Collector's info: | This issue of Santana's self-titled debut album has color photos of Santana's on the back (other issues of this record have black/white photos) |
Music Genre: |
Latin Rock 70s |
Album |
The album: "Santana Lionhead" was produced by: Brent Dangerfield and Santana. Photography Jim Marshall Jim Marshall (1936-2010) was an American photographer known for his iconic images that captured the essence of the music and cultural scene of the 1960s and 1970s. His work became synonymous with rock 'n' roll, and he is regarded as one of the greatest music photographers of all time. Born on 3 February 1936, in Chicago, Illinois, James Joseph Marshall developed an early passion for photography. He received his first camera, a Kodak Brownie, at the age of nine and began experimenting with capturing the world around him. As a teenager, Marshall worked as an assistant to a local portrait photographer, honing his skills and developing his own unique style. In the early 1960s, Marshall moved to San Francisco, where he became immersed in the burgeoning counterculture and music scene. He began photographing jazz musicians, but it was his love for rock 'n' roll that would define his career. Marshall's ability to blend seamlessly into the music scene allowed him to capture intimate and candid moments of some of the greatest musicians of all time. One of Marshall's most famous photographs is the image of Jimi Hendrix burning his guitar on stage at the Monterey Pop Festival in 1967. This image encapsulated the rebellious spirit of the era and became an enduring symbol of the power and energy of rock music. Marshall's other notable subjects included Janis Joplin, Bob Dylan, The Rolling Stones, The Beatles, Johnny Cash, and Miles Davis, among many others. Marshall's photographs went beyond the stage and studio; he captured the essence of the artists themselves, documenting their lives on the road and offstage. His images showcased the raw emotions, vulnerability, and humanity of these legendary figures, making them relatable to audiences around the world. Throughout his career, Marshall was known for his relentless work ethic and dedication to his craft. He was often described as a maverick, unafraid to push boundaries and capture the truth of the moment. His photographs reflected the cultural and political climate of the time, and his ability to connect with his subjects on a personal level allowed him to capture moments of rare authenticity. Despite his success, Marshall remained humble and often preferred the company of musicians over the glitz and glamour of the industry. He valued his relationships with the artists he photographed, and many of them considered him a friend as well as a trusted documentarian. In addition to his music photography, Marshall also ventured into other genres, including street photography and portraiture. His work has been exhibited in numerous galleries and museums worldwide and has been featured on album covers, book covers, and in publications such as Rolling Stone, Life, and Vanity Fair. Jim Marshall passed away on 24 March 2010, leaving behind a rich legacy of images that continue to inspire and resonate with music lovers and photography enthusiasts alike. His photographs capture a transformative period in history and remain a testament to the power of visual storytelling. Today, his work continues to be celebrated and recognized as an indelible part of the cultural fabric of the 20th century. |
Record Label Information: |
CBS 63 815 (63815) / 679 988 / XSM 139 377 |
Media Format: |
12" Vinyl Full-Length Stereo LP Gramophone Record Album weight: 210 gram |
Year & Country: |
1969 Made in Germany |
Album cover photos of : Santana S/T Self-Titled Debut |
Photo of "Santana Lionhead" Album's Back Cover |
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Close-up Photo of "Santana Lionhead" Record Label
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Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. |
Band Members and Musicians on: Santana S/T Self-Titled Debut |
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Track Listing of: "Santana Lionhead" |
The Song/tracks on "Santana Lionhead" are
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The visual allure of "Abraxas" is equally captivating, thanks to the artistic vision of Bob Venosa, the mind behind the album cover design. The cover, presented in a gatefold format, draws the listener into a world of mystical
- Abraxas (1970, Holland) - Abraxas (1970, Netherlands) - Abraxas (1970, England) - Abraxas (1970, USA)"Beyond Appearances" was Santana's thirteenth studio album. It ventured into the realm of pop rock and jazz fusion, a departure from their earlier blues-rock roots. This Dutch pressing offers a unique listening experience
Learn moreSantana's "Freedom," a 12-inch vinyl LP, marked a welcome return to form for the legendary band. After dipping their toes into poppier waters with "Beyond Appearances," "Freedom" finds Santana embracing their Latin rock roots
Learn moreThe album expertly captured Santana's early magic, drawing tracks from their first three albums. Fans were treated to a whirlwind of chart-topping singles and beloved album cuts. Rock anthems like "Evil Ways" and "Jingo"
Learn more"Lotus" stands as a testament to Santana's prowess as a live band. Spanning over three LPs, this album encapsulates the band's dynamic and captivating stage presence. From the opening notes to the final crescendo
Learn moreThe "Lion Head" cover art is more than just an image; it's a symbol of the band's sound. The powerful lion conveys the raw energy of their music, while the vibrant colors hint at the psychedelic and Latin undercurrents.
Santana - Self-Titled Lion Head (1969, Germany) Santana - Self-Titled Lion Head (1969, Holland) Santana - Self-Titled Lion Head (England, Simply Vinyl)SANTANA - The Sensitive Kind / Changes 7" Single captures its charm through the front cover. This single offers a snapshot of Santana's artistry in a compact format. The picture sleeve adds visual flair
Learn moreReleased in 1983, the "Starsound Collection" showcases the band's evolution, particularly their ability to seamlessly blend rock with Latin, funk, jazz, and even classical influences. Tracks like "No One To Depend On" and "Samba Pa Ti"
Learn more"Santana III" was a culmination of the band's early evolution. Featuring the iconic cover art of a reaching nude hand (also known as "Man with an Outstretched Hand"), the album showcased a band firing on all cylinders
- III The Third Album (1971, Netherlands) - III The Third Album (1971, England)While not an official studio album, "His Fantastic Instrumentals" gathers a selection of Santana's most captivating instrumental tracks from his earlier releases. This CBS compilation serves as a perfect entry point
Learn moreThis 12-inch vinyl record "Welcom" isn't just a throwback format; it's a gateway into a bygone era where album artwork was an extension of the music itself.
Learn moreSantana fans, rejoice! This 7-inch vinyl single packs a double dose of the band's infectious energy. "You Know That I Love You" and "Aqua Marine" offer a concise yet potent display of Santana's signature sound
Learn more