- The scandalous 1979 hard rock classic with Chris Achilleos’ infamous cover
"Lovehunter" isn’t just another slab of late-70s hard rock—it's Whitesnake swaggering bare-chested into the room and dropping a bomb in the middle of polite society. The Chris Achilleos cover, a naked woman straddling a monstrous snake, is pure adolescent id with Freudian overtones slithering out of every painted scale. Sex, danger, domination, temptation—it's all there, blunt as a brick and twice as subtle. The music rides the same groove: sleazy riffs, blues-drenched vocals, and the kind of macho posturing that makes critics squirm and fans crank it louder.
The world of rock music is filled with iconic album covers that have become synonymous with the bands and their music. In 1979, Whitesnake, a British hard rock band, released their second studio album, "Lovehunter", which featured an incredibly controversial cover art. Created by renowned fantasy artist Chris Achilleos, the album cover depicted a naked white female straddling a large snake. This bold and provocative artwork sparked considerable attention and controversy, causing Achilleos to distance himself from album cover designs for many years to come.
Chris Achilleos, known for his intricate and imaginative fantasy artwork, was commissioned to create the cover art for Whitesnake's "Lovehunter" album. Achilleos embraced the task, aiming to craft an image that would visually capture the essence of the album's title. He conjured up a striking and erotic scene where a sensuous woman fearlessly interacts with a colossal snake, blending themes of love, danger, and desire.
Upon its release, the cover art for "Lovehunter" stirred up immediate controversy. The image, depicting a nude woman straddling a snake, was considered highly provocative and sexually explicit for its time. The explicitness of the artwork drew widespread attention, both positive and negative. Many music fans found it intriguing and captivating, while others criticized it for being overly explicit and objectifying women.
Although the album cover sparked controversy and garnered attention, it had unintended consequences for Chris Achilleos. As a result of the uproar surrounding "Lovehunter", the artist found himself embroiled in controversy and faced backlash from various quarters. This negative response seemingly affected Achilleos, who reportedly became disillusioned with album cover commissions and subsequently distanced himself from the medium for a significant period.
Whitesnake's "Lovehunter" remains a significant cultural artifact, not only for its music but also for its controversial cover art. The album cover opened up a discourse on artistic freedom, censorship, and societal norms. It challenged the boundaries of what was considered acceptable in visual art, and in doing so, it pushed the envelope for album cover designs in the rock genre.
Over the years, the controversy surrounding the "Lovehunter" album cover has only grown. It has become a notable example of the power of visual imagery to provoke discussions and generate strong reactions. The cover's ability to incite debate and divide opinions speaks to its enduring impact and lasting legacy in the realm of album art.
Hard Rock, Heavy Metal, Glam Rock
Whitesnake’s sound on "Lovehunter" blends driving hard rock riffs, the heaviness of late 70s metal, and the swagger of glam rock aesthetics. It stands as a transitional moment for the band, leaning into heavier grooves while maintaining bluesy undertones.
Clearwell Castle, Gloucestershire with the Rolling Stones Mobile
Central Recorders Studio and Sauna, London – 1979
Chris Achilleos is a renowned painter and illustrator, born on 30 October 1947, in Famagusta, Cyprus. He later moved to the United Kingdom, where he established himself as one of the most prominent and influential artists in the fields of fantasy and science fiction.
From an early age, Achilleos displayed a keen interest and natural talent for art. He studied at the Hornsey College of Art in London, where he honed his skills and developed a distinctive artistic style. Inspired by the works of renowned fantasy artists such as Frank Frazetta and Roy G. Krenkel, Achilleos began to create his own imaginative and captivating artworks.
In the early stages of his career, Achilleos primarily focused on book covers, producing stunning illustrations for popular science fiction and fantasy novels. His attention to detail, combined with his ability to create intricate and dynamic compositions, quickly made him a sought-after artist in the publishing industry. Some of his notable book cover illustrations include works for authors such as Michael Moorcock, Isaac Asimov, and Robert E. Howard.
Achilleos's talent extended beyond book covers, leading him to venture into other areas of art and illustration. His artwork graced the covers of numerous magazines, including Heavy Metal and Playboy, where his captivating and often provocative images garnered widespread attention and acclaim.
In addition to his contributions to the world of literature and magazines, Achilleos made a significant impact on the music industry. He created iconic album covers for various renowned bands, including Uriah Heep, Saxon Helloween. His ability to capture the essence of a band's music and translate it into visual form made him a favorite among musicians and fans alike.
One of Achilleos's notable contributions to the realm of album cover art is his work for the band Uriah Heep. His collaboration with Uriah Heep resulted in the creation of the mesmerizing cover illustration for their album "Fallen Angel." Released in 1978, the German gatefold 12" LP vinyl version of the album showcased Achilleos's talent for capturing the essence of the band's music through captivating fantasy art.
Chris Achilleos's artwork has been exhibited in galleries and exhibitions worldwide, further solidifying his reputation as a masterful artist. His distinctive style, characterized by meticulous attention to detail, vibrant colors, and a sense of dynamic energy, continues to captivate and inspire art enthusiasts to this day.
