URIAH HEEP - ABOMINOG 12" Vinyl LP Album

- Redefining Hard Rock: Uriah Heep’s Bold Leap into the 80s with Abominog

Album cover of Uriah Heep’s Abominog featuring a fiery red background with a demonic, horned creature snarling. The creature has sharp teeth, a dripping tongue, and an intense, menacing expression. The band’s name is written in a gothic-style font at the top, and the album title, Abominog, is in a dripping black script at the bottom.

Uriah Heep's 'Abominog' isn't just another album, it's a statement. Released in 1982, it marked a bold new chapter for the band. Gone were the prog-rock complexities of their earlier work, replaced by a streamlined, hard-hitting sound tailor-made for the 80s. But don't mistake this for a sell-out - 'Abominog' still delivers the soaring vocals, infectious melodies, and instrumental prowess that Heep fans crave.

Uriah Heep Abominog
Album Description:

The 1982 Uriah Heep Abominog album is a classic heavy metal album that has been revered by fans for over four decades. The album's dark, ominous tone and powerful vocals have earned it a place in the pantheon of classic rock albums.

The Abominog album opens with the thunderous "Too Scared to Run", which sets the tone for the rest of the album. The song's driving guitar riffs and powerful vocals showcase Uriah Heep's raw energy and intensity. Other standout tracks include the haunting ballad "Prisoner" and the epic "Hot Persuasion", which features a soaring guitar solo that is sure to get your blood pumping.

One of the most interesting aspects of Abominog is how it blends different musical styles. The album features elements of heavy metal, hard rock, and even progressive rock, creating a unique sound that is unmistakably Uriah Heep. The band's signature use of Hammond organ and synthesizers adds a layer of complexity to the music, while the hard-hitting guitar riffs and pounding drums give the album its driving energy.

The album's cover art is equally impressive, featuring a monster-like creature with glowing red eyes and sharp teeth emerging from a sea of black. The artwork perfectly captures the dark, ominous tone of the album and has become an iconic image associated with Uriah Heep's music.

Abominog has been cited as a major influence on the heavy metal genre, particularly on the emerging New Wave of British Heavy Metal movement in the early 1980s. The album's use of synthesizers and keyboards paved the way for bands like Iron Maiden and Judas Priest to incorporate these elements into their own music. Uriah Heep's signature sound and powerful vocals also influenced a generation of metal vocalists, including Bruce Dickinson of Iron Maiden.

"Too Scared to Run" and "On the Rebound": Uriah Heep's Anthems of Resilience
Top Songs Description:

Uriah Heep's 1982 album "Abominog" marked a significant turning point for the band, embracing a more modern hard rock sound while staying true to their roots. Within this revitalized sound lies two powerful tracks: "Too Scared to Run" and "On the Rebound," both exploring themes of facing adversity and bouncing back stronger.

Too Scared to Run:

This dynamic track opens with a driving rhythm and a catchy riff that instantly grabs your attention. Lyrically, "Too Scared to Run" delves into the struggle of confronting one's fears and anxieties. The protagonist finds themselves trapped in a situation, paralyzed by fear, but ultimately realizes they must face their challenges head-on.

The chorus delivers a powerful message: "Too scared to run, but I'm not afraid to fight." It's a declaration of defiance, a refusal to succumb to fear. This resilience and determination resonates strongly, reminding listeners that even when faced with seemingly insurmountable obstacles, there's always a way to fight back.

On the Rebound:

This energetic and upbeat song carries a similar message of resilience, focusing on overcoming setbacks and bouncing back from disappointment. The lyrics paint a picture of someone who has experienced heartbreak or failure but refuses to let it define them.

The chorus captures this sentiment perfectly: "I'm on the rebound, picking up the pieces, learning how to fly." It's a testament to the human spirit's ability to heal and grow stronger through adversity. "On the Rebound" encourages listeners to embrace their setbacks as opportunities for learning and self-discovery.

The Significance of These Songs:

Both "Too Scared to Run" and "On the Rebound" strike a chord with listeners because they tackle universal experiences of facing fears and overcoming challenges. These songs offer a sense of hope and encouragement, reminding us that even in the darkest moments, we possess the strength to persevere.

