URIAH HEEP - INNOCENT VICTIM 12" Vinyl LP Album

German Release

"Innocent Victim" is the 1977 studio album by the English rock band Uriah Heep. The album marked a departure from the band's earlier, heavier sound and showcased a more polished and commercial style. The album features a mix of hard rock, progressive rock, and arena rock elements, and includes songs such as "Free Me," "Roller," and "The Dancing Ground."

"Innocent Victim" was well-received by fans and critics and is considered by many to be one of Uriah Heep's most successful albums. The album reached the top 20 in the UK album charts and helped to establish the band as a major force in the rock world. The album's more commercial sound and tighter production helped to broaden the band's appeal and attract a wider audience.

 

Uriah Heep's 1977 album "Innocent Victim" marked a shift in their musical style. The cover, designed by David Shortt, features an iconic full-page snake head with a large red mouth and tongue, illustrated by John Holmes. This visual element, in tandem with the album's departure from the band's heavier sound, contributes to the album's significance in showcasing artistic evolution within the rock music landscape during its release period.

"Innocent Victim" Album Description:

Uriah Heep, the venerable English rock band, took a bold step with their 1977 studio album, "Innocent Victim." Departing from their earlier, heavier sound, the album presented a more refined and commercially oriented musical direction. This evolution marked a significant chapter in the band's discography, contributing to the dynamic landscape of music during its release period.

The album's cover design, crafted by David Shortt, features a striking snake illustration by John Holmes. The artwork, executed by Leaderline Artists under the direction of Steve Ridgeway, adds a visually captivating element to the musical experience. The synergy between the album's sonic exploration and visual representation reflects the artistic depth that Uriah Heep sought to achieve with "Innocent Victim."

Musically, the album is a tapestry of genres, seamlessly blending hard rock, progressive rock, and arena rock elements. This amalgamation of styles showcased the band's versatility and willingness to embrace new sonic territories. Against the backdrop of the late 1970s music scene, Uriah Heep's departure from their traditional sound exemplified a spirit of experimentation that resonated with the evolving tastes of the audience.

"Innocent Victim" houses notable tracks that have left an indelible mark on Uriah Heep's legacy. The song "Free Me" stands out with its emotive vocals and powerful instrumentation, offering a glimpse into the band's ability to create impactful ballads. "Roller" injects a dose of energy with its upbeat tempo and catchy hooks, while "The Dancing Ground" demonstrates the band's proficiency in crafting intricate and dynamic compositions.

Distributed in Germany in 1977, the album found its way into the hands of a diverse audience, contributing to Uriah Heep's international recognition. The decision to release the album in Germany adds an interesting dimension to its contextual significance, as it reflects the band's global reach and impact.

Music Genre:  Prog Rock
Album Packaging / Information:
 

Produced by Gerry Bron & Ken Hensley,

Gerry Bron was a prominent British music producer and manager, best known for his contributions to the music industry during the 1970s and 1980s. Born on 1 September 1933, in Hendon, Middlesex, England, Bron played a significant role in shaping the careers of numerous successful artists and bands.

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Bron began his journey in the music industry in the early 1960s when he co-founded the music management and publishing company, RAK Music. The company represented several notable songwriters, including Jonathan King, who achieved success with hits like "Everyone's Gone to the Moon". RAK Music quickly gained a reputation for its ability to spot and nurture talent.

In the late 1960s, Bron expanded his endeavors into record production, establishing himself as a highly respected producer. He worked with a diverse range of artists across various genres, including progressive rock, folk, and hard rock. Some of his earliest notable production credits included albums by Manfred Mann, including their breakthrough hit, "Mighty Quinn", and The Move's album "Shazam".

One of Bron's most significant collaborations was with the influential progressive rock band, Uriah Heep. He signed them to his management company and produced many of their albums, including "Demons and Wizards", "The Magician's Birthday", and "Sweet Freedom". These albums helped solidify Uriah Heep's place in the progressive rock genre and contributed to their global success.

As a producer, Bron was known for his meticulous attention to detail and his ability to bring out the best in artists. He had a knack for capturing the essence of a band's sound and translating it into successful records. His production style often emphasized strong melodies, powerful instrumentation, and lush vocal harmonies.

