Album Description & Collectors information:
This double album "SAXON - Anthology 2LP NWOBHM" has a gatefold/foc cover.
Transcript of the Liner Notes
SAXON crashed onto the scene at the beginning of 'The New Wave of British Heavy Metal.' Releasing their first album 'Saxon' in 1979, containing shout it out lyrics and anthemic songs. The band soon attracted a lot of interest, by touring with well known heavy rock bands at the time including Motorhead and Nazereth. The second album 'Wheels of Steel' appeared in 1980, a cornucopia of loud, hard and fast, down to earth heavy metal, played at it's best. 'Strong Arm of the Law' also released in 1980 followed in the footsteps of the british metal scene andirthey began to sell out the country's major rock venues, never compromising to any outside pressure from the press or to their claim following of the genre) welcoming each subsequent release with open arms. Playing heavy metal like no other band, Saxon must be one of popular rock shores. So just put the album on the stereo, crank up the volume and be prepared for some heavy metal thunder.
IAN R ATTEWELL 1988
PS. PLAY VERY LOUD
|
| Album Production Information:
The album: "SAXON - Anthology 2LP NWOBHM" was produced by: Castle Communications and
Jeff Glixman - Producer, Sound Engineer
Jeff Glixman is a highly respected and accomplished music producer, sound engineer, and mastering engineer. With a career spanning several decades, Glixman has made significant contributions to the music industry, working with renowned artists
Read more.
Jeff Glixman a music producer, sound engineer and mastering engineer who has managed the NWOBHM band "Black Sabbath" and during the 1980s Glixman has produced albums for Gary Moore, Kansas, Magnum, Saxon and Yngwie J. Malmsteen.
John Verity - Producer, Sound Engineer, Guitarist
John Verity born on 3 July 1949, in Bradford, West Yorkshire, is a pivotal figure in the New Wave of British Heavy Metal (NWOBHM) movement. Renowned as a guitarist, vocalist, and producer, Verity played a crucial role in shaping the distinctive sound of NWOBHM. His contributions, both as a musician and behind the studio console, underscore his enduring impact on the evolution of British rock during this influential musical era.
more...
Musical Career:
Verity began his musical journey as the lead vocalist and guitarist for the band Argent in the early 1970s. Argent, known for hits like "Hold Your Head Up," provided Verity with a platform to showcase his skills as a versatile and dynamic performer. His time with Argent allowed him to establish himself as a prominent figure in the British rock scene.
Solo Career:
Following his stint with Argent, John Verity embarked on a solo career, releasing albums that showcased his proficiency in both rock and blues genres. His solo work includes albums like "Interrupted Journey" and "Truth of the Matter," where he continued to impress audiences with his soulful vocals and masterful guitar playing.
Producer Extraordinaire:
Beyond his role as a performer, Verity has made a mark as a producer, contributing to the creation of albums for various artists. His expertise in the studio has allowed him to work with musicians across different genres, helping them achieve the desired sound for their projects. Some of the heavy metal bands for which he produced albums include Saxon and Tank,
Collaborations and Versatility:
Verity's collaborative spirit and musical versatility are evident in the range of artists he has worked with over the years. Whether in the role of a guitarist, vocalist, or producer, he has consistently demonstrated a deep understanding of music and a commitment to delivering high-quality performances.
Live Performances:
In addition to his studio work, John Verity has maintained a presence in the live music scene. His performances, marked by a charismatic stage presence and a genuine connection with the audience, have solidified his reputation as a captivating live performer.
Influence and Legacy:
John Verity's influence extends beyond his own discography. His work, both as a musician and a producer, has left an indelible mark on the rock and blues genres. Artists and fans alike continue to appreciate his contributions to the rich tapestry of British music.
John Verity from Bradford, West Yorkshire) is an English guitarist formerly with the band Argent from 1974 to 1976. During the 1980s he was responsible for the production and/or sound engineer of Heavy Metal albums. In particular for the bands Saxon and Tank.
