Rainbow – "Ritchie Blackmore’s Rainbow" 12" Vinyl LP Album

- The explosive 1975 debut that forged the bridge between Deep Purple’s legacy and a new age of hard rock mysticism.

Album Front Cover Photo of Rainbow – Ritchie Blackmore’s Rainbow Visit: https://vinyl-records.nl/

Released in August 1975, "Ritchie Blackmore’s Rainbow" marked the guitarist’s daring break from Deep Purple and his creative union with Ronnie James Dio. Recorded at Musicland Studios in Munich and produced by Martin Birch, this landmark debut fused hard rock with classical overtones and mystical themes, introducing the world to the soaring power of “Man on the Silver Mountain” and the ethereal beauty of “Catch the Rainbow.”

Table of Contents

"Ritchie Blackmore’s Rainbow" Album Description:

Released in August 1975, "Ritchie Blackmore’s Rainbow" marked the guitarist’s bold departure from Deep Purple and his first collaboration with vocalist Ronnie James Dio. Recorded at Musicland Studios in Munich, Germany, with producer Martin Birch, the album brought together Blackmore and most of Dio’s band Elf—Craig Gruber on bass, Gary Driscoll on drums, and Micky Lee Soule on keyboards—to form the first incarnation of Rainbow.

Musically, the album fuses melodic hard rock with classical overtones, a mix that would later define Rainbow’s sound. The opening track, "Man on the Silver Mountain", bursts with driving riffs and Dio’s commanding voice, while "Catch the Rainbow" slows the tempo into a haunting, almost orchestral ballad. Blackmore’s guitar tone is razor-sharp yet lyrical, revealing the precision and imagination that made him one of rock’s most distinctive players.

Album Artwork

The cover artwork, painted by fantasy illustrator Ken Kelly, sets a tone of myth and grandeur. Against a dark sky, a radiant rainbow arches over a distant fortress—an image that mirrors the music’s balance between power and beauty. Unlike later Rainbow releases such as "Rising" or "On Stage", this debut album was issued in a standard single sleeve rather than a gatefold design.

Legacy and Collectability

Decades later, "Ritchie Blackmore’s Rainbow" remains a cornerstone of 1970s hard rock. It established Rainbow as a band apart—rooted in classical melody, steeped in fantasy, and propelled by virtuosic musicianship. For collectors, the original 1975 UK pressing on Polydor (catalogue number 2383 336) is especially prized for its warm analog mastering and clean, dynamic sound. Subsequent reissues on both vinyl and CD helped introduce new generations to the album’s enduring mix of power and precision.

What began as a side project became the launch pad for Ronnie James Dio’s rise to heavy-metal legend and Ritchie Blackmore’s transformation into one of rock’s most enigmatic architects. Nearly fifty years later, the record still feels like an open gate to another realm—one guarded not by dragons, but by the shimmering echo of a Stratocaster.

Album Key Details: Genre, Label, Format & Release Info

Music Genre:

70s British Hard Rock

This debut blends melodic hard rock with early heavy metal influences, enriched by Ritchie Blackmore’s classical guitar phrasing and Ronnie James Dio’s powerful, storytelling vocals. It bridges the gap between Deep Purple’s bluesy heaviness and Rainbow’s later neoclassical flair.

Label & Catalognr:

Oyster Records – Cat#: OYA 2001

Album Packaging:

Gatefold Album Cover aka FOC (Fold Open Cover)

Media Format:

Record Format: 12" Vinyl Stereo Gramophone Record

Year & Country:

1975 – Made in Great Britain

Production & Recording Information:

