Welcome to the Vinyl Records Gallery , a web-site dedicated to all Music Fans and especially to all music released during the 1960, 70 and 1980s on vinyl. Here you will find my perspnal collection of vinyl records, collected over decades. Each record is described in full details and where appropriate with detailed collector details as well with large high quality photos.
Released in 1984, the SCORPIONS' "Gold Ballads" 12" Mini-LP Vinyl showcases the band's mastery in ballads. This Spanish release features five of their finest ballads, encapsulating the essence of their emotional and melodic prowess. A testament to the band's contribution to the music scene during that era.
Gold Ballads (France) 12" Mini-LP Gold Ballads (Spain) 12" Mini-LPRastaman Vibration doesn’t just play—it exhales. Every groove breathes rhythm and resistance, from the hypnotic pulse of “Roots, Rock, Reggae” to the battle cry of “War.” The I-Threes lift Marley’s vocals like gospel sung in a storm. It’s an LP that still humbles digital ears; analog warmth, rebel poetry, and one timeless message: vibration is survival.
“Nothin’ but the Blues” drips with the kind of heat only found in the cigarette-smoke haze of The Schoolhouse studio. Released in 1977, Johnny Winter tears through these tracks with slide-guitar fire, whiskey breath, and juke-joint soul. It’s pure after-hours blues—raw, sweaty, and unfiltered. Winter doesn’t just play the blues here—he exhales it in smoke rings that still hang in the rafters.
“Thriller” turned the vinyl format into pure alchemy—pop precision meeting rock adrenaline. From the opening pulse of “Wanna Be Startin’ Somethin’” to the icy drama of “Billie Jean,” the record felt engineered for immortality. Few albums ever sounded so human and so superhuman at once.
Released in 1987 at the peak of hard rock’s glossy, arena-filling era, Whitesnake’s *“Is This Love”* 12-inch Maxi-Single captured the band’s perfect balance of passion and power. David Coverdale’s velvet roar met polished production from Mike Stone and Keith Olsen, creating a timeless anthem that turned heartbreak into cinematic, radio-ready perfection.
W.A.S.P.'s "Live in the Raw" is a 1987 12" vinyl LP album capturing the energy and raw power of the American heavy metal band's live performances. Recorded during their tour, it showcases W.A.S.P.'s intense stage presence and hits
- Live in the Raw (1987, EEC Europe) - Live in the Raw (1987, France Blue Label) - Live in the Raw (1987, France Silver Label)Bob Seger and The Silver Bullet Band's 1978 album "Stranger In Town" blends Detroit rock grit with Southern soul polish. Featuring both the Silver Bullet Band and the Muscle Shoals Rhythm Section—later backing Bob Dylan and praised by The Eagles—the LP delivers enduring classics like "Old Time Rock and Roll", defining Seger’s timeless place in American rock history.
Learn more"Best of Buffalo Springfield" is a captivating 12" vinyl LP album that encapsulates the essence of the influential rock band. This timeless compilation features their biggest hits, including the iconic "For What It's Worth" and the dreamy "Expecting to Fly". With a tracklisting that spans their career, from the energetic "Mr Soul" to the introspective "Broken Arrow"
“Hysteria” wasn’t made — it was engineered. The guitars shimmer like circuitry, the drums hit with mechanical precision, and the melodies crash in waves of pure adrenaline. It’s the sound of a band obsessed with detail yet bursting with emotion. Def Leppard captured lightning here — and managed to trap it in vinyl.
The Edgar Winter Album, released in 1979, is a highly regarded musical masterpiece by the talented American musician Edgar Winter. Produced by Edgar Winter himself and Tom Moulton, with guidance from Steve Paul , this album showcases Winter's exceptional skills as a vocalist, keyboardist, and saxophonist.
Envy's Ain't It A Sin is a hard rock album released in 1987. The album features the band's signature sound of heavy guitars, driving rhythms, and Ronnie Stile's powerful vocals. The album's title track, "Ain't It A Sin," is a classic hard rock anthem that has become a fan favorite. Other notable tracks on the album include "I Believe In You," "Heartache," and "Lie Here Waiting." Ain't It A Sin is a solid hard rock album that is sure to please fans of the genre.
Sunlight, sarcasm, and self-parody — “Crazy From The Heat” turned David Lee Roth from a screaming frontman into a grinning lounge act in mirrored shades. It’s part Beach Boys fantasy, part Vegas fever dream. Four tracks of neon nostalgia pressed in vinyl, just to prove he could still outshine his own legend.
"Works" by Emerson, Lake & Palmer is where rock’s excess meets classical ambition head-on. Each side lets a band member take the wheel—Emerson with his grand piano concerto, Lake with melodic reflections, Palmer with percussive fireworks—before reuniting for the glorious roar of “Fanfare for the Common Man.” A lavish experiment pressed in Swiss precision wax.
