"No Place for Disgrace" is the second album by Flotsam and Jetsam. It was recorded between December 1987 and February 1988 and released in 1988 . The album has been recorded and produced by an all-star team, which included: Bill Metoyer, Boris Vallejo, Brian Carlstrom, George Marino, Ken Paulakovich, Michael Wagener, Scott Campbell and others.
"Flotsam and Jetsam" originally started in 1981 as "Paradox", in 1983 "Paradox" transformed into "Dredlox". Around 1983-1984 "Dredlox" evolved into "Dohz" and at the end of 1984 or early 1985 the band became "Flotsam and Jetsam". Band-member remaining together during this period are Edward Carlson, Eric A.K. and Kelly David-Smith.
Emerging from the vibrant thrash metal scene of the late 1980s, Flotsam and Jetsam's sophomore album, "No Place for Disgrace," solidified their position as a force to be reckoned with. Released in 1988, the album showcased a band maturing both musically and technically, delivering a blistering assault of aggression, melody, and impressive musicianship.
Historical Context
"No Place for Disgrace" arrived at a pivotal time for thrash metal. The genre was experiencing a surge in popularity, with bands like Metallica, Megadeth, Slayer, and Anthrax leading the charge. Flotsam and Jetsam, having already made a mark with their debut "Doomsday for the Deceiver," were poised to capitalize on this momentum.
Musical Exploration
The album's musical landscape is a diverse one. From the furious opener "No Place for Disgrace" to the melodic closer "Saturday Night's Alright for Fighting," Flotsam and Jetsam displayed a remarkable range. Tracks like "Dreams of Death" and "Escape from Within" showcased their knack for crafting complex song structures, while the instrumental "Hard on You" highlighted their instrumental prowess.
Controversies
The album's release was not without controversy. The decision to include a cover of Elton John's "Saturday Night's Alright for Fighting" drew criticism from some fans who felt it didn't fit the band's thrash metal image. However, the band defended their choice, citing their desire to experiment and showcase their versatility.
Recording Studio and Production
"No Place for Disgrace" was recorded at several studios, including Music Grinder Studios in Los Angeles, where Bill Metoyer, known for his work with Slayer and Sacred Reich, took the helm as producer. The album's sound is raw and powerful, capturing the energy and intensity of the band's live performances.
Frontman Eric A.K.
Leading the charge was vocalist Eric A.K., whose distinctive high-pitched screams became a trademark of Flotsam and Jetsam's sound. His lyrics, often dealing with dark and introspective themes, added depth and complexity to the album's overall impact.
This 12" LP vinyl music record comes comes in a Fold Open Cover (FOC), which is also also known as a Gatefold cover. The inner pages of this album cover contains photos, artwork.
Custom Inner Sleeve Text
Bill Metoyer a well-known American music producer and sound engineer who has worked in the heavy metal genre. He has produced and engineered albums for a number of notable heavy metal bands, including Slayer, Armored Saint, and Cryptic Slaughter.
Metoyer is known for his expertise in capturing the raw energy and intensity of heavy metal music, and for his ability to bring out the best in the bands he works with. His work has helped to define the sound of heavy metal and has had a significant impact on the genre.
In addition to his production and engineering work, Metoyer has also been involved in other aspects of the music industry, including music education and artist development. He is highly regarded by musicians and fans alike for his contributions to the heavy metal genre, and continues to be an influential figure in the world of heavy metal music.during the 1980s he was Vice-President and in-house sound-engineer of Metal Blade Records. As such he has produced and taken care of the sound of many Heavy Metal bands. Most notable: Flotsam and Jetsam, Fates Warning, Helstar, Savage Grace, Tyrant, Slayer, Trouble, Sacred Reich, Armored Saint, Atrophy, Abattoir, Bitch, D.R.I, Dark Angel, Cryptic Slaughter, Lääz Rockit, Morbid Angel, Omen, Lizzy Borden, Mentors and many others.
Michael Wagener is a renowned music producer, mixer, and engineer hailing from Hamburg, Germany. He is highly recognized for his work with numerous prominent hard rock and heavy metal bands, particularly during the late 1980s, when he achieved considerable success and acclaim for his production contributions.
Before his rise as a producer, Wagener had a musical career of his own. He was a guitarist and part of a German band called "Band X" in the pre-1970 era. Notably, Udo Dirkschneider, known for his involvement with the bands Accept and U.D.O., also performed alongside Wagener in "Band X". This early collaboration between Wagener and Dirkschneider acted as a precursor to the formation of Accept, the influential German heavy metal band.
While Michael Wagener began as a guitarist for Accept , he eventually transitioned into the realm of music production, where he found his true calling. His talent, expertise, and meticulous approach to producing and mixing led him to work with some of the biggest names in hard rock and heavy metal. Wagener became highly sought after for his ability to capture the energy and power of these genres in the studio.
In addition to his work as a music producer, mixer, and engineer, Michael Wagener is also the president of Double Trouble Productions. This production company, headed by Wagener, focuses on providing high-quality production services to various artists and bands in the music industry.
Over the years, Wagener's production credits have included collaborations with iconic bands such as Metallica, Ozzy Osbourne, Skid Row, Dokken, White Lion, and many others. His contributions to the sound and success of these bands have solidified his reputation as a prominent figure in the world of rock and metal production.
Michael Wagener's work is characterized by his meticulous attention to detail, ability to capture powerful performances, and his knack for creating an impactful and polished sound. His contributions to the music industry, particularly in the hard rock and heavy metal genres, have left a lasting imprint and have helped shape the sonic landscape of numerous iconic albums.
Bryan Carlstrom (Brian Carlstrom) an versatile and experienced Producer and Sound Engineer in rock, hip-hop, punk, jazz, heavy metal, etc. This web-page covers the heavy metal bands and albums he has produced or engineered during the 1980s.
Scott Campbell a Freelance Sound Engineer has been engineering the vinyl albums of several Heavy Metal bands including: Sacred Reich, Flotsam And Jetsam, Bitch, Masi, Heretic, Rigor Mortis, Dr Know, Tyrant, Cryptic Slaughter
This album was recorded during December 1987 until February 1988. at the sound studios listed:
George Marino: legendary mastering engineer behind iconic albums by Metallica, AC/DC, and more. Explore his life and groundbreaking career in music.
Randee St. Nicholas
Speed/Thrash Metal
Metal Blade Records – 60777-1, Elektra – 60777-1
Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram
1988 Made in USA
Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone )