SLAYER - Show No Mercy - White Vinyl 12" Vinyl LP Album
- Slayer’s Ferocious Debut: The Birth of Thrash Metal Chaos on Limited Edition White Vinyl
This limited edition white vinyl pressing of Show No Mercy is a blistering relic of thrash metal’s unholy birth. Slayer’s 1983 debut, released via Metal Blade and produced by Brian Slagel, rips through speed-driven riffs, demonic solos, and Araya’s raw, commanding wails. Tracks like "Evil Has No Boundaries" and "The Antichrist" set the stage for the band’s reign. The white vinyl pressing adds an eerie, collector’s charm to this thrash milestone.
The thrash metal genre has birthed some of the most iconic and influential bands in the history of heavy metal music. Among these titans stands Slayer, an American thrash metal band that has left an indelible mark on the genre. Their debut album, "Show No Mercy", is a relentless onslaught of aggression and raw power, and the limited edition white vinyl release adds an extra layer of allure to this seminal record.
"Show No Mercy" holds a special place in the hearts of Slayer fans worldwide as it is the band's first officially released album. It emerged during the early days of thrash metal when the genre was still taking shape and finding its unique identity. Produced by Brian Slagel, the founder of Metal Blade Records, this album captures the band's ferocious energy and sets the stage for their subsequent groundbreaking releases.
The sound and recording engineers, Bill Metoyer, John Araya, and Marc Abrahams, worked tirelessly to ensure that the album's production quality matched the intensity of Slayer's performance. The recording took place at Track Record Studios in Los Angeles, California, where the band unleashed their unrelenting fury upon the unsuspecting world.
The album cover design, credited to Steve Craig and Lawrence R. Reed, adds to the aura of darkness and menace that surrounds Slayer's music. Lawrence R. Reed's artwork perfectly encapsulates the band's image and complements the brutal nature of the music contained within the album.
The tracklist of "SLAYER - Show No Mercy (White Vinyl)" showcases the band's mastery of aggressive riffs, blistering solos, and relentless drumming. Side One kicks off with "Evil Has No Boundaries", a sonic assault that announces Slayer's arrival with a punishing intensity. The album continues with "The Antichrist", "Die by the Sword", "Fight Till Death", and "Metalstorm / Face the Slayer", each track building upon the dark atmosphere and delivering relentless headbanging-worthy thrash metal.
Flipping the record to Side Two reveals even more auditory carnage. "Black Magic" continues the assault, followed by the bone-crushing "Tormentor". The album then progresses to "The Final Command", "Crionics", and finally culminates with the eponymous track "Show No Mercy". Each song stands on its own as a testament to Slayer's ability to blend aggression, technicality, and sheer power into a potent sonic concoction.
The limited edition white vinyl release of "Show No Mercy" adds an extra layer of collectability to an already legendary album. The white vinyl not only enhances the visual appeal of the record but also reflects the purity and intensity of Slayer's music. It serves as a tangible embodiment of the band's uncompromising approach to their craft and their dedication to pushing the boundaries of the thrash metal genre.
Collector's attributes: This section contains detailed information to be able to uniquely identify this particular version/release of the album SLAYER - Show No Mercy (White Vinyl)
Album cover design:
Gatefold cover
Barcode:
803341301245
Inside pages of the gatefold cover:
On the left page of the inside cover are lyrics of all the songs. On the right pages there are photos of Slayer on stage.
Labels
Side One:
Slayer logo
Side Two:
Tracklisting for side one and side two
Matrix code / run-out grooves
Side One:
81725E1/B
Side Two::
81725E2/A
Album Production Information:
The album: "SLAYER - Show No Mercy (White Vinyl)" was produced by:
Slayer, Brian Slagel
Brian Slagel – Producer, Record Company Owner
Founder of Metal Blade Records and one of the prime movers behind the 1980s heavy metal underground, responsible for bringing countless cult bands into the daylight.
