RAINBOW - RISING 12" Vinyl LP Album

- German Release with Gatefold Album Cover

  "Rising" is the 2nd heavy metal album by Rainbow, released in 1976 . With founder Ritchie Blackmore retaining only Ronnie James Dio from the previous album, Rising has become known as the best album of Rainbow's career. Rising is characterized by its heavy guitar riffs and the keyboard skills of Tony Carey, together with the powerful drumming of Cozy Powell. Recorded in Munich in less than a month, the album has surprisingly few overdubs and was overseen by famous Deep Purple engineer and rock producer Martin Birch.

High Resolution Photos of ritchies blackmore rainbow rising germany

Rainbow Rising: The Storm that Shook the Hard Rock World
Album Description:

In the smoke-filled, beer-soaked haze of the mid-70s hard rock scene, where giants like Led Zeppelin and Deep Purple reigned supreme, a new contender burst forth with a thunderous roar: Rainbow's "Rising." This wasn't just another album; it was a sonic hurricane, a musical maelstrom that redefined the genre and left an indelible mark on rock history.

1976 was a year of upheaval and change. The flower power dreams of the 60s had withered, and the world was grappling with economic turmoil and social unrest. But amidst the chaos, rock music remained a beacon of rebellion and release. Rainbow, led by the enigmatic guitar virtuoso Ritchie Blackmore, tapped into this zeitgeist, channeling the raw energy and angst of the times into a sonic explosion.

"Rising" wasn't just a collection of songs; it was a musical journey, a concept album that explored themes of mythology, fantasy, and the human condition. Blackmore, fresh from his departure from Deep Purple, assembled a powerhouse lineup: the soaring vocals of Ronnie James Dio, the thunderous bass of Jimmy Bain, the intricate keyboards of Tony Carey, and the relentless drumming of Cozy Powell. This wasn't a band; it was a musical force of nature.

The album's opening track, "Tarot Woman," sets the tone with its ominous, swirling keyboards and Dio's dramatic vocals. Blackmore's guitar riffs are like lightning bolts, electrifying the song with their sheer power and precision. "Run with the Wolf" is a hard-driving rocker, a call to arms for the disaffected youth of the 70s. Dio's lyrics are both poetic and visceral, painting vivid images of rebellion and freedom.

The centerpiece of "Rising" is the epic "Stargazer." This 8-minute opus is a musical odyssey, a journey through the cosmos fueled by Blackmore's soaring guitar solos and Dio's operatic vocals. It's a testament to the band's ambition and their willingness to push the boundaries of hard rock. "A Light in the Black" is a relentless instrumental showcase, a dizzying display of virtuosity that leaves the listener breathless.

"Rising" wasn't without its controversies. Some critics accused the band of being overly theatrical and bombastic. But that was precisely the point. Rainbow wasn't interested in subtlety or restraint. They were about excess, about pushing the limits of rock music to the breaking point. And in doing so, they created an album that was both exhilarating and unforgettable.

Produced by Martin Birch, known for his work with Deep Purple and Black Sabbath, and recorded at Musicland Studios in Munich, "Rising" is a sonic masterpiece. The album's sound is rich and layered, with each instrument given its own space to shine. Blackmore's guitar tone is particularly impressive, a perfect balance of power and clarity.

"Rising" wasn't just a commercial success; it was a critical triumph, hailed as one of the greatest hard rock albums of all time. It cemented Rainbow's place in rock history and inspired countless musicians to pick up their instruments and chase their dreams.

Music Genre:

English Heavy Metal / Hard Rock 

Album Production information:

The album: "RAINBOW - Rising FOC Gatefold" was produced by: Martin Birch

  • Martin Birch – Producer, Sound Engineer

    I first noticed Martin Birch on those early Iron Maiden sleeves—the ones with the typography that felt like a threat. At twelve, I didn’t care about "production value"; I just liked that the guitars didn't sound like mud. He was the man behind the sound mixer, the one who made the snare snap like a dry branch in a cold forest. He was "The Headmaster," and we were all just students of his high-voltage curriculum.

    Birch didn’t just record noise; he organized aggression. By 1972, he was already wrangling the messy brilliance of Deep Purple’s Machine Head, turning Ian Gillan’s banshee wails into something that didn't just clip the tape but lived inside it. In 1980, he pulled off the ultimate renovation, giving Black Sabbath a much-needed shower and a new spine. Heaven and Hell shouldn't have worked, but Martin polished that Birmingham sludge into something operatic and gleaming. It was a pivot that felt like fate, mostly because he refused to let the mid-range get lazy.

