High Quality release by "Simply Vinyl" from the S180 Series: Can be recognized by the 'SVLP ###' catalog numbers Silver sticker, 180g Vinyl, recreated artwork and packaging, in a heavy duty PVC wallet
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Album Description & Collectors information: This is Santana's i debut studio album by the San Francisco rock group Santana originally released in 1969. It is a release of largely instrumental music, recorded by what was originally a purely free-form jam band. At the suggestion of manager Bill Graham, the band took to writing more conventional songs for more impact, but managed to retain the essence of improvisation in the music. |
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Music Genre: |
Latin Rock Fusion |
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Album Production Information: |
The album: "SANTANA Lionhead Self-Titled Simply Vinyl" was produced by: Carlos Santana, Brent Dangerfield Sound/Recording Engineer(s): Bob "Deputy Dog" Breault, Eric "Gentle Ben" Prestidge This album was recorded in: May 1969 at Pacific Recording, San Mateo, California Album cover design: Lee Conklin Album cover photography: Jim Marshall Jim Marshall (1936-2010) was an American photographer known for his iconic images that captured the essence of the music and cultural scene of the 1960s and 1970s. His work became synonymous with rock 'n' roll, and he is regarded as one of the greatest music photographers of all time. Born on 3 February 1936, in Chicago, Illinois, James Joseph Marshall developed an early passion for photography. He received his first camera, a Kodak Brownie, at the age of nine and began experimenting with capturing the world around him. As a teenager, Marshall worked as an assistant to a local portrait photographer, honing his skills and developing his own unique style. In the early 1960s, Marshall moved to San Francisco, where he became immersed in the burgeoning counterculture and music scene. He began photographing jazz musicians, but it was his love for rock 'n' roll that would define his career. Marshall's ability to blend seamlessly into the music scene allowed him to capture intimate and candid moments of some of the greatest musicians of all time. One of Marshall's most famous photographs is the image of Jimi Hendrix burning his guitar on stage at the Monterey Pop Festival in 1967. This image encapsulated the rebellious spirit of the era and became an enduring symbol of the power and energy of rock music. Marshall's other notable subjects included Janis Joplin, Bob Dylan, The Rolling Stones, The Beatles, Johnny Cash, and Miles Davis, among many others. Marshall's photographs went beyond the stage and studio; he captured the essence of the artists themselves, documenting their lives on the road and offstage. His images showcased the raw emotions, vulnerability, and humanity of these legendary figures, making them relatable to audiences around the world. Throughout his career, Marshall was known for his relentless work ethic and dedication to his craft. He was often described as a maverick, unafraid to push boundaries and capture the truth of the moment. His photographs reflected the cultural and political climate of the time, and his ability to connect with his subjects on a personal level allowed him to capture moments of rare authenticity. Despite his success, Marshall remained humble and often preferred the company of musicians over the glitz and glamour of the industry. He valued his relationships with the artists he photographed, and many of them considered him a friend as well as a trusted documentarian. In addition to his music photography, Marshall also ventured into other genres, including street photography and portraiture. His work has been exhibited in numerous galleries and museums worldwide and has been featured on album covers, book covers, and in publications such as Rolling Stone, Life, and Vanity Fair. Jim Marshall passed away on 24 March 2010, leaving behind a rich legacy of images that continue to inspire and resonate with music lovers and photography enthusiasts alike. His photographs capture a transformative period in history and remain a testament to the power of visual storytelling. Today, his work continues to be celebrated and recognized as an indelible part of the cultural fabric of the 20th century. |
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Record Label Information: |
CBS 63815 / SVLP 0043 |
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Media Format: |
12" Vinyl Stereo Gramophone Record Total Album (Cover+Record) weight: 300 gram |
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Year and Country: |
UK |
Personnel/Band Members and Musicians on: SANTANA Lionhead Self-Titled Simply Vinyl |
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Complete Track-listing of the album "SANTANA Lionhead Self-Titled Simply Vinyl" |
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The detailed tracklist of this record "SANTANA Lionhead Self-Titled Simply Vinyl" is:
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High Resolution and Quality Photos of Complete Album Covers "SANTANA Lionhead Self-Titled Simply Vinyl" |
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Album Back Cover Photo of "SANTANA Lionhead Self-Titled Simply Vinyl" |
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Photo of "SANTANA Lionhead Self-Titled Simply Vinyl" 12" LP Record - Side One: |
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Photo of "SANTANA Lionhead Self-Titled Simply Vinyl" 12" LP Record - Side Two: |
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Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ). |
Santana during the 70s and 80s was a seminal period for the band, with numerous releases and live performances cementing their reputation as one of the most innovative and influential rock groups of the era. In this web-page, we will explore some of the highlights of Santana's career during this period, and examine how they established a unique and enduring musical legacy.
Santana first rose to prominence in the late 1960s with their self-titled debut album, which blended rock, blues, and Latin influences into a distinctive sound. However, it was during the 70s and 80s that they truly came into their own, exploring new directions and incorporating an ever-wider range of musical styles.
One of the most significant albums of this period was 1970's "Abraxas", which spawned the hit singles "Black Magic Woman" and "Oye Como Va". This album was a perfect showcase for the band's eclectic approach, with tracks that ranged from Latin-tinged rock to jazz fusion to psychedelic blues. The album also featured some of Carlos Santana's most inventive guitar playing, incorporating a range of effects and techniques to create a unique and deeply expressive sound.
Santana's live performances during this era were also legendary, with the band's high-energy shows earning them a devoted following. One of their most memorable concerts took place at Woodstock in 1969, where they delivered a fiery set that helped to establish their reputation as one of the most dynamic and exciting live acts of the time. Over the years, the band would continue to tour extensively, playing to packed houses around the world and inspiring countless musicians with their electrifying stage presence.
In 1971, Santana released "Santana III", another landmark album that featured the hit single "Everybody's Everything". This album saw the band continuing to push boundaries and experiment with new sounds, incorporating elements of funk, jazz, and even classical music into their already diverse style. Once again, Carlos Santana's guitar work was a highlight, with his emotive playing adding a sense of urgency and passion to the band's already intense sound.
During the late 70s and early 80s, Santana's sound continued to evolve, with the band exploring new genres and collaborating with a range of different artists. In 1976, they released "Amigos", which included the hit single "Europa (Earth's Cry Heaven's Smile)". This album showcased the band's ability to blend rock and jazz influences, creating a sophisticated and melodic sound that was both powerful and accessible.
In the 80s, Santana continued to experiment with different styles, releasing albums that incorporated elements of pop, R&B, and even electronic music. 1981's "Zebop!" featured the hit single