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Brian Slagel is widely regarded as one of the key architects of modern heavy metal. In 1982, he founded Metal Blade Records, initially as a passion project to document the rising underground scene. The label quickly became a launchpad for bands such as Metallica, Slayer, Mercyful Fate, and Trouble, helping transform tape-trading obscurities into global forces. Alongside his role as a label head, Slagel also worked as a producer with acts like Flotsam and Jetsam, Exciter, and Trouble, leaving a lasting imprint on the sound and infrastructure of 1980s metal.
Sound/Recording Engineer(s):
Bill Metoyer , John Araya, Marc Abrahams
Bill Metoyer – Producer, Sound Engineer
Legendary Metal Blade in-house producer who helped define the raw, aggressive sound of 1980s heavy metal.
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Bill Metoyer is a highly influential producer and sound engineer whose work became a cornerstone of American heavy metal in the 1980s. As Vice President and in-house engineer at Metal Blade Records, he was directly responsible for capturing the raw intensity and unpolished power of bands like Slayer, Armored Saint, and Flotsam and Jetsam. His production style favored clarity without sanding off the aggression, helping underground metal sound dangerous, immediate, and unmistakably alive.
This album was recorded at:
Track Record Studios, Los Angeles, California
Album cover design:
Steve Craig, Lawrence R. Reed
Album cover artwork: Lawrence R. Reed
Record Label & Catalognr:
Back On Black - BOBV154LP
Media Format:
12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 280 gram
Year & Country:
2009 UK
Personnel/Band Members and Musicians on: SLAYER - Show No Mercy (White Vinyl)
Band-members, Musicians and Performers
Tom Araya - bass, vocals
Tom Araya – Bass Guitar, Vocals
Founding voice and bass anchor of Slayer, known for his ferocious delivery, stark lyrical themes, and a presence that helped define thrash metal at its most extreme.
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Tom Araya is a Chilean-American bassist and vocalist best known as the frontman of Slayer, one of thrash metal’s most influential and uncompromising bands. Joining the group in 1981, Araya combined rapid-fire bass lines with an unmistakable vocal attack that ranged from snarled shouts to near-spoken menace. Albums such as Reign in Blood, South of Heaven, and Seasons in the Abyss cemented his reputation as a defining voice of extreme metal, while his lyrics often explored war, violence, religion, and the darker edges of human psychology. His role in shaping Slayer’s sound and image remains foundational to the genre.
Founding guitarist and primary architect of Slayer’s most ruthless material, known for razor-sharp riffs, unsettling themes, and a songwriting style that pushed thrash metal into darker territory.
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Jeff Hanneman was a founding member and guitarist of Slayer and one of the most influential riff writers in extreme metal. Drawing inspiration from punk, hardcore, and war history, his playing favored speed, tension, and brutal simplicity over technical flash. Hanneman co-wrote many of the band’s defining songs, including Angel of Death, Raining Blood, and War Ensemble, helping shape albums such as Reign in Blood and Seasons in the Abyss. His uncompromising approach and dark lyrical focus left a permanent mark on thrash metal’s sound and attitude.
Co-founding guitarist of Slayer, known for his relentless riffing, chaotic solo style, and an approach to thrash metal that favored aggression over polish.
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Kerry King is an American guitarist and songwriter best known as a founding member of Slayer, formed in 1981. His playing style is defined by rapid-fire tremolo riffs, atonal dive-bomb solos, and an unapologetically abrasive tone that helped push thrash metal toward its extreme edge. King co-wrote many of the band’s most recognizable songs, contributing decisively to landmark albums such as Reign in Blood, South of Heaven, and Seasons in the Abyss. His aggressive musical vision and confrontational stage presence became core elements of Slayer’s identity and long-term influence.
Revolutionary metal drummer whose speed, precision, and groove redefined what thrash metal drumming could physically do.
