David Bowie - Rise and Fall of Ziggy Stardust and the Spiders from Mars 12" Vinyl LP Album

- The glam rock masterpiece that redefined music with stardust, anthems, and unforgettable style

David Bowie's "The Rise and Fall of Ziggy Stardust and the Spiders from Mars" (1972) is more than an album — it's a cosmic drama. Ziggy, the alien rock star, arrives to deliver hope in a doomed world, only to be consumed by fame and desire. Fueled by glitter, guitars, and Bowie's fearless imagination, it blends glam rock anthems like "Starman" and "Suffragette City" with haunting ballads such as "Five Years." Bowie’s words paint visions of love, alienation, and apocalypse, crafting a timeless story where art and life collide in dazzling stardust.

Rise and Fall of Ziggy Stardust ..... Album Description:

Historical Context

When "The Rise and Fall of Ziggy Stardust and the Spiders from Mars" appeared in 1972, the world was undergoing turbulent cultural changes. The Vietnam War dominated headlines, youth counterculture was pushing against establishment norms, and sexual liberation was challenging traditional values. In the music world, the late 1960s psychedelic revolution had given way to hard rock, progressive rock, and an emerging underground scene of glam rock that emphasized androgyny, theatricality, and bold stage personas. This album arrived at the peak of that cultural crossroad and became a defining soundtrack for a generation seeking escape and reinvention.

Music Genre and Peers

"Ziggy Stardust" is firmly rooted in glam rock, a genre defined by flamboyant costumes, makeup, and a blend of hard-edged guitar riffs with catchy pop sensibilities. Alongside Bowie, artists like T. Rex (with Marc Bolan), Roxy Music, and later Queen were shaping glam into one of the most provocative genres of the decade. What set Bowie apart was his fusion of glam’s theatrical style with lyrical depth, futuristic concepts, and an ability to create fully-fledged alter egos that blurred the line between performance and real life.

Musical Exploration

Musically, the album travels across moods and textures: the apocalyptic balladry of "Five Years," the sensual warmth of "Soul Love," the cosmic psychedelic journey of "Moonage Daydream," and the anthemic sparkle of "Starman." Bowie and his band combined straightforward rock structures with layered instrumentation, saxophone flourishes, and harmonic choruses. Lyrically, the record tells the story of Ziggy Stardust, a bisexual alien rock star sent to save Earth but ultimately destroyed by his own excesses and adoration. The narrative blurred sci-fi with social critique, touching on fame, sexuality, and apocalypse.

Key Persons in the Recording

David Bowie wrote and conceived the album but worked closely with a tight-knit group known as the Spiders from Mars. Guitarist Mick Ronson played a vital role, not only providing iconic riffs but also arranging strings and piano parts. Bassist Trevor Bolder and drummer Mick "Woody" Woodmansey formed the solid rhythm section that gave the music its drive. Producer Ken Scott, who had previously worked with The Beatles, captured the raw energy of the band while ensuring the album retained a sense of theatrical clarity. Together, they created a sound that balanced rock grit with operatic grandeur.

Band Formation and Line-up

Before "Ziggy Stardust," Bowie had struggled to find consistent commercial success. His earlier ventures touched on folk, psychedelia, and experimental pop. By the early 1970s, he had assembled the Spiders from Mars, who became his core touring and recording band. The chemistry between Bowie and Mick Ronson in particular defined this era. While Ronson’s powerful guitar elevated Bowie’s songs, Bowie’s vision gave Ronson the stage to shine. Dana Gillespie also contributed background vocals on "It Ain’t Easy," adding another layer to the collaborative spirit.

Controversies and Impact

Upon release, the album provoked both admiration and controversy. Bowie’s open play with bisexuality and androgynous presentation shocked more conservative audiences, especially in Britain and the United States. His onstage declaration that he was gay (at a time when homosexuality was still heavily stigmatized) blurred the boundaries between art and personal identity, sparking media debates. Yet these very controversies fueled his rise, cementing Ziggy Stardust as a cultural icon and inspiring countless young listeners to explore new ideas of gender, sexuality, and self-expression.