These tracks also represent an important shift in Uriah Heep's musical direction. While retaining their signature hard rock sound, the band incorporated more modern elements, resulting in a fresh and accessible feel. This revitalization resonated with both long-time fans and newcomers, ensuring "Abominog" a place among the band's most beloved albums.

"Too Scared to Run" and "On the Rebound" remain powerful anthems of resilience, showcasing Uriah Heep's ability to deliver both musical excellence and lyrics that speak to the human experience. Whether you're a seasoned fan or new to the band, these tracks are well worth revisiting for their inspiring messages and timeless rock energy.

Music Genre:
  Hard Rock, Heavy Metal 
Album Production Information:

The album: "URIAH HEEP ABOMINOG" was produced by: Ashley Howe

Sound/Recording Engineer(s): Ashley Howe, Nick Rogers

This album was recorded at: Roundhouse Recording Studios, London 1981 , October-December 1981

Label & Catalognr Information:
Bronze S 204 532
Media Format:

12" LP Vinyl Stereo Gramophone Record

Total Album (Cover+Record) weight: 230 gram

Year & Country:
  1982 Made in Germany
Personnel/Band Members and Musicians on: URIAH HEEP ABOMINOG
    Band-members, Musicians and Performers
  • Peter Goalby – lead vocals
  • Mick Box – guitars
  • John Sinclair – keyboards, synthesizer, guitars, back-up vocals
  • Bob Daisley- bass guitar
    Explore the extraordinary career of Bob Daisley, the bass maestro behind some of heavy metal's most iconic albums. From his groundbreaking work with Ozzy Osbourne to collaborations with Rainbow, Uriah Heep, and more, discover the stories, the riffs, and the enduring legacy of a true rock legend.
  • Lee Kerslake – drums
Complete Track-listing of the album "URIAH HEEP ABOMINOG"

The detailed tracklist of this record "URIAH HEEP ABOMINOG" is:

    Track-listing Side One:
  1. Too Scared to Run
  2. Chasing Shadows
  3. On the Rebound
  4. Hot Night in a Cold Town
  5. Running all night (with the Lion)
    Track-listing Side Two:
  1. That's the Way that is
  2. Prisoner
  3. Hot Persuasion
  4. Sell Your Soul
  5. Think it Over
Album cover of Uriah Heep’s Abominog featuring a fiery red background with a demonic, horned creature snarling. The creature has sharp teeth, a dripping tongue, and an intense, menacing expression. The band’s name is written in a gothic-style font at the top, and the album title, Abominog, is in a dripping black script at the bottom.

This is the front cover of Uriah Heep’s Abominog album, released in 1982. The striking artwork features a demonic, horned creature in vivid shades of red and orange, with an open mouth showcasing sharp, menacing teeth and a dripping tongue, evoking a sense of terror and intensity. The band’s name, Uriah Heep, is displayed in a gothic-style font at the top, while the album title, Abominog, is written in a raw, dripping black script at the bottom, enhancing the ominous and fierce aesthetic. This cover marked a bold, revitalized image for the band in the early ‘80s, aligning with the album’s hard-rocking energy and powerful sound.

Album Back Cover  Photo of "URIAH HEEP ABOMINOG"
Back cover of Uriah Heep’s Abominog album featuring a red background. The top section displays the band’s name in a gothic font and the tracklist for Side One and Side Two. The lower section shows a group photo of the band members—Lee Kerslake, Peter Goalby, Bob Daisley, John Sinclair, and Mick Box—posing against a brick wall with their shadows dramatically cast behind them. Production credits, acknowledgments, and the Bronze Records logo are included at the bottom

The back cover of Uriah Heep’s Abominog album maintains the vibrant red background from the front cover, creating a cohesive visual style. The top section features the band’s name, Uriah Heep, in the same gothic font as the front, while the tracklist for Side One and Side Two is displayed centrally in elegant typography.

The lower half contains a group photo of the band members, with each identified by their name and role in the band: Lee Kerslake (drums/vocals), Peter Goalby (vocals), Bob Daisley (bass/vocals), John Sinclair (keyboards/vocals), and Mick Box (guitars/vocals). The band poses against a dimly lit brick wall, with their shadows dramatically cast behind them, adding a raw, edgy vibe. Each member is styled in leather jackets and casual rock attire, reflecting their hard rock image.

