This album "ACE FREHLEY Frehley’s Comet - Self-Titled" includes the original custom made inner sleeve (OIS) with album production details, complete lyrics of all songs by and artwork.
Frehley's Comet is the second solo album by "Ace Frehley" (ex-Kiss). This is the first album by Frehley after leaving the Kiss band.
In 1987, the music landscape was a curious beast. Glam rock's glitter had faded, replaced by the angst-ridden leather of Guns N' Roses and the neon theatrics of Bon Jovi. It was a time of big hair and even bigger egos, and against this backdrop, former Kiss guitarist Ace Frehley unleashed his debut solo album, *Frehley's Comet*, a sonic middle finger to both his estranged bandmates and the changing tides of rock and roll.
Frehley, forever known as "The Spaceman" in Kiss thanks to his elaborate stage persona, had never been shy about his love of all things extraterrestrial. *Frehley's Comet* embraced that love fully, with its chrome-plated cover art depicting a sleek spaceship soaring through a starfield. This wasn't a subtle affair; Frehley was planting his flag firmly in the realm of unapologetic hard rock.
But peel back the spaceship exterior and you'll find a surprisingly diverse musical exploration. Sure, there are plenty of trademark Frehley scorchers like the opener "Rock Soldiers" and the fist-pumping "We Got Your Rock," but there are also moments of genuine tenderness, like the ballad "Love Me Right." "Into the Night," a cover of Russ Ballard's power ballad, even throws in a touch of synth, a controversial choice at the time for a hard rock purist like Frehley. Frehley wa
sn't exactly known for his vocal prowess, but here he lets loose with a raw, passionate delivery that perfectly complements the music. Produced by Eddie Kramer, a veteran who had worked with everyone from Jimi Hendrix to Led Zeppelin, the album boasts a crisp, polished sound that allows Frehley's riffs and solos to truly shine. Recorded at the famed Record Plant Studios in New York City, a breeding ground for countless rock classics, *Frehley's Comet* feels like a product of its time and place, a defiant roar amidst the changing landscape of 80s rock.
Album Fact Sheet: ACE FREHLEY Frehley’s Comet - Self-Titled | |
Music Genre: Hard Rock / Heavy Metal |
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Album Production Information: The album: "ACE FREHLEY Frehley’s Comet - Self-Titled" was produced by: Ace Frehley, Eddie Kramer Assistent producers: John Regan, Tod Howarth Executive Producer: Jon Zazula Sound/Recording Engineer(s): Chris , Corky Staziak, Eddie Kramer, Mario Rodriguez Mixed by: Eddie Kramer, Scott Mabuchi, Jeff Abikser This album was recorded at: Rightrack Studios, NYC - Master Sound Studios, Astoria - Sound Ideas, NYC - Bear Tracks, Suffern, NY Mixed at: Rightrack Studios, NYC Mastered by: George Marino at Sterling Sound, New York City. Art Direction – Bob Defrin Logo design; Don Brautigam Album back cover photography: Ebet Roberts Album inner sleeve photography: Ron Garrison |
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Additional Information on the production team Ace Frehley is mainly known as a musician with the "KISS" band, in 1984 he started his solo career and his band used the name "Ace Frehley" and "Frehley's Comet". Anton Fig - before joining Ace Frehley's band he played drums in the "Spider" and "Shanghai" bands. "Anton Fig" is mostly known for drummer in Letterman's house-band. Bob Defrin, a prominent figure in the world of graphic design and album cover art, is best known for his significant contributions as the director, graphic designer, and head of art for Atlantic Records. Born on April 13, 1946, Defrin's creative journey began in Brooklyn, New York, where he developed a passion for art from an early age. Defrin's career in the music industry took off in the 1980s, a pivotal era for Heavy Metal music. His unique artistic vision and ability to capture the essence of a band's sound through visual imagery made him a sought-after figure among musicians and record labels. As a director and graphic designer at Atlantic Records, Defrin played a pivotal role in shaping the visual identities of numerous Heavy Metal bands during this period. One of Defrin's notable accomplishments was his work on album covers. He understood the power of album artwork in conveying the spirit and energy of a band's music. Defrin's ability to translate the raw power and intensity of Heavy Metal into captivating visuals earned him widespread recognition and accolades. His designs often featured bold, eye-catching imagery, intricate details, and striking typography, perfectly complementing the music within. Defrin's portfolio boasts an impressive array of iconic album covers. Among his most renowned works are the covers for AC/DC's "Highway to Hell" (1979), "Back in Black" (1980), and "For Those About to Rock We Salute You" (1981). These covers captured the band's energy, attitude, and electrifying sound, becoming iconic symbols of Heavy Metal culture. Additionally, Defrin's artistic contributions extended beyond AC/DC. He collaborated with numerous other influential bands, including Twisted Sister, Bon Jovi, Krokus, and Skid Row, among others. Each album cover he designed encapsulated the essence of the respective band's music, making a lasting impact on the visual landscape of Heavy Metal. Bob Defrin's expertise in graphic design and his ability to understand and interpret the musical vision of Heavy Metal bands made him an invaluable asset to Atlantic Records. He left an indelible mark on the music industry, helping to shape the visual identities of some of the most influential Heavy Metal acts of the 1980s. Beyond his work with Atlantic Records, Defrin's influence continued to resonate in the field of graphic design. His unique style and contributions left a lasting impression on album cover art, inspiring generations of designers to think creatively and push the boundaries of visual storytelling. Bob Defrin's legacy as a director, graphic designer, and head of art for Atlantic Records endures as a testament to his immense talent and profound impact on the Heavy Metal genre. His ability to merge music and visual artistry has forever left an indelible mark on the history of album cover design.