Producers:
  • Ritchie Blackmore – Co-Producer
    As founder of both Deep Purple and Rainbow, Blackmore was already an established guitar icon by 1975. His precise production style mirrored his musicianship—controlled, melodic, and fiercely individualistic.
  • Martin Birch – Producer
    Renowned for his engineering and production work with Deep Purple, Fleetwood Mac, and later Iron Maiden, Birch brought clarity and warmth to Rainbow’s early sound, setting a high bar for hard rock production.
  • Ronnie James Dio – Co-Producer
    Before achieving worldwide fame as one of heavy metal’s greatest vocalists, Dio shaped Rainbow’s lyrical identity with mythic storytelling and helped define the band’s early creative direction alongside Blackmore.
Sound & Recording Engineers:
  • Martin Birch – Recording Engineer
    Birch’s reputation as one of rock’s finest engineers was earned through his meticulous approach at Musicland Studios, capturing the sharp dynamics and depth that became Rainbow’s production hallmark.
Recording Location:

Musicland Studios – Munich, Germany

Recorded between 20 February and 14 March 1975.

Musicland Studios, located in Munich’s Arabella Park, was a legendary hub for 1970s rock acts. Its cutting-edge technology attracted artists like Queen, Led Zeppelin, and ELO—ensuring Rainbow’s debut had world-class sound.
Mixing Studio & Location:

Musicland Studios – Munich, Germany

Mixing was handled on-site, giving Birch and Blackmore immediate control over tonal balance and dynamic range. The studio’s acoustics and Neve console were ideal for the precision-driven sound they pursued.
Album Cover Design & Artwork:
  • Ken Kelly – Cover Painting
    Kelly, famed for his fantasy artwork for Kiss and Manowar, created a vivid illustration that perfectly visualized Rainbow’s blend of mysticism and rock power.
  • Wendy Dio (Gaxiola) – Art Direction
    As the creative mind behind the album’s presentation, Wendy Dio helped translate the band’s larger-than-life sound into an equally striking visual identity.

Band Members / Musicians:

Band Line-up:
  • Ronnie James Dio – Vocals
  • Ronnie James Dio – Vocals

    I always loved how he could turn a one-word hook into scripture, then grin and hit you again.

    Ronnie James Dio, the pocket-sized volcano whose voice could turn a pub into a cathedral, and whose phrasing hit like a boxer's jab. I watched him climb from Ronnie Dio and the Prophets (1961-1967) and the hard-touring Elf (1967-1975) into Rainbow (1975-1979), where he helped bottle that mix of medieval melody and street-fight hard rock. He rebooted Black Sabbath in two spells-1979-1982 and 1991-1992-then ran his own ship with Dio (1982-1991; 1993-2010), delivering anthems like "Holy Diver" without ever sounding cute. Late in the game he returned with the Sabbath lineup as Heaven & Hell (2006-2010), still singing on stage like the lights might go out mid-chorus.

    Ronnie James Dio Wiki
  • Ritchie Blackmore – Guitars
  • Ritchie Blackmore – Guitarist, Songwriter

    The guy who made the guitar sound both medieval and radioactive, often in the same solo.

    Ritchie Blackmore is the sort of name I see on a sleeve and instantly expect sparks: born Richard Hugh Blackmore (1945), he’s an English guitarist who helped hard-rock riffing grow teeth and then politely refused to stop. His era-stamps are basically whole chapters of rock history: Deep Purple (1968–1975, 1984–1993), where the riffs got louder, sharper, and more dramatic; Rainbow (1975–1984, 1993–1997), where he leaned into melody and fantasy like it was a weapon; and Blackmore’s Night (1997–present), where the electric storm calms down into Renaissance-folk textures without losing that unmistakable Blackmore touch. I love that arc: from amp-stacks and arena thunder to lutes-and-candles vibes, like he just swapped dragons for different dragons.

