Saxon's "The Eagle Has Landed" French release, a live heavy metal gem from 1981, encapsulates the band's peak performance during their world tour. Recorded in France, it captures the vibrant energy of the burgeoning metal scene. The 12" vinyl LP's production, blending raw live sounds with meticulous mastering, preserves the essence of the era. A cultural artifact, this release remains cherished for its musical prowess and historical significance.
This web page has photos of album covers, inner sleeves, record labels together with production details, musicians and track-listing.
The Saxon live album, "The Eagle Has Landed," holds a special place in the annals of heavy metal history, capturing the essence of the band's electrifying performances during the 1981 United States leg of their world tour. As we delve into the significance of this release, let us explore not only the musical prowess exhibited by Saxon but also the broader cultural context of the time period and the intricacies of production that went into crafting this iconic 12" vinyl LP.
The early 1980s were a transformative era for the heavy metal genre, marked by the rise of numerous iconic bands and the consolidation of its distinctive sound. Saxon, hailing from the United Kingdom, was a formidable force in this movement. With their leather-clad image, powerful vocals, and intricate guitar work, the band quickly gained a dedicated fanbase.
"The Eagle Has Landed" emerged at a pivotal moment in Saxon's career, capturing the band at the peak of their live performance prowess. The year 1981 saw the heavy metal scene expanding its global reach, and Saxon's decision to record the album in France added a unique flair to its international appeal.
The live album format has always been a testament to a band's ability to connect with its audience, and "The Eagle Has Landed" excels in this regard. The raw energy and infectious enthusiasm of the crowd are palpable, creating an immersive experience for the listener. The choice to record in France not only speaks to the band's desire to reach a diverse audience but also adds a touch of European flavor to the album.
Production, a crucial aspect of any musical endeavor, played a pivotal role in bringing the live experience to the vinyl format. The analog nature of 12" vinyl LPs posed both challenges and opportunities. The warm, rich sound that vinyl is known for became a canvas for capturing the nuances of Saxon's performance. From the thunderous drumming to the soaring guitar solos, each element was carefully mixed and mastered to ensure a faithful representation of the live show.
The artwork and packaging of the French release further contribute to the album's allure. Often, the visual elements of a record are as important as the music itself. The cover art, liner notes, and overall design were crafted with a keen understanding of the aesthetic sensibilities of the time.
Album Production team:
Andy Lydon - Sound Engineer Stewart Eales - Sound Engineer George Bodnar (RIP 2011) - Photographer |
Music Genre: NWOBHM New Wave of British Heavy Metal |
Record Label & Catalognr: Carrere 67870 |
Media Format: 12" Vinyl Stereo Gramophone RecordTotal Album (Cover+Record) weight: 230 gram |
Year & Country: 1982 Made in France |
Band Members and Musicians on: SAXON - The Eagle Has Landed |
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Track Listing of: "SAXON - The Eagle Has Landed" |
The Songs/tracks on "SAXON - The Eagle has Landed Live" are
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Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
"The Eagle Has Landed Live (France)" Pink Colour Carrere Record Label Details: CARRERE 67870, SACEM France ℗ 1982 Carrere Sound Copyright
Saxon was a British heavy metal band that emerged in the late 1970s and went on to achieve considerable success during the 1980s. The band, which consisted of Biff Byford on vocals, Graham Oliver and Paul Quinn on guitar, Steve Dawson on bass, and Nigel Glockler on drums, was known for their high-energy performances, catchy hooks, and hard-driving riffs.
During the early 1980s, Saxon released a string of successful albums, including "Wheels of Steel" (1980), "Strong Arm of the Law" (1980), and "Denim and Leather" (1981). These albums established Saxon as one of the leading bands in the new wave of British heavy metal, alongside bands like Iron Maiden, Judas Priest, and Def Leppard.
One of the defining characteristics of Saxon's music during this period was their use of twin guitar harmonies, a technique popularized by Thin Lizzy and used by many of the leading metal bands of the time. This technique was particularly prominent on songs like "Princess of the Night" and "And the Bands Played On," both of which became fan favorites and staples of the band's live shows.
Saxon's success during the 1980s was not limited to the UK. The band was also popular in the US, where they toured extensively and made a number of high-profile appearances on shows like "The Merv Griffin Show" and "American Bandstand." Their popularity in the US was helped by the fact that they had a sound that was more accessible than some of their contemporaries, with a heavy emphasis on melody and catchy hooks.
Despite their success, Saxon was not without their share of controversies during the 1980s. One of the most notable of these was their decision to play a show in apartheid-era South Africa in 1981, which led to widespread criticism and accusations of racism. The band defended their decision, stating that they did not support apartheid and that their primary motivation was to play for their fans in the country. However, the controversy led to a boycott of the band in some countries, and they were banned from performing in New Zealand and Australia for several years.
There have been several controversies surrounding the English rock band Saxon throughout their career. Here are a few notable ones:
"Denim and Leather" controversy: In 1981, Saxon released their album "Denim and Leather" which paid tribute to their fans and the New Wave of British Heavy Metal scene. However, the album cover featured a photo of two young boys wearing denim and leather jackets, which some critics and fans felt was inappropriate and exploitative. The band defended the cover, saying it was meant to symbolize the next generation of metal fans.
"Crusader" controversy: In 1984, Saxon released their album "Crusader" which had a title track that was accused of promoting Christian crusades and religious intolerance. The band denied these allegations and said the song was meant to be about standing up for one's beliefs.
Nigel Glockler's firing: In 1987, Saxon fired their drummer Nigel Glockler due to creative differences. This caused a rift in the band and led to several lineup changes over the years.
Graham Oliver's departure: In 1995, Saxon parted ways with guitarist Graham Oliver, who sued the band over trademark infringement for continuing to use the Saxon name without his consent. The lawsuit was settled out of court, and Oliver went on to form his own version of Saxon.
"Solid Ball of Rock" artwork: In 1991, Saxon released their album "Solid Ball of Rock" which featured artwork that was accused of being sexist and objectifying women. The band defended the artwork, saying it was meant to be tongue-in-cheek and not to be taken seriously.
In addition to their controversies, Saxon also faced some internal tensions during the 1980s. One of the most significant of these was the departure of guitarist Graham Oliver in 1995, which was followed by a period of declining commercial success and changes in the band's lineup. However, Saxon remained a popular live act and continued to release new music throughout the 1990s and 2000s.