Chris "Dr Metal" Bubacz, born on 12 April 1955, is a renowned sound engineer who made a significant impact on the Heavy Metal scene of the 1980s. With his exceptional talent and dedication to achieving the perfect sound, he became a driving force behind the success of several influential bands, including Metallica, Anthrax, and Znöwhite. Born and raised in a small town in the United States, Bubacz developed a deep passion for music at an early age. Fascinated by the technical aspects of sound and recording, he spent countless hours experimenting with audio equipment, building his own amplifiers, and dissecting albums to understand their production techniques. Bubacz's journey into the world of Heavy Metal began in the late 1970s when he moved to a bigger city to pursue a career in sound engineering. He started working at a local recording studio, learning the ropes of the profession and honing his skills. His dedication and keen ear for detail quickly earned him a reputation as a rising talent. In the early 1980s, Bubacz's path crossed with Metallica, an emerging force in the world of Heavy Metal. Impressed by his technical expertise and passion for the genre, the band invited him to work on their second studio album, "Ride the Lightning." Bubacz's contribution to the album's sound proved to be transformative, capturing the raw energy and aggression that became synonymous with Metallica's early years. Following the success of "Ride the Lightning," Bubacz's reputation soared, and his services were in high demand within the Heavy Metal community. Bands like Anthrax and Znöwhite sought out his expertise to achieve the perfect sonic landscape for their albums. With his meticulous attention to detail and innovative recording techniques, Bubacz played a crucial role in shaping the sound of each band he worked with. He had a remarkable ability to capture the intensity of live performances while maintaining clarity and balance within the recordings. During his tenure as a sound engineer, Bubacz worked on numerous groundbreaking albums, including Metallica's "Master of Puppets," Anthrax's "Among the Living," and Znöwhite's "Act of God." These albums not only became influential within the Heavy Metal genre but also helped solidify Bubacz's status as one of the most sought-after sound engineers of the era. Bubacz's work extended beyond the recording studio. He often accompanied bands on tour, ensuring their live performances matched the sonic excellence of their studio albums. His commitment to quality and his ability to adapt to different venues and equipment made him an invaluable asset on the road. Despite his tremendous success, Bubacz remained humble and focused on his craft. He continued to explore new recording techniques, pushing the boundaries of what was possible within the Heavy Metal genre. His innovative approach to sound engineering left an indelible mark on the music industry, inspiring countless aspiring sound engineers and musicians. After the 1980s, Bubacz continued to work on various projects, collaborating with a wide range of artists across different genres. While his contributions to the Heavy Metal scene remain legendary, he proved his versatility by adapting his skills to diverse musical styles. Chris "Dr Metal" Bubacz's pioneering work as a sound engineer in the 1980s cemented his place in Heavy Metal history. His dedication, passion, and unwavering commitment to capturing the essence of the genre through sound made him a highly respected figure in the industry. Today, his legacy lives on, influencing generations of musicians and sound engineers who strive to replicate his unparalleled contributions to the world of Heavy Metal. Corky Staziak started in the early 1970s with sound engineering , bands he has been working with include: Aerosmith, Ace Frehley, Lou Reed, Kiss, Alice Cooper, etc Don Brautigam, a renowned American painter and graphic artist, emerged as a true icon in the world of album cover art during the 1980s. Born on 12 July 1950, in a small town in Wisconsin, Brautigam's passion for art ignited at an early age. Growing up, he found solace and inspiration in the works of the great masters, studying their techniques and envisioning a future where he would leave his own indelible mark on the art world. Education played a crucial role in shaping Brautigam's artistic prowess. He attended the prestigious School of Visual Arts in New York City, where he honed his skills and developed a unique style that seamlessly blended realism with vivid imagination. Immersed in the bustling artistic scene of the city, he drew inspiration from various sources, including contemporary art movements and the thriving music industry. In the late 1970s, Brautigam's talent caught the attention of record labels seeking captivating artwork for their album covers. It was during this period that he embarked on a remarkable