"Pin Ups" Album Description:
In the vibrant tapestry of the 1970s, David Bowie's musical odyssey reached a pivotal moment with the release of "Pin Ups," his seventh studio album. This unique compilation, unveiled in 1973, stands out as a testament to Bowie's artistry, showcasing his ability to reinvent not only his own sound but also the works of others.
The Time Period: 1973 and the Golden Age of Rock Covers
"Pin Ups" emerged during a tumultuous yet creatively fertile period in the early 1970s. The era witnessed a surge in the popularity of cover albums, as artists explored new ways to pay homage to their influences. Bowie, always a trailblazer, took this concept and molded it into a distinctive sonic experience.
Against the backdrop of glam rock and the evolving glam subculture, "Pin Ups" carved its niche. Released on European shores in 1973, it encapsulated the essence of the time, with its pulsating rhythms and eclectic array of covers.
Production Insights: Ken Scott and David Bowie at the Helm
At the heart of "Pin Ups" lies the collaborative prowess of producers Ken Scott and David Bowie himself, marking another chapter in their creative alliance. Ken Scott, renowned for his work with The Beatles and Elton John, brought his expertise to the table, intertwining seamlessly with Bowie's artistic vision.
The album, a Mainman Production, reflects the meticulous craftsmanship of two maestros steering the artistic ship. The synergy between Scott's technical finesse and Bowie's avant-garde instincts birthed a collection that not only paid homage to the past but also propelled Bowie into the future.
A Musical Kaleidoscope: Covers and Collaborations
"Pin Ups" is a musical kaleidoscope, each track a vibrant hue in Bowie's sonic palette. The standout inclusion of Syd Barrett's "See Emily Play," originally by Pink Floyd, showcases Bowie's admiration for fellow luminaries. The covers extend across genres, from The Who's "I Can't Explain" to The Yardbirds' "Shapes of Things," creating a sonic journey through the landscapes of rock and pop.
The Collector's Gem: Original Custom Insert
Beyond the auditory feast, "Pin Ups" delights collectors with its original custom insert. A carefully crafted addition, it provides a visual narrative of Bowie in a business suit and wielding a saxophone. This insert, a visual accompaniment to the auditory voyage, has become a sought-after piece of Bowie memorabilia.
1973 Made in Canada: Global Impact
The inscription "1973 Made in Canada" adds a global dimension to the album's legacy. In an era before the digital age, the physical manifestation of music held a profound significance. The global dissemination of "Pin Ups" reinforced Bowie's international appeal, making him a cultural icon transcending borders.
Album Cover Model: Twiggy
Twiggy, born Lesley Lawson, is an iconic British model, actress, and singer. Rising to fame in the 1960s, she became a symbol of the "Swinging Sixties." Renowned for her androgynous look, large eyes, and pixie haircut, Twiggy was a fashion trailblazer, influencing the industry and leaving an indelible mark on the cultural landscape. Her contributions extend beyond modeling, encompassing successful careers in acting, singing, and as a fashion designer. Twiggy remains an enduring symbol of the mod era's avant-garde and youthful spirit. |
Music Genre: English Progressive Rock, New Wave |
Album Production Information: The album: "Pin Ups" was produced by: Ken Scott and David Bowie, a Mainman Production |
Record Label & Catalognr: Orange colored RCA Victor RS-1003 |
Packaging: This album includes the original custom insert with album details, and photos of David Bowie wearing a business suit and a saxophone. |
Media Format: 12" Vinyl LP Gramophone Record
Album weight: 220 gram |
Year & Country: 1973 Made in Canada |
