Queen & David Bowie - Under Pressure 12" Vinyl Maxi-Single

By 1979, Queen had already established themselves as one of the most innovative and flamboyant rock bands in the world. Their albums were a kaleidoscope of musical styles, from hard rock and heavy metal to progressive rock and opera. But with "Crazy Little Thing Called Love," they took a sharp left turn,

"A Day at the Races" marked a turning point for Queen. Following the success of "A Night at the Opera," the band took the reins for production, a first for them. This newfound creative control is evident in the album's diverse soundscapes, ranging from the operatic flair of "Somebody to Love"

Released at a time when the music scene was fragmenting, with new wave and punk vying for attention, Queen's "Greatest Hits" was a bold statement of defiance. It was a reminder that rock music could be both accessible and ambitious, a sonic kaleidoscope that encompassed everything from operatic ballads to...

"Hot Space" stands out in Queen's discography for its departure from their signature rock sound. The album saw the band experiment with different musical styles, incorporating synthesizers, drum machines, and funk-inspired bass lines. This stylistic shift was met with mixed reactions at the time,

In the twilight of Freddie Mercury's life, Queen unleashed "Innuendo," a single that crackled with both defiance and melancholic beauty. Released in 1991, just months before Mercury's untimely death, the song served as a powerful reminder of the band's enduring spirit and their refusal to surrender to despair.

From the opening strains of "Mustapha," with its Middle Eastern-flavored chant, it was clear that Queen was not content to rest on their laurels. "Jazz" was a deliberate exploration of musical genres, a sonic kaleidoscope that defied easy categorization. The album careened from the rockabilly swagger of ....

Released in 1986, "A Kind of Magic" stands as a testament to Queen's ability to craft captivating anthems and unforgettable melodies. The album was produced by Queen, along with the talented duo of Mack and David Richards. Together, they created a sonic landscape that embraced various musical styles

"A Ladder to the Stars" is a testament to Queen's restless spirit and their unwavering commitment to musical exploration. From the anthemic opener "We Will Rock You" to the operatic grandeur of "Bohemian Rhapsody," the album showcases the band's versatility and their willingness to take risks.

A band as bombastic, theatrical, and undeniably talented as Queen was always going to produce a live album that was either a glorious triumph or a spectacular flameout. "Live Killers" manages to be both, a testament to the band's ability to command a stage and a reminder that capturing lightning

Recorded during Queen's legendary 'Magic Tour' in 1986, 'Live Magic' is a raw, unfiltered document of a band at the height of its powers. The album opens with the anthemic 'One Vision', Mercury's voice soaring over a wall of guitars, setting the tone for the rest of the album.

The album opens with the energetic and upbeat track "Party", which sets the tone for the rest of the album. The song features Brian May's signature guitar riffs and Freddie Mercury's powerful vocals. The next track, "Khashoggi's Ship", is a commentary on the arms trade

"News of the World" marked a crucial turning point in Queen's career. Released on 28 October 1977, the album represented a departure from their earlier progressive rock sound towards a more radio-friendly and anthemic style. It featured some of the band's most iconic tracks

In the swirling chaos of 1975, when glam rock was still stomping its platform boots on the stage and prog rock was indulging in its own labyrinthine complexities, Queen dropped "A Night at the Opera" like a velvet-draped anvil. This wasn't just another album, it was a statement of intent

"Play the Game," the A-side, arrived like a bolt from the blue. Gone were the operatic bombast and multi-tracked harmonies of yore. In their place, a leaner, synth-driven sound emerged, courtesy of producer Reinhold Mack and the state-of-the-art Musicland Studios in Munich.

  “Queen” is the debut album by English rock group Queen, released in July 1973. It was recorded at Trident Studios and De Lane Lea Music Centre, London, with production by Roy Thomas Baker (as Roy Baker), John Anthony, and Queen.

"Queen II" is a journey through diverse soundscapes. Brian May's songwriting talents shine on the opening tracks, with the instrumental "Procession" leading into the hard-hitting "Father to Son" and the catchy rock anthem "White Queen (As It Began)." "Some Day One Day" showcases May's melodic sensibilities.

'Sheer Heart Attack' isn't just about bombast. It's also a record that revels in its own eccentricities. Roger Taylor's 'Tenement Funster' is a glam rock anthem with a punk sneer, a hint of the raw energy that would soon explode onto the scene. 'Flick of the Wrist' is a twisted cabaret number that drips with menace

'The Works' was Queen's attempt to reclaim their rock 'n' roll crown, while still flirting with the shiny new toys of the 80s, like synthesizers and drum machines. A risky balancing act, for sure, and one that left some folks crying "sell-out!" louder than a televangelist at a revival meeting.

In the summer of 1981, two music titans crossed paths unexpectedly in Mountain Studios, Montreux, Switzerland. Queen, the British rock band known for their flamboyant style and theatrical performances, was recording their album "Hot Space." David Bowie, the enigmatic chameleon of rock

1977 was a year of upheaval in the music world. Punk's stripped-down sound and anti-establishment ethos were in direct opposition to the elaborate stage shows and complex arrangements favored by many established rock bands. Queen, with their flamboyant costumes and operatic vocals, seemed like prime targets