    Then came the long, obsessive stretch with Iron Maiden from 1981 to 1992. It was a twelve-year marriage to the fader. From the moment Killers (EMC 3357, for those who care) hit the shelves, the sound was physical. He knew how to let Steve Harris’s bass clatter like a machine gun without drowning out the melody—a sonic miracle that still feels fresh. You can almost smell the ozone and the dust on the Marshall stacks when the needle drops on The Number of the Beast. He stayed until Fear of the Dark, then simply walked away. No victory lap, no bloated memoir. He preferred the hum of the desk to the noise of the crowd, leaving us with nothing but the records and a slight sense of abandonment. But then, when you’ve already captured lightning on tape for twenty years, why bother hanging around for the rain?

  • This album was recorded at: Musicland Studios, 1976

    Album cover painting: Ken Kelly

  • Ken Kelly – Cover Artist

    Album-cover painter who made fantasy-metal look like it could bench-press your stereo.

    Ken Kelly, I file him under “artists who make a record sound louder before the needle even drops.” In the mid-to-late 1970s, his dramatic, high-contrast fantasy style landed on major sleeves for Rainbow (the Rising / Long Live Rock 'n' Roll era) and KISS (including the Destroyer and Love Gun period), and in the 1980s he went full heroic myth-making again with Manowar releases like Fighting the World and Kings of Metal. His iconic cover paintings for bands like KISS, Manowar, and Rainbow are basically visual volume knobs—turn them and everything gets bigger.

  • Album cover photography: Fin Costello

  • Fin Costello – Art Direction, Photography

    Fin Costello is the guy behind the lens who made loud bands look even louder—caught mid-stride, mid-sweat, mid-myth. I always pay extra attention when his photos are printed on album covers and inner sleeves.

    Fin Costello hit my radar the way the best photographers do: not with a signature, but with a feeling. You’re staring at a sleeve and suddenly you can hear the room. Hot lights. Hair stuck to foreheads. That thin layer of sweat that says the set is only halfway done.

    He comes out of late-1960s London photojournalism—learn the craft fast, get close, don’t ask the moment to repeat itself. And when the rock caravan starts dragging its cables across Europe, he’s already in the right place. Deep Purple (1972–1975) looks like volume you could measure with a broken window. Rainbow (1975–1977) looks sharper, richer, a little more dangerous in the fantasy costume. Then Ozzy Osbourne (1980–1983) arrives like a headline that won’t calm down.

    The thing I like is that Costello doesn’t “capture legends.” He catches people working. There’s a difference. Legends pose. Working musicians forget you’re there—until the flash reminds them, and even then he’s already moved on.

  •  

    Record Label & Catalognr:

    Oyster 2391 224

    Album Packaging:

    Gatefold/FOC (Fold Open Cover) Album Cover Design with artwork / photos on the inside cover pages

    Media Format:

    12" LP Vinyl Stereo Gramophone Record
    Total Album (Cover+Record) weight: 280 gram 

    Year & Country:

    1976 Made in Germany
    Personnel/Band Members and Musicians on: RAINBOW - Rising FOC Gatefold
      Band-members, Musicians and Performers
    • Jimmy Bain
    • Jimmy Bain – Bass

      Jimmy Bain is one of those bass players I call “quietly essential”: he doesn’t steal the spotlight, he just makes the whole thing hit harder and feel bigger. His lines have that no-nonsense weight that lets the guitars fly and the vocals preach without the bottom end turning to soup.

      Jimmy Bain, for me, is a perfect example of how a great bassist can be both glue and engine at the same time—solid timing, fat tone, and just enough bite to keep things from getting polite. Timeline-wise, I always track him from Harlot (early 1970s) into Rainbow (1975–1977), then a long stretch with Dio (1982–1989, plus later returns like 1993–1994 and 2004), with plenty of side quests in between—most famously with Riverdogs band (1990–1993). Jimmy Bain Wiki

    • Ritchie Blackmore (Deep Purple)
    • Ritchie Blackmore – Guitarist, Songwriter

      The guy who made the guitar sound both medieval and radioactive, often in the same solo.

      Ritchie Blackmore is the sort of name I see on a sleeve and instantly expect sparks: born Richard Hugh Blackmore (1945), he’s an English guitarist who helped hard-rock riffing grow teeth and then politely refused to stop. His era-stamps are basically whole chapters of rock history: Deep Purple (1968–1975, 1984–1993), where the riffs got louder, sharper, and more dramatic; Rainbow (1975–1984, 1993–1997), where he leaned into melody and fantasy like it was a weapon; and Blackmore’s Night (1997–present), where the electric storm calms down into Renaissance-folk textures without losing that unmistakable Blackmore touch. I love that arc: from amp-stacks and arena thunder to lutes-and-candles vibes, like he just swapped dragons for different dragons.