YES - Relayer is the seventh studio album from the English progressive rock band Yes, released in 1974 on Atlantic Records. It is the only Yes studio album to feature Patrick Moraz, who replaced keyboardist Rick Wakeman earlier in the year.
“The Day After” blasts from Belgium’s 1986 metal underground like a sonic mushroom cloud—furious, fast, and steeped in Cold War dread. Patrick Van Londerzele leads the charge with scorched-earth vocals as riffs ignite the fallout. It’s Heavy Metal’s answer to the end of the world—defiant, loud, and still radioactive decades later.
"Equator" is the 1985 album by the English rock band Uriah Heep. . It was recorded during a time of change and transition for the band, as they were exploring new sounds and directions. The album features a mix of hard rock, progressive rock, and arena rock elements, and includes songs such as "Rockarama," "Lonely Nights," and "The Other Side of Midnight."
Crack open this gatefold and you’re greeted by the smell of burning amps and blasphemy. “Beyond the Gates” is Possessed throwing dynamite into the coffin of restraint. Guitars scream like jet engines over a ritual drumbeat that doesn’t end—it detonates. The apocalypse here isn’t prophecy—it’s performance.
Railway's "Railway II" LP is a hard-hitting slice of 80s German heavy metal, featuring aggressive guitar riffs, pounding drums, and unpolished vocals. Released in 1985, it captures the band’s uncompromising style and DIY ethos, delivering a raw, high-energy sound that resonates with fans of classic metal.
Blurring the borders between blues, theatre, and noise, “Swordfishtrombones” turned 1983 into a sonic carnival. Tom Waits reshaped his world with growling horns, odd marimbas by Victor Feldman, and street-corner poetry—an unforgettable experiment that split fans and critics alike.
"Dirty Blonde's 'Passion' on 12" LP Vinyl Album delivers an electrifying sonic journey. The musical prowess showcased in 'Passion' is nothing short of captivating, with each track on the album resonating with energy and emotion. Outpost Records has curated a masterpiece that seamlessly blends genres, creating an unforgettable listening experience. This LP stands as a testament to Dirty Blonde's artistry and the enduring power of passion in music."
With searing guitars, pounding drums, and unrelenting attitude, "Metal on Metal" captures Anvil at full power. Vocalist and guitarist Lips leads the charge with raw energy and unapologetic grit. Each track bursts with adrenaline, laying down the iron foundation that would shape heavy metal’s next generation.
In September of 1974, Bad Company embarked on a journey to create their sophomore album, "Straight Shooter". What makes this album even more intriguing is the location where it all came to life - Gloucestershire Castle.
- Straight Shooter (1975, Island Records) - Straight Shooter ( 1975, Swan Song Records)Johnny Winter’s The First Album roars with the raw power of late-1960s blues rock. Originally released in 1969 and later reissued on Blue Sky Records, it captures Winter’s blistering guitar work and soulful vocals at full throttle. Tracks like “Be Careful with a Fool” and “Leland Mississippi Blues” showcase a master redefining electric blues for a new generation.
Released in 1973, “The Joker” transformed Steve Miller Band from cult blues-rockers into chart-topping icons. Mixing humor, swagger, and irresistible melodies, this LP radiates California cool and 70s freedom. The title track became a worldwide anthem, its playful lyrics and slide guitar defining a generation of rock radio classics.
"Revelations," Killing Joke's third album, released in 1982 amid the post-punk era's zenith, is a sonic manifesto that defies conventions. Produced by Conny Plank, its tracks like "Empire Song" and "Chop-Chop" showcase the band's fusion of tribal rhythms and angular guitars. A cult classic, "Revelations" remains a testament to Killing Joke's influential sound and its enduring impact on alternative music.
Ted Nugent’s Anthology roars through his wildest years, 1975–1980, with 22 tracks of pure guitar-driven chaos. Released by Castle Communications’ Raw Power label, this double LP captures the Motor City Madman in full flight — shredding through hits like Stranglehold and Cat Scratch Fever with unrelenting energy, swagger, and unapologetic rock fury.
The 1988 debut solo album by guitar virtuoso Marty Friedman, released on Roadrunner Records. A landmark in instrumental rock and neoclassical metal, produced by Friedman with Mike Varney and engineered by Dino Alden. Featuring Jason Becker’s guest solos and standout tracks “Dragon Mistress” and “Thunder March,” it defined late-80s shred guitar excellence.
When Venom dropped “Warhead,” Europe wasn’t ready — and that’s exactly why it exploded. Issued by RoadrunneR Productions, this unholy slab of vinyl turned clubs into war zones and terrified record execs. Cronos growled like a demon in heat, Mantas unleashed riffs that could saw steel, and within weeks the underground was on fire. Hear the single that changed metal forever.