Collector Notes
Notes on the team involved with the production of this album
Collector's notes ( detailed background information on the persons working on this album)
Bill Metoyer a well-known American music producer and sound engineer who has worked in the heavy metal genre. He has produced and engineered albums for a number of notable heavy metal bands, including Slayer, Armored Saint, and Cryptic Slaughter.
Metoyer is known for his expertise in capturing the raw energy and intensity of heavy metal music, and for his ability to bring out the best in the bands he works with. His work has helped to define the sound of heavy metal and has had a significant impact on the genre.
In addition to his production and engineering work, Metoyer has also been involved in other aspects of the music industry, including music education and artist development. He is highly regarded by musicians and fans alike for his contributions to the heavy metal genre, and continues to be an influential figure in the world of heavy metal music.during the 1980s he was Vice-President and in-house sound-engineer of Metal Blade Records. As such he has produced and taken care of the sound of many Heavy Metal bands. Most notable: Flotsam and Jetsam, Fates Warning, Helstar, Savage Grace, Tyrant, Slayer, Trouble, Sacred Reich, Armored Saint, Atrophy, Abattoir, Bitch, D.R.I, Dark Angel, Cryptic Slaughter, Lääz Rockit, Morbid Angel, Omen, Lizzy Borden, Mentors and many others.
Bryan Carlstrom (Brian Carlstrom) an versatile and experienced Producer and Sound Engineer in rock, hip-hop, punk, jazz, heavy metal, etc. This web-page covers the heavy metal bands and albums he has produced or engineered during the 1980s.
George Marino was a highly acclaimed Senior Mastering Engineer at Sterling Sound in New York City. Born on 15 April 1947, in the Bronx, New York, he became one of the most experienced and influential sound mastering engineers in the world. With his unparalleled expertise, Marino played a significant role in shaping the sound of countless albums across various music genres.
From a young age, Marino displayed a deep passion for music and an innate talent for audio engineering. He began his career at Capitol Records in New York, where he worked as a mastering engineer and honed his skills in audio post-production. In 1973, Marino joined Sterling Sound, a renowned mastering facility founded by Lee Hulko. It was here that he would leave an indelible mark on the music industry.
Over the years, George Marino mastered an extensive catalog of albums for a wide range of artists and musical styles. His meticulous attention to detail and exceptional ear for sound allowed him to consistently deliver exceptional quality and clarity in his work. He possessed an intuitive understanding of how to enhance the dynamics, balance, and overall sonic experience of each record he touched.
During the 1980s, a pivotal era for heavy metal music, George Marino worked on numerous influential albums in the genre. His mastering contributions to these records played a crucial role in shaping the iconic sounds of heavy metal during that decade. Some notable albums he mastered include:
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- 1. Metallica - "Master of Puppets" (1986)
- 2. Iron Maiden - "The Number of the Beast" (1982)
- 3. AC/DC - "Back in Black" (1980)
- 4. Judas Priest - "British Steel" (1980)
- 5. Slayer - "Reign in Blood" (1986)
- 6. Ozzy Osbourne - "Blizzard of Ozz" (1980)
- 7. Black Sabbath - "Heaven and Hell" (1980)
- 8. Megadeth - "Peace Sells... But Who's Buying?" (1986)
- 9. Motörhead - "Ace of Spades" (1980)
- 10. Dio - "Holy Diver" (1983)
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These albums, among many others, showcase Marino's contribution to the heavy metal genre's sonic landscape during the 1980s. His meticulous mastering work ensured that these records had the power, clarity, and impact necessary to captivate listeners and establish their enduring legacies.
George Marino's career spanned over four decades, during which he received numerous accolades for his outstanding contributions to the music industry. His expertise and mastery of sound engineering made him a highly sought-after professional, and he worked with a diverse range of artists, including AC/DC, Metallica, Guns N' Roses, Coldplay, and many more.
Tragically, George Marino passed away on 4 June 2012, leaving behind an extraordinary legacy as one of the most skilled and respected mastering engineers of his time. His dedication to his craft, meticulous attention to detail, and unparalleled expertise continue to inspire and influence audio engineers and musicians worldwide. George Marino's contributions to the art of sound mastering remain an enduring testament to his extraordinary talent and passion for music.
Michael Wagener is a renowned music producer, mixer, and engineer hailing from Hamburg, Germany. He is highly recognized for his work with numerous prominent hard rock and heavy metal bands, particularly during the late 1980s, when he achieved considerable success and acclaim for his production contributions.
Before his rise as a producer, Wagener had a musical career of his own. He was a guitarist and part of a German band called "Band X" in the pre-1970 era. Notably, Udo Dirkschneider, known for his involvement with the bands Accept and U.D.O., also performed alongside Wagener in Band X. This early collaboration between Wagener and Dirkschneider acted as a precursor to the formation of Accept, the influential German heavy metal band.
While Michael Wagener began as a guitarist for Accept, he eventually transitioned into the realm of music production, where he found his true calling. His talent, expertise, and meticulous approach to producing and mixing led him to work with some of the biggest names in hard rock and heavy metal. Wagener became highly sought after for his ability to capture the energy and power of these genres in the studio.
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In addition to his work as a music producer, mixer, and engineer, Michael Wagener is also the president of Double Trouble Productions. This production company, headed by Wagener, focuses on providing high-quality production services to various artists and bands in the music industry.
Over the years, Wagener's production credits have included collaborations with iconic bands such as Metallica, Ozzy Osbourne, Skid Row, Dokken, White Lion, and many others. His contributions to the sound and success of these bands have solidified his reputation as a prominent figure in the world of rock and metal production.
Michael Wagener's work is characterized by his meticulous attention to detail, ability to capture powerful performances, and his knack for creating an impactful and polished sound. His contributions to the music industry, particularly in the hard rock and heavy metal genres, have left a lasting imprint and have helped shape the sonic landscape of numerous iconic albums.
Scott Campbell a Freelance Sound Engineer has been engineering the vinyl albums of several Heavy Metal bands including: Sacred Reich, Flotsam And Jetsam, Bitch, Masi, Heretic, Rigor Mortis, Dr Know, Tyrant, Cryptic Slaughter