      "Blackmore Signature Strats" I’ve spent too many nights chasing that Blackmore chime. Fender’s Artist Series Strat is a love letter to his ‘70s obsession—Olympic White with a graduated scalloped rosewood board that makes your fingers feel like they’re floating. The electronics are pure Ritchie logic: two Seymour Duncan Quarter Pounds for the bite and a dummy middle pickup. It’s a prop, a plastic decoy for us mortals. Then there’s the Fender Japan ST72-145RB. MIJ builds have a surgical precision, keeping the ‘72 vibe alive for the obsessive collector. We hunt these like lost relics, justifying the cost because a standard neck feels one-dimensional by comparison. It’s a specialized tool for a very specific kind of madness. But then, isn't that the whole point?

    • Tony Carey - keyboards

      Tony Carey (Full-name: Anthony Lawrence Carey was born in Watsonville, Santa Cruz County, California, United States on 16 Oct 1953.

      During 1976 Carey's work on the album included the keyboard introduction to the opening track "Tarot Woman", and an extended keyboard solo on "A Light in the Black", the last cut on the album in "Rising", Ritchie Blackmore's Rainbow . He was 22 years old at that point. During 1977 he works as a keyboards in "On Stage", Ritchie Blackmore's Rainbow . He was 23 years old at that point. His occupation is Keyboard player.

    • Ronnie James Dio - Vocals
    • Ronnie James Dio – Vocals

      I always loved how he could turn a one-word hook into scripture, then grin and hit you again.

      Ronnie James Dio, the pocket-sized volcano whose voice could turn a pub into a cathedral, and whose phrasing hit like a boxer's jab. I watched him climb from Ronnie Dio and the Prophets (1961-1967) and the hard-touring Elf (1967-1975) into Rainbow (1975-1979), where he helped bottle that mix of medieval melody and street-fight hard rock. He rebooted Black Sabbath in two spells-1979-1982 and 1991-1992-then ran his own ship with Dio (1982-1991; 1993-2010), delivering anthems like "Holy Diver" without ever sounding cute. Late in the game he returned with the Sabbath lineup as Heaven & Hell (2006-2010), still singing on stage like the lights might go out mid-chorus.

    • Cozy Powell - Drums
    • Cozy Powell – Drums

      Cozy Powell is the kind of drummer I file under “human avalanche”: big hands, bigger feel, and a groove that hits like a freight train in leather pants.

      Cozy Powell, for me, is the textbook example of “power that still swings”—he can be thunderous without turning stiff, flashy without turning messy, and he always leaves space for the riff to breathe. When I hear him, I hear commitment: the snare cracks, the toms roll like incoming weather, and the whole band suddenly sounds like it got upgraded to arena mode. Timeline-wise, I always map his career in loud chapters—The Jeff Beck Group (1970–1972), Rainbow (1975–1980), Michael Schenker Group (1980–1982), Whitesnake (1982–1985), Emerson, Lake & Powell (1985–1986), Black Sabbath (1988–1991, 1994–1995), and the Brian May Band (1991–1992, 1993–1994, 1998).

    Complete Track-listing of the album "RAINBOW - Rising FOC Gatefold"

    The Song/tracks on "Rainbow with Ritchie Blackmore - Rising" are:

      Side One:
    1. Tarot Woman
    2. Run With the Wolf
    3. Starstruck
    4. Do You Close Your Eyes
      Side Two:
    1. Stargazer
    2. A Light in the Black
      
    High Quality Photo of Album Front Cover  "RAINBOW - Rising FOC Gatefold"

    High Resolution Photos of ritchies blackmore rainbow rising germany  

    High Resolution Photos of ritchies blackmore rainbow rising germany    

    Inner Sleeve   of "RAINBOW - Rising FOC Gatefold" Album
    High Resolution Photos of ritchies blackmore rainbow rising germany  
    Photo of "RAINBOW - Rising FOC Gatefold" Album's Inner Sleeve  

    High Resolution Photos of ritchies blackmore rainbow rising germany  

    High Resolution Photos of ritchies blackmore rainbow rising germany    

    Index of RAINBOW with RITCHIE BLACKMORE Vinyl Records and Album Gallery

    RAINBOW - Best of Rainbow album front cover vinyl record
    RAINBOW - Best of Rainbow

    "Rainbow Best of Rainbow" is a compilation album by the British rock band Rainbow, which was released in 1981. It features some of Rainbow's most popular and well-known tracks from their first six studio albums

    Best of Rainbow 12" Vinyl LP
    RAINBOW - Bent Out of Shape (French & German Releases)  album front cover vinyl record
    RAINBOW - Bent Out of Shape (French & German Releases)

    "Bent Out of Shape," a final studio album pre-Deep Purple reunion, marked a pivotal moment in the band's history. Released on vinyl LP in Germany, it showcased Ritchie Blackmore and Roger Glover before their return to Deep Purple.