Production credits, acknowledgments, and copyright details are listed at the bottom, with a small logo from Bronze Records on the left side. The layout balances the band’s image with essential album details, completing the rock-and-roll aesthetic.

Photo of "URIAH HEEP ABOMINOG" 12" LP Record Label
Vinyl record label for Uriah Heep’s Abominog album. The label features a light beige background with the Bronze Records logo in blue at the top. Below it, the band’s name and album title are listed, along with the tracklist for Side 1. Standard record details, including catalog number, stereo designation, and copyright information, are included, with licensing text along the edge.

The label of this vinyl record from Uriah Heep’s Abominog features a light beige background with the Bronze Records logo prominently displayed at the top in bold blue letters. Below the logo, the band’s name, Uriah Heep, is centered in a simple and clear font. The album title, Abominog, is listed beneath the band’s name, followed by the tracklist for Side 1, which includes song titles and credits for each track.

The label includes standard record details such as the stereo designation, catalog number (204 532 A), and copyright information. The GEMA STEMRA box is located on the right side, with additional licensing information encircling the outer edge of the label. The design is minimalist yet functional, with a classic vinyl aesthetic.

Index of URIAH HEEP - 1970-1980s Vinyl Record Discography and Album Covers

URIAH HEEP - Abominog
URIAH HEEP - Abominog album front cover vinyl record

Bronze S 204 532 , 1982 , Germany

Abominog is the 14th album for British rock group URIAH HEEP. It was the first album without keyboardist Ken Hensley. The album was critically acclaimed and fairly commercially successful album due, in part, to the band retooling and updating their sound to a contemporary heavy metal style.

Abominog 12" Vinyl LP
URIAH HEEP - Best of URIAH HEEP
URIAH HEEP - Best of URIAH HEEP album front cover vinyl record

Bronze 28 784 XOT / LC 2313 , 1979 , Germany

The 1979 release "Best of Uriah Heep" on Bronze Records, catalog number 28 784 XOT, is a compilation spanning 1970-1976. Produced by Gerry Bron, it features the band's pinnacle tracks, showcasing their evolution. Sound engineer Peter Gallen ensures sonic fidelity. Distributed in Germany, the LP captures Uriah Heep's global appeal. LC 2313 highlights Bronze Records' role.

Best of URIAH HEEP 12" Vinyl LP
URIAH HEEP - Conquest
URIAH HEEP - Conquest album front cover vinyl record

Bronze 201 655 , 1980 , Germany

"Conquest" is an album by the English rock band Uriah Heep, released in 1980. It and marked a departure from their earlier, heavier sound towards a more polished and commercial style. The album features a mix of hard rock, progressive rock, and arena rock elements and includes songs such as "Heartless Land," "Imagination," and "Feelings."

Conquest 12" Vinyl LP
URIAH HEEP - Demons and Wizards (Austria & France Releases)
URIAH HEEP - Demons and Wizards (Austria) album front cover vinyl record

 

Uriah Heep's 1974 album "Demons and Wizards," released on a 12" LP in Austria with a Roger Dean-designed gatefold cover (Island 86 185 IT), holds significance within the evolving rock music landscape. The collaboration between the iconic band and Dean resulted in a visually striking cover that complemented the album's fantasy themes. This Austrian release contributed to the global accessibility of Uriah Heep's music, marking a notable chapter in 1970s rock history.

- Demons and Wizards (Austria) - Demons and Wizards (France)
URIAH HEEP - Equator
URIAH HEEP - Equator incl Rockarama album front cover vinyl record

EPIC / Portrait PRT 26414   , 1985 , EEC

"Equator" is the 1985 album by the English rock band Uriah Heep. . It was recorded during a time of change and transition for the band, as they were exploring new sounds and directions. The album features a mix of hard rock, progressive rock, and arena rock elements, and includes songs such as "Rockarama," "Lonely Nights," and "The Other Side of Midnight."