    "Blackmore Signature Strats" I’ve spent too many nights chasing that Blackmore chime. Fender’s Artist Series Strat is a love letter to his ‘70s obsession—Olympic White with a graduated scalloped rosewood board that makes your fingers feel like they’re floating. The electronics are pure Ritchie logic: two Seymour Duncan Quarter Pounds for the bite and a dummy middle pickup. It’s a prop, a plastic decoy for us mortals. Then there’s the Fender Japan ST72-145RB. MIJ builds have a surgical precision, keeping the ‘72 vibe alive for the obsessive collector. We hunt these like lost relics, justifying the cost because a standard neck feels one-dimensional by comparison. It’s a specialized tool for a very specific kind of madness. But then, isn't that the whole point?

    Ritchie Blackmore Wiki
  • Craig Gruber – Bass
    Gruber was part of the original lineup of Elf and later joined Rainbow for their debut album. Though his time with the band was brief, his solid and melodic bass playing helped anchor the foundation of Blackmore’s early solo sound.
  • Mickey Lee Soule – Keyboards
    Soule, a founding member of Elf alongside Dio, brought warmth and texture to Rainbow’s early sound. His background in blues and rock keyboards gave the album its soulful undercurrent beneath the guitar and vocal firepower.
  • Gary Driscoll – Drums
    Driscoll’s precise and groove-driven drumming came from his years with Elf. His work on this album showcased his ability to balance heavy rock energy with a subtle jazz-inspired swing—qualities that made Rainbow’s debut rhythm section so distinctive.

Complete Track-listing:

Tracklisting Side One:
  1. Man on the Silver Mountain (4:42) Single
    Released as Rainbow’s debut single in 1975, this became the band’s signature anthem, showcasing Blackmore’s riff mastery and Dio’s commanding vocals.
  2. Self Portrait (3:17)
  3. Black Sheep of the Family (3:22) Cover
    Cover of Steve Hammond’s song originally recorded by Quatermass — the track that sparked Blackmore’s idea to form Rainbow after Deep Purple declined to record it.
  4. Catch the Rainbow (6:27)
  5. Snake Charmer (4:33)
Video: Rainbow - Man On The Silver Mountain
Tracklisting Side Two:
  1. The Temple of the King (4:45)
  2. If You Don’t Like Rock ’n’ Roll (2:38)
  3. Sixteenth Century Greensleeves (3:31)
  4. Still I’m Sad (3:51) Cover
    Cover of The Yardbirds’ 1965 classic by Paul Samwell-Smith and Jim McCarty, reimagined here as an instrumental finale with Dio’s haunting vocal harmonies added in live versions.
Video: Rainbow - Still I'm Sad

Disclaimer: Track durations are approximate and may differ slightly across international pressings.

Album Front Cover Photo
The front cover of Rainbow’s 1975 album Ritchie Blackmore’s Rainbow displays a fantastical castle that merges seamlessly with the neck of an electric guitar, its towers shaped like tuning pegs and its glowing windows illuminating against a deep violet sky. A radiant multicolored rainbow arches across the top, symbolizing both the band’s name and the blend of mysticism and power within the music. The castle seems to rise from swirling clouds with a golden pathway leading to its entrance, evoking a sense of grandeur and mystery. Each starburst and gradient hue—from the electric blues to the sunset oranges—intensifies the dreamlike atmosphere. This artwork, by fantasy painter Ken Kelly, perfectly captures the album’s fusion of hard rock energy and medieval imagination, creating a visual gateway into Ritchie Blackmore’s new musical realm of magic and melody.

The album’s front cover art by Ken Kelly transforms sound into myth. It depicts a towering castle sculpted from the body of an electric guitar, its neck stretching skyward like a bridge between earth and the cosmos. The spires glint with starlight while tiny orange-lit windows suggest unseen life within, perhaps guardians of the music’s spirit.

Above the castle arcs a full, vivid rainbow, rendered in pure spectral bands that contrast against the dark indigo heavens. This luminous symbol, both literal and metaphorical, ties to the band’s name and the transcendence of Blackmore’s guitar work—bridging fantasy and reality.