In addition to his work with Uriah Heep, Bron produced albums for other notable acts, such as Colosseum, Osibisa, and Hawkwind. He also played a pivotal role in the career of British folk-rock legend, Al Stewart, producing some of his most successful albums, including "Year of the Cat" and "Time Passages".

Throughout his career, Bron maintained a keen entrepreneurial spirit. In 1972, he founded his own record label, Bronze Records, which became renowned for its roster of talented artists. The label achieved significant success with bands like Motörhead, Manfred Mann's Earth Band, and The Damned.

Tragically, Gerry Bron passed away on June 19, 2012, at the age of 78. His contributions to the music industry left an indelible mark, and his work as a producer and manager continues to inspire aspiring musicians and industry professionals to this day. His dedication to nurturing talent and his ability to create timeless music remain a testament to his lasting influence on the music industry.

Gerry Bron did have his own record company. In 1972, he founded Bronze Records, which became an influential label in the music industry.

Bronze Records was known for its diverse roster of artists and its commitment to promoting unique and innovative music. The label signed a wide range of acts spanning various genres, including rock, folk, and punk. Some of the notable artists signed to Bronze Records included Uriah Heep, Motörhead, Manfred Mann's Earth Band, The Damned, Girlschool, and Juicy Lucy.

Under Bron's leadership, Bronze Records achieved significant commercial success. The label released a string of hit records and albums that resonated with audiences and garnered critical acclaim. Motörhead's albums, such as "Ace of Spades" and "Overkill," became iconic within the heavy metal genre, while Manfred Mann's Earth Band achieved chart success with their covers of songs like "Blinded by the Light" and "Davy's on the Road Again."

Bronze Records' commitment to fostering talent and embracing new sounds was instrumental in its success. The label's reputation for quality music and its ability to identify promising artists made it a sought-after destination for both established and emerging acts.

Gerry Bron's ownership of Bronze Records allowed him to exert greater creative control over the production and distribution of his artists' music. This autonomy enabled him to further shape and influence the careers of the musicians under his wing.

Although Gerry Bron passed away in 2012, Bronze Records' legacy endures as a testament to his entrepreneurial spirit and his commitment to championing exceptional talent. The label played a pivotal role in shaping the music landscape of its time and continues to be remembered as an influential force in the industry.

 

Engineer: Peter gallen, John Gallen, Julian Cooper.

Recorded at the Roundhouse Recording Studios London, July-September 1977,

Cover Design: David Shortt. Snake

illustration by John Holmes,

Artwork; Leaderline Artists/Steve Ridgeway  

Label & Catalognr Information:
Bronze 25 543 XOT
Media Format:
  12 " Vinyl LP Record  
Year & Country:
  1977 Made in Germany
Band Members and Musicians on: URIAH HEEP Innocent Victim
Track Listing of: URIAH HEEP Innocent Victim

    Side One:
  1. Keep on Ridin'
  2. Flyin' High
  3. Roller
  4. Free 'n' Easy
  5. Illusion
    Side Two:
  1. Free Me
  2. Cheat 'n' Lie
  3. The Dance
  4. Choices
Photos of the LP's cover: URIAH HEEP Innocent Victim

High Resolution Photos of uriah heep innocent victim germany  

High Resolution Photos of uriah heep innocent victim germany  

High Resolution Photos of uriah heep innocent victim germany  

High Resolution Photos of uriah heep innocent victim germany  

 

Index of URIAH HEEP - 1970-1980s Vinyl Record Discography and Album Covers

David Byron (Real-name: David Garrick; 29 January 1947 - 28 February 1985) was an English rock singer best known as the lead vocalist for the progressive rock band Uriah Heep.

Byron was born in Epping, Essex, England, and started his music career in the mid-1960s as the lead singer for several local bands. In 1969, he joined Uriah Heep, which was then known as Spice, and became the band's lead vocalist. With Byron on board, Uriah Heep quickly gained a reputation as one of the leading progressive rock bands of the early 1970s, and released a string of successful albums, including "Very 'eavy... Very 'umble" (1970), "Salisbury" (1971), and "Demons and Wizards" (1972).