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Dave Lombardo is a Cuban-American drummer best known for his work with Slayer, where his explosive double-bass technique and razor-sharp timing set new standards for extreme metal percussion. Joining the band in the early 1980s, Lombardo’s playing became a defining force on albums such as Reign in Blood, South of Heaven, and Seasons in the Abyss, blending raw speed with unexpected rhythmic complexity. Outside of Slayer, he expanded his range through collaborations with Fantômas, Testament, and Suicidal Tendencies, proving his versatility well beyond thrash. His influence on modern metal drumming is both technical and unavoidable.
Complete Track-listing of the album "SLAYER - Show No Mercy (White Vinyl)"
The detailed tracklist of this record "SLAYER - Show No Mercy (White Vinyl)" is:
Track-listing Side One:
Evil has no Boundaries
The Antichrist
Die by the Sword
Fight till Death
Metalstorm / Face the Slayer
Track-listing Side Two:
Black Magic
Tormentor
The Final Command
Crionics
Show no Mercy
High Quality Photo of Album Front Cover "SLAYER - Show No Mercy (White Vinyl)"
The Show No Mercy album cover is an absolute, fire-breathing baptism into the unholy world of early Slayer. It’s a menacing spectacle, drenched in classic 1980s metal iconography, where subtlety is a foreign concept. The background is pure darkness, a void punctuated only by flames that spell out the album title in wicked, slithering letters, as if scrawled by Lucifer himself.
Front and center, there’s a demonic, muscular, goat-headed warrior wielding a gleaming sword, draped in crimson and black, exuding a mix of Conan the Barbarian and Satanic overlord energy. His legs are clad in spiked black boots, his wrists shackled in spiked cuffs, and the belt on his waist? It straight-up says “HEAVY” because Slayer is not here for pleasantries—they are here to destroy.
To the left, Slayer’s iconic pentagram logo, forged out of interlocking swords, bleeds into the composition, a declaration of war against the meek. The entire piece is soaked in that early-‘80s underground metal aesthetic—brutal, aggressive, and defiant. This cover wasn’t just artwork; it was an invitation to the abyss, a call to arms for headbangers ready to pledge allegiance to the sound of thrash metal’s emerging gods.
If you saw this in a record store in December 1983, you knew you were about to experience something extreme, something dangerous. And let’s be honest—you bought it immediately.
Album Back Cover Photo of "SLAYER - Show No Mercy (White Vinyl)"
The back cover of Slayer's "Show No Mercy" White Vinyl reissue. It features the album's tracklist, split into two sections labeled "6" and "66," referencing the band's dark themes. Below the tracklist, four live performance photos of Slayer members—Tom Araya (bass/vocals), Kerry King (lead/rhythm guitar), Jeff Hanneman (lead/rhythm guitar), and Dave Lombardo (drums)—are displayed, each framed in red. The "Back On Black" logo is positioned at the bottom, signifying the reissue label. The layout exudes classic early thrash metal aesthetics with black and red tones.
Inner Sleeve of "SLAYER - Show No Mercy (White Vinyl)" Album
The inner sleeve of Slayer's "Show No Mercy" White Vinyl reissue. This layout presents the full lyrics to all tracks in red and white text against a black background, reflecting the band's signature aesthetic. The left and center columns contain the lyrics to songs like "Evil Has No Boundaries," "Die by the Sword," and "Black Magic," while the right column features album credits, acknowledgments, and production details. The classic design enhances the raw, aggressive atmosphere of Slayer’s debut album.
Photo of "SLAYER - Show No Mercy (White Vinyl)" Album's Inner Sleeve
The gatefold of Slayer's "Show No Mercy" White Vinyl reissue, featuring a collection of black-and-white photographs from the band's early live performances. The left side contains the album’s lyrics in red and white text against a black background, while the right side showcases intense concert shots of Jeff Hanneman, Kerry King, Tom Araya, and Dave Lombardo in action. Additional images capture backstage moments and fan interactions, immersing the viewer in the raw energy of Slayer’s formative years. This layout enhances the vintage thrash metal aesthetic of the release.