A ribbon of golden light pours from the open gate, flowing like molten melody down through mist and cloud. Around it swirl subtle airbrushed gradients—lavenders, blues, and faint pinks—that enhance the dreamlike mood. The balance of sharp architectural detail and soft atmospheric glow mirrors the album’s sound: precision wrapped in wonder.

Kelly’s artwork invites the listener into a parallel world where rock’s thunder meets medieval legend. Every hue, from the twilight purples to the flame-colored reflections, hums with energy. It remains one of 1970s rock’s most evocative album covers—a visual overture to the sonic drama within.

Album Inner Cover Photo
A dramatic black-and-white photograph captures Ritchie Blackmore mid-performance, lunging forward with his Fender Stratocaster angled like a weapon under a blaze of stage lights. Smoke swirls around his legs, amplifying the sense of motion and power. His long hair flies with the movement, caught in the flash as if electricity runs through both man and instrument. Behind him, towering Marshall amplifier stacks loom through the haze, while the angled lights above form a diagonal constellation pointing directly toward him—the undisputed focal point. This photo embodies the peak of 1970s rock spectacle: sweat, distortion, and control fused into a single instant. The text printed across the lower section lists musicians, engineers, and production credits from the Musicland Studios sessions, grounding the raw energy of the image in the precision of the album’s creation.

The inner sleeve photo is a monochrome powerhouse—a live-action portrait of Ritchie Blackmore at his most commanding. Bent low on one knee, he drives his white Stratocaster into the spotlight, surrounded by smoke that catches the light like fire in motion.

The sharp contrast between the bright stage lights and the deep shadows around the amplifier stacks evokes both chaos and control. Every line of the guitar, every fold in his jacket, is frozen mid-surge, embodying the tension that defined Rainbow’s sound: classical discipline colliding with wild improvisation.

Along the lower edge of the image runs a block of production text—credits to the musicians, engineers, and the Munich-based Musicland Studios where the album was recorded in early 1975. It roots this electrifying performance in its real-world creation, linking the spectacle to the meticulous craft behind it.

The overall effect is cinematic: a guitarist as warrior, stage smoke as battle mist, and the glare of lights as a halo of electricity. It captures not just a performance, but the mythology of hard rock itself.

Second Album Inner Cover Photo
A collage of dynamic black-and-white photographs from Rainbow’s 1975 album Ritchie Blackmore’s Rainbow, featuring close-ups and live moments of the band. Centered is Ronnie James Dio, his expressive face framed by long dark hair, gazing thoughtfully to the side. Surrounding him are powerful vignettes: Ritchie Blackmore in mid-performance with his guitar raised, bassist Craig Gruber locking into rhythm, Mickey Lee Soule at the keyboard, and drummer Gary Driscoll captured in motion behind his kit. One photo shows Dio commanding a crowd with his signature devil-horn gesture, while another presents the band posed together—confident, stylish, and slightly aloof. Smaller inserts depict concert audiences and studio moments, grounding the mystique with candid energy. The collage encapsulates both the intensity and camaraderie of the early Rainbow lineup, fusing performance spectacle with behind-the-scenes intimacy to evoke the creative spark that forged this debut album.

This inner sleeve collage serves as a visual chronicle of Rainbow’s formative era. At its heart, Ronnie James Dio appears serene yet intense, his thoughtful expression anchoring the storm of motion surrounding him. His portrait radiates quiet confidence—the lyrical mind behind the thunder.

Around him unfold snapshots of the band in their natural element: Ritchie Blackmore unleashing his guitar like a weapon, Craig Gruber absorbed in bass lines, Mickey Lee Soule captured mid-keypress, and Gary Driscoll lost in the swirl of his drum kit. Each image reveals a different pulse of their shared rhythm.

The layout alternates between posed group shots and live concert energy. One frame shows Dio’s silhouette commanding a sea of raised hands—a moment of pure communion between artist and audience. Another captures the band relaxed in the studio, cords snaking across the floor, the quiet before the storm of sound.