Byron's distinctive voice and powerful stage presence helped make Uriah Heep one of the most popular and influential hard rock bands of the 1970s. He was known for his soulful, blues-influenced delivery and his ability to convey emotion through his singing. He also wrote some of the band's most memorable lyrics, including those for the songs "Lady in Black" and "The Wizard".

Despite his success with Uriah Heep, Byron struggled with personal issues and alcohol abuse, and eventually left the band in 1976. He continued to perform and record music with several other bands, but he never achieved the same level of success he had with Uriah Heep. He died in 1985 at the age of 38 due to a liver failure caused by his alcohol abuse.

David Byron is remembered as one of the greatest hard rock vocalists of his time and a key figure in the development of the progressive rock genre. His contributions to Uriah Heep and his powerful, soulful voice continue to inspire new generations of musicians and fans.

Ken Hensley (Real-name: Kenneth William David Hensley , 1945-2020) was an English musician, singer, songwriter, and producer best known as a former member of the progressive rock band Uriah Heep.

Hensley was born in London, England, and started his music career in the early 1960s as a member of several local bands. In 1969, he joined Uriah Heep and became the band's keyboardist, guitarist, and songwriter. With Hensley on board, Uriah Heep released a string of successful albums, including "Very 'eavy... Very 'umble" (1970), "Salisbury" (1971), and "Demons and Wizards" (1972).

Hensley was an important creative force in Uriah Heep, writing many of the band's most popular and enduring songs, such as "Lady in Black", "The Wizard", and "Easy Livin'". He also played keyboards, guitar, and sang backup vocals, and his contributions helped make Uriah Heep one of the most popular and influential hard rock bands of the 1970s.

After leaving Uriah Heep in 1980, Hensley continued to perform and record music as a solo artist and with various other bands. He also worked as a producer and collaborated with several other musicians and bands. Throughout his career, Hensley has been known for his versatility as a musician and his ability to write and perform music in a variety of styles, including rock, blues, soul, and pop.

Ken Hensley is remembered as one of the most talented and influential musicians of the progressive rock era, and his contributions to Uriah Heep and his solo work continue to inspire new generations of musicians and fans.

Mick Box (born Michael Frederick Box; 17 December 1947) is an English musician and guitarist best known as a founding member and lead guitarist of the progressive rock band Uriah Heep.

Box was born in London, England, and started his music career in the late 1960s as a member of several local bands. In 1969, he co-founded Uriah Heep and became the band's lead guitarist and one of its main songwriters. With Box on board, Uriah Heep released a string of successful albums, including "Very 'eavy... Very 'umble" (1970), "Salisbury" (1971), and "Demons and Wizards" (1972).

Box's distinctive guitar playing, characterized by his fluid, blues-influenced style and his ability to create powerful, memorable riffs and solos, was a major factor in the band's success. He also wrote many of Uriah Heep's most popular and enduring songs, such as "Lady in Black", "The Wizard", and "Easy Livin'".

Despite lineup changes and shifting musical trends, Box has remained with Uriah Heep for over five decades, making him one of the longest-serving members of the band. He continues to perform and record music with Uriah Heep, and is widely regarded as one of the greatest and most influential hard rock guitarists of all time.

Mick Box is remembered as a pioneering figure in the progressive rock genre, and his contributions to Uriah Heep and his influential guitar playing continue to inspire new generations of musicians and fans.

Paul Newton is a former bassist for the English rock band Uriah Heep. Newton was a member of Uriah Heep during their early years, playing on the first three albums, "Very 'eavy... Very 'umble" (1970), "Salisbury" (1971), and "Look at Yourself" (1971). After leaving the band, he went on to play with other musicians and bands in the rock and blues genres. Little else is known about him.

Keith Baker a drummer who has played with several notable bands and musicians. He is best known for his time as the drummer for the English rock band Uriah Heep.

Baker joined Uriah Heep in 1976 and was a member of the band for several years, appearing on several of their albums including "Innocent Victim" (1977) and "Fallen Angel" (1978). During his time with the band, he helped to solidify their sound and was an important part of their live performances.