Throughout his career, Achilleos has received numerous accolades and awards for his contributions to the world of art. He has been honored with the British Fantasy Award for Best Artist, as well as receiving the World Fantasy Award for Best Artist and the Hugo Award for Best Professional Artist.
Chris Achilleos's impact on the world of fantasy and science fiction art cannot be overstated. His captivating and imaginative illustrations have left an indelible mark on the genre, influencing and inspiring generations of artists and fans. With a career spanning several decades, Achilleos's legacy continues to grow, ensuring his place as one of the most celebrated and influential artists in the realm of fantasy and science fiction.
UAG 30264 / FAME 4130951
12" Vinyl Full-Length Stereo Long-Play Gramophone Record
Album weight: 230 gram
1979 – Made in EEC
Neil Murray (full-name: Philip Neil Murray) one of British most experienced Bass guitar players and best known for being a member of the British Hard Rock band: "Whitesnake". Murray has also performed and recorded with Black Sabbath ( Gt Britain ), Bob Marley & The Wailers, Colosseum II, Cozy Powell's Hammer, Gary Moore (GBR), Gilgamesh, Peter Green Splinter Group, The Brian May Band, Vow Wow (JPN), Whitesnake (GBR).
Dave Dowle was the original drummer of Whitesnake, active only from 1978–1979. He played on the band’s first two albums, Trouble and Lovehunter, giving their early sound its earthy, blues-rock drive. Though his tenure was short, his drumming provided the backbone for Whitesnake’s rise in the late 1970s.
Before Whitesnake, Dowle had already carved out a reputation as a versatile drummer with the band Streetwalkers, formed by ex-Family singer Roger Chapman. His blend of solid rock rhythms and a bluesy swing made him a natural fit for David Coverdale’s post-Deep Purple project.
With Whitesnake, Dowle recorded on their debut album Trouble (1978) and its follow-up Lovehunter (1979). These records showcased Whitesnake’s fusion of hard rock power and blues traditions, with Dowle’s steady grooves anchoring the flashy guitar interplay of Bernie Marsden and Micky Moody, as well as Jon Lord’s organ textures.
Despite his contribution, Dowle’s time in the band was brief. In 1979, he was replaced by former Deep Purple drummer Ian Paice, whose name recognition and heavier style helped Whitesnake expand its international appeal. Dowle moved on to other projects, including collaborations in the 1980s and 1990s, notably with the band Monaco.
While not as widely remembered as his successor, Dave Dowle’s work on Whitesnake’s first two albums remains a key part of the band’s foundation. His drumming captured the raw energy of their formative years and helped establish the groove that would carry Whitesnake into the 1980s.
The front cover of Whitesnake’s album "Lovehunter" features an iconic piece of fantasy art by illustrator Chris Achilleos. A nude woman with flowing brown hair kneels against the muscular body of a giant serpent. Her back is turned, accentuating her bare form while one arm stretches to clutch the snake’s neck in a mix of resistance and embrace.
The serpent, drawn with exaggerated dragon-like features, coils tightly around her lower body. Its head looms menacingly above, mouth open wide to display sharp fangs, a forked tongue, and glowing eyes. The scales shimmer in shades of grey and cream, with intricate patterns creating texture and realism.
Above the scene, the band’s name Whitesnake is written in bold white script, with a stylized serpent forming part of the logo, and beneath it the album title "Lovehunter" appears in all caps. The background fades from violet to deep black, casting the erotic and dangerous tableau in dramatic contrast.
The back cover of Whitesnake’s "Lovehunter" album presents a structured layout on a cream background. At the top, the large Whitesnake logo dominates, featuring the serpent motif winding into the lettering. Beneath it, six individual band portraits appear in color blocks: Bernie Marsden (guitar/vocals), David Coverdale (vocals), Neil Murray (bass), Jon Lord (keyboards), Duck Dowle (drums), and Micky Moody (slide guitar/vocals).
Below the photos, the complete track listing is divided into two sections, clearly labeled Side One and Side Two, featuring songs such as "Long Way from Home," "Walking in the Shadow of the Blues," and the title track "Love Hunter."
At the bottom, detailed credits are printed, noting recording at Clearwell Castle with the Rolling Stones Mobile and mixing at Central Recorders Studio & Sauna, London, 1979. Acknowledgements to crew, suppliers, and friends follow, alongside copyright information for Sunburst Records Ltd. 1979. The Fame logo and distribution details are also displayed, rounding out the professional and archival presentation.
This close-up of the Side One record label for Whitesnake’s "Lovehunter" captures a cream-colored design dominated by the bold red Fame logo, with EMI boxed prominently beneath. The circular layout follows late-1970s UK/EEC vinyl label standards.
On the left side, the catalog number UAG 30264A appears, while the right side shows FA 4130951 with “Stereo” printed clearly. At the center, the album title Love Hunter heads the track list for Side One: "Long Way From Home," "Walking in the Shadow of the Blues," "Help Me Through the Day," "Medicine Man," and "You 'N' Me."
The lower section carries copyright ©1979 Sunburst Records Ltd., along with the production credit: Produced & Engineered by Martin (P.C.) Birch. Around the rim, fine red print outlines rights and restrictions typical of EMI releases of the period.
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Trouble 12" Vinyl LP Learn more