- Bellaphon / Casablanca Records – Hard Rock 1979
“Dynasty” marks a turning point in KISS’s career — the album where the masked rock titans traded thunder for groove. Released in 1979, it fused their hard-rock roots with disco polish and pop magnetism, spawning the international hit “I Was Made for Lovin’ You.” Produced by Vini Poncia, recorded at New York’s Electric Lady and Record Plant Studios, and mastered by George Marino at Sterling Sound, this LP captured both the glam and the fracture within the band. Peter Criss appears on only one track, while Anton Fig’s crisp drumming powers the rest — a subtle shift that marked the beginning of KISS’s transformation.
This album "KISS - Dynasty" is the seventh studio album by American hard rock band Kiss. It was produced by Vini Poncia and released on Casablanca Records on May 23, 1979. Dynasty marked the first time that the original four members of Kiss did not all appear together for the entire album. The album marked a departure from the band's hard rock sound towards a more pop-oriented sound with an emphasis on disco influences.
The album features the hit singles "I Was Made for Lovin' You" and "Sure Know Something", both of which were successful on the charts. The album also includes contributions from all four members of the band, with guitarist Ace Frehley taking lead vocals on "Hard Times" and bassist Gene Simmons singing lead on "Charisma" and "X-Ray Eyes".
The album received mixed reviews upon its release, with some critics praising the band's willingness to experiment with new styles while others criticized the band's departure from their traditional sound. However, it was a commercial success, reaching No. 9 on the US Billboard 200 chart and being certified platinum by the Recording Industry Association of America (RIAA).
Overall, Dynasty is an important album in the Kiss discography, as it marked a significant shift in the band's sound and helped to establish them as a popular music act in the late 1970s.
Kiss enlisted Vini Poncia, who produced Peter Criss's solo album, to produce Dynasty. After pre-production and rehearsals were completed, Poncia decided to exclude Criss from most of the recording, judging him unable to drum well enough. Criss, by this time, had fallen deep into substance abuse and was also recovering from an automobile accident. He performed on only one song, "Dirty Livin'." The rest of the drums were recorded by Anton Fig, who played drums on Ace Frehley's 1978 solo album.
Hard Rock
Emerging from the American hard rock scene of the 1970s, KISS’s sound fused heavy guitar riffs, theatrical performances, and melodic hooks. On "Dynasty", the band flirted with disco influences, blending their hard-rock foundation with radio-ready pop rhythms that reflected the late-’70s crossover trends.
Bellaphon / Casablanca – NB 7048
Standard sleeve, issued with variations in back cover design between releases.
No custom inner sleeve included.
Record Format: 12" LP Vinyl Stereo Gramophone Record
Total Weight: 230g
1979 – Made in Germany
Electric Lady Studios & Record Plant, New York City, USA
Record Plant – New York City, USA
Disclaimer: Track durations are not listed on this pressing. Track order confirmed from the original Bellaphon/Casablanca NB 7048 release.
This front cover of KISS – Dynasty (German Bellaphon / Casablanca, 1979) is one of the most instantly recognizable in rock history. It features four tight close-up portraits of the band members in their iconic stage makeup, positioned in a perfect grid that fills the entire frame. Each face is dramatically lit, highlighting the glossy textures of the greasepaint and emphasizing their exaggerated personas — the Starchild, the Demon, the Spaceman, and the Catman.
Paul Stanley (top left) appears with his signature black star over one eye, lips painted bright crimson, and hair feathered in soft curls that merge into the dark background. Gene Simmons (top right) glares directly into the camera with bared teeth, black bat-like patterns around his eyes and mouth amplifying his feral intensity. Below them, Ace Frehley (bottom left) wears shimmering blue-silver lightning-bolt makeup that reflects the studio lights, while Peter Criss (bottom right) shows his feline green and black mask with small silver whiskers and vivid red lips.
The background is nearly black, bordered by a narrow grey frame, giving the illusion that the band is emerging from the shadows. The typography is minimal yet bold: the KISS logo appears in red block letters at the upper left corner with a small label note reading “Includes 8-colored poster,” and the album title DYNASTY printed in bright red sans-serif type on the upper right. The result is an image that fuses hard rock theatricality with late-1970s visual sleekness — a glam-disco hybrid both alluring and defiant.
