LATEST Album Cover and Discography Updates
VIDSYN - On Frostbitten Path Beneath
On Frostbitten Path Beneath is a rare 10" gatefold vinyl by Norwegian black metal band VIDSYN, limited to just 1,000 copies. Blending cold, atmospheric soundscapes with raw black metal aggression, the album features contributions from iconic musicians and haunting artwork that reflects the frostbitten landscapes of its lyrical themes.
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VULCAIN - Big Brothers 12" Vinyl LP
The album's title, "Big Brothers", was a clear reference to the political climate of the time, with the cover art depicting the masked faces of world leaders like Ronald Reagan, Margaret Thatcher, and Mikhail Gorbachev. This imagery, combined with the band's aggressive sound, reflected the anxieties
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SATYRICON - Volcano ( 2LP Coloured Vinyl )
"Satyricon - Volcano" is a mesmerizing 2LP white colored vinyl edition of the iconic black metal album. This release showcases Satyricon's artistic evolution, blending aggressive riffs with atmospheric melodies. With its intense and haunting tracks like "Fuel for Hatred" and "Black Lava," this album immerses listeners in a sonic landscape of darkness and fire.
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WARFARE - A Conflict of Hatred
Warfare's 'A Conflict of Hatred' (1988) unchains a sonic assault of thrashing riffs and fierce rhythms. The 12" vinyl LP explores themes of chaos and aggression with raw underground energy. It's a powerful testament to the ferocity and spirit of late-'80s UK heavy metal.
A Conflict of Hatred 12" Vinyl LP
WAYSTED - Self-Titled
Released in 1984, Waysted's self-titled album captures the raw spirit of the NWOBHM era. Founded by ex-UFO bassist Pete Way, the band delivers a gritty blend of hard rock and punk energy. Produced by Leo Lyons, this Dutch pressing features standout tracks like "Rock Steady" and "Hurt So Good", and showcases a rebellious sound wrapped in iconic cover art.
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WHITE ZOMBIE - Make Them Die Slowly
Make Them Die Slowly is White Zombie’s second studio album, marking their shift from noise rock to heavy metal. Produced by Bill Laswell, it features raw energy, horror-inspired themes, and Rob Zombie’s signature visual artwork, making it a cult classic in late '80s underground metal
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WHITESNAKE - Come and Get it (Dutch & French Releases)
Whitesnake's "Come an' Get It" album is a testament to the band's prowess in delivering hard-hitting rock and blues-infused music. Released in 1981, the album showcases the songwriting and vocal talents of David Coverdale,
- Come An' Get It (1981, France) - Come and Get it (1981, Holland)
ZZ TOP - Degüello
"Degüello" showcases ZZ Top's tight fusion of blues, rock, and boogie swagger. Billy Gibbons' gritty guitar licks, Dusty Hill's punchy bass, and Frank Beard's laid-back but lethal drumming give this album its signature raw charm. It’s got swagger, bite, and that down-home Texas attitude baked into every track.
Degüello 12" Vinyl LP
THE DOORS - 13
“13” is The Doors’ first compilation LP, neatly pulling together their early hits like "Light My Fire" and "People Are Strange." A perfect intro for newcomers and a nostalgia trip for die-hards. It's Morrison, Manzarek, Krieger, and Densmore doing what they do best—bending rock into poetry and psychedelia.
13 12" Vinyl LP
Alien Sex Fiend - Here Cum Germs
“Here Cum Germs” is Alien Sex Fiend in full freak mode—electro-punk chaos wrapped in goth theatrics. Imagine a synth-drenched horror movie scored by caffeinated zombies. It's unhinged, feral, and gloriously weird. The album doesn’t just play, it attacks. Definitely not background music for tea time.
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VOIVOD - Rrröööaaarrr
“Rrröööaaarrr” is Voivod in full early-thrash berserker mode—metal with brains, teeth, and cosmic paranoia. Dissonant riffs, jazz-inspired oddities, and a sonic gut-punch courtesy of Piggy’s angular guitar work. It's ugly, smart, and completely uncompromising. This is where metal gets weird, and it's glorious.