Production & Recording Information:

Music Genre:

English Prog Rock

Collector Notes / Liner Notes
  • 1: To be played at Maximum Volume
  • 2: Gatefold/FOC (Fold Open Cover) Album Cover Design with photography of David Bowie on the inside cover pages.
Label & Catalognr:

RCA Victor LSP 4702 , 26.21089, APRS.-6814

Media Format:

12" Vinyl Full-Length Stereo LP Gramophone Record
Album weight: 250 gram

Year & Country:

1972 – Made in Germany

Producers:
  • Ken Scott – Producer
  • David Bowie – Producer
Recording Location:

Trident Studios, London

Album Cover Design & Artwork:
  • Terry Pastor – Album Artwork (Main Artery)
Photography:
  • Brian Ward – Photographer

Band Members / Musicians:

Band Members, Musicians:
  • David Bowie – Guitar, Keyboards, Saxophone, Vocals
  • Trevor Bolder – Bass Guitar
  • Dana Gillespie – Background Vocals ("It Ain't Easy")
  • Mick Ronson – Guitar, Piano, Vocals
  • Mick "Woody" Woodmansey – Drums

Complete Track-listing:

Tracklisting Side One:
  1. Five Years (4:43)
  2. Soul Love (3:33)
  3. Moonage Daydream (4:35)
  4. Starman (4:15)
  5. It Ain't Easy (2:56)
Video: David Bowie - Soul Love
Tracklisting Side Two:
  1. Lady Stardust (3:20)
  2. Star (2:47)
  3. Hang on to Yourself (2:37)
  4. Ziggy Stardust (3:13)
  5. Suffragette City (3:25)
  6. Rock 'n' Roll Suicide (2:57)
Video: David Bowie - Suffragette City (Live at Hammersmith Odeon, London 1973) [4K Upgrade]
Album Front Cover Photo
Front cover of David Bowie's 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. The scene shows a dimly lit London street at dusk, wet with rain, lined with parked cars. In the foreground, Bowie as Ziggy Stardust, dressed in a glittery turquoise jumpsuit with purple boots and holding a guitar, leans casually against a brick building under a bright yellow streetlamp. A glowing sign above reads K.West, while surrounding details include stacked cardboard boxes, green-painted doorways, and scattered posters on the ground, creating an atmospheric urban backdrop that blends grit with glam rock theatricality.

The album cover captures a moody London street scene at nightfall, its pavement slick with rain and flanked by parked cars. A single glowing yellow streetlamp casts dramatic light on the corner of a brick building, where a sign boldly reads K.West.

In the center stands David Bowie in his Ziggy Stardust persona, dressed in a shimmering turquoise jumpsuit and striking purple platform boots, with a guitar slung across his body. He leans casually on a doorway, radiating both alien glamour and streetwise attitude.

Around him, the details add depth: stacked cardboard boxes, a green-painted door, and a bundle of posters spilling from a sack. The backdrop of brick walls, glowing windows, and alleyway shadows creates an atmosphere of gritty realism infused with theatrical fantasy — a visual embodiment of glam rock's collision of the ordinary and the extraordinary.

Album Back Cover Photo
Back cover of David Bowie's 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. The image shows Bowie standing inside a classic red telephone booth, viewed through its glass panes, wearing a turquoise patterned jumpsuit with an open chest and striking pose. The booth is illuminated by a warm light, contrasting against the darker surrounding walls. On the left, the track listing is displayed in white text, divided into Side 1 and Side 2, with song titles and timings. Credits for musicians, arrangements, production at Trident Studios London, photography by Brian Ward, and artwork by Terry Pastor are also listed, along with RCA Victor branding and catalog information.

The back cover presents an iconic image of David Bowie as Ziggy Stardust, framed within the glass panes of a red telephone booth. He wears a shimmering turquoise jumpsuit patterned with geometric designs, his chest exposed, striking a confident pose under the glow of yellow light from inside the booth.

To the left of the composition, white text details the album’s track listing, divided between Side 1 and Side 2, complete with song durations. Below the titles are musician credits, naming Bowie, Mick Ronson, Trevor Bolder, and Mick Woodmansey, alongside production and arrangement details.

Additional credits note the photography by Brian Ward and artwork by Terry Pastor of Main Artery, with RCA Victor logos and catalog references at the bottom. The visual combines gritty realism with theatrical presentation, echoing the album’s fusion of street culture and glam spectacle.

First Photo of Custom Inner Sleeve
Inner sleeve of David Bowie's 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. The design combines printed song lyrics for 'Rock 'n' Roll Suicide' at the top with four striking black-and-white portrait photographs of the band members below. Top left is David Bowie, gazing directly into the camera with sharp intensity. Top right shows Trevor Bolder, his long hair framing a softer expression. Bottom left is Mick Woodmansey with a serious, shadowed face. Bottom right features Mick Ronson, his piercing eyes set against his long blonde hair. Each portrait is starkly lit, emphasizing texture and detail, presenting the band in an intimate, unvarnished style that contrasts with the theatrical glam rock imagery of the front cover.

