Ross Halfin is the British lens-slinger who turned loud music into evidence, not decoration. Late 1970s had him cutting his teeth for Sounds, stalking the punk spill—The Clash, The Jam, the Sex Pistols—fast, close, no mercy. From 1980 onward he became Kerrang!’s chief photographer and stayed in that trench for about two decades, which says plenty about stamina. The 1980s pushed him deeper into heavy metal: Iron Maiden, AC/DC, Judas Priest, Black Sabbath—tour buses, arenas, and the occasional glamour that still looked slightly dangerous. Since then the circle widened and hardened: Metallica and the big hard-rock orbit, shot with the same blunt honesty. Trust the timing, trust the grin, distrust the posing.