Rrröööaaarrr 12" Vinyl LP
TURBO - Last Warrior 12" Vinyl LP
Legendary Polish metal warriors Turbo dropped "Last Warrior" in 1988—thrash fury with a Cold War edge. Their first English full-length, it's all about galloping riffs, myth-fueled lyrics, and Eastern Bloc energy kicking in your speakers. Recorded in Poland and Berlin, this one hit the scene like a flaming mace.
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SLAYER - Show No Mercy (Black & Coloured Vinyl Versions)
Slayer’s debut “Show No Mercy” hit like a chainsaw to the face in 1983. It spawned multiple colored vinyl editions and marked Metal Blade’s first thrash salvo. Brian Slagel signed the band after they shredded through Iron Maiden’s “Phantom of the Opera.” The rest is pure speed-and-satan-soaked history.
SLAYER - Show No Mercy (Black Vinyl, Netherlands) SLAYER - Show No Mercy (Grey Vinyl, UK) SLAYER - Show No Mercy (White Vinyl, UK)
HALLOWS EVE - Death and Insanity 12" Vinyl LP
Released in 1986, “Death & Insanity” finds Hallows Eve ripping through the thrash scene with Southern firepower. While West Coast bands were hogging the spotlight, these Atlanta madmen brought speed, crunch, and chaos with tracks that scream rage and despair in equal doses. Underrated? Absolutely.
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FLOTSAM AND JETSAM - No Place for Disgrace
Flotsam and Jetsam’s 1988 release brings precision thrash with real bite. “No Place for Disgrace” fuses high-speed riffage with melodic finesse, led by Eric A.K.’s soaring vocals. Featuring a surprise Elton John cover and all the fretwork you'd expect from a band that once had Jason Newsted. No fillers here.
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D.R.I. - Thrash Zone 12" Vinyl LP
“Thrash Zone” is D.R.I.’s crossover masterpiece—1989's blast of breakneck hardcore punk fused with pit-stomping thrash metal. Dirty Rotten Imbeciles nailed their formula here, with mosh-friendly chaos, social commentary, and unrelenting energy. A defining slab of late-‘80s thrashcore ferocity.
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FATES WARNING - No Exit 12" Vinyl LP
Fates Warning’s “No Exit” (1988) is a milestone in progressive metal. It marked the band's shift to deeper lyrical themes and tighter compositions, featuring the epic suite “The Ivory Gate of Dreams.” Moody, cerebral, and unafraid to shred brains and solos alike—this is thinking man's metal with bite.
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BITCH - Be My Slave
“Be My Slave” is metal theater at its boldest. BITCH, led by the fearless Betsy Bitch, blasted onto the scene with a 1983 LP that embraced shock, defiance, and razor-sharp riffs. With themes that poked the censors and vocals that demanded attention, this underground classic is as metal as leather and chains.
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OVERKILL - Taking Over (International Releases)
Overkill’s 1987 rager “Taking Over” delivered pure thrash power with Bobby Blitz’s banshee vocals and D.D. Verni’s relentless bass. Released globally on Atlantic and Noise Records, it's a stomping, fist-pumping milestone that proved East Coast thrash could slug it out with the Bay Area big dogs.
- Taking Over (1987, Canada) - Taking Over (1987, Germany) - Taking Over (1987, USA)
CORONER - No More Color
“No More Color” is Coroner at their most refined—cerebral thrash fused with prog and jazz madness. Guitarist Tommy Vetterli shreds with alien precision, while Marky’s drums pummel in polyrhythmic storms. It’s a mind-bending journey, less mosh pit, more neural overload. Thrash for philosophy majors.
CORONER - No More Color 12" Vinyl LP Album
TESTAMENT - The New Order
Testament's 1988 follow-up, “The New Order,” pushed them into thrash's upper ranks. Chuck Billy’s growls grew bolder, Alex Skolnick’s solos more searing, and the songs? Fierce. Tracks like “Trial by Fire” and “Disciples of the Watch” made it clear: Testament wasn’t playing second fiddle to anyone.
The New Order 12" Vinyl LP