like "Sexual Harassment in the Workplace" and "Watermelon in Easter Hay" became fan favorites due to their unique blend of humor, technical skill, and social commentary.
Production? We Keep It Real
Forget fancy studios and state-of-the-art equipment. We captured these performances on the fly, using whatever gear was available at the time. The result is a raw, unpolished sound that captures the essence of my live shows. It's a sonic snapshot of a time when music was made with passion and a healthy dose of rebellion.