journey that would define his career and solidify his status as one of the most sought-after album cover artists of his time. Brautigam's breakthrough came when he was approached by renowned heavy metal band Anthrax to create the cover art for their debut album, "Fistful of Metal" . The collaboration proved to be a tremendous success, and Brautigam's distinct style resonated with both the band and its fans. His ability to capture the essence of the music and translate it into visually striking images made him a natural choice for other heavy metal acts. Throughout the 1980s, Brautigam painted over 3000 book and record cover works, leaving an indelible mark on the visual landscape of the era. His iconic album covers became synonymous with the rise of heavy metal music and captured the rebellious and edgy spirit of the genre. Bands such as Axe , Metallica , Motley Crue , and Vicious Rumors sought out his talent, entrusting him with the task of translating their music into captivating visual narratives. Brautigam's ability to infuse his paintings with energy and emotion, while maintaining a strong sense of realism, set him apart from his contemporaries. His covers featured intricate details, vibrant colors, and powerful compositions that perfectly complemented the intensity of the music within. Beyond the world of heavy metal, Brautigam's artistic range extended to various other genres, including rock, punk, and even classical music. He worked with an array of artists and bands, each collaboration an opportunity to explore new artistic directions and push the boundaries of his own creativity. In addition to his album cover work, Brautigam also ventured into other artistic endeavors. He created intricate and thought-provoking illustrations for magazines, book covers, and promotional materials. His ability to capture the essence of a story or concept through a single image made him a highly sought-after illustrator in the publishing industry. Brautigam's career spanned 35 years, during which he continued to evolve as an artist while staying true to his distinctive style. His work not only left an indelible impact on the music industry but also inspired a generation of artists who followed in his footsteps. Today, Don Brautigam's legacy lives on through his iconic album covers and his continued influence on the world of art and design. His ability to fuse music and visual art, capturing the essence of a sound through a single image, remains unparalleled. Brautigam's contributions to the art world solidify his place as a true master painter and graphic artist, forever remembered for his unparalleled creativity and unwavering passion for his craft.
Ebet Roberts is a photographing starting in the 1970s and hundreds of rock musicians, amongst who are: "Bob Marley", "Stevie Ray Vaughan", "Johnny Winter", "Frank Zappa", and many others. Edwin H. "Eddie" Kramer ( is a recording producer and engineer. Kramer has collaborated with several artists now in the Rock and Roll Hall of Fame, including the Beatles, David Bowie, Eric Clapton, Jimi Hendrix, The Kinks, Kiss, Led Zeppelin, the Rolling Stones and Carlos Santana. Source: Wikipedia George Marino: legendary mastering engineer behind iconic albums by Metallica, AC/DC, and more. Explore his life and groundbreaking career in music. Jeff Abikser - sound engineer who has been working for Anthrax and "Ace Frehley" during the 1980s. John Regan - Bass player and producer who has been playing with "Frehley's Comet", "Peter Frampton", "Rolling Stones" and others. Jon Zazula is founder of the Megaforce record company and discovered and promoted Metallica. |
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Record Label & Catalognr: Megaforce Worldwide 781 749-1 |
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Record Format: 12" Vinyl Stereo Gramophone Record Total Album (Cover+Record) Weight: 230 gram |
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Year & Country: 1987 Manufactured in Germany |
Personnel/Band Members and Musicians on: ACE FREHLEY Frehley’s Comet - Self-Titled |
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Complete Track-listing of the album "ACE FREHLEY Frehley’s Comet - Self-Titled" |
The detailed tracklist of this record "ACE FREHLEY Frehley’s Comet - Self-Titled" is:
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KISS is one of the most iconic bands in the history of rock music. Their high-energy performances, theatrical costumes, and makeup have helped define the glam rock era of the 1970s and influenced generations of musicians. KISS's music, image, and merchandise have made them one of the most recognizable and successful bands of all time. The band's legacy continues to impact the music industry and popular culture today, making KISS a true American rock and roll icon.
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Unmasked 12" Vinyl LP