RAINBOW Long Live Rock and Roll 70s Hard Rock and Roll Album Cover Gallery & 12" Vinyl LP Discography Information #vinylrecords

Album Description :

Rainbow's "Long Live Rock and Roll" is a timeless classic that cemented the band's legacy in the world of rock history. The album, which was released in 1978, showcases the incredible musicianship of the band and features some of their most iconic songs.

The German 12" vinyl LP album of "Long Live Rock and Roll" is a must-have for any serious music collector. The album features eight tracks, including the titular track "Long Live Rock and Roll," which opens the album with a bang. The song is a celebration of rock music and features some incredible guitar work from Ritchie Blackmore, the band's legendary guitarist.

The album also features other classic tracks like "Lady of the Lake". These songs showcase the band's ability to weave complex musical arrangements with catchy melodies and memorable hooks. The vocals of Ronnie James Dio are also a standout feature of the album, with his soaring range and powerful delivery adding an extra layer of intensity to the music.

One of the most impressive aspects of the album is the diversity of the songs. While each track is undeniably a rock song, the band incorporates elements of blues, classical music, and even medieval folk music into their compositions. This adds a depth and richness to the music that is rarely seen in rock albums of the time.

The production on the album is also top-notch. The sound is crisp and clear, with each instrument and vocal track given ample space to shine. The album was produced by Martin Birch, who worked with some of the biggest names in rock music, including Deep Purple, Black Sabbath, and Iron Maiden. His expertise is evident in the way the album sounds, with every note and nuance captured perfectly.

Music Genre:

70s Hard Rock and Roll

Packaging:

Gatefold (FOC) album cover design.

Album Production Information:

Produced by Martin Birch, Bruce Payne

Martin Birch – Producer, Sound Engineer

I first noticed Martin Birch on those early Iron Maiden sleeves—the ones with the typography that felt like a threat. At twelve, I didn’t care about "production value"; I just liked that the guitars didn't sound like mud. He was the man behind the sound mixer, the one who made the snare snap like a dry branch in a cold forest. He was "The Headmaster," and we were all just students of his high-voltage curriculum. Read more...

Birch didn’t just record noise; he organized aggression. By 1972, he was already wrangling the messy brilliance of Deep Purple’s Machine Head, turning Ian Gillan’s banshee wails into something that didn't just clip the tape but lived inside it. In 1980, he pulled off the ultimate renovation, giving Black Sabbath a much-needed shower and a new spine. Heaven and Hell shouldn't have worked, but Martin polished that Birmingham sludge into something operatic and gleaming. It was a pivot that felt like fate, mostly because he refused to let the mid-range get lazy.

Then came the long, obsessive stretch with Iron Maiden from 1981 to 1992. It was a twelve-year marriage to the fader. From the moment Killers (EMC 3357, for those who care) hit the shelves, the sound was physical. He knew how to let Steve Harris’s bass clatter like a machine gun without drowning out the melody—a sonic miracle that still feels fresh. You can almost smell the ozone and the dust on the Marshall stacks when the needle drops on The Number of the Beast. He stayed until Fear of the Dark, then simply walked away. No victory lap, no bloated memoir. He preferred the hum of the desk to the noise of the crowd, leaving us with nothing but the records and a slight sense of abandonment. But then, when you’ve already captured lightning on tape for twenty years, why bother hanging around for the rain?

Martin Birch Wiki

Record Label & Catalognr:

Polydor 2391 335 (2391335)

Media Format:

12" Vinyl Full-Length Stereo Long-Play Gramophone Record
Album weight: 250 gram

Year & Country:

1978 Made in Germany

Band Members and Musicians on: Rainbow - Long Live Rock and Roll

Ritchie Blackmore
Ritchie Blackmore – Guitarist, Songwriter
The guy who made the guitar sound both medieval and radioactive, often in the same solo. Read more...

Ritchie Blackmore is the sort of name I see on a sleeve and instantly expect sparks: born Richard Hugh Blackmore (1945), he’s an English guitarist who helped hard-rock riffing grow teeth and then politely refused to stop. His era-stamps are basically whole chapters of rock history: Deep Purple (1968–1975, 1984–1993), where the riffs got louder, sharper, and more dramatic; Rainbow (1975–1984, 1993–1997), where he leaned into melody and fantasy like it was a weapon; and Blackmore’s Night (1997–present), where the electric storm calms down into Renaissance-folk textures without losing that unmistakable Blackmore touch. I love that arc: from amp-stacks and arena thunder to lutes-and-candles vibes, like he just swapped dragons for different dragons.

