FLOTSAM AND JETSAM - No Place for Disgrace USA Release 12" Vinyl LP Album

  "No Place for Disgrace" is the second album by Flotsam and Jetsam. It was recorded between December 1987 and February 1988 and released in 1988 . The album has been recorded and produced by an all-star team, which included: Bill Metoyer, Boris Vallejo, Brian Carlstrom, George Marino, Ken Paulakovich, Michael Wagener, Scott Campbell and others.

  "Flotsam and Jetsam" originally started in 1981 as "Paradox", in 1983 "Paradox" transformed into "Dredlox". Around 1983-1984 "Dredlox" evolved into "Dohz" and at the end of 1984 or early 1985 the band became "Flotsam and Jetsam". Band-member remaining together during this period are Edward Carlson, Eric A.K. and Kelly David-Smith.

 

Album Front Cover Photo of FLOTSAM AND JETSAM - No Place for Disgrace

Collector Notes

 Notes on the team involved with the production of this album

Collector's notes ( detailed background information on the persons working on this album)

Bill Metoyer a well-known American music producer and sound engineer who has worked in the heavy metal genre. He has produced and engineered albums for a number of notable heavy metal bands, including Slayer, Armored Saint, and Cryptic Slaughter.

 Metoyer is known for his expertise in capturing the raw energy and intensity of heavy metal music, and for his ability to bring out the best in the bands he works with. His work has helped to define the sound of heavy metal and has had a significant impact on the genre.

 In addition to his production and engineering work, Metoyer has also been involved in other aspects of the music industry, including music education and artist development. He is highly regarded by musicians and fans alike for his contributions to the heavy metal genre, and continues to be an influential figure in the world of heavy metal music.during the 1980s he was Vice-President and in-house sound-engineer of Metal Blade Records. As such he has produced and taken care of the sound of many Heavy Metal bands. Most notable: Flotsam and Jetsam, Fates Warning, Helstar, Savage Grace, Tyrant, Slayer, Trouble, Sacred Reich, Armored Saint, Atrophy, Abattoir, Bitch, D.R.I, Dark Angel, Cryptic Slaughter, Lääz Rockit, Morbid Angel, Omen, Lizzy Borden, Mentors and many others.

 

Bryan Carlstrom (Brian Carlstrom) an versatile and experienced Producer and Sound Engineer in rock, hip-hop, punk, jazz, heavy metal, etc. This web-page covers the heavy metal bands and albums he has produced or engineered during the 1980s.

George Marino was a highly acclaimed Senior Mastering Engineer at Sterling Sound in New York City. Born on 15 April 1947, in the Bronx, New York, he became one of the most experienced and influential sound mastering engineers in the world. With his unparalleled expertise, Marino played a significant role in shaping the sound of countless albums across various music genres.

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From a young age, Marino displayed a deep passion for music and an innate talent for audio engineering. He began his career at Capitol Records in New York, where he worked as a mastering engineer and honed his skills in audio post-production. In 1973, Marino joined Sterling Sound, a renowned mastering facility founded by Lee Hulko. It was here that he would leave an indelible mark on the music industry.

Over the years, George Marino mastered an extensive catalog of albums for a wide range of artists and musical styles. His meticulous attention to detail and exceptional ear for sound allowed him to consistently deliver exceptional quality and clarity in his work. He possessed an intuitive understanding of how to enhance the dynamics, balance, and overall sonic experience of each record he touched.

During the 1980s, a pivotal era for heavy metal music, George Marino worked on numerous influential albums in the genre. His mastering contributions to these records played a crucial role in shaping the iconic sounds of heavy metal during that decade. Some notable albums he mastered include:

These albums, among many others, showcase Marino's contribution to the heavy metal genre's sonic landscape during the 1980s. His meticulous mastering work ensured that these records had the power, clarity, and impact necessary to captivate listeners and establish their enduring legacies.

George Marino's career spanned over four decades, during which he received numerous accolades for his outstanding contributions to the music industry. His expertise and mastery of sound engineering made him a highly sought-after professional, and he worked with a diverse range of artists, including AC/DC, Metallica, Guns N' Roses, Coldplay, and many more.

Tragically, George Marino passed away on 4 June 2012, leaving behind an extraordinary legacy as one of the most skilled and respected mastering engineers of his time. His dedication to his craft, meticulous attention to detail, and unparalleled expertise continue to inspire and influence audio engineers and musicians worldwide. George Marino's contributions to the art of sound mastering remain an enduring testament to his extraordinary talent and passion for music.

Michael Wagener is a renowned music producer, mixer, and engineer hailing from Hamburg, Germany. He is highly recognized for his work with numerous prominent hard rock and heavy metal bands, particularly during the late 1980s, when he achieved considerable success and acclaim for his production contributions.

Before his rise as a producer, Wagener had a musical career of his own. He was a guitarist and part of a German band called "Band X" in the pre-1970 era. Notably, Udo Dirkschneider, known for his involvement with the bands Accept and U.D.O., also performed alongside Wagener in Band X. This early collaboration between Wagener and Dirkschneider acted as a precursor to the formation of Accept, the influential German heavy metal band.

While Michael Wagener began as a guitarist for Accept, he eventually transitioned into the realm of music production, where he found his true calling. His talent, expertise, and meticulous approach to producing and mixing led him to work with some of the biggest names in hard rock and heavy metal. Wagener became highly sought after for his ability to capture the energy and power of these genres in the studio.

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In addition to his work as a music producer, mixer, and engineer, Michael Wagener is also the president of Double Trouble Productions. This production company, headed by Wagener, focuses on providing high-quality production services to various artists and bands in the music industry.