Photo of "SLAYER - Show No Mercy (White Vinyl)" 12" LP Record - Side One:
The white vinyl record of Slayer's "Show No Mercy" reissue, showcasing the Side B label. The label prominently features Slayer's iconic pentagram logo, created with interlocked swords, and the band's blood-red logo at the center. Encircled by four horned demon heads, the design reinforces the album’s dark, Satanic imagery. The stark contrast between the black label and the white vinyl enhances the striking, minimalist aesthetic of this limited-edition pressing, appealing to both die-hard Slayer fans and vinyl collectors.
Photo of "SLAYER - Show No Mercy (White Vinyl)" 12" LP Record - Side Two:
The white vinyl record of Slayer's "Show No Mercy" reissue, displaying the Side A label. The label features the band's classic red logo at the top, with track details printed in red and white against a black background. The "Back On Black" logo at the bottom signifies the label responsible for this reissue. The stark contrast between the white vinyl and the dark label design enhances the album’s visual impact, making it a striking collectible for thrash metal fans and vinyl enthusiasts alike.
"Black Serenade" is not an official Slayer album. Released in Germany, it compiles various bonus tracks and B-sides, likely sourced from singles and EPs. While the vinyl itself might be a collector's item
Slayer’s Christ Illusion (2006) marked the return of drummer Dave Lombardo and showcased the band’s aggressive thrash sound. Featuring Grammy-winning tracks ‘Eyes of the Insane’ and ‘Final Six,’ the album’s controversial Larry Carroll artwork and themes of war and religion cement it as a standout in Slayer’s legendary discography.
One of the standout features on "Diabolus in Musica" is the songwriting contributions of guitarist Jeff Hanneman. Known for his powerful riffs and dark lyrical themes, Hanneman's influence is palpable throughout the record.
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The album opens with the track "Darkness of Christ," which features a sample from a speech by actress Gina Gershon in the film "Bound." This sample sets the stage for the rest of the album, as it is a chilling and ominous
Slayer's 1984 EP "Haunting the Chapel" showcased their evolving thrash metal sound. Despite sharing the same haunting cover as the US release, the Canadian Banzai 12" Vinyl LP edition holds collector's appeal
Released in 1985, "Hell Awaits" was the sophomore album from Slayer, following their debut opus, "Show No Mercy." It marked a significant evolution in their sound, as they delved deeper into the dark and macabre territories
Slayer's "Live in Montreux - 2002" captures their fiery 2002 performance at the Swiss Jazz Festival. This double LP unleashes thrash anthems like "Raining Blood" and "Angel of Death" on hot wax,
A feral snapshot of Slayer at the moment they stopped warming up and started burning cities. This limited blue vinyl pairs the raw, chaotic violence of the “Live Undead” EP with the studio brutality of “Haunting the Chapel,” capturing the band just before thrash metal fully detonated. Fast, ugly, and gloriously unpolished, this release documents Slayer’s transition from underground menace to genre-defining force.
SLAYER - Reign in Blood
Slayer’s Reign in Blood (1986) is a thrash metal masterpiece renowned for its relentless speed and aggression. Featuring iconic tracks like ‘Angel of Death’ and ‘Raining Blood,’ the album set a new standard for the genre. Its dark themes and technical brilliance earned critical acclaim, making it a landmark release in heavy metal history and a pivotal influence on countless bands.
This album Seasons in the Abyss is the fifth studio album by American thrash metal band Slayer. It was released on 9 October 1990, through Def American Records, and later through American Recordings
"Show No Mercy" Three different versions of coloured vinyl, originally released in December 1983. Brian Slagel signed the band to Metal Blade after watching the band perform the song "Phantom of the Opera" by Iron Maiden.
Slayer’s 1988 album South of Heaven slowed their thrash assault for a darker, atmospheric sound without losing intensity. Featuring “Mandatory Suicide” and the title track, it pushed the genre’s boundaries and cemented the band’s status as metal innovators.