"Blackmore Signature Strats" I’ve spent too many nights chasing that Blackmore chime. Fender’s Artist Series Strat is a love letter to his ‘70s obsession—Olympic White with a graduated scalloped rosewood board that makes your fingers feel like they’re floating. The electronics are pure Ritchie logic: two Seymour Duncan Quarter Pounds for the bite and a dummy middle pickup. It’s a prop, a plastic decoy for us mortals. Then there’s the Fender Japan ST72-145RB. MIJ builds have a surgical precision, keeping the ‘72 vibe alive for the obsessive collector. We hunt these like lost relics, justifying the cost because a standard neck feels one-dimensional by comparison. It’s a specialized tool for a very specific kind of madness. But then, isn't that the whole point?

Ritchie Blackmore Wiki
Ronnie James Dio - Vocals
Ronnie James DIO – Vocals
DIO is straight-up one of my all-time favorite hard rock and heavy metal singers. I clock him as a once-in-a-generation voice: pure power, ridiculous control, and that storyteller energy that makes metal feel like a myth you can actually hold in your hands Read more...

I always track his timeline like chapters I keep re-reading: Elf (1967–1975) where he sharpened the blues-rock grit, Rainbow (1975–1979) where the fantasy thunder really took off, Black Sabbath (1979–1982, 1991–1992) where he helped reboot the doom machine, Dio (1982–2010) where he built his own kingdom, and Heaven & Hell (2006–2010) where the classics came roaring back live.

Ronnie James Dio, I don’t just hear a singer here — I hear a frontman who could make a chorus feel like a battle standard and a quiet line feel like a warning whispered in a cathedral. When he lit the fuse in Rainbow on “Ritchie Blackmore’s Rainbow” and especially “Rising” (yeah, that one), it was all high drama and sharpened melody. When he walked into Black Sabbath and dropped “ Heaven and Hell ” and “Mob Rules,” he didn’t “replace” anyone — he gave the band a whole second spine. And when he planted the flag with Dio on “Holy Diver” and “The Last in Line” (and later “Sacred Heart” for the big-chorus arena punch), the signature stayed the same: massive hooks, bigger conviction, and that unmistakable “this matters” intensity that makes you sit up like the record just called your name. Ronnie James Dio Wiki
Cozy Powell
Cozy Powell – Drums
Cozy Powell is the kind of drummer I file under “human avalanche”: big hands, bigger feel, and a groove that hits like a freight train in leather pants. Read more...
Cozy Powell, for me, is the textbook example of “power that still swings”—he can be thunderous without turning stiff, flashy without turning messy, and he always leaves space for the riff to breathe. When I hear him, I hear commitment: the snare cracks, the toms roll like incoming weather, and the whole band suddenly sounds like it got upgraded to arena mode. Timeline-wise, I always map his career in loud chapters—The Jeff Beck Group (1970–1972), Rainbow (1975–1980), Michael Schenker Group (1980–1982), Whitesnake (1982–1985), Emerson, Lake & Powell (1985–1986), Black Sabbath (1988–1991, 1994–1995), and the Brian May Band (1991–1992, 1993–1994, 1998).
Cozy Powell Wiki
Bob Daisley
Explore the extraordinary career of Bob Daisley, the bass maestro behind some of heavy metal's most iconic albums. From his groundbreaking work with Ozzy Osbourne to collaborations with Rainbow, Uriah Heep, and more, discover the stories, the riffs, and the enduring legacy of a true rock legend.
David Stone
David Stone (Birth-name: Michael David Stoyanoff ) an English keyboardist and pianist who is best known for his work with the legendary rock band Rainbow. He joined Rainbow in 1981 and appeared on their album "Difficult to Cure." Stone was with the band for three years and performed on several tours with them.

Before joining Rainbow, Stone was a session musician and worked with several notable artists, including The Alan Parsons Project, Kate Bush, and Gary Moore. He has also released several solo albums and continues to perform and record music.

As a keyboardist, Stone is known for his versatility and dynamic playing style, which combines classical, jazz, and rock influences. He has received critical acclaim for his work with Rainbow and is regarded as one of the best keyboardists in the rock genre.

Overall, David Stone is an accomplished musician with a long and varied career in the music industry. He continues to be a respected and sought-after performer and has made a significant impact on the rock music world.

Complete Track Listing of: Rainbow - Long Live Rock and Roll

The Song/tracks on "Rainbow - Long Live Rock and Roll" are:

Side One:

Long Live Rock and Roll
Lady of the Lake
L.A. Connection
Gates of Babylon

Side Two:

Kill the King
The Shed (Subtle)
Sensitive to Light
Rainbow Eyes

Album Cover Photo Gallery of: Rainbow - Long Live Rock and Roll

High Resolution Photos of rainbow long live rock roll germany

Note: The photos on this page are of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).