High Quality release by "Simply Vinyl" from the S180 Series: Can be recognized by the 'SVLP ###' catalog numbers Silver sticker, 180g Vinyl, recreated artwork and packaging, in a heavy duty PVC wallet
Santana's self-titled debut album, released in 1969 and also known as the "Lion Head" album due to its iconic cover art, is a landmark in the history of rock music. This 12" vinyl LP offering not only launched the career of the legendary Latin rock band but also served as a potent blend of psychedelic rock, blues, and Latin influences.
From Jam Band to Rock Royalty
The early Santana was a San Francisco-based outfit known for their free-form jams. The influence of manager Bill Graham, however, steered them towards crafting more structured songs while retaining their improvisational spirit. This fusion is evident throughout the album.
A Look at the Lion
The "Lion Head" cover art is more than just an image; it's a symbol of the band's sound. The powerful lion conveys the raw energy of their music, while the vibrant colors hint at the psychedelic and Latin undercurrents.
Musical Maneuvers
Santana's debut is largely instrumental, showcasing the virtuosity of Carlos Santana's guitar work alongside Gregg Rolie's soaring vocals and the rhythm section's tight groove. Tracks like "Evil Ways" and "Jingo" became staples of classic rock radio, while deeper cuts like "Persuasion" and "Savor" unveiled the band's improvisational prowess.
A Legacy in Wax
Owning the "Lion Head" album on vinyl provides an authentic listening experience. The crackle of the needle and the warmth of analog sound complement the organic nature of Santana's music. This vinyl LP is a must-have for any fan of the band or collector of classic rock.
Album Production Information: The album: "SANTANA Lionhead Self-Titled Simply Vinyl" was produced by: Carlos Santana, Brent Dangerfield Sound/Recording Engineer(s): Bob "Deputy Dog" Breault, Eric "Gentle Ben" Prestidge This album was recorded in: May 1969 at Pacific Recording, San Mateo, California Album cover design: Lee Conklin Album cover photography: Jim Marshall Jim Marshall (1936-2010) was an American photographer known for his iconic images that captured the essence of the music and cultural scene of the 1960s and 1970s. His work became synonymous with rock 'n' roll, and he is regarded as one of the greatest music photographers of all time. Born on 3 February 1936, in Chicago, Illinois, James Joseph Marshall developed an early passion for photography. He received his first camera, a Kodak Brownie, at the age of nine and began experimenting with capturing the world around him. As a teenager, Marshall worked as an assistant to a local portrait photographer, honing his skills and developing his own unique style. In the early 1960s, Marshall moved to San Francisco, where he became immersed in the burgeoning counterculture and music scene. He began photographing jazz musicians, but it was his love for rock 'n' roll that would define his career. Marshall's ability to blend seamlessly into the music scene allowed him to capture intimate and candid moments of some of the greatest musicians of all time. One of Marshall's most famous photographs is the image of Jimi Hendrix burning his guitar on stage at the Monterey Pop Festival in 1967. This image encapsulated the rebellious spirit of the era and became an enduring symbol of the power and energy of rock music. Marshall's other notable subjects included Janis Joplin, Bob Dylan, The Rolling Stones, The Beatles, Johnny Cash, and Miles Davis, among many others. Marshall's photographs went beyond the stage and studio; he captured the essence of the artists themselves, documenting their lives on the road and offstage. His images showcased the raw emotions, vulnerability, and humanity of these legendary figures, making them relatable to audiences around the world. Throughout his career, Marshall was known for his relentless work ethic and dedication to his craft. He was often described as a maverick, unafraid to push boundaries and capture the truth of the moment. His photographs reflected the cultural and political climate of the time, and his ability to connect with his subjects on a personal level allowed him to capture moments of rare authenticity. Despite his success, Marshall remained humble and often preferred the company of musicians over the glitz and glamour of the industry. He valued his relationships with the artists he photographed, and many of them considered him a friend as well as a trusted documentarian. In addition to his music photography, Marshall also ventured into other genres, including street photography and portraiture. His work has been exhibited in numerous galleries and museums worldwide and has been featured on album covers, book covers, and in publications such as Rolling Stone, Life, and Vanity Fair. Jim Marshall passed away on 24 March 2010, leaving behind a rich legacy of images that continue to inspire and resonate with music lovers and photography enthusiasts alike. His photographs capture a transformative period in history and remain a testament to the power of visual storytelling. Today, his work continues to be celebrated and recognized as an indelible part of the cultural fabric of the 20th century. |
Record Label & Catalognr: CBS 63815 / SVLP 0043 |
Media Format: 12" Vinyl Stereo Gramophone RecordTotal Album (Cover+Record) weight: 300 gram |
Year and Country: UK |
Personnel/Band Members and Musicians on: SANTANA Lionhead Self-Titled Simply Vinyl |
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Complete Track-listing of the album "SANTANA Lionhead Self-Titled Simply Vinyl" |
The detailed tracklist of this record "SANTANA Lionhead Self-Titled Simply Vinyl" is:
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High Resolution and Quality Photos of Complete Album Covers "SANTANA Lionhead Self-Titled Simply Vinyl" |
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Album Back Cover Photo of "SANTANA Lionhead Self-Titled Simply Vinyl" |
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Photo of "SANTANA Lionhead Self-Titled Simply Vinyl" 12" LP Record - Side One: |
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Photo of "SANTANA Lionhead Self-Titled Simply Vinyl" 12" LP Record - Side Two: |
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Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ). |
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You Know That I Love You 12" Vinyl LP