KICK AXE - Vices Canadian Heavy Metal Holland Release 12" Vinyl LP Album

Duane Baron has worked with a diverse range of artists and bands, showcasing his versatility and skill in capturing and enhancing the sound of their recordings. He has been involved in engineering and mixing albums across different genres, including rock, metal, and pop.

One notable collaboration in Duane Baron's career was his work on Mötley Crüe's album "Girls, Girls, Girls." Released in 1987, the album showcased a departure from the band's previous sound, incorporating a blues-influenced style. As the sound engineer for the project, Duane Baron played a crucial role in capturing the band's performance and bringing their vision to life.

While his work on "Girls, Girls, Girls" with Mötley Crüe gained recognition, Duane Baron has also lent his expertise to other notable acts. Some of his other engineering credits include albums by Ozzy Osbourne, Heart, and Alice Cooper, among others. Through his work, Duane Baron has contributed to shaping the sound and production quality of these artists' music.

Sound engineers like Duane Baron are responsible for capturing, manipulating, and mixing audio recordings to achieve the desired sound quality and artistic vision. They work closely with artists and producers to ensure that the recording process translates the musical performances into a cohesive and sonically pleasing final product.

From a young age, Marino displayed a deep passion for music and an innate talent for audio engineering. He began his career at Capitol Records in New York, where he worked as a mastering engineer and honed his skills in audio post-production. In 1973, Marino joined Sterling Sound, a renowned mastering facility founded by Lee Hulko. It was here that he would leave an indelible mark on the music industry.

Over the years, George Marino mastered an extensive catalog of albums for a wide range of artists and musical styles. His meticulous attention to detail and exceptional ear for sound allowed him to consistently deliver exceptional quality and clarity in his work. He possessed an intuitive understanding of how to enhance the dynamics, balance, and overall sonic experience of each record he touched.

During the 1980s, a pivotal era for heavy metal music, George Marino worked on numerous influential albums in the genre. His mastering contributions to these records played a crucial role in shaping the iconic sounds of heavy metal during that decade. Some notable albums he mastered include:

• 1. Metallica - "Master of Puppets" (1986)
• 2. Iron Maiden - "The Number of the Beast" (1982)
• 3. AC/DC - "Back in Black" (1980)
• 4. Judas Priest - "British Steel" (1980)
• 5. Slayer - "Reign in Blood" (1986)
• 6. Ozzy Osbourne - "Blizzard of Ozz" (1980)
• 7. Black Sabbath - "Heaven and Hell" (1980)
• 8. Megadeth - "Peace Sells... But Who's Buying?" (1986)
• 9. Motörhead - "Ace of Spades" (1980)
• 10. Dio - "Holy Diver" (1983)

These albums, among many others, showcase Marino's contribution to the heavy metal genre's sonic landscape during the 1980s. His meticulous mastering work ensured that these records had the power, clarity, and impact necessary to captivate listeners and establish their enduring legacies.

George Marino's career spanned over four decades, during which he received numerous accolades for his outstanding contributions to the music industry. His expertise and mastery of sound engineering made him a highly sought-after professional, and he worked with a diverse range of artists, including AC/DC, Metallica, Guns N' Roses, Coldplay, and many more.

Tragically, George Marino passed away on 4 June 2012, leaving behind an extraordinary legacy as one of the most skilled and respected mastering engineers of his time. His dedication to his craft, meticulous attention to detail, and unparalleled expertise continue to inspire and influence audio engineers and musicians worldwide. George Marino's contributions to the art of sound mastering remain an enduring testament to his extraordinary talent and passion for music.