This particular photograph was used for the German Bellaphon pressing, captured from an original LP in the Vinyl Records NL collection. Slight color shifts may appear due to camera lighting, yet every detail of makeup, texture, and typography remains faithful to the 1979 release. It is a snapshot of a band at the height of its fame, poised between spectacle and self-parody, forever immortalized in vinyl gloss.
The back cover of KISS – Dynasty presents a stark contrast to the flamboyant front sleeve. Set against a pale gray-white background, it arranges all essential information with clinical symmetry. The track listing, printed in solid red capital letters, stands centered in a vertical column that dominates the middle of the cover — a clear, bold statement amid empty space.
Each of the nine songs appears in neat alignment: “Charisma,” “Dirty Livin’,” “Hard Times,” “I Was Made for Lovin’ You,” “Magic Touch,” “Save Your Love,” “Sure Know Something,” “X-Ray Eyes,” and “2,000 Man.” The red text vibrates subtly against the neutral background, evoking the stark modernism of late-1970s album design. In the top corners, the KISS logo anchors the left in bold red, while DYNASTY balances the right in matching type.
Along the lower section, the credits unfold with quiet professionalism: Recorded at Electric Lady Studios and Record Plant, New York City; engineered by Jay Messina; assistant engineers Jon Mathias and Jim Galante; mastered by George Marino at Sterling Sound. Below, Bellaphon and Casablanca logos are joined by a small rock steady insignia and a 1979 copyright notice, grounding the European manufacturing details.
The lower right lists songwriting and publishing credits in small black print, while the bottom line declares: “Produced by Vini Poncia for Mad Vincent Productions.” Even without imagery, the sleeve radiates authority and confidence — a clean, utilitarian design that perfectly frames the tension between rock rebellion and disco-era polish.
This particular back cover belongs to the German Bellaphon pressing, a layout slightly distinct from U.S. and other European issues. Its simplicity and typographic precision make it a subtle but prized variation among collectors of late-70s KISS vinyl editions.
This close-up image captures the Side One label of KISS – Dynasty (catalog number NB 7049), pressed and distributed in Germany by Bellaphon under license from Casablanca Records. The label features a glossy, cream-toned background printed with a vivid color photograph of the four band members in their full stage personas — Gene Simmons, Paul Stanley, Ace Frehley, and Peter Criss — posed together against a dark gradient backdrop.
The large KISS logo dominates the upper half in sky-blue letters with bold orange outlines, a signature branding element instantly recognizable to collectors. Beneath it, the track titles are centered and numbered neatly in black sans-serif type, listing “I Was Made For Lovin’ You,” “2,000 Man,” “Sure Know Something,” and “Dirty Livin’.” Songwriting and production credits follow directly below, with Produced by Vini Poncia for Mad Vincent Productions and Recorded and Mixed by Jay Messina clearly stated.
The lower arc of the label carries both the Casablanca Records and FilmWorks logo — the red, art deco–style wordmark flanked by small palm trees evoking Hollywood glamour — and the Bellaphon logo in a rectangular block, denoting German manufacturing. The rim text in German reads “Alle Urheber- und Leistungsschutzrechte vorbehalten,” a standard copyright and performance rights declaration.
On the left, a boxed GEMA symbol identifies the rights society for Germany, while the right-hand side displays the technical details “33 UpM Stereo Side 1,” using the European notation for revolutions per minute. A small LC 3272 label code appears nearby — a Bellaphon cataloging requirement in line with IFPI standards of the period. Together, these details mark this edition as a true European hybrid: a Casablanca aesthetic pressed with Bellaphon’s precision and German legal compliance.
The combination of American artwork, German typefaces, and local manufacturing identifiers makes this pressing a perfect study in transatlantic record design. It embodies how 1970s rock merchandising balanced international branding with regional distribution standards — down to every serif and spindle hole.
This Side One label was used by Bellaphon and Casablanca Records for the German 1979 pressing of KISS – Dynasty. It merges Casablanca’s U.S. photographic label design with Bellaphon’s European typography and legal markings. This design was applied between 1978 and 1980 across select German and Austrian releases.
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