Equator incl Rockarama 12" Vinyl LP
URIAH HEEP - Fallen Angel
URIAH HEEP - Fallen Angel album front cover vinyl record

Bronze 26 449 XOT , 1978 , Germany

"Fallen Angel" is the 12th album released by British rock band URIAH HEEP in 1978. The album cover for Uriah Heep's 1978 album "Fallen Angel" was indeed designed by artist Chris Achilleos. Chris Achilleos is a Cypriot-British painter and illustrator who has created cover art for many books, albums, and magazines. He is well known for his fantasy and science fiction artwork and his attention to detail, and has created many memorable and iconic images throughout his career.

Fallen Angel 12" Vinyl LP
URIAH HEEP - Firefly (European Releases)
URIAH HEEP - Firefly (Germany, Bronze 28 791) album front cover vinyl record

 

Firefly is the tenth album released by British rock band URIAH HEEP. It was first album without David Byron, lead vocalist and a founder-member of the band, and the first of three albums with John Lawton.

- Firefly (Germany, Bronze 28 791) - Firefly (Germany) - Firefly (Gt Britain) 12" Vinyl LP
URIAH HEEP - Head First
URIAH HEEP - Head First album front cover vinyl record

Bronze 205 474   , 1983 , EEC

Uriah Heep's 1983 release, "Head First," marked their 15th studio album under Bronze Records. Produced by Ashley Howe, the album showcased the band's adaptability in the evolving music scene. Recorded at Manor Studios, it blended hard and progressive rock elements. In the context of 1983 Europe, the album reflected the era's musical trends and served as a sonic backdrop to the cultural shifts of the time.

Head First 12" Vinyl LP
URIAH HEEP - High and Mighty
URIAH HEEP - High and Mighty album front cover vinyl record

Bronze 28 715 XOT , 1976 , Germany

Released in 1976 on Bronze Records, Uriah Heep's "High and Mighty" 12" LP marked a significant chapter in mid-'70s rock. Produced by the band and recorded at London's Roundhouse Studios, it showcased their distinctive blend of hard and progressive rock.

High and Mighty 12" Vinyl LP
URIAH HEEP - Innocent Victim (European Releases)
URIAH HEEP - Innocent Victim (East-Germany, Amiga Records) album front cover vinyl record

 

The 1979 release of Uriah Heep's "Innocent Victim" on Amiga Records, featuring a distinctive band portrait on the cover, adds a captivating layer to the album's narrative. With liner notes by Ulrich Gnoth and the DDR catalog number AWA 8 55 671, it stands as a unique collector's item, providing a glimpse into the cultural and musical dynamics within the German Democratic Republic during that period.

- Innocent Victim (East-Germany, Amiga Records) - Innocent Victim (Germany) - Innocent Victim (Switzerland)
URIAH HEEP - Live in Moscow / Cam B Mockbe
URIAH HEEP - Live in Moscow / Cam B Mockbe album front cover vinyl record

INT 148.811 DMM , 1987 , Germany

Uriah Heep's "Live in Moscow," recorded during their historic 1987 concerts in the Soviet Union, marks a pivotal moment in rock diplomacy. Spearheaded by Laszlo Hegedus, the album showcases the band's musical prowess and captures the energy of the era. The gatefold cover and meticulous engineering by Janos Mihaly and Gabor Hegedus contribute to a sonic masterpiece.

Live in Moscow / Cam B Mockbe 12" Vinyl LP
URIAH HEEP - Live 1973 (German & USA Versions)
URIAH HEEP - Live 1973 (Germany) album front cover vinyl record

   

"Uriah Heep's 'Live 1973' 2LP Album, subtitled 'Bronze Records and Peter Bowyer Present,' captures the essence of the band's musical prowess during its release period. Released on vinyl, the record reflects a moment in music history, showcasing Uriah Heep's live performances. Bronze Records and Peter Bowyer's collaboration contributes to preserving and presenting this iconic era of rock music for enthusiasts and collectors alike."

- Live 1973 (Germany) - Live 1973 (USA)
URIAH HEEP - Look at Yourself (European Releases)
URIAH HEEP - Look at Yourself (Germany) album front cover vinyl record

  

Uriah Heep's "Look At Yourself," released on Bronze Records in Germany, adds a distinctive chapter to the band's musical narrative. Produced by Gerry Bron and recorded at Lansdown Studios in 1971, this release encapsulates the essence of British hard rock. With a unique imprint on the German music scene, it stands as a testament to Uriah Heep's international resonance and diverse influence.