Over the years, Wagener's production credits have included collaborations with iconic bands such as Metallica, Ozzy Osbourne, Skid Row, Dokken, White Lion, and many others. His contributions to the sound and success of these bands have solidified his reputation as a prominent figure in the world of rock and metal production.

Michael Wagener's work is characterized by his meticulous attention to detail, ability to capture powerful performances, and his knack for creating an impactful and polished sound. His contributions to the music industry, particularly in the hard rock and heavy metal genres, have left a lasting imprint and have helped shape the sonic landscape of numerous iconic albums.

  Scott Campbell a Freelance Sound Engineer has been engineering the vinyl albums of several Heavy Metal bands including: Sacred Reich, Flotsam And Jetsam, Bitch, Masi, Heretic, Rigor Mortis, Dr Know, Tyrant, Cryptic Slaughter

Production & Recording Information
Album Packaging

This 12" LP vinyl music record comes comes in a Fold Open Cover (FOC), which is also also known as a Gatefold cover. The inner pages of this album cover contains photos, artwork.

 Custom Inner Sleeve Text

Producers:
  • Bill Metoyer
  • "Flotsam and Jetsam"
Sound & Recording Engineers:
  • Bill Metoyer
  • Michael Wagener for Double Trouble Productions inc
Assistent Sound & Recording Engineers:
  • Matt Freeman
  • Ken Paulovich
  • Brian Carlstrom
  • Pete Magdaleno
  • Leon Johnson
  • Scott Campbell
Recording Location:

This album was recorded during December 1987 until February 1988. at the sound studios listed:

  • Music Grinder, Hollywood, CA
  • Track Record, North Hollywood, CA
  • Pacific, Chatsworth CA
  • Preferred Sound, Woodland Hills, CA
  • Enterprise, Burbank, CA ( Sound Mix )
Mastering Engineer and Location:
  • George Marino at Sterling Sound, New York City

George Marino was a highly acclaimed Senior Mastering Engineer at Sterling Sound in New York City. Born on 15 April 1947, in the Bronx, New York, he became one of the most experienced and influential sound mastering engineers in the world. With his unparalleled expertise, Marino played a significant role in shaping the sound of countless albums across various music genres.

more...

From a young age, Marino displayed a deep passion for music and an innate talent for audio engineering. He began his career at Capitol Records in New York, where he worked as a mastering engineer and honed his skills in audio post-production. In 1973, Marino joined Sterling Sound, a renowned mastering facility founded by Lee Hulko. It was here that he would leave an indelible mark on the music industry.

Over the years, George Marino mastered an extensive catalog of albums for a wide range of artists and musical styles. His meticulous attention to detail and exceptional ear for sound allowed him to consistently deliver exceptional quality and clarity in his work. He possessed an intuitive understanding of how to enhance the dynamics, balance, and overall sonic experience of each record he touched.

During the 1980s, a pivotal era for heavy metal music, George Marino worked on numerous influential albums in the genre. His mastering contributions to these records played a crucial role in shaping the iconic sounds of heavy metal during that decade. Some notable albums he mastered include:

These albums, among many others, showcase Marino's contribution to the heavy metal genre's sonic landscape during the 1980s. His meticulous mastering work ensured that these records had the power, clarity, and impact necessary to captivate listeners and establish their enduring legacies.

George Marino's career spanned over four decades, during which he received numerous accolades for his outstanding contributions to the music industry. His expertise and mastery of sound engineering made him a highly sought-after professional, and he worked with a diverse range of artists, including AC/DC, Metallica, Guns N' Roses, Coldplay, and many more.

Tragically, George Marino passed away on 4 June 2012, leaving behind an extraordinary legacy as one of the most skilled and respected mastering engineers of his time. His dedication to his craft, meticulous attention to detail, and unparalleled expertise continue to inspire and influence audio engineers and musicians worldwide. George Marino's contributions to the art of sound mastering remain an enduring testament to his extraordinary talent and passion for music.

Album Cover Design & Artwork:
  • A&R Coordination: Michael Alago
  • Album cover illustration:Boris Vallejo.
  • Cover design and layout: Dan Altwies, Kelly Smith
Photography:

Randee St. Nicholas


Music Genre:

Speed/Thrash Metal

Label & Catalognr:

Metal Blade Records – 60777-1, Elektra – 60777-1

Media Format:

Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram  

Year & Country:

1988 Made in USA

Musicians:
  • Kelly David-Smith : Drums
  • Edward Carlson : Guitars
  • Eric A.K. : Vocals
  • Troy Gregory : Bass Guitar
  • Michael Gilbert : Guitars
Tracklisting Side One:
  1. No Place for Disgrace
  2. Dreams of Death
  3. N.E. Terror
  4. Escape from Within
  5. Saturday Night's Alright for Fighting
Tracklisting Side Two:
  1. Hard on You
  2. I Live You Die
  3. Misguided Fortune
  4. P.A.A.B
  5. The Jones

High Resolution & Quality Photos
Front Cover Photo Of FLOTSAM AND JETSAM - No Place for Disgrace
High Resolution Photo #1 FLOTSAM AND JETSAM No Place for Disgrace ( USA )

Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone )

Photo Of The Back Cover FLOTSAM AND JETSAM - No Place for Disgrace
High Resolution Photo #2 FLOTSAM AND JETSAM No Place for Disgrace ( USA )
Photo of side A: FLOTSAM AND JETSAM - No Place for Disgrace
High Resolution Photo #3 FLOTSAM AND JETSAM No Place for Disgrace ( USA )
Photo of side B: FLOTSAM AND JETSAM - No Place for Disgrace
High Resolution Photo #4 FLOTSAM AND JETSAM No Place for Disgrace ( USA )