This release "Strong Arm of the Law" is from France on the Carrere records and is the third studio album by heavy metal band Saxon released in 1980.
This web page has photos of album covers, inner sleeves, record labels together with production details, musicians and track-listing.
British Heavy Metal ( NWOBHM )
CARRERE 67.621
Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram
1980 Made in France
This 12" LP vinyl music record comes comes in a Fold Open Cover (FOC), which is also also known as a Gatefold cover. The inner pages of this album cover contain collages of Saxon band.
Biff Byford (real-name: Peter Rodney Byford) born in the year 1951 in Skelmanthorpe, Win England. Lead singer in the bands “Son of a Bitch” from 1977 until 1978, followed by being lead-singer in the SAXON band
Byford formed Saxon in 1977 and has been a constant member of the band ever since. Over the years, Saxon has become one of the most influential bands in the New Wave of British Heavy Metal movement, and Byford's powerful voice and charismatic stage presence have been a key part of their success.
In addition to his work with Saxon, Byford has also worked on various solo projects and collaborated with other musicians. He has been widely recognized for his contributions to the heavy metal genre, and has been referred to as one of the most influential heavy metal singers of all time.
Byford is known for his unique vocal style, which features a blend of powerful and melodic singing, and his distinctive stage presence and energy have made him a popular figure among heavy metal fans around the world.
Graham Oliver a guitarist and bass player , born in 1952 Mexborough, England. He was founding member and one of the main song-writer in the British Heavy Metal band Saxon. He started his career around 1975 in a band called “Son of a Bitch”.
Paul Quinn (full-name: Paul Anthony Quinn) is one of original founding members of Saxon and started in the Coast and "Son Of Bitch Bands"
Steve "Dobby" Dawson was born in 1952 , bass guitar player and one of the founding members of the British Heavy Metal band “SAXON”
Pete Gill - Drums, one of the co-founders of the British bands: "Son Of A Bitch" and "Saxon", he has played drums in two major British Heavy Metal bands: "Saxon" and "Motorhead" .
Notice that there is NO barcode printed on the album back cover
Photo collage of Saxon on stage on the left inner page of the gatefold cover
Photo collage of Saxon on stage on the right inner page of the gatefold cover
The sections to uniquely identify this release of Saxon's album "Strong Arm Of the Law" have been marked with a blue box.
Saxon was a British heavy metal band that emerged in the late 1970s and went on to achieve considerable success during the 1980s. The band, which consisted of Biff Byford on vocals, Graham Oliver and Paul Quinn on guitar, Steve Dawson on bass, and Nigel Glockler on drums, was known for their high-energy performances, catchy hooks, and hard-driving riffs.
During the early 1980s, Saxon released a string of successful albums, including "Wheels of Steel" (1980), "Strong Arm of the Law" (1980), and "Denim and Leather" (1981). These albums established Saxon as one of the leading bands in the new wave of British heavy metal, alongside bands like Iron Maiden, Judas Priest, and Def Leppard.
One of the defining characteristics of Saxon's music during this period was their use of twin guitar harmonies, a technique popularized by Thin Lizzy and used by many of the leading metal bands of the time. This technique was particularly prominent on songs like "Princess of the Night" and "And the Bands Played On," both of which became fan favorites and staples of the band's live shows.
Saxon's success during the 1980s was not limited to the UK. The band was also popular in the US, where they toured extensively and made a number of high-profile appearances on shows like "The Merv Griffin Show" and "American Bandstand." Their popularity in the US was helped by the fact that they had a sound that was more accessible than some of their contemporaries, with a heavy emphasis on melody and catchy hooks.
Despite their success, Saxon was not without their share of controversies during the 1980s. One of the most notable of these was their decision to play a show in apartheid-era South Africa in 1981, which led to widespread criticism and accusations of racism. The band defended their decision, stating that they did not support apartheid and that their primary motivation was to play for their fans in the country. However, the controversy led to a boycott of the band in some countries, and they were banned from performing in New Zealand and Australia for several years.
There have been several controversies surrounding the English rock band Saxon throughout their career. Here are a few notable ones:
"Denim and Leather" controversy: In 1981, Saxon released their album "Denim and Leather" which paid tribute to their fans and the New Wave of British Heavy Metal scene. However, the album cover featured a photo of two young boys wearing denim and leather jackets, which some critics and fans felt was inappropriate and exploitative. The band defended the cover, saying it was meant to symbolize the next generation of metal fans.
"Crusader" controversy: In 1984, Saxon released their album "Crusader" which had a title track that was accused of promoting Christian crusades and religious intolerance. The band denied these allegations and said the song was meant to be about standing up for one's beliefs.
Nigel Glockler's firing: In 1987, Saxon fired their drummer Nigel Glockler due to creative differences. This caused a rift in the band and led to several lineup changes over the years.
Graham Oliver's departure: In 1995, Saxon parted ways with guitarist Graham Oliver, who sued the band over trademark infringement for continuing to use the Saxon name without his consent. The lawsuit was settled out of court, and Oliver went on to form his own version of Saxon.
"Solid Ball of Rock" artwork: In 1991, Saxon released their album "Solid Ball of Rock" which featured artwork that was accused of being sexist and objectifying women. The band defended the artwork, saying it was meant to be tongue-in-cheek and not to be taken seriously.
In addition to their controversies, Saxon also faced some internal tensions during the 1980s. One of the most significant of these was the departure of guitarist Graham Oliver in 1995, which was followed by a period of declining commercial success and changes in the band's lineup. However, Saxon remained a popular live act and continued to release new music throughout the 1990s and 2000s.