Kevin Beamish - Producer, Sound Engineer
Kevin Beamish is an American music producer, sound engineer, during the 1980s he has produced and engineered several heavy metal albums for bands like: Leatherwolf and Saxon.
Nigel Thomas - Producer, Cover Design
Pete Hinton - Producer, Sound Engineer
Pete Hinton – Record producer
The Carrere A&R who signed Saxon and helped their early 80s metal hit like steel.
Read more...
Pete Hinton is the catalyst who helped turn UK metal into chartable thunder. Raised on 60s radio grit, he surfaced at Carrere UK (1978-1984) as A&R and producer, signing Saxon (formed 1976: Biff Byford, Graham Oliver, Paul Quinn, Steve Dawson, Pete Gill) in 1979 and steering the breakthrough punch of "Wheels of Steel" (1980) and "Strong Arm of the Law" (1980); he stayed in the "Denim and Leather" orbit as mixer/partial producer (1981). Early 80s he produced Demon (1982 "The Unexpected Guest" plus singles). Late 80s he jumped borders, producing Deathwish (1987) and Coroner's "No More Color" (1989). His biggest controversy was label politics: budgets shifted, producers got swapped, and he walked away in 1984 rather than play nice.
Simon Hanhart - Producer, Sound Engineer
Will Reid-Dick - Sound Engineer, Producer
Will Reid-Dick – Producer, engineer
The behind-the-glass trouble-shooter who went from Thin Lizzy to Motörhead and kept the tape rolling.
Read more...
Will Reid-Dick, I first noticed him as the guy behind the glass who could make chaos sound deliberate. Coming out of the 70s hard-rock studio grind, he shows up on records right where heavy metal starts turning professional: engineering Thin Lizzy's 1976 "Johnny the Fox" (Lynott, Gorham, Robertson, Downey), then helping capture Saxon's early NWOBHM punch on 1980's "Strong Arm of the Law" (Byford, Oliver, Quinn, Dawson, Gill). In 1982 he co-produced Motörhead's "Iron Fist" with "Fast" Eddie Clarke (Lemmy, Clarke, Phil Taylor) — a tense, rushed session that became as infamous as it was loud. By the late 80s he was producing Thunderhead (1989), proof his ears travelled well.
Will Reid-Dick English producer, engineer, mastering engineer and musician, during the 1980s responsible for some NWOBHM records from Motorhead, Saxon but also for German bands like Rage, Sinner and several others.
Andy Lydon - Sound Engineer
Bruce Barris - Sound Engineer, ProducBruce Barris (Sound Engineer, Producer) during the 1980s he has been producing and engineering music albums for the Heavy Metal bands like: Leatherwolf, Sanctuary, Saxon, Shok Paris..er
Cheryl Bordagary - Sound Engineer
Les Horne - Sound Engineer
George Marino (1947-2012) - Mastering Engineer
George Marino – Mastering EngineerWhen my site brain goes full 1980s metal mode, his name keeps showing up like a hidden signature in the dead wax. Read more... George Marino is one of those behind-the-glass legends who made heavy music feel larger than the room it was playing in. Before the mastering console became his throne, he was a Bronx guitarist doing the NYC band grind in the 1960s with groups like The Chancellors and The New Sounds Ltd. Then he went pro for real: starting at Capitol Studios in New York (1967), and eventually becoming a long-running force at Sterling Sound (from 1973 onward). For a collector like me—living in that sweet spot where 1980s heavy metal, hard rock, and a dash of prog-minded ambition collide—Marino’s credits read like a stack of essential sleeves: Holy Diver (Dio), Tooth and Nail (Dokken), Stay Hard (Raven), Master of Puppets (Metallica), Somewhere in Time (Iron Maiden), Among the Living (Anthrax), Appetite for Destruction (Guns N’ Roses), Slippery When Wet (Bon Jovi), and Blow Up Your Video (AC/DC). That’s the kind of resume that doesn’t just “master” records—it weaponizes them, but with taste. George Marino Wiki |