The inner sleeve pairs lyrics from the closing track Rock ’n’ Roll Suicide with striking monochrome portraits of the musicians. At the top, the song’s text unfolds in full, framed by minimalist white space, making the words a visual centerpiece.

Below, four close-up black-and-white photographs capture the faces of the Spiders from Mars. David Bowie appears in the top left, his piercing stare commanding attention. Trevor Bolder is in the top right, his long hair casting delicate shadows across his features.

On the bottom left, Mick Woodmansey’s portrait shows a determined, serious expression. Beside him, Mick Ronson’s sharp eyes and flowing blonde hair evoke a mood of intensity. The stark lighting and high-contrast style lend the portraits a raw immediacy, balancing the larger-than-life Ziggy persona with an intimate look at the musicians behind it.

Close up of Side One record’s label
Close-up of the Side One record label from David Bowie's 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. The black RCA Victor label features bold white typography. At the top, it notes 'Side 1 Stereo' with catalog numbers LSP 4702 (26.21089) APRS-6814. The album title is printed in stacked text: 'The Rise And Fall Of Ziggy Stardust And The Spiders From Mars.' Below, track listings for Side One appear: 'Five Years' (4:42), 'Soul Love' (3:34), 'Moonage Daydream' (4:40), 'Starman' (4:13), and 'It Ain’t Easy' (2:58). Credits at the bottom read: David Bowie ©1972 RCA Records, Produced by Ken Scott and David Bowie. The large RCA logo runs vertically along the left edge, with 'Victor' printed to the right. The GEMA logo and LC 0316 label code also appear. Around the rim is legal text in German, noting RCA Schallplatten GmbH, Hamburg.

This close-up shows the black RCA Victor record label for Side One of the album. The design is stark, with white text laid over the matte black background and the oversized RCA logo dominating the left edge.

At the top, the label identifies Side 1 Stereo, alongside catalog numbers and matrix codes. The album’s full title, The Rise and Fall of Ziggy Stardust and the Spiders from Mars, is prominently displayed in a stacked format.

The five tracks of Side One are listed with timings: “Five Years,” “Soul Love,” “Moonage Daydream,” “Starman,” and “It Ain’t Easy.” Below, credits include David Bowie, copyright ©1972 RCA Records, and production by Ken Scott and Bowie.

The GEMA rights logo, LC 0316 label code, and legal disclaimers encircle the outer rim in German, reflecting this pressing’s Hamburg, Germany manufacture. The bold RCA design adds authority and classic branding to the presentation.

Germany Label
Colours
Black / very dark grey background with white typography; minimal grey tints.
Design & Layout
Oversized vertical “RCA” logotype along the left edge; “Victor” wordmark at right; stacked album title; single-column track list with timings; boxed identifiers near the center; speed symbol at bottom.
Record company logo
Geometric block letters “RCA”, drawn as a continuous outline forming the three letters; serves as bold corporate branding. The dog-and-gramophone mark is not used on this pressing.
Band/Performer logo
None present; artist name appears as uppercase text “DAVID BOWIE”.
Unique features
Label Code LC 0316; boxed GEMA; German legal rim text; dual catalog ref (LSP 4702 / 26.21089); on-label matrix APRS-6814; large “1” for side.
Side designation
“Side 1 Stereo” at top with oversized numeral “1”; speed “33” inside an inverted triangle at bottom.
Rights society
GEMA (boxed).
Catalogue number
LSP 4702 (26.21089); matrix code APRS-6814 printed on label.
Rim text language
German primary legal text with some English brand/ownership lines.
Track list layout
One column, titles followed by durations (in parentheses); final track shows composer credit.
Rights info placement
Main field: “℗ 1972 RCA RECORDS”; boxed GEMA mid-field; legal copyright/reservation text around outer rim.
Pressing info
Made in Germany by RCA Schallplatten GmbH, Hamburg (rim text).
Background image
Plain black/dark grey paper label; no pictorial image—focus is the large RCA logotype.
Imprint / Brand line
“Victor” wordmark to the right of center.
Playback speed
33 RPM (triangle symbol).
Country label code
LC 0316.

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