    - Bent Out of Shape (1983, France) - Bent Out of Shape (1983, Germany)
    RAINBOW - Difficult to Cure album front cover vinyl record
    RAINBOW - Difficult to Cure 12" Vinyl LP

    Rainbow's fifth studio album, "Difficult to Cure" (1981), marked a pivotal moment in the band's evolution. Led by Ritchie Blackmore and featuring Joe Lynn Turner, the album blended hard rock with classical influences

    Difficult to Cure
    RAINBOW - Down To Earth album front cover vinyl record
    RAINBOW - Down To Earth

    "Down To Earth" album is a timeless classic that showcases the band's exceptional talent and musical prowess. With its memorable songs, exceptional performances, and the added visual element of the 12" photo insert/leaflet

    Down To Earth 12" Vinyl LP
    RAINBOW - Finyl Vinyl album front cover vinyl record
    RAINBOW - Finyl Vinyl

    "Final Vinyl" is a collection of live recordings and B-sides by Rainbow and was released in 1986, after the band had already ceased to be when Blackmore and Glover were part of the Deep Purple reformation.

    Finyl Vinyl 12" Vinyl LP
    RAINBOW - Long Live Rock 'n' Roll ( Netherlands, German and West-German Releases )  album front cover vinyl record
    RAINBOW - Long Live Rock 'n' Roll ( Netherlands, German and West-German Releases )

    "Long Live Rock and Roll," released on 9 April 1978, represents a pivotal moment in rock history. The collaboration between Ritchie Blackmore and Ronnie James Dio produced a groundbreaking album

    - Long Live Rock 'n' Roll (1978, Germany) - Long Live Rock 'n' Roll ( 1978 , Netherlands ) - Long Live Rock 'n' Roll (1978, West-Germany)
    Updated RAINBOW - On Stage album front cover vinyl LP album https://vinyl-records.nl

    The night Rainbow turned volume, fire, and ego into hard-rock canon

    RAINBOW - On Stage

    “Rainbow - On Stage” captures the band at peak power in 1977, when hard rock meant long solos, big drama, and zero restraint. Recorded live while “Rising” still ruled the racks, this double LP lets the songs stretch, burn, and roar. Dio dominates the stage, Blackmore lets riffs wander and bite, and the crowd fuels every climax. No studio safety net here—just loud amps, heavy grooves, and pure late-70s arena thunder.

    RAINBOW - Ritchie Blackmore's Rainbow album front cover vinyl record
    RAINBOW - Ritchie Blackmore's Rainbow

    “Ritchie Blackmore’s Rainbow” sounds like thunder trapped in crystal. It’s a 1975 time capsule where hard rock meets myth, led by Blackmore’s lyrical guitar and Dio’s commanding voice. Tracks like “Man on the Silver Mountain” and “Catch the Rainbow” feel born from the same storm—part medieval vision, part amplifier fury. A debut as confident as it is otherworldly.

    RAINBOW - Rising (Austria, German and USA Releases) album front cover vinyl record
    RAINBOW - Rising (Austria, German and USA Releases) 12" Vinyl LP

    "Rising" is the 2nd heavy metal album by Rainbow, released in 1976 . With founder Ritchie Blackmore retaining only Ronnie James Dio from the previous album, Rising has become known as the best album of Rainbow's career

    - Rising (1976, Austria) - Rising (1976, Germany) - Rising (1978, USA)
    RAINBOW - Straight Between the Eyes (Three International Versions)  album front cover vinyl record
    RAINBOW - Straight Between the Eyes (Three International Versions)

    Released in 1982, Rainbow's "Straight Between the Eyes" is a hard rock album featuring vocalist Joe Lynn Turner. Backed by Ritchie Blackmore's guitar, the album blends strong vocals with melodic hard rock

    - Straight Between the Eyes (1982, Germany) - Straight Between the Eyes (1982, Netherlands) - Straight Between the Eyes (1981, UK)