In its layering of performance, personality, and process, this montage embodies the dual essence of the album: mythic onstage grandeur fused with grounded musicianship. It’s a candid tapestry of young legends building something eternal.

Close up of Side One record’s label
Close-up of the Side One record label from Rainbow’s 1975 album Ritchie Blackmore’s Rainbow on Oyster Records, catalog number OYA 2001. The circular label has a warm beige and pearl-toned background resembling a seashell’s interior, with the word “Oyster” written in elegant red script at the top. Beneath it, the album title appears in uppercase serif lettering: RITCHIE BLACKMORE’S RAINBOW. The right side lists 'STEREO' and 'Side 1' in black text, with the ©1975 Deep Purple (Overseas) Ltd. credit just below. Track titles are centered in the lower half, including 'Man on the Silver Mountain,' 'Self Portrait,' 'Black Sheep of the Family,' and 'Catch the Rainbow,' along with the associated publishing credits. Around the outer edge, small white type declares 'Made in Gt Britain' and warns against unauthorized public performance or copying. The central spindle hole slightly interrupts the elegant layout, reminding the viewer that this design served both art and function.

This close-up of the Oyster Records Side One label from Ritchie Blackmore’s Rainbow (1975) reveals the refined artistry of 1970s vinyl design. The label’s textured pattern resembles a nautilus shell—subtly iridescent and organic—encircling the small spindle hole like the eye of a storm.

The bold red Oyster logo curves gracefully across the top, its handwritten style contrasting with the neat, mechanical typography below. The black lettering lists the album title, side number, stereo designation, and copyright line attributed to Deep Purple (Overseas) Ltd., grounding the new project in Blackmore’s legacy.

Track listings are printed in crisp alignment: “Man on the Silver Mountain,” “Self Portrait,” “Black Sheep of the Family,” and “Catch the Rainbow,” all paired with their publishing credits. The lower rim’s small white text reads “Made in Gt Britain,” accompanied by the customary legal phrase against copying—details that delight collectors hunting for first pressings.

Under studio light, the label’s surface reflects faint grooves and manufacturing textures, merging sound and sculpture in miniature. It’s a subtle, elegant artifact—one that transforms technical information into quiet beauty.

Note: The photos shown above are of the actual 1975 British pressing of Ritchie Blackmore’s Rainbow. Slight tonal differences may appear due to photographic lighting. All images are optimized for zoom viewing on desktop and mobile devices.

Collector’s Note: Lost Back Cover Chronicles

Back when I bought Ritchie Blackmore’s Rainbow by Rainbow (1975), the most dangerous thing in my collection wasn’t humidity, sunlight, or careless friends—it was my own dog. One afternoon he developed an unexpected taste for classic rock artwork and decided the back cover was a gourmet snack. These were the perils of analog collecting: no backups, no cloud storage, and absolutely no “restore from recycle bin” option.

Losing a sleeve back then felt like deleting a folder you could never recover—only this one smelled faintly of dog breath and regret. I’ve since learned to keep my vinyl higher than tail height, but that missing cover has become part of the album’s story. Every time I play it, I imagine the faint crunch of cardboard under canine teeth—another reminder that analog memories are as fragile, and as funny, as we are.

Index of RAINBOW with RITCHIE BLACKMORE Vinyl Records and Album Gallery

RAINBOW - Best of Rainbow album front cover vinyl record
RAINBOW - Best of Rainbow

"Rainbow Best of Rainbow" is a compilation album by the British rock band Rainbow, which was released in 1981. It features some of Rainbow's most popular and well-known tracks from their first six studio albums

Best of Rainbow 12" Vinyl LP
RAINBOW - Bent Out of Shape (French & German Releases) album front cover vinyl record
RAINBOW - Bent Out of Shape (French & German Releases)

"Bent Out of Shape," a final studio album pre-Deep Purple reunion, marked a pivotal moment in the band's history. Released on vinyl LP in Germany, it showcased Ritchie Blackmore and Roger Glover before their return to Deep Purple.