- Look at Yourself (Germany) - Look at Yourself incl Large Poster (Germany) - Look at Yourself (Gt Britain) - Look at Yourself (Netherlands)
URIAH HEEP - Magician's Birthday
URIAH HEEP - Magician's Birthday (Gt Britain) album front cover vinyl record

 

Uriah Heep's "The Magician's Birthday," a 1972 12" LP vinyl release, stands as a quintessential piece in the British rock scene. Featuring a gatefold sleeve designed by Roger Dean, the album combines Ken Hensley's storytelling with the band's musical prowess. Recorded at Landsdowne Studios, London, it presents a cohesive narrative with detailed liner notes. Produced by Gerry Bron, this timeless artifact encapsulates the essence of progressive rock during its release period.

- Magician's Birthday (Gt Britain) - Magician's Birthday (Italy) - Magician's Birthday (Netherlands & Germany)
URIAH HEEP - Return to Fantasy
URIAH HEEP - Return to Fantasy (Germany, Bronze 28 783) album front cover vinyl record

 

Uriah Heep's 1975 release, "Return to Fantasy," showcased a harmonious blend of production mastery by Gerry Bron and recording finesse at London's Lansdowne and Morgan Studios. The visual allure, courtesy of Dave Field's design and Joe Gaffney's photography, complemented the musical journey. Released on Bronze Records as a 12" vinyl LP, the album's inner sleeve with complete lyrics added a personal touch, contributing to its significance in the diverse musical landscape of 1975.

- Return to Fantasy (Germany, Bronze 28 783) Return to Fantasy (Germany, Bronze 89 065 XOT)
URIAH HEEP - Salisbury (France & Germany Release)
URIAH HEEP - Salisbury (France) album front cover vinyl record

 

Released in 1970, URIAH HEEP's "Salisbury" 12" LP Vinyl Album, stands as a musical gem. With its distinctive gatefold album cover, this French edition adds a touch of elegance to the band's iconic sound. A testament to the era, the release encapsulates the spirit of the '70s music scene, making it a prized collector's item for enthusiasts of the period.

- Salisbury (France) - Salisbury (Germany)
URIAH HEEP - Sweet Freedom (European Releases)
URIAH HEEP - Sweet Freedom (Bronze Records) album front cover vinyl record

 

Released in 1973 by Bronze Records, Uriah Heep's "Sweet Freedom" marked the band's sixth studio album. The 12" LP, cataloged as Bronze 28 777 XOT, showcased the British rock band's musical prowess during a dynamic period in the music industry. With its blend of rock and progressive elements, the album contributed significantly to the band's artistic evolution, leaving an indelible mark on the music scene of 1970s Germany.

- Sweet Freedom (Bronze Records) - Sweet Freedom (Island Records)
URIAH HEEP - Very 'Eavy Very 'Umble (European Versions)
URIAH HEEP - Very 'Eavy Very 'Umble (Austria) album front cover vinyl record

   

The Austrian release of Uriah Heep's debut album, "Very 'eavy... Very 'umble," on Island C 85 690/Bronze/Austro Mechana, offers a regional perspective on the band's impact. With a distinct catalog number, this version maintains the album's original charm, featuring a gatefold-sleeve and insert with band photos. The Austrian release contributes to the broader European dissemination of Uriah Heep's influential hard rock sound during the early 1970s.

- Very 'Eavy Very 'Umble (Austria) - Very 'Eavy Very 'Umble (Germany, Bronze Records) - Very 'Eavy Very 'Umble (Germany, Vertigo Records)
URIAH HEEP - Wonderworld 12" Vinyl LP
URIAH HEEP - Wonderworld album front cover vinyl record

Bronze 87 931 IT , 1974 , Germany

"Wonderworld," the 1974 studio album by English rock band Uriah Heep, showcases a blend of hard rock, progressive rock, and blues-inspired elements. Featuring tracks like "The Wizard," "Suicidal Man," and "So Tired," the album marked a shift towards a more straightforward and commercial style, departing from the band's experimental sound. Despite mixed reviews, it proved commercially successful, solidifying Uriah Heep as a prominent hard rock band in the 1970s, with its tight production and memorable performances earning it a lasting place in the band's live repertoire.

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