- French Release
"Inside The Electric Circus" is the third studio album by W.A.S.P., released in 1986, it has been produced by the band's singer: Blackie Lawless, sound engineering was handled by four sound engineers: Duane Baron, Alex Woltman, Hans Peter Huber, Kevin Lahu. The Germany producer Michael Wagener (ex-Accept) has been taken care of the sound mix and no one else then George Martino mastered the record.
In the midst of the hair metal explosion of the mid-1980s, W.A.S.P. unleashed their third studio album, "Inside the Electric Circus," upon the world. The French release in 1986 brought their signature shock rock to a new audience, sparking both excitement and controversy.
This era was marked by a vibrant rock scene, with bands pushing boundaries in terms of sound and image. W.A.S.P., known for their outrageous stage antics and provocative lyrics, fit right into this landscape. "Inside the Electric Circus" solidified their reputation as one of the most controversial bands of the time.
The album showcased a raw, aggressive sound, blending elements of heavy metal, glam rock, and punk. Blackie Lawless's distinctive vocals, Chris Holmes's scorching guitar riffs, and Steve Riley's thunderous drumming created a sonic assault that resonated with rebellious youth.
Lyrically, the album explored themes of sex, violence, and societal decay. Songs like "9.5.-N.A.S.T.Y." and "Shoot From the Hip" stirred controversy with their explicit content and graphic imagery. The French release faced scrutiny from conservative groups, who condemned the band's perceived immorality.
Despite the backlash, "Inside the Electric Circus" was a commercial success, showcasing W.A.S.P.'s ability to captivate audiences with their music and shock value. The album was produced by Blackie Lawless himself, with mixing handled by renowned producer Michael Wagener. The recording took place at various studios, including Music Grinder Studios in Los Angeles.
One of the most popular gossip surrounding the album's release was the rumor of a feud between Blackie Lawless and guitarist Chris Holmes. It was whispered that their creative differences and clashes of personality were escalating, fueling speculation about Holmes' potential departure from the band. This gossip added another layer of intrigue to the album's already controversial image.
| Album Fact Sheet: W.A.S.P - Inside the Electric Circus |
Music Genre: Heavy Metal , Glam Metal |
Album Production Information: The album: "W.A.S.P - Inside the Electric Circus" was produced by: Blackie Lawless Sound/Recording Engineer(s): Duane Baron, Alex Woltman, Hans Peter Huber, Kevin Lahue Mixed by: Michael Wagener for Double Trouble Productions This album was recorded at: The Pasha Music House, Hollywood, CA Mixed at Amigo Studios, North Hollywood, CA. Mastered by George Marino at Sterling Sound, New York City Management by Rod Smallwood and Andy Taylor for Sanctuary Music Album cover concept and design: Dick Zimmerman, Blackie Lawless, Rod Smallwood Album cover photography: Dick Zimmerman Body painting: Joanne Gaire |
Additonal Information on the Production Team: Alex Woltman , sound engineer who has been working on a dozen of Heavx Metal albums during the 1980s. Bands he has worked with include W.A.S.P., Malice, Lizzy Borden and others. For W.A.S.P. he engineered the two singles: "95-Nasty", "I Don't Need No Doctor" and the full-length album: "Inside the Electric Circus"
Duane Baron is a sound engineer known for his work in the music industry. While information about Duane Baron's personal life is limited, his contributions as a sound engineer have left a lasting impact on various musical projects. Duane Baron has worked with a diverse range of artists and bands, showcasing his versatility and skill in capturing and enhancing the sound of their recordings. He has been involved in engineering and mixing albums across different genres, including rock, metal, and pop. One notable collaboration in Duane Baron's career was his work on Mötley Crüe's album "Girls, Girls, Girls." Released in 1987, the album showcased a departure from the band's previous sound, incorporating a blues-influenced style. As the sound engineer for the project, Duane Baron played a crucial role in capturing the band's performance and bringing their vision to life. While his work on "Girls, Girls, Girls" with Mötley Crüe gained recognition, Duane Baron has also lent his expertise to other notable acts. Some of his other engineering credits include albums by Ozzy Osbourne, Heart, and Alice Cooper, among others. Through his work, Duane Baron has contributed to shaping the sound and production quality of these artists' music. Sound engineers like Duane Baron are responsible for capturing, manipulating, and mixing audio recordings to achieve the desired sound quality and artistic vision. They work closely with artists and producers to ensure that the recording process translates the musical performances into a cohesive and sonically pleasing final product.
Michael Wagener is a renowned music producer, mixer, and engineer hailing from Hamburg, Germany. He is highly recognized for his work with numerous prominent hard rock and heavy metal bands, particularly during the late 1980s, when he achieved considerable success and acclaim for his production contributions. Before his rise as a producer, Wagener had a musical career of his own. He was a guitarist and part of a German band called "Band X" in the pre-1970 era. Notably, Udo Dirkschneider, known for his involvement with the bands Accept and U.D.O., also performed alongside Wagener in "Band X". This early collaboration between Wagener and Dirkschneider acted as a precursor to the formation of Accept, the influential German heavy metal band. While Michael Wagener began as a guitarist for Accept , he eventually transitioned into the realm of music production, where he found his true calling. His talent, expertise, and meticulous approach to producing and mixing led him to work with some of the biggest names in hard rock and heavy metal. Wagener became highly sought after for his ability to capture the energy and power of these genres in the studio. In addition to his work as a music producer, mixer, and engineer, Michael Wagener is also the president of Double Trouble Productions. This production company, headed by Wagener, focuses on providing high-quality production services to various artists and bands in the music industry. Over the years, Wagener's production credits have included collaborations with iconic bands such as Metallica, Ozzy Osbourne, Skid Row, Dokken, White Lion, and many others. His contributions to the sound and success of these bands have solidified his reputation as a prominent figure in the world of rock and metal production. Michael Wagener's work is characterized by his meticulous attention to detail, ability to capture powerful performances, and his knack for creating an impactful and polished sound. His contributions to the music industry, particularly in the hard rock and heavy metal genres, have left a lasting imprint and have helped shape the sonic landscape of numerous iconic albums. Rod Smallwood and Andy Taylo r founded the "Sanctuary Records Group" in London and were both managers of British band: "Iron Maiden" and the American Heavy Metal band: "W.A.S.P." Blackie Lawless (real name: Steved Edward Duren) has a long musical career starting around 1973-1974 with the "Orfax Rainbow" and "Black Rabbit" bands and played in 1975 for a short period in the "New York Dolls". In total he has played in six bands before forming W.A.S.P. in 1982.
George Marino: legendary mastering engineer behind iconic albums by Metallica, AC/DC, and more. Explore his life and groundbreaking career in music. |
Record Label Information: Capitol Records – 2406481 |
Record Format: 12" Vinyl Stereo Gramophone Record Total Album (Cover+Record) Weight: 230 gram |
Year & Country: 1986 France |
Personnel/Band Members and Musicians on: W.A.S.P - Inside the Electric Circus |
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Complete Track-listing of the album "W.A.S.P - Inside the Electric Circus" |
The detailed tracklist of this record "W.A.S.P - Inside the Electric Circus" is:
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Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
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"Inside the Electric Circu" Record Label Details: Description Capitol Records – 2406481, DMM, Made in France by Pathe Marconi
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