- Bent Out of Shape (1983, France) - Bent Out of Shape (1983, Germany)
RAINBOW - Difficult to Cure album front cover vinyl record
RAINBOW - Difficult to Cure 12" Vinyl LP

Rainbow's fifth studio album, "Difficult to Cure" (1981), marked a pivotal moment in the band's evolution. Led by Ritchie Blackmore and featuring Joe Lynn Turner, the album blended hard rock with classical influences

Difficult to Cure
RAINBOW - Down To Earth album front cover vinyl record
RAINBOW - Down To Earth

"Down To Earth" album is a timeless classic that showcases the band's exceptional talent and musical prowess. With its memorable songs, exceptional performances, and the added visual element of the 12" photo insert/leaflet

Down To Earth 12" Vinyl LP
RAINBOW - Finyl Vinyl album front cover vinyl record
RAINBOW - Finyl Vinyl

"Final Vinyl" is a collection of live recordings and B-sides by Rainbow and was released in 1986, after the band had already ceased to be when Blackmore and Glover were part of the Deep Purple reformation.

Finyl Vinyl 12" Vinyl LP
RAINBOW - Long Live Rock 'n' Roll ( Netherlands, German and West-German Releases ) album front cover vinyl record
RAINBOW - Long Live Rock 'n' Roll ( Netherlands, German and West-German Releases )

"Long Live Rock and Roll," released on 9 April 1978, represents a pivotal moment in rock history. The collaboration between Ritchie Blackmore and Ronnie James Dio produced a groundbreaking album

- Long Live Rock 'n' Roll (1978, Germany) - Long Live Rock 'n' Roll ( 1978 , Netherlands ) - Long Live Rock 'n' Roll (1978, West-Germany)
Updated RAINBOW - On Stage album front cover vinyl LP album https://vinyl-records.nl

The night Rainbow turned volume, fire, and ego into hard-rock canon

RAINBOW - On Stage

“Rainbow - On Stage” captures the band at peak power in 1977, when hard rock meant long solos, big drama, and zero restraint. Recorded live while “Rising” still ruled the racks, this double LP lets the songs stretch, burn, and roar. Dio dominates the stage, Blackmore lets riffs wander and bite, and the crowd fuels every climax. No studio safety net here—just loud amps, heavy grooves, and pure late-70s arena thunder.

RAINBOW - Ritchie Blackmore's Rainbow album front cover vinyl record
RAINBOW - Ritchie Blackmore's Rainbow

“Ritchie Blackmore’s Rainbow” sounds like thunder trapped in crystal. It’s a 1975 time capsule where hard rock meets myth, led by Blackmore’s lyrical guitar and Dio’s commanding voice. Tracks like “Man on the Silver Mountain” and “Catch the Rainbow” feel born from the same storm—part medieval vision, part amplifier fury. A debut as confident as it is otherworldly.

RAINBOW - Rising (Austria, German and USA Releases) album front cover vinyl record
RAINBOW - Rising (Austria, German and USA Releases) 12" Vinyl LP

"Rising" is the 2nd heavy metal album by Rainbow, released in 1976 . With founder Ritchie Blackmore retaining only Ronnie James Dio from the previous album, Rising has become known as the best album of Rainbow's career

- Rising (1976, Austria) - Rising (1976, Germany) - Rising (1978, USA)
RAINBOW - Straight Between the Eyes (Three International Versions) album front cover vinyl record
RAINBOW - Straight Between the Eyes (Three International Versions)

Released in 1982, Rainbow's "Straight Between the Eyes" is a hard rock album featuring vocalist Joe Lynn Turner. Backed by Ritchie Blackmore's guitar, the album blends strong vocals with melodic hard rock

- Straight Between the Eyes (1982, Germany) - Straight Between the Eyes (1982, Netherlands) - Straight Between the Eyes (1981, UK)